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Frontespizio Collection

"Frontespizio: A Glimpse into Musical Masterpieces" Step into the world of music through the captivating frontispieces that adorn timeless treatises and compositions

Background imageFrontespizio Collection: Frontispiece of treatise 'Practica musicae'by Franchini (Franchino) Gaffurio (Franchinus Gaffurius)

Frontispiece of treatise "Practica musicae"by Franchini (Franchino) Gaffurio (Franchinus Gaffurius)
LRI557692 Frontispiece of treatise " Practica musicae" by Franchini (Franchino) Gaffurio (Franchinus Gaffurius) (1451-1522) by Italian School

Background imageFrontespizio Collection: 'The Guidonian hand'Frontispiece from 'Tractatus musices'

"The Guidonian hand"Frontispiece from "Tractatus musices"
LRI557783 " The Guidonian hand" Frontispiece from " Tractatus musices". by Italian School, (15th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Background imageFrontespizio Collection: Portrait of Cesare Negri called Il Trombone (1536-1604), an italian dancer

Portrait of Cesare Negri called Il Trombone (1536-1604), an italian dancer
LRI557838 Portrait of Cesare Negri called Il Trombone (1536-1604), an italian dancer by Italian School, (17th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Background imageFrontespizio Collection: Frontispiece of 'Symphony N. 7'by austrian composer Wolfgang Amadeus Mozart

Frontispiece of "Symphony N. 7"by austrian composer Wolfgang Amadeus Mozart
LRI557830 Frontispiece of " Symphony N. 7" by austrian composer Wolfgang Amadeus Mozart (1756-1791). by Austrian School, (18th century); Museo internazionale e biblioteca della musica

Background imageFrontespizio Collection: Frontispiece of 'Modo per imparare a sonare di tromba'

Frontispiece of "Modo per imparare a sonare di tromba"
LRI557671 Frontispiece of " Modo per imparare a sonare di tromba" method to learn trumpet by Girolamo Fantini (1600-1675) by Italian School

Background imageFrontespizio Collection: Frontispiece of 'Regola Rubertina'treatise on viola da gamba bySilvestro

Frontispiece of "Regola Rubertina"treatise on viola da gamba bySilvestro
LRI557698 Frontispiece of " Regola Rubertina" treatise on viola da gamba bySilvestro Ganassi dal Fontego by Italian School, (16th century); Museo internazionale e biblioteca della musica

Background imageFrontespizio Collection: Frontispiece of 'Harmonie universelle contenant la theorie et la pratique de la

Frontispiece of "Harmonie universelle contenant la theorie et la pratique de la
LRI557806 Frontispiece of " Harmonie universelle contenant la theorie et la pratique de la musique" by Marin Mersenne (Marin Mersennus or le Pere Mersenne) (1588-1648), 1637

Background imageFrontespizio Collection: Frontispiece with Fontegara in 'Opera intitulata Fontegara'

Frontispiece with Fontegara in "Opera intitulata Fontegara"
LRI557695 Frontispiece with Fontegara in " Opera intitulata Fontegara" by venetian musician Silvestro Ganassi dal Fontego by Italian School

Background imageFrontespizio Collection: Frontispiece of musical score of 'Due trietti per due violini e violoncello'

Frontispiece of musical score of "Due trietti per due violini e violoncello"
LRI557643 Frontispiece of musical score of " Due trietti per due violini e violoncello" by Luigi Boccherini by Italian School, (18th century); Private Collection; Luisa Ricciarini; Italian

Background imageFrontespizio Collection: Frontispiece from 'Regula musica'by Bonaventura da Brescia (c. 1452-c. 1517)

Frontispiece from "Regula musica"by Bonaventura da Brescia (c. 1452-c. 1517)
LRI557653 Frontispiece from " Regula musica" by Bonaventura da Brescia (c. 1452-c. 1517) by Italian School, (16th century); Museo internazionale e biblioteca della musica, Bologna

Background imageFrontespizio Collection: Frontispiece of 'Zwei elegische melodien'by Edward Hagerup Grieg (1843-1907)

Frontispiece of "Zwei elegische melodien"by Edward Hagerup Grieg (1843-1907)
LRI557717 Frontispiece of " Zwei elegische melodien" by Edward Hagerup Grieg (1843-1907). by German School, (19th century); Private Collection; Luisa Ricciarini; German, out of copyright

Background imageFrontespizio Collection: Frontispiece of musical score of 'Balletti a tre, opera III'

Frontispiece of musical score of "Balletti a tre, opera III"
LRI557625 Frontispiece of musical score of " Balletti a tre, opera III" by Tomaso Albinoni (1671-1750) by Italian School, (18th century); Museo internazionale e biblioteca della musica

Background imageFrontespizio Collection: Frontispiece of 'Practica musica'by Hermann Finck (1527-1558

Frontispiece of "Practica musica"by Hermann Finck (1527-1558
LRI557674 Frontispiece of " Practica musica" by Hermann Finck (1527-1558) german composer and music theorician by Italian School

Background imageFrontespizio Collection: Frontispiece detail of 'Sinfonia in mi bemolle maggiore

Frontispiece detail of "Sinfonia in mi bemolle maggiore
LRI557668 Frontispiece detail of " Sinfonia in mi bemolle maggiore : dedicata alla memoria di Bellini" by Gaetano Donizetti (1797-1848)

Background imageFrontespizio Collection: Frontispiece of 'Le Gratie d Amore'(Le Grazie d

Frontispiece of "Le Gratie d Amore"(Le Grazie d
LRI557836 Frontispiece of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance by Italian School

Background imageFrontespizio Collection: Frontispiece of musical score of 'Sei canoni'by italian composer Natale

Frontispiece of musical score of "Sei canoni"by italian composer Natale
LRI557833 Frontispiece of musical score of " Sei canoni" by italian composer Natale Mussini (1765-1837) dedicated to the Queen of Prussia by Italian School

Background imageFrontespizio Collection: Frontispiece of musical score of concerto for piano and harpsichord by austrian composer

Frontispiece of musical score of concerto for piano and harpsichord by austrian composer
LRI557824 Frontispiece of musical score of concerto for piano and harpsichord by austrian composer Wolfgang Amadeus Mozart (1756-1791)

Background imageFrontespizio Collection: Lapide del primo frontespizio Lettere di givstificazione

Lapide del primo frontespizio Lettere di givstificazione
Lapide del primo frontespizio, Lettere di givstificazione, Piranesi, Giovanni Battista, 1720-1778, Etching, 1757


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"Frontespizio: A Glimpse into Musical Masterpieces" Step into the world of music through the captivating frontispieces that adorn timeless treatises and compositions. Franchini Gaffurio's "Practica musicae" reveals a majestic frontispiece, inviting us to explore the depths of musical theory. In "Tractatus musices, " witness the enigmatic Guidonian hand guiding our understanding of harmony. The Italian dancer Cesare Negri, known as Il Trombone, captivates us with his portrait in yet another striking frontispiece. His graceful movements echo through time, reminding us of the beauty and artistry within dance. Wolfgang Amadeus Mozart's Symphony No. 7 enchants us from its very beginning with an exquisite frontispiece that sets the stage for a symphonic masterpiece. Meanwhile, "Modo per imparare a sonare di tromba" entices aspiring trumpeters with its enticing frontispiece. Silvestro's treatise on viola da gamba, "Regola Rubertina, " showcases an intricate frontispiece that beckons musicians to delve into this enchanting instrument's secrets. Harmonie universelle by Marin Mersenne presents a grandiose frontispiece encompassing both theory and practice. Fontegara takes center stage in an opera titled Fontegara - its alluring frontispiece capturing our attention before we even hear a single note played on this unique recorder-like instrument. The musical score for "Due trietti per due violini e violoncello" unveils its melodic journey through an elegant and refined frontispiece design. Bonaventura da Brescia's "Regula musica" mesmerizes readers with its elaborate and ornate depiction at the forefront. Edward Hagerup Grieg graces his composition "Zwei elegische melodien" with a delicate and evocative frontispiece, setting the mood for his heartfelt melodies.