Futurism Collection (page 6)

Cat, c. 1913 (moulded earthenware with ceramic glaze)
3273813 Cat, c.1913 (moulded earthenware with ceramic glaze) by Gaudier-Brzeska, Henri (1891-1915); length: 13.5 cm; Private Collection; (add.info)

Brass Toy, 1914 (bronze)
3273812 Brass Toy, 1914 (bronze) by Gaudier-Brzeska, Henri (1891-1915); length: 3.8 cm; Private Collection; (add.info.: numbered 2/3 (on the underside)

Front and Back Cover for "From Cubism and Futurism to Suprematism
1068614 Front and Back Cover for " From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Black Square for "From Cubism and Futurism to Suprematism
1068612 Black Square for " From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich, Kazimir Severinovich (1878-1935); Dallas Museum of Art

Futurism: "Cavalry Charge"- 1914
GIA4818186 Futurism: " Cavalry Charge" - 1914 by Boccioni, Umberto (1882-1916); Pinacoteca di Brera, Milan, Italy; eGiancarlo Costa; Italian, out of copyright

Cover of the book for Russolos Futurist concert"L
GIA4743576 Cover of the book for Russolos Futurist concert" L arte dei Rumori" designed by Umberto Boccioni. Private Collection Milan by Boccioni

Unique shapes in the continuity of space, 1913 (bronze)
LRI4637539 Unique shapes in the continuity of space, 1913 (bronze) by Boccioni, Umberto (1882-1916); Civico Museo d Arte Contemporanea, Milan, Italy; Luisa Ricciarini; Italian, out of copyright

Unique shapes in the continuity of space, 1913 (bronze)
LRI4637502 Unique shapes in the continuity of space, 1913 (bronze) by Boccioni, Umberto (1882-1916); 110 cm; Civico Museo d Arte Contemporanea, Milan, Italy; Luisa Ricciarini; Italian

Giant Telescope (litho)
2812593 Giant Telescope (litho) by English School, (20th century); Private Collection; (add.info.: Giant Telescope. Illustration for one of a set of cigarette cards on The World of Tomorrow)

New Style Observatory (litho)
2812592 New Style Observatory (litho) by English School, (20th century); Private Collection; (add.info.: New Style Observatory)

Space-Gun (litho)
2812589 Space-Gun (litho) by English School, (20th century); Private Collection; (add.info.: Space-Gun. Illustration for one of a set of cigarette cards on The World of Tomorrow)

Robot or Mechanical Man (litho)
2812581 Robot or Mechanical Man (litho) by English School, (20th century); Private Collection; (add.info.: Robot or Mechanical Man)

Birdman (litho)
2812580 Birdman (litho) by English School, (20th century); Private Collection; (add.info.: Birdman. Illustration for one of a set of cigarette cards on The World of Tomorrow)

Church of the Future (litho)
2812570 Church of the Future (litho) by English School, (20th century); Private Collection; (add.info.: Church of the Future)

Stream-Lined Train (litho)
2812555 Stream-Lined Train (litho) by English School, (20th century); Private Collection; (add.info.: Stream-Lined Train. Illustration for one of a set of cigarette cards on The World of Tomorrow)

Atomic Disintegrator (litho)
2812550 Atomic Disintegrator (litho) by English School, (20th century); Private Collection; (add.info.: Atomic Disintegrator)

Solar Motor (litho)
2812545 Solar Motor (litho) by English School, (20th century); Private Collection; (add.info.: Solar Motor. Illustration for one of a set of cigarette cards on The World of Tomorrow)

The Four Seasons: Winter, c. 1919 (oil on canvas)
657923 The Four Seasons: Winter, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Winter)

The Four Seasons: Autumn, c. 1919 (oil on canvas)
657922 The Four Seasons: Autumn, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Autumn)

The Four Seasons: Spring, c. 1919 (oil on canvas)
657920 The Four Seasons: Spring, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Spring)

In the Trenches, 1917 (oil on canvas)
657630 In the Trenches, 1917 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: In the Trenches. Christopher Richard Wynne Nevinson (1889-1946)

Tristan Tzara reading L Action Francaise, c. 1920-30 (b / w photo)
473776 Tristan Tzara reading L Action Francaise, c.1920-30 (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Tristan Tzara (1896-1963)

Portrait of Ferruccio Busoni, 1916 (oil on canvas)
703134 Portrait of Ferruccio Busoni, 1916 (oil on canvas) by Boccioni, Umberto (1882-1916); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio

Under the Pergola in Naples or Under the Pergola, 1914 (oil on canvas)
BEN85179 Under the Pergola in Naples or Under the Pergola, 1914 (oil on canvas) by Boccioni, Umberto (1882-1916); 83x83 cm; Galleria Civica d Arte Moderna, Milan

The Trundle at Goodwood, 1930s (oil on panel)
1197349 The Trundle at Goodwood, 1930s (oil on panel) by Nevinson, Christopher Richard Wynne (1889-1946); 29.9x40.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Fight in the Arcade, 1910 (oil on canvas)
LRI4602265 A Fight in the Arcade, 1910 (oil on canvas) by Boccioni, Umberto (1882-1916); 76x64 cm; Pinacoteca di Brera, Milan, Italy; Luisa Ricciarini; Italian, out of copyright

Still Life with the Jug, Bowl and Cutlery. 1916 (Painting)
LRI4687849 Still Life with the Jug, Bowl and Cutlery. 1916 (Painting) by Boccioni, Umberto (1882-1916); Civico Museo d Arte Contemporanea, Milan, Italy; (add.info.: Still Life with the Jug)

the factory and the bridge (oil on canvas)
AIS5338522 the factory and the bridge (oil on canvas) by Rozanova, Olga Vladimirovna (1886-1918); Museum of Modern Art, New York, USA; eIberfoto; Russian, out of copyright

Les forces d une route - Forze di una strada par Boccioni, Umberto (1882-1916)
FIA5405194 Les forces d une route - Forze di una strada par Boccioni, Umberto (1882-1916). Oil on canvas, size : 99, 5x80, 5, 1911, Osaka City Museum of Modern Art by Boccioni

Carlo Carra (1881-1966) - Anonymous. Photograph, 1910s. Private Collection
FIA5407430 Carlo Carra (1881-1966) - Anonymous. Photograph, 1910s. Private Collection by Anonymous; Private Collection; Photo eFine Art Images; out of copyright

The Woodcutter
FIA5400830 The Woodcutter by Malevich, Kazimir Severinovich (1878-1935); Stedelijk Museum, Amsterdam, The Netherlands; (add.info.: Le Bucheron, 1912 Amsterdam)

Head of a Peasant Girl, 1912-13 (oil on canvas)
LRI3057745 Head of a Peasant Girl, 1912-13 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 72x74.5 cm; Stedelijk Museum, Amsterdam, The Netherlands; Luisa Ricciarini; Russian

The Mother, 1906 (pastel on paper)
938613 The Mother, 1906 (pastel on paper) by Boccioni, Umberto (1882-1916); 72 x 52 cm; Private Collection; Italian, out of copyright

Horse and Rider and Buildings, 1914 (oil on canvas)
ALI143035 Horse and Rider and Buildings, 1914 (oil on canvas) by Boccioni, Umberto (1882-1916); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; Alinari

Column on the March, 1915. Creator: CRW Nevinson
Column on the March, 1915

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"Futurism: Embracing the Boundless Potential of Tomorrow" Futurism, a movement that emerged in the early 20th century, sought to capture the essence of progress and innovation through various forms of art. Pioneered by visionaries such as Marcel Duchamp, Isaac Asimov, and Russolo, futurism aimed to break free from traditional artistic conventions and explore new realms of creativity. In Duchamp's iconic "Nu descendant un escalier, " we witness a fusion of motion and stillness, where the human form is depicted in multiple stages of descent. This dynamic portrayal reflects the futurist fascination with capturing movement and energy on canvas. Asimov, known for his groundbreaking science fiction novels, envisioned a future where technology would shape humanity's destiny. His writings explored themes like artificial intelligence and space exploration - concepts that mirrored the futurist belief in embracing progress to propel society forward. Russolo's "Revolution" exemplifies his desire to revolutionize music by introducing unconventional sounds into compositions. By incorporating noise elements into his work, he challenged traditional notions of harmony and melody while paving the way for experimental music genres. The solidity of fog captured in paintings like "Solidity of Fog" challenges our perception by blurring boundaries between tangible reality and ephemeral existence. Futurists believed that embracing ambiguity could lead to new insights about our world. Interventionist Demonstration showcases how artists utilized tempera and collage techniques on cardboard to convey their political messages during times of social unrest. The combination highlights their commitment not only to artistic expression but also societal change. Ballerina in Blu mesmerizes viewers with its vibrant colors and shimmering spangles adorning a dancer's costume. Through this piece, futurists celebrated modernity while emphasizing dynamism within static art forms. "Dynamism of a Dog on a Leash" captures an exhilarating moment as it portrays both the dog and its owner in motion.