Froben Collection

Woodcut from 1518 third edition of Utopia by Sir Thomas More (1478-1535
5615729 Woodcut from 1518 third edition of Utopia by Sir Thomas More (1478-1535) published in Basel showing the author conversing with the protagonist Raphael Hythloday about the ideal society he

Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of
5615730 Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Printers mark of Johann Frobens (c. 1460 -1527) showing two hands holding
5615734 Printers mark of Johann Frobens (c.1460 -1527) showing two hands holding the caduceus from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Title page from the 1518 Basel third edition of Utopia
5615735 Title page from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543)

Illuminated "N"from the 1518 Basel third edition of Utopia
5615733 Illuminated " N" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Illuminated "V"from the 1518 Basel third edition of Utopia
5615732 Illuminated " V" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Illuminated "O"from the 1518 Basel third edition of Utopia
5615731 Illuminated " O" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Map of the New Island of Utopia from a 1518 edition of Utopia
5615727 Map of the New Island of Utopia from a 1518 edition of Utopia by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c)

Portrait of Johann Froben (Johannes Frobenius in Latin). Famous printer and publisher from Basel

Portrait of Emanuel Froben, I. Wyngaerden, 1666

Portrait of Johann Froben, Lambert Visscher, Johannes de Ram, 1658 - 1693

PRINTERs DEVICE, 1515. Device used by Johann Froben, Basel, Switzerland, 1515

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"Froben: A Legacy of Printing and Enlightenment" Step into the world of Johann Froben, a renowned printer whose contributions to literature and knowledge shaped the Renaissance era. From woodcuts in Sir Thomas More's Utopia to illuminated letters that adorned the pages, Froben's craftsmanship brought stories to life. In 1518, the third edition of Utopia showcased Froben's meticulous attention to detail. The woodcut illustrations transported readers to an imaginary land, while his printers mark depicted two hands holding - a symbol of collaboration and unity. The title page itself was a work of art, capturing the essence of Utopia with its intricate design. Illuminated letters "N, " "V, " and "O" added elegance and sophistication to each chapter they introduced. Froben's dedication extended beyond printing; he also commissioned portraits that immortalized him and his son Emanuel. These paintings by artists like I. Wyngaerden and Lambert Visscher captured their personalities for future generations. One cannot overlook Froben's iconic printer device from 1515—a testament to his professionalism and innovation in Basel, Switzerland. This device represented his commitment to excellence in every book he printed. Through these glimpses into history, we see how Johann Froben left an indelible mark on the world of printing during this transformative period. His passion for disseminating knowledge through beautifully crafted books continues to inspire us today as we cherish these artifacts from centuries past.