Fright Collection (page 2)

Terror or Fright (from Heads Representing the Various Passions of the Soul; as they are E... 1765. Creator: Anon)
Terror or Fright (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Oh Ma, Oh Ma! I see Mr Fox a-comin! (colour litho)
IL335177 Oh Ma, Oh Ma! I see Mr Fox a-comin! (colour litho) by Rountree, Harry (Herbert R.) (1878-1950); Private Collection; (add.info)

No. 0456c Joseph making himself known to his brethren, plate 3 of The Story of Joseph, c
FIT77535 No.0456c Joseph making himself known to his brethren, plate 3 of The Story of Joseph, c.1785 (pencil, w/c, pen and ink on paper) by Blake

Fright, n. d. Creator: John Downman
Fright, n.d

The giant Galligantua and the wicked old magician transform the duke
2636479 The giant Galligantua and the wicked old magician transform the dukes daughter into a white hind, illustration to Jack the Giant Killer from English Fairy Tales Retold by F.A

The Rattlesnake, 1905 (bronze) (b / w photo)
PNP244883 The Rattlesnake, 1905 (bronze) (b/w photo) by Remington, Frederic (1861-1909); Private Collection; Peter Newark Western Americana; American, out of copyright

Passions from Physiognomy, 1829 (engraving)
5893741 Passions from Physiognomy, 1829 (engraving) by Smellie, William (1697-1763); (add.info.: Passions from Johann Caspar Lavaters Physiognomy)

Circe Changing the Companions of Ulysses into Boars (oil on canvas)
475780 Circe Changing the Companions of Ulysses into Boars (oil on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64)

Lady badly burned in an accident with a paraffin lamp. Date: 1871

Manfred on the Jungfrau, 1837 (w / c on paper)
BIR108327 Manfred on the Jungfrau, 1837 (w/c on paper) by Martin, John (1789-1854); Birmingham Museums and Art Gallery; English, out of copyright

The Lovers Alphabet (colour litho)
610785 The Lovers Alphabet (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info.: The Lovers Alphabet.); Look and Learn / Peter Jackson Collection

Latona transforming the peasants into frogs, c. 1644 (oil on copper)
FIT282858 Latona transforming the peasants into frogs, c.1644 (oil on copper) by Hulsman, Johann (fl.1632); 23.8x30.5 cm; Fitzwilliam Museum, University of Cambridge

Boy bitten by a lizard, 1596-97 (oil on canvas)
3900540 Boy bitten by a lizard, 1596-97 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Roberto Longhi Foundation, Florence, Tuscany, Italy; Italian, out of copyright

Did You Ring Sir? (b / w photo)
3094076 Did You Ring Sir? (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Did You Ring Sir? Postcard, early 20th century.); © Look and Learn

A Friend in Disguise (chromolitho)
2800411 A Friend in Disguise (chromolitho) by English School, (19th century); Private Collection; (add.info.: A Friend in Disguise. Illustration for The Prize, 1886.); © Look and Learn

Interruption of a theatre performance by a bullock, Villefranche-de-Lauragais, France, 1897 (colour litho)
971933 Interruption of a theatre performance by a bullock, Villefranche-de-Lauragais, France, 1897 (colour litho) by French School

"Ain t we fine? get along, you fright! hold your tongue! kiss me, dear;ha! ha!"(colour litho)
973801 " Ain t we fine? get along, you fright! hold your tongue! kiss me, dear; ha! ha!" (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: " Ain t we fine)

Fear (chromolitho)
1094471 Fear (chromolitho) by French School, (19th century); Private Collection; (add.info.: Fear. French educational card, late 19th or early 20th century.); © Look and Learn

Had a fright (litho)
1074197 Had a fright (litho) by Anderson, Anne (1874-1930); Private Collection; (add.info.: The Busy Bunny Book published by Nelson circa 1920); Scottish, out of copyright

A Horse Frightened by a Lion, after George Stubbs (1724-1806), 1788 (engraving by mixed methods on laid paper)
996302 A Horse Frightened by a Lion, after George Stubbs (1724-1806), 1788 (engraving by mixed methods on laid paper) by Stubbs, George Townley (1756-1815); 25x33.1 cm; Art Gallery of Ontario

Political cartoon depicting President Andrew Jackson (1767-1845
AQS254839 Political cartoon depicting President Andrew Jackson (1767-1845) being frightened by the prospect of the black vote in America (litho) by American School

The Hare and the Frogs, from The Fables of La Fontaine
OTB182318 The Hare and the Frogs, from The Fables of La Fontaine, engraved by Stephane Pannemaker (1847-1930) c.1868 (engraving) by Dore, Gustave (1832-83) (after); Private Collection; French

Tobias and the Angel (oil on canvas)
SOU104930 Tobias and the Angel (oil on canvas) by Corradi, Francesco (1570-1661); 192x214.5 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; Italian, out of copyright

Latona and the Frogs (oil on copper)
GG109491 Latona and the Frogs (oil on copper) by Trevisani, Francesco (1656-1746); 16.1x26.3 cm; Private Collection; (add.info.: mother of Apollo and Diana; ); Photo eGavin Graham Gallery, London

A Surprise (colour litho)
2818166 A Surprise (colour litho) by Lobrichon, Timoleon Marie (1831-1914); Private Collection; (add.info.: A Surprise. A painting by Lobrichon. Une Surprise. Tableau de Lobrichon)

So great was his fright that his waistcoat turned white
1202331 So great was his fright that his waistcoat turned white, from The Hunting of the Snark, an Agony in Eight Fits, by Lewis Carroll, pub

The Ghost Story (w / c)
Ma62374 The Ghost Story (w/c) by Smallfield, Frederick (1829-1915); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Girl riding a fast pony, with dogs following (colour litho)
5995783 Girl riding a fast pony, with dogs following (colour litho) by Vincent, Rene (1871-1936); Private Collection; (add.info.: Girl riding a fast pony, with dogs following)

What I Look Like when I m Lecturing (litho)
3627432 What I Look Like when I m Lecturing (litho) by Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98); Private Collection; (add.info.: What I Look Like when I m Lecturing)

An African adventure in the heart of Vienna (colour litho)
2809209 An African adventure in the heart of Vienna (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: An African adventure in the heart of Vienna)

"So-so-sorry, I m sure!"Thought you were a cabbage stalk (litho)
1074190 " So-so-sorry, I m sure!" Thought you were a cabbage stalk (litho) by Anderson, Anne (1874-1930); Private Collection; (add.info)

La Crainte (The Fright) (engraving)
615466 La Crainte (The Fright) (engraving) by Leprince, Jean-Baptiste (1734-81) (after); 49.7x43 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Casualties of London street walking (coloured engraving)
560222 Casualties of London street walking (coloured engraving) by English School, (19th century); Private Collection; (add.info)

The team of oxen breaks loose (oil on canvas)
XKH150943 The team of oxen breaks loose (oil on canvas) by Schmitson, Teutwart (1830-63); 170x143 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Chaos in the kitchen (coloured engraving)
5198805 Chaos in the kitchen (coloured engraving) by Alken, Henry Thomas (1785-1851) (after); Private Collection; (add.info.: Chaos in the kitchen. Unidentified print.); © Look and Learn

"A dragon-fly came by"(colour litho)
6013945 " A dragon-fly came by" (colour litho) by Neilson, Harry B (1861-1941); Private Collection; (add.info.: " A dragon-fly came by." Illustration for Jumbos Jolly Tales by)

A Stranger in a Strange Land (engraving)
1627107 A Stranger in a Strange Land (engraving) by Wain, Louis (1860-1939); Private Collection; (add.info.: A Stranger in a Strange Land. Illustration for The Illustrated London News, 14 June 1890)

Military Manoeuvres in India, the Elephants of the Heavy Field-Battery taking Fright at a Passing Train (engraving)
1047889 Military Manoeuvres in India, the Elephants of the Heavy Field-Battery taking Fright at a Passing Train (engraving) by Small

Swimmers pursued by sea monster (colour litho)
3093267 Swimmers pursued by sea monster (colour litho) by French School, (20th century); Private Collection; (add.info.: Swimmers pursued by sea monster)

The Jealous Spectrum (Colour Litho)
2778214 The Jealous Spectrum (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Jealous Specter)

Wild game of Africa fleeing before fire (chromolitho)
726990 Wild game of Africa fleeing before fire (chromolitho) by English School, (19th century); Private Collection; (add.info.: Wild game of Africa fleeing before fire)

May your Birthday be happy and bright - children holding desperately to branch (colour litho)
6031175 May your Birthday be happy and bright - children holding desperately to branch (colour litho) by English School, (19th century); Private Collection; (add.info)

Two Fools and Their Folly (engraving)
1626223 Two Fools and Their Folly (engraving) by Hardy, Evelyn Stuart (1865-1935); Private Collection; (add.info.: Two Fools and Their Folly)

A ghastly stage-fright seized him (litho)
5224930 A ghastly stage-fright seized him (litho) by Brehm, Worth (1883-1928); Private Collection; (add.info.: A ghastly stage-fright seized him)

A Canoeing Expedition on a West African River, a Traders Story (engraving)
1051131 A Canoeing Expedition on a West African River, a Traders Story (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info)

the stage fright of the cellist
Roswitha Schleicher-Schwarz

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"Fright: A Journey through Art and Literature" Step into the world of fright, where art and literature intertwine to evoke spine-tingling sensations. From Rembrandt's haunting masterpiece "Supper at Emmaus" to Leon-Maxime Faivre's enigmatic "Deux meres, " fear takes on various forms. As you board "The Ghost Train" on the thrills and laughter line, prepare for a hair-raising adventure that will leave you breathless. Dickens' timeless tale, "Christmas Carol, " reminds us that even in the darkest moments, redemption can be found. George Studdy's iconic illustration, "His Broadcast Masters Voice, " captures the essence of terror as we confront our deepest fears. And who could forget Medusa's menacing gaze in her infamous portrait? In Studdy's whimsical creation, aptly titled "Studdys Nightmare, " we delve into a surreal realm where nightmares come alive. Meanwhile, an 18th-century fair is thrown into disarray when feathers fly in "The Feathered Fair in a Fright. " Mrs F G Kimberley poses thought-provoking questions with her artwork titled "Was She To Blame?" inviting introspection about responsibility amidst fear-inducing situations. Cecil Aldin brings Hans Christian Andersen's classic story to life with his depiction of the Ugly Duckling finding solace amidst uncertainty. Remember Little Miss Muffet? Her encounter with a spider serves as a reminder that sometimes even nursery rhymes hold elements within their innocent verses. And Mrs Wren gives The Bunnies quite a scare in an unexpected twist. "Fright" transcends time and medium; it captivates our imagination while reminding us of our vulnerability. Whether through brushstrokes or words on paper, artists throughout history have sought to explore this universal emotion that resides deep within us all.