George Jones Collection

Napoleon Leaving the Field of Waterloo, 18th June 1815
Artist: Jones, George - Title: Napoleon Leaving the Field of Waterloo, 18th June 1815 - Date: N/A - Original Medium and Size: Oil on Canvas 58.3 x 90

Oil lamp, 1885 (brass, glazed earthenware & glass)
2972951 Oil lamp, 1885 (brass, glazed earthenware & glass) by English School, (19th century); The Geffrye Museum of the Home, London

Etruscan Tazza, presented by the Students of the Royal Academy to George Jones, Esquire, RA (engraving)
1095462 Etruscan Tazza, presented by the Students of the Royal Academy to George Jones, Esquire, RA (engraving) by English School, (19th century); Private Collection; (add.info.: Etruscan Tazza)

The effigies of George Jones, whom God has given the Gift of England (engraving)
609340 The effigies of George Jones, whom God has given the Gift of England (engraving) by English School, (19th century); Private Collection; (add.info.: The effigies of George Jones)

The Conflict at the Guns, Balaclava, 1854. Creator: George Jones
The Conflict at the Guns, Balaclava, 1854

George Jones, 1860s. Creator: John & Charles Watkins
George Jones, 1860s

The Relief of Lucknow - Leading the Sufferers to the British Camp, (1901). Creator: Unknown
The Relief of Lucknow - Leading the Sufferers to the British Camp, (1901). The siege of Lucknow was one of the major engagements of the uprising against British rule in India which began in 1857

Cawnpore - The Passage of the Ganges with the Refugees from Lucknow... November 1857, (1901)
Cawnpore - The Passage of the Ganges with the Refugees from Lucknow, 29th and 30th November 1857, (1901). British forces with women and children rescued from Lucknow, and sick and wounded soldiers

The Battle of Borodino, 1812, (1829), (1850). Creator: James Baylis Allen
The Battle of Borodino, 1812, (1829), (1850). The battle of Borodino was fought outside Moscow on 7 September 1812, before Napoleons army entered the city on 14 September

The Sans Pareil Theatre, Strand, Westminster, London, 1816. Artist:s Springsguth
The Sans Pareil Theatre, Strand, Westminster, London, 1816. Interior view of the theatre during a performance (above) and a view of the theatres entrance on the Strand

The Pantheon Theatre, Oxford Street, Westminster, London, 1815. Artist: William Wise
The Pantheon Theatre, Oxford Street, Westminster, London, 1815. Interior view of the seating in the theatre and a view of the theatres stage

Interior view of Guildhall Chapel, City of London, 1817. Artist: George Jones
Interior view of Guildhall Chapel, City of London, 1817. View of the chapel when it was in use as a court room

Interior and exterior views of the Haymarket Theatre, Westminster, London, 1815. Artist
Interior and exterior views of the Haymarket Theatre, Westminster, London, 1815

Nelson boarding the San Josef, Battle of Cape St Vincent, 1797. Artist: JJ Crew
Nelson boarding the San Josef, Battle of Cape St Vincent, 1797. At the Battle of Cape St Vincent, the British fleet under Admiral Sir John Jervis defeated the numerically superior Spanish

Battle of Waterloo, Belgium, 1815 (1817). Napoleon (1769-1821) French soldier and emperor, fleeing from the battlefield of Waterloo after his defeat by the British under Wellington

George Jones 1833 Engraving state plate 11 1 / 16 x 8 1 / 8
Artokoloro

George Jones 1860s Albumen silver print Approx
George Jones, 1860s, Albumen silver print, Approx, 10.2 x 6.3 cm, 4 2 1/2, Photographs, 1, AM170720 027359

George Jones, British (1786-1869), Seated Man, pen and brown ink over graphite on brown wove paper

George Jones (British, 1786 - 1869), A Woman Reclining on a Cushion, pen and brown ink over graphite on laid paper

Study for Battle of Waterloo Study for Battle of Waterloo, 1815, George Jones, 1786-1869, British

Studies of Military Accoutrements: a study for `The Battle of Waterloo, George Jones, 1786-1869, British

Studies of Royal Horse Artillery Uniform, and of an A. D. C. to the Commander-in-Chief
Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for The Battle of Waterloo Signed and dated, verso: " Jones / 1815-", George Jones, 1786-1869

A Highlander, Black Watch attending a General of Hussars, possibly Lord Uxbridge: a study for The Battle of Waterloo, George Jones, 1786-1869, British

The Passing of the Great Emancipation Act, George Jones, 1786-1869, British

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George Jones was a prominent figure in the 19th century, known for his diverse talents and contributions to art and history. From his early works depicting significant events like Napoleon Leaving the Field of Waterloo, 18th June 1815, to his later creations such as The Conflict at the Guns, Balaclava, 1854, Jones showcased his mastery of capturing pivotal moments in time. Not limited to painting alone, it also dabbled in other artistic mediums. His Oil lamp from 1885 stands as a testament to his craftsmanship with brass, glazed earthenware & glass. This exquisite piece exemplifies both elegance and functionality. Jones's impact extended beyond creating art; he was also recognized by esteemed institutions. The Etruscan Tazza presented by the Students of the Royal Academy is evidence of their admiration for him as an artist and individual. Engravings like The effigies further emphasize how God had bestowed upon him the gift of England. In addition to immortalizing historical events through artistry, George Jones captured portraits that revealed glimpses into people's lives during that era. A photograph taken by John & Charles Watkins showcases Jones himself in the 1860s—a window into both his appearance and personality. Jones's talent wasn't confined solely within British borders; he ventured overseas too. In The Relief of Lucknow - Leading the Sufferers to the British Camp (1901), we witness his ability to convey emotions through brushstrokes while documenting this poignant moment in history. Similarly, Cawnpore - The Passage of Ganges with Refugees from Lucknow. . November 1857 (1901) demonstrates not only his skill but also highlights human resilience amidst adversity. Beyond historical scenes and war depictions lie more facets of George Jones's work—his portrayal of theatrical venues like Sans Pareil Theatre on Strand or Pantheon Theatre on Oxford Street offers a glimpse into the vibrant entertainment culture of 19th-century London.