Galestruzzi Collection

Titeplate to series of prints after Poloidoro, title on a shield supported by two putti, 1658

Plate 1: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1656-58. After Polidoro da Caravaggio

Plate 4: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1656-58. After Polidoro da Caravaggio

Plate 3: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1656. After Polidoro da Caravaggio

Plate 2: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1656-58. After Polidoro da Caravaggio

Plate 5: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome, 1658. After Polidoro da Caravaggio

D Anni 63 Leonardo Agostini Senese Le gemme antiche
D Anni 63, Leonardo Agostini Senese, D Anni 63, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696

Bacco E Mercurio Le gemme antiche figurate Agostini
Bacco E Mercurio, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696. Bussotti, Giovanni Battista, Galestruzzi, Giovanni Battista, 1615

Venere Anadiomene Le gemme antiche figurate Agostini
Venere Anadiomene, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696. Bussotti, Giovanni Battista, Galestruzzi, Giovanni Battista, 1615

Medaglia D ella Maesta Di Cristina Regina di
Medaglia D ella Maesta: Di Cristina Regina di Svesia, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696

Il Givoco Conpagno Di Amore Corniola Le gemme
Il Givoco Conpagno Di Amore: In Corniola, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696

Atalanta Corniola Le gemme antiche figurate Agostini
Atalanta: In Corniola, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696

Ilustratione Corniola Le gemme antiche figurate
Ilustratione: In Corniola, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696

Amore Con La Lira Sorrail Leone Cameo Le gemme
Amore Con La Lira Sorrail Leone: In Cameo, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696

Frontispiece volume 1 Le gemme antiche figurate
Frontispiece of volume 1, Le gemme antiche figurate, Agostini, Leonardo, 1593-ca. 1670, Bellori, Giovanni Pietro, 1615?-1696. Galestruzzi, Giovanni Battista, 1615?-1669, Etching, 1686

All Professionally Made to Order for Quick Shipping

Galestruzzi: A Captivating Collection of Ancient Gems and Roman Arms Step into the enchanting world of Galestruzzi, where history comes alive through a series of captivating prints. Inspired by Poloidoro's masterpieces, these prints transport you to an era filled with grandeur and magnificence. Plate 1 introduces us to a striking scene, showcasing trophies of Roman arms adorning the decorations above second-floor windows. The title on a shield is elegantly supported by two cherubic putti, adding a touch of celestial charm to this artistic composition. In Plate 2, we delve deeper into the realm of ancient Rome as more trophies of Roman arms grace the ornate window embellishments. Each detail meticulously captured in this print serves as a testament to the opulence that once defined this majestic civilization. As we progress to Plate 3, our eyes are greeted with yet another array of magnificent Roman armaments displayed above windows on the second floor. The craftsmanship depicted here speaks volumes about the skill and dedication invested in creating such awe-inspiring works. Plate 4 continues this visual journey through time, offering us another glimpse into the splendorous past. The trophies proudly exhibited above second-floor windows remind us of Rome's military prowess and its enduring legacy throughout history. Finally, Plate 5 concludes our exploration with one last display of Roman armament triumphantly showcased above windows on the second floor. These prints serve as a reminder that even centuries later, their allure remains undiminished. But Galestruzzi doesn't limit itself solely to depictions of Roman arms; it also presents other mesmerizing gems from antiquity. Bacco E Mercurio Le gemme antiche figurate Agostini portrays ancient figures carved onto precious stones—a testament to humanity's fascination with artistry across various mediums.