Gallego Collection

Dome of the Zodiac, Centaur, 1485
3499625 Dome of the Zodiac, Centaur, 1485 by Gallego, Fernando (1440-1507); Biblioteca Universidad, Salamanca, Spain; (add.info.: Gothic period)

Dome of the Zodiac, 1485
3499622 Dome of the Zodiac, 1485 by Gallego, Fernando (1440-1507); Biblioteca Universidad, Salamanca, Spain; (add.info.: Gothic period. Dome of the Zodiac (1485) by Fernando Gallego (1440-1507)

Dome of the Zodiac, 1485 (fresco)
3499623 Dome of the Zodiac, 1485 (fresco) by Gallego, Fernando (1440-1507); Biblioteca Universidad, Salamanca, Spain; (add.info.: Gothic period)

Dome of the Zodiac, Detail of Hercules, 1485
3499624 Dome of the Zodiac, Detail of Hercules, 1485 by Gallego, Fernando (1440-1507); Biblioteca Universidad, Salamanca, Spain; (add.info.: Gothic period)

Ruins of the Gallego Flour Mills, Richmond, Virginia, 1865 (albumen silver print)
701261 Ruins of the Gallego Flour Mills, Richmond, Virginia, 1865 (albumen silver print) by Gardner, Alexander (1821-82); Private Collection; (add.info.: On April 2, 1865)

Detail of a musician playing the harp, from the painting Coronation of the Virgin by Fernando Gallego

Pentecost, oil on panel, altarpiece of the Fernando Gallego workshop

Pieta, 1465-1470. Artist: Gallego, Fernando (c. 1440-1507)
Pieta, 1465-1470. Found in the collection of the Museo del Prado, Madrid

Gallegos Club and Opera House, Havana, Cuba
Gallegos Club and Opera House (theatre and cinema), Havana, Cuba. Date: circa 1928

Saint Ildephonsus receiving the chasuble from the Virgin. Al
Fernando Gallego (c.1440-1507). Spanish painter. Altarpiece of Saint Ildephonsus. 1475-1480. Panel depicting Saint Ildephonsus receiving the chasuble from the Virgin

GALLEGO, Fernando (1440-1507). The Annunciation. Late 15th c. Part of the main altarpiece of the church. Renaissance art. Oil on wood. SPAIN. Arcenillas. Church of the Assumption

GALLEGO, Fernando (1440-1507). The Resurrection. Late 15th c. Part of the main altarpiece of the church. Renaissance art. Oil on wood. SPAIN. Arcenillas. Church of the Assumption

ALENZA y NIETO, Leonardo (1807-1845). Gallego de los curritos. 1830. Oil on canvas. SPAIN. Madrid. Prado Museum

GALLEGO, Fernando (1440-1507). Pentecost. 1460s. Renaissance art. Oil on wood. SPAIN. Arcenillas. Church of the Assumption

GALLEGO, Fernando (1440-1507). Christ Giving his Blessing. Christ seated in a throne, surrounded by the Tetramorph

GALLEGO Y ALVAREZ, Domingo (1817--?). Malaga Harbour. Oil on canvas

GALLEGO, Fernando (1440-1507). The Flagellation of Christ. 15th c. Renaissance art. Oil on wood. SPAIN. Salamanca. Cathedral Diocesan Museum

Ruins of Gallego Flour Mills, Richmond, Va. Date photographed in April 1865, printed later

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"Exploring the Artistic Legacy of Gallego: From Frescoes to Flour Mills" Step into the world of Gallego, a name that resonates with artistic brilliance and historical significance. Known for his masterpieces spanning various mediums and themes, Gallego's work continues to captivate audiences even centuries later. One notable creation is the Dome of the Zodiac, a breathtaking fresco dating back to 1485. Its intricate details transport viewers to a celestial realm where mythical creatures like Centaurs come alive. The meticulous brushstrokes bring forth an ethereal beauty that mesmerizes all who gaze upon it. In another masterpiece from the same year, Gallego showcases his versatility by depicting Hercules in stunning detail within the Dome of the Zodiac. This portrayal exemplifies both strength and vulnerability, capturing Hercules' essence as he battles against formidable challenges. Moving forward in time, we encounter a different aspect of Gallego's legacy - one intertwined with history itself. The ruins of the Gallego Flour Mills in Richmond, Virginia stand as silent witnesses to a turbulent past during 1865. An albumen silver print immortalizes these remnants, reminding us of their once-thriving existence and their connection to this renowned artist. Gallego's talent extends beyond mere paintings; it encompasses altarpieces too. In works such as "Pentecost, " oil on panel reveals his workshop's artistry at its finest. Every stroke conveys devotion and spirituality while evoking profound emotions within those who behold it. Among his diverse subjects lies "Pieta, " created between 1465-1470—a testament to Gallego's ability to portray deep sorrow through artistry alone. With delicate precision, he captures Mary cradling her son Jesus after crucifixion—an image that resonates with grief yet offers solace through its sheer beauty. Beyond Europe's borders lies evidence of how far-reaching Gallego's influence truly was.