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Frescoes Collection (page 6)

Frescoes, the vibrant and timeless art form that brings history to life

Background imageFrescoes Collection: Bedroom decorated with a frieze depicting towns under Medici rule

Bedroom decorated with a frieze depicting towns under Medici rule, begun by Nanni di Baccio Bigio (d.1568)
BEN107158 Bedroom decorated with a frieze depicting towns under Medici rule, begun by Nanni di Baccio Bigio (d.1568) and completed by Bartolomeo Ammannati (1511-1592) 1564-75 (photo); Villa Medici

Background imageFrescoes Collection: Hall of Battles (fresco)

Hall of Battles (fresco)
KW194305 Hall of Battles (fresco); Real Monasterio de San Lorenzo de El Escorial, Madrid, Spain; (add.info.: battle scenes painted by Spanish and Italian artists - Granelo;).

Background imageFrescoes Collection: The main door of the Botoneri Chapel with the paintings depicting the Passion of Christ

The main door of the Botoneri Chapel with the paintings depicting the Passion of Christ, 1514 (fresco)
8832385 The main door of the Botoneri Chapel with the paintings depicting the Passion of Christ, 1514 (fresco) by Botoneri, Giovanni di Cherasco (16th century); Santuario di San Magno, Castelmagno

Background imageFrescoes Collection: Female figure on a chandelier, 2nd century AD, National Roman Museum at the Baths of Diocletian

Female figure on a chandelier, 2nd century AD, National Roman Museum at the Baths of Diocletian, Rome, Italy (fresco)
6384412 Female figure on a chandelier, 2nd century AD, National Roman Museum at the Baths of Diocletian, Rome, Italy (fresco); Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageFrescoes Collection: Triclinium of the house of Livia, 20 - 10 BC (fresco)

Triclinium of the house of Livia, 20 - 10 BC (fresco)
6384358 Triclinium of the house of Livia, 20 - 10 BC (fresco); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Triclinium of the house of Livia, fresco, 20 - 10 BC)

Background imageFrescoes Collection: Coronation of the Virgin. Painting by Maso di Banco (active between 1335 - 1346), 1335. Fresco

Coronation of the Virgin. Painting by Maso di Banco (active between 1335 - 1346), 1335. Fresco. 150 x 390 cm
BEN5475800 Coronation of the Virgin. Painting by Maso di Banco (active between 1335 - 1346), 1335. Fresco. 150 x 390 cm. Opera di Santa Croce, Florence

Background imageFrescoes Collection: Representation of the craftsmen of Giorgio Vasari's workshop: from left to right

Representation of the craftsmen of Giorgio Vasari's workshop: from left to right: Bernardo di Mona Mattea
BEN5467067 Representation of the craftsmen of Giorgio Vasari's workshop: from left to right: Bernardo di Mona Mattea, Battista Botticelli, Stefano Veltroni, Marco da Faenza

Background imageFrescoes Collection: Portrait of the horse Glorioso Fresco by Giulio Pippi de' Jannuzzi known as Giulio Romano

Portrait of the horse Glorioso Fresco by Giulio Pippi de' Jannuzzi known as Giulio Romano (Julius Romano)
BEN5461717 Portrait of the horse Glorioso Fresco by Giulio Pippi de' Jannuzzi known as Giulio Romano (Julius Romano) (1492/1499-1546)) 1528 Horse Hall Palazzo del Te, Mantua (Mantova) by Romano

Background imageFrescoes Collection: The apotheosis of Hercules (fresco)

The apotheosis of Hercules (fresco)
BEN5461408 The apotheosis of Hercules (fresco) by Ricci, Sebastiano (1658-1734); Palazzo Marucelli-Fenzi, Florence, Italy; (add.info.: The apotheosis of Hercules)

Background imageFrescoes Collection: Inside, the southern chapel (chapel of St. James?), murals, 1594 ()

Inside, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 5: the count steals the relic
7242663 Inside, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 5: the count steals the relic, all beg him (Philip of Alsace seizes the head; Collegiale Saint-Pierre)

Background imageFrescoes Collection: St. George's Catholic Parish Church, interior with wall paintings from the late Carolingian or

St. George's Catholic Parish Church, interior with wall paintings from the late Carolingian or Ottonian period
7281458 St. George's Catholic Parish Church, interior with wall paintings from the late Carolingian or Ottonian period; Oberzell, Reichenau, Baden-Wurttemberg, Germany; (add.info.: St)

Background imageFrescoes Collection: Genoa cathedral, San Lorenzo Cathedral. Jesus and 12 apostles. Fresco. Genoa. Italy

Genoa cathedral, San Lorenzo Cathedral. Jesus and 12 apostles. Fresco. Genoa. Italy
7137053 Genoa cathedral, San Lorenzo Cathedral. Jesus and 12 apostles. Fresco. Genoa. Italy.; Cattedrale di San Lorenzo, Genoa, Italy; © Pascal Deloche/Godong.

Background imageFrescoes Collection: Painting on the ceiling of the church of Gesu Nuovo, Naples, Italy (fresco)

Painting on the ceiling of the church of Gesu Nuovo, Naples, Italy (fresco)
7062847 Painting on the ceiling of the church of Gesu Nuovo, Naples, Italy (fresco); Chiesa del Gesu Nuovo, Naples, Italy; (add.info.: Painting on the ceiling of the church of Gesu Nuovo, Naples)

Background imageFrescoes Collection: Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 11

Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 11
7242669 Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 11: the signature of Canon AdamLe Caron died in 1604 (Canon Adam Le Caron, donor of the fresco)

Background imageFrescoes Collection: Interior, the southern chapel (chapel of St. James?), murals, 1594 ()

Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 10: a prince in arms prays
7242668 Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 10: a prince in arms prays, another child is lying on the ground (a dead child is lying on the ground)

Background imageFrescoes Collection: Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 14: in the street

Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 14: in the street
7242672 Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 14: in the street, a little girl coming out of a well, supported by women; St

Background imageFrescoes Collection: Former abbay. Wall paintings. Louis Bert de l'Arbre. 1870. Neo-Gothic

Former abbay. Wall paintings. Louis Bert de l'Arbre. 1870. Neo-Gothic
7142040 Former abbay. Wall paintings. Louis Bert de l'Arbre. 1870. Neo-Gothic.; (add.info.: Hunnegem, Geraardsbergen, Oost-Vlaanderen, Belgium); © Paul Maeyaert. All rights reserved 2024.

Background imageFrescoes Collection: Vank cathedral, Esfahan, Iran (photo)

Vank cathedral, Esfahan, Iran (photo)
7062381 Vank cathedral, Esfahan, Iran (photo); Isfahan, Iran; (add.info.: Vank cathedral, Esfahan, Iran); Photo © Stefano Baldini.

Background imageFrescoes Collection: Fresco fragment showing flowering olive branches, circa 1800 BC -1700 BC (plaster; pigment)

Fresco fragment showing flowering olive branches, circa 1800 BC -1700 BC (plaster; pigment)
7309945 Fresco fragment showing flowering olive branches, circa 1800 BC -1700 BC (plaster; pigment); 6.2 cm; Ashmolean Museum, University of Oxford

Background imageFrescoes Collection: Finding of the three crosses and verification of the Cross, from The stories of the True Cross

Finding of the three crosses and verification of the Cross, from The stories of the True Cross (fresco)
8683612 Finding of the three crosses and verification of the Cross, from The stories of the True Cross (fresco) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany

Background imageFrescoes Collection: The Battle of Heraclius and Chosroes, detail of The Stories of the True Cross: killed man (fresco)

The Battle of Heraclius and Chosroes, detail of The Stories of the True Cross: killed man (fresco)
8683611 The Battle of Heraclius and Chosroes, detail of The Stories of the True Cross: killed man (fresco) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany

Background imageFrescoes Collection: The Battle of Heraclius and Chosroes, detail of The Stories of the True Cross: battle with men

The Battle of Heraclius and Chosroes, detail of The Stories of the True Cross: battle with men
8683607 The Battle of Heraclius and Chosroes, detail of The Stories of the True Cross: battle with men, swords and armours (fresco) by Francesca, Piero della (c.1415-92); Basilica San Francesco

Background imageFrescoes Collection: The Dream of Constantine, detail of The Stories of the True Cross (fresco)

The Dream of Constantine, detail of The Stories of the True Cross (fresco)
8683600 The Dream of Constantine, detail of The Stories of the True Cross (fresco) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany

Background imageFrescoes Collection: Apotheosis of St. Francis, Church of St Francis, Sassuolo, Italy

Apotheosis of St. Francis, Church of St Francis, Sassuolo, Italy
8683597 Apotheosis of St. Francis, Church of St Francis, Sassuolo, Italy by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo, Church of St)

Background imageFrescoes Collection: Bacchus and Silenus towards Lydia, 1650-52 (wall tempera painting)

Bacchus and Silenus towards Lydia, 1650-52 (wall tempera painting)
8683589 Bacchus and Silenus towards Lydia, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Background imageFrescoes Collection: Meneos' daughters, intent on the loom, are transformed into bats, 1650-52 (wall tempera painting)

Meneos' daughters, intent on the loom, are transformed into bats, 1650-52 (wall tempera painting)
8683588 Meneos' daughters, intent on the loom, are transformed into bats, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageFrescoes Collection: Little Bacchus with three nurses leaning over him, 1650-52 (wall tempera painting)

Little Bacchus with three nurses leaning over him, 1650-52 (wall tempera painting)
8683570 Little Bacchus with three nurses leaning over him, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageFrescoes Collection: La Scala Santa at the Monastery San Benedetto near Subiaco, 1857 (oil on canvas)

La Scala Santa at the Monastery San Benedetto near Subiaco, 1857 (oil on canvas)
8711990 La Scala Santa at the Monastery San Benedetto near Subiaco, 1857 (oil on canvas) by Roed, Jorgen (1808-88); Nivaagaards Malerisamling, Niva

Background imageFrescoes Collection: Holy knight guarding the Porta Clausa (fresco)

Holy knight guarding the Porta Clausa (fresco)
8683619 Holy knight guarding the Porta Clausa (fresco) by Anghiari, Antornio da (15th century) (attr.to); Basilica San Francesco, Arezzo, Tuscany

Background imageFrescoes Collection: One of the forty-one panels with scenes which narrate the events of Bacchus

One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting)
8683565 One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageFrescoes Collection: Birth of Bacchus , 1650-52 (wall tempera painting)

Birth of Bacchus , 1650-52 (wall tempera painting)
8683564 Birth of Bacchus , 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo, Este Ducal Palace)

Background imageFrescoes Collection: Bacchus, Lycurgus and Hermes Trismegistus, 1650-52 (wall tempera painting)

Bacchus, Lycurgus and Hermes Trismegistus, 1650-52 (wall tempera painting)
8683546 Bacchus, Lycurgus and Hermes Trismegistus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Background imageFrescoes Collection: Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus' corpse into pieces

Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus' corpse into pieces
8683543 Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus' corpse into pieces, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense

Background imageFrescoes Collection: View of the Bacchus Gallery, 1650 - 52 (wall tempera painting)

View of the Bacchus Gallery, 1650 - 52 (wall tempera painting)
8683540 View of the Bacchus Gallery, 1650 - 52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Background imageFrescoes Collection: Paradise, detail, 1651-52 (fresco)

Paradise, detail, 1651-52 (fresco)
8683522 Paradise, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Paradise", fresco by Mattia Preti)

Background imageFrescoes Collection: Concerts of Angels, detail, 1651-52 (fresco)

Concerts of Angels, detail, 1651-52 (fresco)
8683519 Concerts of Angels, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageFrescoes Collection: Concerts of Angels, detail, 1651-52 (fresco)

Concerts of Angels, detail, 1651-52 (fresco)
8683513 Concerts of Angels, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageFrescoes Collection: Concerts of Angels, detail, 1651-52 (fresco)

Concerts of Angels, detail, 1651-52 (fresco)
8683512 Concerts of Angels, detail, 1651-52 (fresco) by Preti, Mattia (Il Calabrese) (1613-99); Chiesa di San Biagio nel Carmine, Modena, Italy; (add.info.: "Concerts of Angels")

Background imageFrescoes Collection: Agamemnon immobilized by Clytemnestra, 14th century (fresco)

Agamemnon immobilized by Clytemnestra, 14th century (fresco)
8683311 Agamemnon immobilized by Clytemnestra, 14th century (fresco) by Bindoccio, Cristoforo di & Piero, Meo di (14th century); Museo di palazzo Corboli (Museo civico archeologico e d'arte sacra)

Background imageFrescoes Collection: The Judgment of Solomon, 14th century (fresco)

The Judgment of Solomon, 14th century (fresco)
8683308 The Judgment of Solomon, 14th century (fresco) by Bindoccio, Cristoforo di & Piero, Meo di (14th century); Museo di palazzo Corboli (Museo civico archeologico e d'arte sacra), Asciano

Background imageFrescoes Collection: The Wheel of Aristotle with the cardinal virtues, 14th century (fresco)

The Wheel of Aristotle with the cardinal virtues, 14th century (fresco)
8683307 The Wheel of Aristotle with the cardinal virtues, 14th century (fresco) by Bindoccio, Cristoforo di & Piero, Meo di (14th century)

Background imageFrescoes Collection: NARA: Tresor of the TODAI-JI temple, detail of an 18th century screen

NARA: Tresor of the TODAI-JI temple, detail of an 18th century screen
THT4307436 NARA: Tresor of the TODAI-JI temple, detail of an 18th century screen.; (add.info.: NARA: Tresor of the TODAI-JI temple, detail of an 18th century screen.); © Jacques Marthelot

Background imageFrescoes Collection: The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546)

The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546)
BEN78403 The Loggia delle Muse northern facade of the Cortile d'Onere designed by Giulio Romano (1499-1546), 1524-34 (photo) (detail of 78404); Palazzo del Te, Mantua

Background imageFrescoes Collection: Kings of the Nasrid Dynasty. Fresco decorating the hall of kings or courtroom of the Alhambra

Kings of the Nasrid Dynasty. Fresco decorating the hall of kings or courtroom of the Alhambra
AIS5353243 Kings of the Nasrid Dynasty. Fresco decorating the hall of kings or courtroom of the Alhambra (monuments of Islamic architecture in Granada) also calls "the red" (fresco)

Background imageFrescoes Collection: Roman house fresco in Narbonne (fresco)

Roman house fresco in Narbonne (fresco)
PCT4296457 Roman house fresco in Narbonne (fresco); (add.info.: Roman house fresco in Narbonne (Aude, 11, Languedoc, Occitanie)

Background imageFrescoes Collection: View of the Last Judgement. Fresco begun by Giorgio Vasari (1511-1574)

View of the Last Judgement. Fresco begun by Giorgio Vasari (1511-1574) in 1574 and finished by Federico Zuccaro
BEN5467971 View of the Last Judgement. Fresco begun by Giorgio Vasari (1511-1574) in 1574 and finished by Federico Zuccaro (1542-1609), dome of the Church of Santa Maria del Fiore (Duomo) by Vasari

Background imageFrescoes Collection: The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo)

The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo)
BEN78416 The loggia of the Appartamento della Grotta designed by Giulio Romano (1499-1546), 1524-34 (photo); Palazzo del Te, Mantua, Italy; Photo © Raffaello Bencini.

Background imageFrescoes Collection: The Sun in the church of St. Francis museum centre, Evora

The Sun in the church of St. Francis museum centre, Evora
7264973 The Sun in the church of St. Francis museum centre, Evora; Igreja Real de Sao Francisco, Evora, Portugal; (add.info.: Stylized image of the sun in the church of St)



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Frescoes, the vibrant and timeless art form that brings history to life. From the Nativity scene fresco designed and painted by Dom Georges Saget in 1963 to the stunning painting of the Visitation in the Visitation church in Ein Kerem, Israel, these masterpieces capture moments of profound significance. In Pompeii's National Archaeological Museum, a portrait of a young girl named Sappho emerges from ancient ruins, showcasing both beauty and fragility frozen in time. The Garden Paintings from the Villa of Livia transport us to an enchanting world where nature intertwines with human creativity. The Trompe l'oeil garden from the Villa of Livia takes us back to 40-20 BC when this technique mesmerized viewers with its illusionary depth. Meanwhile, at Franciscan Church in Vienna, Jesus, God, and the Holy Spirit are depicted through intricate frescoes that inspire awe and reverence. Moving across continents to Ybor City Historic District in Tampa, Florida, we encounter a captivating mural by Chico that tells stories of community and heritage. In Argentina's Santa Cruz lies the Cave of Hands; its detailed frescoes offer glimpses into ancient civilizations long gone but not forgotten. Coit Tower stands tall amidst San Francisco's skyline adorned with breathtaking frescoes that celebrate labor movements and social justice. And as we journey further east to Lake Tana in Ethiopia's Narga Selassie Church paintings reveal spiritual devotion intertwined with cultural traditions. Finally, Raphael's Transfiguration transports us back to 1517 - an era defined by artistic brilliance where religious narratives were brought alive on walls for all to witness. Frescoes transcend time and geography; they connect us deeply with our past while igniting our imagination for what lies ahead. These magnificent works remind us that art has no boundaries – it is a universal language capable of evoking emotions across generations.