Freeman Gage Delamotte Collection

The New Houses of Parliament - the Great Clock at Westminster, 1857. Creator: Unknown
The New Houses of Parliament - the Great Clock at Westminster, 1857. Engraving from a photograph by Mr. Freeman De la Motte, showing the mechanism which powers the chimes of Big Ben

12th Century. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. Richard the Second. 1400. Small. Westminster Abbey, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Albert Durers Prayer Book, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th and 15th Centuries. Two Small. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. Date about 1340, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

13th Century. Henry the Third. Westminster Abbey, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

12th Century. Bodleian Library, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

13th Century. From Latin MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. From MS. Munich, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

11th Century and Numerals, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Gothic. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Charity, January 1, 1864. Creator: Freeman Gage Delamotte
Charity, January 1, 1864

Faith, January 1, 1864. Creator: Freeman Gage Delamotte
Faith, January 1, 1864

Hope, January 1, 1864. Creator: Freeman Gage Delamotte
Hope, January 1, 1864

Illuminated Initial and Saint, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial and Saint, 1830-62

Illuminated Initial N, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " N", 1830-62

Illuminated Leaf with Initial E (recto); Vine Border (verso), 1830-62
Illuminated Leaf with Initial " E" (recto); Vine Border (verso), 1830-62

Illuminated Initial from Hymnal, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial from Hymnal, 1830-62

Illuminated Initial O, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " O", 1830-62

Floral Border Design, 1830-62. Creator: Freeman Gage Delamotte
Floral Border Design, 1830-62

Illuminated Initial B, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " B", 1830-62

Illuminated Initial C, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " C", 1830-62

Illuminated Initial D, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Initial " D", 1830-62

Illuminated Letter D within a Decorated Border, 1830-62
Illuminated Letter " D" within a Decorated Border, 1830-62

Title page design for The Court Journal, 1830-62
Title page design for " The Court Journal", 1830-62

Hope, 1830-62. Creator: Freeman Gage Delamotte
Hope, 1830-62

Illuminated Leaf with Initial I, 1830-62. Creator: Freeman Gage Delamotte
Illuminated Leaf with Initial " I", 1830-62

Decorated Border, 1830-62. Creator: Freeman Gage Delamotte
Decorated Border, 1830-62

14th Century. Illuminated MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

14th Century. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

From MS. Library of Minerva, Rome, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

8th and 9th Centuries. Anglo-Saxon, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

9th Century. From an Anglo-Saxon MS. Battel Abbey, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

8th Century. Vatican, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

8th Century. British Museum, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Monograms, Crosses, &c. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. From Wood Engravings, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Numerals, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Initials, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

Metal Ornamental, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

German Arabesque, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

17th Century. Church Text MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

17th Century. MS. 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Gothic. MS, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Vatican, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

16th Century. Albert Durers Prayer Book. Large, 1862. From The Book of Ornamental Alphabets - Ancient & Mediae val, by F. G. Delamotte. [E. & F. Spon, London, 1862]

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"Exploring the Rich Artistic Legacy: Freeman Gage Delamotte" Step into a captivating journey through time as we delve into the remarkable works of Freeman Gage Delamotte, an artist whose passion for preserving history shines through his intricate illustrations. From the 12th to the 16th century, Delamotte's masterpieces offer us glimpses into various periods and places, showcasing his exceptional talent. In 1862, at the British Museum, one can witness the awe-inspiring beauty of Delamotte's depiction of the 12th-century era. The attention to detail in this artwork transports us back in time, allowing us to immerse ourselves in a world long gone but not forgotten. Moving forward to Westminster Abbey in that same year, we encounter another gem by Delamotte - a small yet powerful representation of Richard II from the 14th century. This piece captures both regality and vulnerability within its brushstrokes, leaving viewers captivated by its emotional depth. Delving deeper into history with Albert Durer's Prayer Book from the 16th century, we are treated to an exquisite fusion of artistry and spirituality. Delamotte's skillful interpretation breathes life into each page while honoring Durer's original vision. The British Museum once again unveils two smaller pieces from the 14th and 15th centuries - delicate treasures that showcase Delamotte's versatility as an artist. These artworks transport us across different eras and styles while maintaining their own unique charm. A date around 1340 comes alive under Delamotte’s skilled hand at Westminster Abbey where Henry III takes center stage. Through this masterpiece, we gain insight into medieval times and marvel at how art has preserved stories throughout generations. Venturing further with a visit to Bodleian Library reveals another hidden treasure - a glimpse into the enchanting world of Latin manuscripts from the 13th century.