Genre Collection (page 22)

THANKS FOR THE BUGGY RIDE. Film still, 1928

FILM STILL: SLEUTHS, 1919. Silent film still. Ben Turpin

KEYSTONE KOPS. Film still, early 20th century

THE PLAY GIRL, 1928. Madge Bellamy in a scene from the film

Laurel and Hardy
LAUREL AND HARDY

SILENT FILM STILL: GYPSIES. Still from an American film, c1920

THE REAL THING IN COWBOYS. Lithograph poster for the Western comedy short, The Real Thing in Cowboys, starring Tom Mix, 1914

SILENT FILM STILL: KISSING. Buster Keaton and Virginia Fox in The Goat, 1921

THE GORILLA, 1927. Fred Kelsey and Charlie Murray in a scene from the film

Billingsgate Brutes
A genre scene, seemingly charming. In reality a young woman at a doorway is intimidated by two stout Billingsgate fishwives into buying their stinking fish

Bon Genre No. 91 Costume
A Paris street acrobat stands on one leg on a candlestick which her partner holds steady, while their child does a handstand and a mother gives her daughter a coin for them

Bon Genre No. 78 Costume
High waisted white robe, long sleeves divided equidistantly with strings of roses, a floral border down the front & at the hem, roses adorn her petticoat & floral headdress

Bon Genre No. 76 Costume
Triple vandyke ruff, habit shirt with high frilled neck, hems with rows of tucks or scalloped, coloured aprons or pinafores & a fur trimmed pelisse

Bon Genre No. 71 Costume
White cotton robes with short puffed sleeves & embroidered hems worn with tall florally ornamented bonnets & a green Kashmir shawl

Bon Genre No. 65 Costume
Men wear English style country clothes: cut-away tailcoats with roll collars & breeches. The ladies wear white muslin dresses & classically inspired hairstyles

Cross Paris Street 1815
White robe with sleeves en bouffants, high ruff & multiple flounces at the hem, a Kashmir shawl & a black high crowned hat with ostrich plumes. Her key is tied to a handkerchief

Game / Kissing / France 1811
Men have adopted English country clothes & wear cut-away coats with roll collars, the women wear white cotton robes with sleeves that extend over the knuckles

BON GENRE NO. 20 C. 1805
Une soiree de Coblentz - French emigres flee France, and take refuge in Coblentz just across the German border, where they wait for the Revolution to blow over

Costume / Bon Genre C. 1816
Pelisse: roll collar & blue border, robe: scalloped cuffs, ruff & hem; robe: wrap-over body & transparent under- sleeves; tall plumed hats; green robe with vandyked hem

Costume / Le Bon Genre
Man: double-breasted cut-away coat, pantaloons, top hat & green overcoat with stand-fall collar. Women: white dresses with decorative hemlines, tall crowned hats, ruffs & pelisses

Louise Jopling - 4
LOUISE JOPLING (nee Goode) (previously mrs Romer) artist known for genre paintings and portraits, art teacher. with her autograph

Louise Jopling - 2
LOUISE JOPLING (nee Goode) (previously mrs Romer) artist known for genre paintings and portraits, art teacher

Emile Gaboriau
EMILE GABORIAU - French writer, a pioneer of the detective story : his Mystery of the Yellow Room remains one of the finest tales in the genre

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"Exploring the Boundaries of Genre: From Classic Comedy to Surrealism and Beyond" Step back in time with Laurel and Hardy, as they bring laughter and joy in their 1939 film "Flying Deuces. " This iconic duo captivated audiences with their slapstick humor and timeless performances. In another corner of the cinematic world, Charlie Chaplin takes center stage alongside Paulette Goddard in the unforgettable final scene from "Modern Times" (1936). Chaplin's genius shines through as he effortlessly blends comedy with social commentary, leaving a lasting impact on the genre. Venturing into the realm of art, Diego Velazquez's masterpiece "Old Woman Cooking Eggs" (1618) showcases his mastery of capturing everyday life. The detailed brushwork transports us to a simpler time while highlighting the beauty found in ordinary moments. Oscar Wilde's provocative play "Salome" comes alive through Aubrey Beardsley's striking pen and ink drawing. The intricate lines depict a climactic moment that perfectly encapsulates Wilde's decadent style. Sergey Solomko introduces us to an enchanting creature - the Blue Bird or Bird Sirin. This mystical artwork invites us to explore folklore and mythology within different genres, blurring boundaries between reality and imagination. Returning to Laurel and Hardy once more, we witness their comedic brilliance in "Big Business" (1929). Their hilarious antics leave us doubled over with laughter as they navigate absurd situations with impeccable timing. From laughter to fear, we delve into horror with James Whale's iconic film poster for "Bride of Frankenstein" (1935). It represents a pivotal moment when this classic monster tale became ingrained in popular culture forevermore. Henry Scott Tuke captures a serene seaside scene in his painting "The Run Home. " Through his masterful use of light and color, he transports us into a tranquil world where genre becomes irrelevant compared to sheer beauty.