Galatee Collection

Galatea, 1622. Creator: Cortona, Pietro da (1596-1669)
Galatea, 1622. Found in the Collection of the Accademia di San Luca.

The 'Loggia della Galatea' (Loggia of the Galatea) designed by Baldassarre Peruzzi (1481-1536)
BEN107235 The 'Loggia della Galatea' (Loggia of the Galatea) designed by Baldassarre Peruzzi (1481-1536) Raffaello (1483-1520) and Sebastiano del Piombo (1485-1547) 1506 (photo)

Pygmalion and Galatea, 1797 (oil on canvas)
MAN277434 Pygmalion and Galatea, 1797 (oil on canvas) by Gauffier, Louis (1761-1801); 67.5x51.2 cm; Manchester Art Gallery, UK; (add.info.: see 6041274 for study); © Manchester Art Gallery

Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus
ALG154704 Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche

Pygmalion and the Image: The Heart Desires, 1868 (oil on canvas)
BIR100726 Pygmalion and the Image: The Heart Desires, 1868 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; English, out of copyright

Galatea, 1889 (marble)
PHG190968 Galatea, 1889 (marble) by Rodin, Auguste (1840-1917); 60.8x40.6x39 cm; Musee Rodin, Paris, France; ePhilippe Galard; French, out of copyright

Galatea and Pygmalion, c. 1529 (oil on panel)
SCP54035 Galatea and Pygmalion, c.1529 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); 81x64 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright

The Heart Desires, from the Pygmalion and the Image series
HTL11909 The Heart Desires, from the Pygmalion and the Image series, 1868 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

The Nymph Callisto on Jupiters Chariot, ceiling decoration from the
BEN119427 The Nymph Callisto on Jupiters Chariot, ceiling decoration from the Sala di Galatea, 1511-12 (fresco) by Peruzzi, Baldassarre (1481-1536); Villa Farnesina, Rome

The Galleria Carracci (Carracci Hall) detail of Polyphemus and Galatea
BEN107146 The Galleria Carracci (Carracci Hall) detail of Polyphemus and Galatea, 1597-1604 (fresco) by Carracci, Annibale (1560-1609); Palazzo Farnese, Rome

Galatea, detail of putto and dolphins, 1506 (fresco) (detail of 56473)
BEN108064 Galatea, detail of putto and dolphins, 1506 (fresco) (detail of 56473) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; Photo eRaffaello Bencini; Italian

The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas)
HTL11912 The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

The Hand Refrains, from the Pygmalion and the Image series
HTL11910 The Hand Refrains, from the Pygmalion and the Image series, 1868-70 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

Pygmalion and Galatea (panel)
AII85639 Pygmalion and Galatea (panel) by Schalken or Schalcken, Godfried (1643-1706); 44x37 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Dutch, out of copyright

Pygmalion and Galatea (oil on canvas)
BOO226891 Pygmalion and Galatea (oil on canvas) by Boucher, Francois (1703-70); 230x329 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Pygmalion and the Image - The Hand Refrains, 1878 (oil on canvas)
BIR186109 Pygmalion and the Image - The Hand Refrains, 1878 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 98.7x76.3 cm; Birmingham Museums and Art Gallery; (add.info)

Acis and Galetea Hiding from the Giant Polyphemus (oil on canvas)
PWI91024 Acis and Galetea Hiding from the Giant Polyphemus (oil on canvas) by Perrier, Francois (Bourguignon) (1590-1650); 97x133 cm; Louvre, Paris, France; ePeter Willi; French, out of copyright

The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche
BEN78446 The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche, 1528 (fresco) by Romano, Giulio (1492-1546) (and workshop); Palazzo del Te, Mantua

The Loggia della Galatea (Loggia of the Galatea
BEN107236 The Loggia della Galatea (Loggia of the Galatea) detail of vault decoration depicting Juno on her chariot and a violinist, 1506 (fresco) by Piombo, Sebastiano del (S)

Galatea, detail of mermen and dolphins, 1506 (fresco) (detail of 56473)
BEN108063 Galatea, detail of mermen and dolphins, 1506 (fresco) (detail of 56473) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; Photo eRaffaello Bencini; Italian

Acis and Galatea
SCP38855 Acis and Galatea by Lafosse, Charles de (1636-1716); Prado, Madrid, Spain; French, out of copyright

The Godhead Fires, from the Pygmalion and the Image series
HTL11911 The Godhead Fires, from the Pygmalion and the Image series, 1868-70 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

Galatea, 1880-81 (oil on canvas)
PHD366 Galatea, 1880-81 (oil on canvas) by Moreau, Gustave (1826-98); Private Collection; French, out of copyright

Perseus and the Medusa, ceiling decoration from the Sala di Galatea
BEN119426 Perseus and the Medusa, ceiling decoration from the Sala di Galatea, 1511-12 (fresco) by Peruzzi, Baldassarre (1481-1536); Villa Farnesina, Rome, Italy; Photo eRaffaello Bencini; Italian

The Escape of Galatea (panel)
BAL82756 The Escape of Galatea (panel) by Maestri, Michelangelo (d.c.1812); 43.2x55.9 cm; Private Collection; Italian, out of copyright

Leopold I (1640-1705), Holy Roman Emperor, in theatrical costume, dressed as Acis
XAM71644 Leopold I (1640-1705), Holy Roman Emperor, in theatrical costume, dressed as Acis from " La Galatea", a favola set to music by Antonio Draghi

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"Galatea: A Mythological Journey through Art" Step into the enchanting world of Galatea, a timeless figure that has captivated artists for centuries. From ancient frescoes to intricate marble sculptures, Galatea's story unfolds in various masterpieces. In Jean-Baptiste Regnault's "Pygmalion and Galatea, " we witness the transformative power of love as Pygmalion's creation comes to life before our eyes. The delicate strokes on canvas bring forth their immortal bond. Moving forward, Édouard Manet's "Olympia seduced by Jupiter" portrays another tale from mythology, where passion intertwines with divine intervention. The artist skillfully captures Olympia's vulnerability as she succumbs to Jupiter's allure. Meanwhile, in the Carracci Hall, Polyphemus guards Acis and Galatea in an awe-inspiring fresco. This scene from Ovid’s Metamorphoses showcases the tragic love triangle between these mythical beings. Venturing deeper into history, we encounter Titian's masterpiece "Pasiphae entering the cow constructed by Daedalus. " This hauntingly beautiful fresco transports us to a realm where desire knows no bounds and forbidden love takes shape in unimaginable ways. Fast-forwarding to more recent times, Auguste Rodin breathes life into Galatea through his exquisite marble sculpture. Every curve and contour tells a story of grace and elegance frozen in time. The connection between Pygmalion and Galatea is further explored in Jan Gossaert’s oil painting from 1529. Their tender embrace speaks volumes about the power of art to bridge reality and imagination. As we delve deeper into this mythological journey, we encounter Gustave Moreau's captivating series "Pygmalion and the Image.