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George Newnes Collection (page 9)

George Newnes was a man of many interests and talents. He had an eye for art, as evidenced by his impressive collection of paintings from various artists

Background imageGeorge Newnes Collection: The Abbe, 1896, (1935). Creator: Aubrey Beardsley

The Abbe, 1896, (1935). Creator: Aubrey Beardsley
The Abbe, 1896, (1935). Character named Abbe Aubrey and sometimes Abbe Fanfreluche. From " Under the Hill", an erotic story written and illustrated by Aubrey Beardsley

Background imageGeorge Newnes Collection: La Danseuse-Etoile, c1876, (1935). Creator: Giraudon

La Danseuse-Etoile, c1876, (1935). Creator: Giraudon
La Danseuse-Etoile, c1876, (1935). Photograph after the pastel by Edgar Degas made c1876, in the Musee d Orsay in Paris. From " Modern Masterpieces", Part 1

Background imageGeorge Newnes Collection: Crusaders Entering Constantinople, 1840, (1935). Creator: WF Mansell

Crusaders Entering Constantinople, 1840, (1935). Creator: WF Mansell
Crusaders Entering Constantinople, 1840, (1935). An episode of the Fourth Crusade, in which the Crusaders abandoned their plan to invade Muslim Egypt and Jerusalem

Background imageGeorge Newnes Collection: Hard Times, 1886, (1935). Creator: Unknown

Hard Times, 1886, (1935). Creator: Unknown
Hard Times, 1886, (1935). A man stares into space, his bundle of possessions at his feet, while a girl warms her hands at the fire

Background imageGeorge Newnes Collection: La Loge, 1874, (1935). Creator: Pierre-Auguste Renoir

La Loge, 1874, (1935). Creator: Pierre-Auguste Renoir
La Loge, 1874, (1935). La Loge (Theatre Box), 1874. Painting in the Courtauld Institute of Art, London. From " Modern Masterpieces", Part 3. [George Newnes Ltd, London, 1935]

Background imageGeorge Newnes Collection: In Green Pastures, 1935. Creator: George Henry

In Green Pastures, 1935. Creator: George Henry
In Green Pastures, 1935. View of cattle grazing on the Sussex Downs. From " Modern Masterpieces", Part 4. [George Newnes Ltd, London, 1935]

Background imageGeorge Newnes Collection: Self-Portrait, 1920, (1935). Creator: Unknown

Self-Portrait, 1920, (1935). Creator: Unknown
Self-Portrait, 1920, (1935). Self portrait of British painter Philip Wilson Steer (1860-1945). After the painting in the Fitzwilliam Museum, Cambridge. From " Modern Masterpieces", Part 4

Background imageGeorge Newnes Collection: Poplars in the Thames Valley, late 19th century, (1935). Creator: Alfred William Parsons

Poplars in the Thames Valley, late 19th century, (1935). Creator: Alfred William Parsons
Poplars in the Thames Valley, late 19th century, (1935). Painting in the Aberdeen Art Gallery & Museums, Scotland. From " Modern Masterpieces", Part 18. [George Newnes Ltd, London, 1935]

Background imageGeorge Newnes Collection: Bowl of Flowers, 1864, (1935). Creator: Henri Fantin-Latour

Bowl of Flowers, 1864, (1935). Creator: Henri Fantin-Latour
Bowl of Flowers, 1864, (1935). Flowers: Tulips, Azaleas, Roses, painting in the Victoria & Albert Museum, London. From " Modern Masterpieces", Part 4. [George Newnes Ltd, London, 1935]

Background imageGeorge Newnes Collection: Field-Marshal Earl Haig, DO Creator: Unknown

Field-Marshal Earl Haig, DO Creator: Unknown
Field-Marshal Earl Haig, 1923, (1935). Portrait of British field marshal Douglas Haig, 1st Earl Haig (1861-1928) who commanded British forces during the First World War

Background imageGeorge Newnes Collection: The Chatterer, 1892, (1935). Creator: Camille Pissarro

The Chatterer, 1892, (1935). Creator: Camille Pissarro
The Chatterer, 1892, (1935). Farm workers in an open field near the painters house at Eragny near Paris. Two Young Peasant Women, painting in the Metropolitan Museum of Art, New York

Background imageGeorge Newnes Collection: The Green Room, c1904, (1935). Creator: Charles Conder

The Green Room, c1904, (1935). Creator: Charles Conder
The Green Room, c1904, (1935). A group of actors from the Commedia dell Arte relax backstage. From " Modern Masterpieces", Part 8. [George Newnes Ltd, London, 1935]

Background imageGeorge Newnes Collection: The Four-In-Hand, c1898, (1935). Creator: William Nicholson

The Four-In-Hand, c1898, (1935). Creator: William Nicholson
The Four-In-Hand, c1898, (1935). From " An Almanac Of Twelve Sports" by Rudyard Kipling. [William Heinemann, London, 1898]. Published in " Modern Masterpieces", Part 8

Background imageGeorge Newnes Collection: Have Mercy! He Shrieked, 1892. Artist: Sidney E Paget

Have Mercy! He Shrieked, 1892. Artist: Sidney E Paget
Have Mercy! He Shrieked, 1892. Illustration from The Adventure of the Blue Carbuncle by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: A Very Seedy Hard Felt Hat, 1892. Artist: Sidney E Paget

A Very Seedy Hard Felt Hat, 1892. Artist: Sidney E Paget
A Very Seedy Hard Felt Hat, 1892. Illustration from The Adventure of the Blue Carbuncle by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Running Up. I Blew Its Brains Out, 1892. Artist: Sidney E Paget

Running Up. I Blew Its Brains Out, 1892. Artist: Sidney E Paget
Running Up. I Blew Its Brains Out, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: You Villain! Said He. Wheres My Daughter?, 1892. Artist: Sidney E Paget

You Villain! Said He. Wheres My Daughter?, 1892. Artist: Sidney E Paget
You Villain! Said He. Wheres My Daughter?, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Oh! I Am So Frightened! I Panted, 1892. Artist: Sidney E Paget

Oh! I Am So Frightened! I Panted, 1892. Artist: Sidney E Paget
Oh! I Am So Frightened! I Panted, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: I Took It Up And Examined It, 1892. Artist: Sidney E Paget

I Took It Up And Examined It, 1892. Artist: Sidney E Paget
I Took It Up And Examined It, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: I Am So Delighted That You Have Come, 1892. Artist: Sidney E Paget

I Am So Delighted That You Have Come, 1892. Artist: Sidney E Paget
I Am So Delighted That You Have Come, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: I Read For About Ten Minutes, 1892. Artist: Sidney E Paget

I Read For About Ten Minutes, 1892. Artist: Sidney E Paget
I Read For About Ten Minutes, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Holmes Shook His Head Gravely, 1892. Artist: Sidney E Paget

Holmes Shook His Head Gravely, 1892. Artist: Sidney E Paget
Holmes Shook His Head Gravely, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Capital, 1892. Artist: Sidney E Paget

Capital, 1892. Artist: Sidney E Paget
Capital, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III. January to June, edited by George Newnes

Background imageGeorge Newnes Collection: Taking Up A Glowing Cinder With The Tongs, 1892. Artist: Sidney E Paget

Taking Up A Glowing Cinder With The Tongs, 1892. Artist: Sidney E Paget
Taking Up A Glowing Cinder With The Tongs, 1892. Illustration from The Adventure of the Copper Beeches by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: I Clapped A Pistol To His Head, 1892. Artist: Sidney E Paget

I Clapped A Pistol To His Head, 1892. Artist: Sidney E Paget
I Clapped A Pistol To His Head, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Arthur Caught Him, 1892. Artist: Sidney E Paget

Arthur Caught Him, 1892. Artist: Sidney E Paget
Arthur Caught Him, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Dressed As A Common Loafer, 1892. Artist: Sidney E Paget

Dressed As A Common Loafer, 1892. Artist: Sidney E Paget
Dressed As A Common Loafer, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Something Like Fear Sprang Up In The Young Ladys Eyes, 1892. Artist: Sidney E Paget

Something Like Fear Sprang Up In The Young Ladys Eyes, 1892. Artist: Sidney E Paget
Something Like Fear Sprang Up In The Young Ladys Eyes, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Oh, Any Old Key Will Fit That Bureau, 1892. Artist: Sidney E Paget

Oh, Any Old Key Will Fit That Bureau, 1892. Artist: Sidney E Paget
Oh, Any Old Key Will Fit That Bureau, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: I Took The Precious Case, 1892. Artist: Sidney E Paget

I Took The Precious Case, 1892. Artist: Sidney E Paget
I Took The Precious Case, 1892.. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: With A Look Of Grief And Despair, 1892. Artist: Sidney E Paget

With A Look Of Grief And Despair, 1892. Artist: Sidney E Paget
With A Look Of Grief And Despair, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Some Woman Came Talking About Lord St. Simon, 1892. Artist: Sidney E Paget

Some Woman Came Talking About Lord St. Simon, 1892. Artist: Sidney E Paget
Some Woman Came Talking About Lord St. Simon, 1892. Illustration from The Adventure of the Noble Bachelor by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: A Picture Of Offended Dignity, 1892. Artist: Sidney E Paget

A Picture Of Offended Dignity, 1892. Artist: Sidney E Paget
A Picture Of Offended Dignity, 1892. Illustration from The Adventure of the Noble Bachelor by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: There, Said He, 1892. Artist: Sidney E Paget

There, Said He, 1892. Artist: Sidney E Paget
There, Said He, 1892. Illustration from The Adventure of the Noble Bachelor by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: The Gentleman In The Few Handed It Up To Her, 1892. Artist: Sidney E Paget

The Gentleman In The Few Handed It Up To Her, 1892. Artist: Sidney E Paget
The Gentleman In The Pew Handed It Up To Her, 1892. Illustration from The Adventure of the Noble Bachelor by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Lord Robert St. Simon, 1892. Artist: Sidney E Paget

Lord Robert St. Simon, 1892. Artist: Sidney E Paget
Lord Robert St. Simon, 1892. Illustration from The Adventure of the Noble Bachelor by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: She Was Ejected By The Butler And The Footman, 1892. Artist: Sidney E Paget

She Was Ejected By The Butler And The Footman, 1892. Artist: Sidney E Paget
She Was Ejected By The Butler And The Footman, 1892. Illustration from The Adventure of the Noble Bachelor by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: He Broke The Seal And Glanced Over The Contents, 1892. Artist: Sidney E Paget

He Broke The Seal And Glanced Over The Contents, 1892. Artist: Sidney E Paget
He Broke The Seal And Glanced Over The Contents, 1892. Illustration from The Adventure of the Noble Bachelor by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: A House On Fire?, 1892. Artist: Sidney E Paget

A House On Fire?, 1892. Artist: Sidney E Paget
A House On Fire?, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: He Cut At Me, 1892. Artist: Sidney E Paget

He Cut At Me, 1892. Artist: Sidney E Paget
He Cut At Me, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: I Rushed To The Door, 1892. Artist: Sidney E Paget

I Rushed To The Door, 1892. Artist: Sidney E Paget
I Rushed To The Door, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Get Away From Here Before It Is Too Late, 1892. Artist: Sidney E Paget

Get Away From Here Before It Is Too Late, 1892. Artist: Sidney E Paget
Get Away From Here Before It Is Too Late, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Not A Word To A Soul, 1892. Artist: Sidney E Paget

Not A Word To A Soul, 1892. Artist: Sidney E Paget
Not A Word To A Soul, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: He Settled Our New Acquaintance On The Sofa, 1892. Artist: Sidney E Paget

He Settled Our New Acquaintance On The Sofa, 1892. Artist: Sidney E Paget
He Settled Our New Acquaintance On The Sofa, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Colonel Lysander Stark, 1892. Artist: Sidney E Paget

Colonel Lysander Stark, 1892. Artist: Sidney E Paget
Colonel Lysander Stark, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: He Unwound The Handkerchief, And Held Out His Hand, 1892. Artist: Sidney E Paget

He Unwound The Handkerchief, And Held Out His Hand, 1892. Artist: Sidney E Paget
He Unwound The Handkerchief, And Held Out His Hand, 1892. Illustration from The Adventure of the Engineers Thumb by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: He Made Neither Sound Nor Motion, 1892. Artist: Sidney E Paget

He Made Neither Sound Nor Motion, 1892. Artist: Sidney E Paget
He Made Neither Sound Nor Motion, 1892. Illustration from The Adventure of the Speckled Band by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Background imageGeorge Newnes Collection: Good-Bye, And Be Brave, 1892. Artist: Sidney E Paget

Good-Bye, And Be Brave, 1892. Artist: Sidney E Paget
Good-Bye, And Be Brave, 1892. Illustration from The Adventure of the Speckled Band by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III



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George Newnes was a man of many interests and talents. He had an eye for art, as evidenced by his impressive collection of paintings from various artists. One such piece is "A Studio in Montparnasse" by CRW Nevinson, which captures the vibrant atmosphere of the artistic community in 1920s Paris. Newnes also appreciated works that depicted everyday life, like Walter Richard Sickert's "Ennui. " This painting from 1914 portrays a sense of boredom and restlessness that many can relate to even today. But Newnes didn't limit himself to modern art; he also admired older pieces such as Giovanni Segantini's "The Punishment of Luxury" from 1891. This striking work explores themes of excess and indulgence, reminding viewers of the consequences that come with a lavish lifestyle. Nature was another subject close to Newnes' heart, evident in Paul Nash's "Savernake Forest. " The artist beautifully captured the serene beauty and tranquility found within this woodland setting. Newnes had a fondness for coastal scenes too, as seen in his acquisitions like "Dartmouth - Dartmouth and Kingswear Castles" and "Pwllheli - A Sheltered Corner. " These paintings transport us to idyllic seaside locations, inviting us to imagine ourselves strolling along sandy shores or exploring ancient castle ruins. One painting that particularly caught Newnes' attention was William Nicholson's "The Girl with the Tattered Glove. " Created in 1909 but acquired by him later on, this portrait exudes both vulnerability and strength through its depiction of a young woman wearing worn-out gloves. Newnes also appreciated landscapes beyond Britain's shores. His collection included works like Sir John Lavery's "Evening At Tangier, " which transports viewers to exotic Moroccan streets bathed in warm hues. In addition to these diverse artworks, George Clausen's painting titled "Ploughing" caught Newnes' eye.