Furrowed Brow Collection

The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection, c
XIR82875 The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection, c.1898 (oil on canvas) by Burnand, Eugene (1850-1921); 82x134 cm; Musee d Orsay, Paris

Father Eymard, 1963 (bronze)
XBP390717 Father Eymard, 1963 (bronze) by Rodin, Auguste (1840-1917); Musee Rodin, Paris, France; (add.info.: Peter Julian Eymard (1811-68) French Catholic priest; after the death of his sister

A hanged man, 1771/1783. Creator: Franz Xaver Messerschmidt
A hanged man, 1771/1783

The sorrowful one, 1775/1777. Creator: Franz Xaver Messerschmidt
The sorrowful one, 1775/1777

A emaciated old man with sore eyes, 1771/1783. Creator: Franz Xaver Messerschmidt
A emaciated old man with sore eyes, 1771/1783

Variant of “The Noble One”, 1777/1783. Creator: Franz Xaver Messerschmidt
Variant of "The Noble One", 1777/1783

Head of Victor Hugo (1802-85) (bronze)
NGW239412 Head of Victor Hugo (1802-85) (bronze) by Rodin, Auguste (1840-1917); 32.4x20.2 cm; National Museum Wales; National Museums & Galleries of Wales

Antigone (oil on canvas)
CH139908 Antigone (oil on canvas) by Leighton, Frederic (1830-96); 60.3x49.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Patience on a Monument, pub. 1791 (hand coloured engraving)
3025371 Patience on a Monument, pub. 1791 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Mirabeau B. Lamar (engraving) (b / w photo)
DHS242186 Mirabeau B. Lamar (engraving) (b/w photo) by American School, (19th century); Dallas Historical Society, Texas, USA; (add.info)

Head of an Old Man
WES67098 Head of an Old Man by Jordaens, Jacob (1593-1678); 35.5x31.8 cm; The Trustees of the Weston Park Foundation, UK; Flemish, out of copyright

Head of an Old Man, 1521 (pen and ink)
3696956 Head of an Old Man, 1521 (pen and ink) by DAorer or Duerer, Albrecht (1471-1528); Graphische Sammlung Albertina, Vienna, Austria; (add.info.: Portrait of a man aged ninety-three Brush)

St Jerome (oil on canvas)
3744205 St Jerome (oil on canvas) by Keyser, William de (c.1647-92) (after); 61x48.2 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Self Portrait with Palette and Brushes, 1939 (oil on canvas)
6200221 Self Portrait with Palette and Brushes, 1939 (oil on canvas) by Segal, Arthur (1875-1944); 64.8x50.8 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Romanian, out of copyright

Portrait of Sergey Rakhmaninov (1873-1943) 1930 (tempera on cardboard)
BAL246973 Portrait of Sergey Rakhmaninov (1873-1943) 1930 (tempera on cardboard) by Grigoryev, Boris Dmitrievich (1886-1939); 50x35 cm; Glinka Museum of Music Culture, Moscow

Napper Tandy (1740-1803) published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO193129 Napper Tandy (1740-1803) published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Head of Pierre de Wiessant, c. 1885; cast c. 1912 (tinted plaster mixed with clay and sand)
996258 Head of Pierre de Wiessant, c.1885; cast c.1912 (tinted plaster mixed with clay and sand) by Rodin, Auguste (1840-1917); 39.4 cm; Art Gallery of Ontario, Toronto

Zacharie Astruc, 1884 (oil on canvas)
XIR390341 Zacharie Astruc, 1884 (oil on canvas) by Carolus-Duran, Charles Emile Auguste (1837-1917); 73x60 cm; Musee des Beaux-Arts, Angers, France; (add.info.: Astruc (1835-1907), sculpter

Part Of A Mans Head And A Sign

Hesiod, 1825 (engraving)
KW417958 Hesiod, 1825 (engraving) by English School, (19th century); Private Collection; (add.info.: illustration from Crabbs Historical Dictionary, depicitng Hesiod (c.750-650BC)

Quintus Junius Rusticus, from Crabbes Historical Dictionary, published in 1825
KW360005 Quintus Junius Rusticus, from Crabbes Historical Dictionary, published in 1825 (litho) by English School, (19th century); Private Collection; (add.info)

Portrait of Countess Maria Volkonskaja (1805-63) 1848 (oil on canvas)
BAL137578 Portrait of Countess Maria Volkonskaja (1805-63) 1848 (oil on canvas) by Mazer, Carl Peter (1807-84); 61x53.5 cm; Pushkin Museum, Moscow, Russia; Swedish, out of copyright

Mental breakdown, conceptual artwork. Human head with read and white scrawled lines representing a mental or nervous breakdown

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"Furrowed Brow: A Glimpse into the Depths of Emotion" In the masterpiece "The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection, " we witness their furrowed brows, etched with concern and anticipation. The bronze sculpture by Father Eymard in 1963 captures this momentous event with remarkable detail. Moving forward in time, we encounter "Antigone, " an oil painting that portrays a woman's furrowed brow as she faces moral dilemmas and societal constraints. This canvas reflects her inner turmoil through every crease on her forehead. Delving into history, "Patience on a Monument" presents us with a hand-colored engraving from 1791. Here, we observe a figure gazing upward, their brow furrowed in contemplation while perched atop a monument—a symbol of resilience amidst adversity. Mirabeau B. Lamar's engraved portrait reveals his determination through his furrowed brow captured in black and white photography. It serves as an enduring testament to his leadership during challenging times. The pen-and-ink drawing titled "Head of an Old Man" showcases intricate lines forming wrinkles upon wrinkles—each one adding depth to his expression. Created in 1521, it reminds us that even centuries ago, human emotions were beautifully depicted through artistry. St Jerome's oil painting exhibits not only religious devotion but also deep thoughtfulness conveyed by his deeply furrowed brow—an embodiment of wisdom acquired over time. A self-portrait painted by an artist named Palette and Brushes takes us back to 1939 when he immortalized himself with paint strokes capturing every wrinkle on his face—the most prominent being the furrows etched across his forehead. Sergey Rakhmaninov's tempera-on-cardboard portrait unveils both talent and intensity; however, it is those distinct lines between his eyebrows that reveal the composer's dedication and passion for his craft.