Freischutz Collection

Madame Letellier as Nancy in Robin des Bois, 1824
Opera singer Madame Letellier as Nancy in the Romantic opera Robin des Bois by Carl Maria von Weber, Theatre Royal de l Odeon, 1824. Handcoloured lithograph by F

Valere as Richard in the Romantic opera Robin des Bois, 1824
Opera singer Valere as Richard in the Romantic opera Robin des Bois by Carl Maria von Weber, Theatre Royal de l Odeon, 1824. Handcoloured lithograph by F

WEBER/FREISCHUTZ/LIEBIG6
Act three, scene five : a hermit pleads for Max, he is forgiven, everyone is happy (except Caspar, now dead, but he has only himself to blame.) Date: first performed 1821

Scenes from Freischutz by Carl Maria von Weber, 1870 (litho)
XEE1079654 Scenes from Freischutz by Carl Maria von Weber, 1870 (litho) by French School, (19th century); Private Collection; (add.info.: Der FreischAotz, Op. 77, J)

Weber, Freischutz (chromolitho)
667163 Weber, Freischutz (chromolitho) by French School, (19th century); Private Collection; (add.info.: Weber, Freischutz, Card published by Guerin-Boutron, c 1900)

Madame Valere as Anna in Robin des Bois, 1824
Soprano singer Madame Valere as Anna in the Romantic opera Robin des Bois by Carl Maria von Weber, Theatre Royal de l Odeon, 1824. Handcoloured lithograph by F

Robin des Bois, Acte II, Scene derniere (engraving)
6005555 Robin des Bois, Acte II, Scene derniere (engraving) by French School, (19th century); Private Collection; (add.info.: Robin des Bois, Acte II, Scene derniere)

Alois Jelen as Max in the opera Der Freischutz by Carl Maria von Weber, 1826. Found in the collection of National Gallery, Prague

Source Size = 3825 x 2899
Scene from " der Freischutz" (The Wolfs Glen), at the Royal Italian Opera

WEBER: DER FREISCHUTZ, 1821. Theatre set for a 19th century production of Baron Carl Maria Friedrich Ernst Webers Der Freischutz, which he composed in 1821

WEBER: DER FREISCHUTZ, 1821. The Wolfs Gorge scene from Baron Carl Maria Friedrich Ernst von Webers Der Freischutz, 1821. Engraving, 19th century

Weber / Freischutz / Liebig5
Act three, scene five : the shooting contest - the magic bullet is guided by the devil to Caspar, not the dove that Max is aiming at

Weber / Freischutz / Liebig4
Act three, scene four : the dance of the bridesmaids

Weber / Freischutz / Liebig3
Act two, scene six : Max and Samiel (the devil, no less !) in the Wolfs Glen

Weber / Freischutz / Liebig2
Act two, scene one : Agathe and Aennchen in the head rangers house

Weber / Freischutz / Liebig1
Act one, scene one : the peasant Kilian has defeated the forester Max in a shooting contest : Max is in despair !

Freischutz : Wild Hunt
DER FREISCHUTZ Max is helping Caspar mould the magic bullets at the Wolfs Glen when a thunder storm breaks out and the Wild Hunt is seen in the sky

Freischutz; Samiel
DER FREISCHUTZ Caspars encounter with Samiel (the Devil) in the Wolfs Glen, when Samiel agrees to take Maxs soul in exchange for Caspar s

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Discover the enchanting world of 'Freischutz' - a masterpiece by Carl Maria von Weber that captivated audiences throughout the 19th century. This Romantic opera, also known as 'Der Freischutz, ' tells a tale of love, magic, and fate. Immerse yourself in its timeless melodies and thrilling plot. In 1824, Madame Letellier mesmerized as Nancy in another popular opera called 'Robin des Bois. ' Her performance showcased her remarkable talent and versatility on stage. Valere also shone brightly as Richard in the same production, leaving audiences spellbound with his powerful voice. Scenes from 'Freischutz' were brought to life through stunning lithographs in 1870. The chromolitho depiction of Weber's work added depth and color to this already captivating story, and is no wonder that these images continue to inspire artists and music lovers alike. Madame Valere took center stage once again in 1824, portraying Anna in 'Robin des Bois. ' Her portrayal of this character was praised for its emotional depth and impeccable vocal range. The engraving capturing the final scene of Act II showcases the dramatic intensity that made this production unforgettable. Alois Jelen's portrayal of Max in the opera 'Der Freischutz' was nothing short of extraordinary. His performance resonated with audiences who were moved by his passion and skill on stage. This source image allows us to appreciate Jelen's dedication to bringing this character to life. Robert Caney's incantation scene from 'Der Freischutz' transports us into a world where magic intertwines with reality. Caney's artistic interpretation captures the essence of Weber's composition beautifully, creating an atmosphere filled with mystery and intrigue. The theater set for a 19th-century production reveals how elaborate productions were during that time period. Baron Carl Maria Friedrich Ernst von Weber spared no expense when it came to creating an immersive experience for the audience.