Gainsborough Collection (page 6)

The Marsham Children, 1787. Artist: Gainsborough, Thomas (1727-1788)
The Marsham Children, 1787. Found in the collection of the Staatliche Museen, Berlin

Portrait of Miss Read, later Mrs William Villebois, ca 1776. Artist: Gainsborough, Thomas (1727-1788)
Portrait of Miss Read, later Mrs William Villebois, ca 1776. From a private collection

A Lady in Blue (Duchess of Beaufort), c1780. Artist: Thomas Gainsborough
A Lady in Blue (Duchess of Beaufort), c1780. Gainsborough, Thomas (1727-1788). Found in the collection of the State Hermitage, St. Petersburg

Lady Douglas in the Garden, 18th century (1912). Artist: A James
Lady Douglas in the Garden, 18th century (1912). A print from The Connoisseur, (London, 1912)

Edward Vernon, English naval officer, (19th century). Vernon (1684-1757) was nicknamed Old Grog because of the grogram coat he wore

Thomas Pennant, 18th century British naturalist and traveller, c1840. Pennant (1726-1798) is sitting by a tree holding a book representing his British Zoology published in 1766

Landscape in Suffolk, ca 1748. Artist: Gainsborough, Thomas (1727-1788)
Landscape in Suffolk, ca 1748. Found in the collection of the Art History Museum, Vienne

Mr and Mrs Andrews, 1750. Artist: Gainsborough, Thomas (1727-1788)
Mr and Mrs Andrews, 1750. Found in the collection of the National Gallery, London

Sarah Siddons, 18th century English tragic actress. Sarah Siddons (1755-1831) was the eldest child of the actor-manager Roger Kemble (1722-1802)

The Artists Daughter Margaret, c1772. Artist: Thomas Gainsborough
The Artists Daughter Margaret, c1772. Portrait of Gainsoroughs younger daughter, aged about twenty. From the collection of the Tate Gallery, London

The Baillie Family, c1784. Artist: Thomas Gainsborough
The Baillie Family, c1784. Portrait of the London merchant James Baillie (1737-1793) with his wife and their four children. From the collection of the Tate Gallery, London

King George III (1738-1820). 1782

The Trent Aegir at Gainsborough - Tidal Bore
The Trent Aegir at Gainsborough, also known as the Eagre, a tidal bore on the River Trent in England. The Aegir occurs when a high spring tide meets the downstream flow of the river. Date: 1921

Thomas Gainsborough (1727-1788). Mr and Mrs Andrews. About 1
Thomas Gainsborough (1727-1788). English portrait and landscape painter. Mr and Mrs Andrews. About 1750. Oil on Canvas. National Gallery. Londron. England. UK

Detail Gainsborough Portrait Madame Beaufoy Adolphe Braun
Detail of Gainsboroughs Portrait of Madame Beaufoy; Adolphe Braun (French, 1811 - 1877); Paris, France; 1903; Carbon print; 27.3 x 21.6 cm (10 3, 4 x 8 1, 2 in.)

Thomas Gainsborough, 1727 A

Thomas Gainsborough, 1727 To 1788. English Portrait And Landscape Painter. From Crabbs Historical Dictionary Published 1825

Mrs Siddons. British Actress Sarah Siddons, 1755

Baptist Noel 4Th Earl Of Gainsborough 1708 - 1750 Engraved By Freeman From The Book A Catalogue Of Royal And Noble Authors Volume Iv Published 1806

Mrs Robinson After Painting By Gainsborough Mary Perdita Robinson 1757 Or 1758 To 1800 English Poet Novelist And Actress

Portrait of Sir Charles Holte (1721-82), 1770-1774. Creator: Thomas Gainsborough
Portrait of Sir Charles Holte (1721-82), 1770-1774

Darby Foster and Mae Marsh in Paddy the Next Best Thing (1923) directed by Graham Cutts Date: 1923

Mae Marsh and Eva Moore In The Flames of Passion (1922)
Mae Marsh and Eva Moore In a scene from The Flames of Passion (1922) directed by Graham Cutts Date: 1923

Ivor Novello in The Constant Nymph (1928) directed by Basil Dean & Adrian Brunel Date: 1928

Ivor Novello and Isabel Jeans in Downhill 1927)
Ivor Novello and Isobel Jeans in Downhill 1927) directed by Alfred Hitchcock Date: 1929

Ivor Novello and Isabel Jeans in The Triumph of the Rat (1926) directed by Graham Cutts Date: 1926

Walter Butler in One of the Best (1927) directed by T. Hayes Hunter Date: 1927

Lili Damita in The Queen Was in the Parlour (1928)
Lili Damita and Harry Liedtke in The Queen Was in the Parlour (1928) directed by Graham Cutts Date: 1928

Railway Collision, Trent Junction, Gainsborough, England
Railway Collision, Trent Junction, Gainsborough, Lincolnshire, England. Manchester, Sheffield and Lincolnshire Railway. Date: 1900s

Lady James Douglas and her horse, Gainsborough
The British bred, thoroughbred racehorse Gainsborough, owned by Lady James Douglas won the English Triple Crown in 1918. This win marked the first time a horse bred by a woman won one of the British

Music cover, Tap Your Tootsies, Jack Hulbert
Music cover, Tap Your Tootsies, words and music by Maurice Sigler, Al Goodhart and Al Hoffman, from the film Jack of All Trades starring Jack Hulbert. 1936

Fourth Earl Gainsborough
BAPTIST NOEL, fourth earl of GAINSBOROUGH in his peers robes Date: 1708 - 1751

Philip Dupont
PHILIP DUPONT, gentleman celebrated for being the brother-in-law of Gainsborough and consequently getting his portrait done for free. Date: circa 1750

Giovanna Baccelli
Signora GIOVANNA BACCELLI Italian dancer, mistress of the duke of Dorset, caught in mid-dance in this delightful portrait by Gainsborough. Date: ? - 1801

Gainsborough / Pall Mall
THOMAS GAINSBOROUGH Schomberg House, Pall Mall, home of the English artist Date: 1727 - 1788

Gainsborough / Sudbury
THOMAS GAINSBOROUGH Sudbury, birthplace of the English artist Date: 1727 - 1788

Gainsborough / Grave
THOMAS GAINSBOROUGH English artists grave Date: 1727 - 1788

Mrs Gainsborough / By Mr
MRS GAINSBOROUGH Wife of Thomas Gainsborough, English painter Date: 1727 - 1788

Gainsborough / Self-Prt
THOMAS GAINSBOROUGH English painter Date: 1727 - 1788

Harrods advertisement - page boy outfit for a wedding
Advertisement for a page boy outfit, perfect for the 1938 wedding season, though bound to mentally scar the wearer for decades to come

Mrs Siddons by Thomas Gainsborough RA (1727-1788), engraved by Theodor Knesing (1840-?). Date: 1884

Alfred Hitchcock and Nita Naldi (1926) filming the Mountain Eagle (1926) Date: 1926

Gainsborough Pictures Logo (1928) Date: late 1920s

Gainsborough Pictures Logo (1929) Date: 1929

Ivor Novello & Michael Balcon signing a contract (1926) Date: 1926

A scene from Journeys End (1930) directed by James Whale supervised by George Pearson Date: 1930

A scene from Woman to Woman (1929) directed by Victor Saville with Betty Compson and Juliette Compton Date: 1929

A scene from City of Play (1929) with Chili Bouchier and Pat
A scene from City of Play (1929) directed by Denison Clift with Chili Bouchier and Pat Aherne Date: 1929

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"Gainsborough: A Captivating Blend of Art, Theatre, and History" Step into the world of Gainsborough, where artistry meets theatrical brilliance and history comes alive. From the iconic landscapes by Thomas Gainsborough to the mesmerizing performances of Ivor Novello, this captivating era unfolds before your eyes. In 1925, Ivor Novello took center stage as he starred in "The Rat, " a film that showcased his immense talent and skyrocketed him to stardom. Meanwhile, Thomas Gainsborough's breathtaking landscape paintings transported viewers to serene natural settings filled with beauty and tranquility. One such masterpiece is "A Lady Walking in a Garden, " where we witness a woman standing full length while holding her small child's hand. The tenderness captured in this painting reflects Gainsborough's ability to portray human emotions through his brushstrokes. Another notable work by Gainsborough is "The Honourable Mrs Graham" from 1775-1777. This portrait showcases his skillful portrayal of elegance and grace as he captures the essence of an esteemed lady during that time period. Glimpses behind the scenes reveal an exterior view of the renowned Gainsborough Studio—a place where creativity thrived and masterpieces were born. It was within these walls that actors like Ivor Novello brought characters to life alongside talented actresses such as Mae Marsh and Mabel Poulton in films like "The Vortex" (1928) and "The Constant Nymph" (1928). Not limited to canvas or celluloid alone, it also immortalized influential figures through portraiture. His striking depiction of Lewis Bagot, Bishop of Bristol (1740-1802), demonstrates his ability to capture both physical likeness and inner character with remarkable precision. Additionally, John Plampin becomes forever etched in history thanks to another exceptional portrait by Thomas Gainsborough dating back to around 1752.