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Gesturing Collection (page 17)

"Gesturing: A Visual Language Spoken by Nature, Art, and History" William Wallace - statue in Aberdeen: As his hand reaches out towards the sky

Background imageGesturing Collection: Henry Bernstein and his Brother and Sister, 1892 (oil on canvas)

Henry Bernstein and his Brother and Sister, 1892 (oil on canvas)
657117 Henry Bernstein and his Brother and Sister, 1892 (oil on canvas) by Blanche, Jacques-Emile (1861-1942); 61x84 cm; Private Collection; (add.info.: Henry Bernstein and his Brother and Sister)

Background imageGesturing Collection: The Hat Seller, 1775 (engraving)

The Hat Seller, 1775 (engraving)
1195457 The Hat Seller, 1775 (engraving) by Brand, Johann Christian (1722-95) (after); 48.4x34 cm; Private Collection; (add.info.: Brand)

Background imageGesturing Collection: Looking out to Sea, 1910 (oil on canvas)

Looking out to Sea, 1910 (oil on canvas)
989675 Looking out to Sea, 1910 (oil on canvas) by Fischer, Paul (1860-1934); 38.1x54 cm; Private Collection; (add.info.: Looking out to Sea. Paul Fischer (1860-1934). Oil on canvas

Background imageGesturing Collection: Two seated prophets, one holding a book (chalk on paper)

Two seated prophets, one holding a book (chalk on paper)
CH441560 Two seated prophets, one holding a book (chalk on paper) by Pace, Ranieri del (1681-1738); 23x19.4 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageGesturing Collection: The Assumption of the Magdalen; and The Annunciation (tempera on panel)

The Assumption of the Magdalen; and The Annunciation (tempera on panel)
659323 The Assumption of the Magdalen; and The Annunciation (tempera on panel) by Master of Santa Maria de la Hoz (fl.c.1496-c.1520)

Background imageGesturing Collection: Portrait of Pope Clement XI, Seated Half Length, Wearing Papal Robes, Holding a Letter

Portrait of Pope Clement XI, Seated Half Length, Wearing Papal Robes, Holding a Letter
659284 Portrait of Pope Clement XI, Seated Half Length, Wearing Papal Robes, Holding a Letter, (oil on canvas) by Ghezzi, Pier Leone (1674-1755); 19.5x80 cm; Private Collection; (add.info)

Background imageGesturing Collection: The Madonna and Child, (oil on panel)

The Madonna and Child, (oil on panel)
659276 The Madonna and Child, (oil on panel) by Botticelli, Sandro (1444/5-1510) (studio of); 99.1x57.2 cm; Private Collection; (add.info.: The Madonna and Child)

Background imageGesturing Collection: The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour)

The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour)
658307 The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour) by Corbould, Edward Henry (1815-1905); 91.5x137 cm; Private Collection; (add.info)

Background imageGesturing Collection: The Lonely Princess, 1921 (oil on canvas)

The Lonely Princess, 1921 (oil on canvas)
659735 The Lonely Princess, 1921 (oil on canvas) by Munns, Bernard (1869-1942); 61x50.8 cm; Private Collection; (add.info.: The Lonely Princess. John Bernard Munns (1869-1942). Oil on canvas

Background imageGesturing Collection: The Happy Couple, (oil on canvas)

The Happy Couple, (oil on canvas)
659112 The Happy Couple, (oil on canvas) by Bechi, Luigi (1830-1919); 83.8x118.2 cm; Private Collection; (add.info.: The Happy Couple. Luigi Bechi (1830-1919). Oil on canvas

Background imageGesturing Collection: Wishful Thinking, (oil on canvas)

Wishful Thinking, (oil on canvas)
658497 Wishful Thinking, (oil on canvas) by Piot, Etienne Adolphe (1850-1910); 45.8x37.8 cm; Private Collection; (add.info.: Wishful Thinking. Etienne Adolphe Piot (1850-1910). Oil on canvas

Background imageGesturing Collection: In the Tavern, (oil on canvas)

In the Tavern, (oil on canvas)
658465 In the Tavern, (oil on canvas) by Benlliure y Gil, Jose (1855-1937); 36x47 cm; Private Collection; (add.info.: In the Tavern. Jose Benlliure y Gil (1855-1937). Oil on canvas

Background imageGesturing Collection: Sisters, (oil on canvas)

Sisters, (oil on canvas)
658302 Sisters, (oil on canvas) by Walker, John Hanson (1844-1933); 51x47 cm; Private Collection; (add.info.: Sisters. John Hanson Walker (1844-1933). Oil on canvas. 51 x 47cm

Background imageGesturing Collection: Despatch from Trebizond;Some news is come that turns their countenances

Despatch from Trebizond;Some news is come that turns their countenances
658271 Despatch from Trebizond; Some news is come that turns their countenances - Shakespeare, c.1873 (oil on canvas) by Wallis

Background imageGesturing Collection: The Awakening, 1904 (oil on panel)

The Awakening, 1904 (oil on panel)
658270 The Awakening, 1904 (oil on panel) by Traquair, Phoebe Anna (1852-1936); 63.3x151.5 cm; Private Collection; (add.info.: The Awakening. Phoebe Anna Traquair (1852-1936). Oil on panel

Background imageGesturing Collection: Preparing for a Sacrifice, 1877 (oil on canvas)

Preparing for a Sacrifice, 1877 (oil on canvas)
651121 Preparing for a Sacrifice, 1877 (oil on canvas) by Blashfield, Edwin Howland (1848-1936); 117x89.5 cm; Private Collection; (add.info.: Preparing for a Sacrifice)

Background imageGesturing Collection: Tea and Conversation, (oil on paper laid on canvas)

Tea and Conversation, (oil on paper laid on canvas)
650886 Tea and Conversation, (oil on paper laid on canvas) by Moeller, Louis Charles (1855-1930); 38.1x65.1 cm; Private Collection; (add.info.: Tea and Conversation)

Background imageGesturing Collection: Waiting, (oil on board)

Waiting, (oil on board)
650545 Waiting, (oil on board) by Hawthorne, Charles Webster (1872-1930); 101x101 cm; Private Collection; (add.info.: Waiting. Charles Webster Hawthorne (1872-1930). Oil on board

Background imageGesturing Collection: Blyth Sands, 1882 (gouache, charcoal pencil and brown chalk on grey brown paper)

Blyth Sands, 1882 (gouache, charcoal pencil and brown chalk on grey brown paper)
650540 Blyth Sands, 1882 (gouache, charcoal pencil and brown chalk on grey brown paper) by Homer, Winslow (1836-1910); 43.2x57.5 cm; Private Collection; (add.info.: Blyth Sands)

Background imageGesturing Collection: The Valley of Vision, c. 1910 (pencil, red chalk and watercolour)

The Valley of Vision, c. 1910 (pencil, red chalk and watercolour)
659823 The Valley of Vision, c.1910 (pencil, red chalk and watercolour) by Payne, Henry A. (Harry) (1868-1940); 37.5x47.6 cm; Private Collection; (add.info.: The Valley of Vision. Henry A)

Background imageGesturing Collection: Flirtation, (oil on panel)

Flirtation, (oil on panel)
651300 Flirtation, (oil on panel) by Lazerges, Jean Raymond Hippolyte (1817-87); 61x42.5 cm; Private Collection; (add.info.: Flirtation. Jean Raymond Hippolyte Lazerges (1817-1887). Oil on panel

Background imageGesturing Collection: Illustration for Peter Schlemihl by Adalbert von Chamisso

Illustration for Peter Schlemihl by Adalbert von Chamisso
3597129 Illustration for Peter Schlemihl by Adalbert von Chamisso, 1915 (colour woodcut) by Kirchner, Ernst Ludwig (1880-1938); 29.9x 1.2 cm; Kunstmuseum, Basel

Background imageGesturing Collection: St Francis of Assisi, c. 1510s-20s (fresco)

St Francis of Assisi, c. 1510s-20s (fresco)
704382 St Francis of Assisi, c.1510s-20s (fresco) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); San Pietro in Montorio, Rome, Italy; (add.info.: Francis of Assisi (1181/2-1226)

Background imageGesturing Collection: The Blue Bells of Scotland, illustration from A Picture Song Book

The Blue Bells of Scotland, illustration from A Picture Song Book
IL314850 The Blue Bells of Scotland, illustration from A Picture Song Book, 1910 (colour litho) by Howard, George, 9th Earl of Carlisle (1843-1911); Private Collection; English, out of copyright

Background imageGesturing Collection: La Vocatella (w / c & bodycolour on paper)

La Vocatella (w / c & bodycolour on paper)
AGN271152 La Vocatella (w/c & bodycolour on paper) by Palmer, Samuel (1805-81); 27.3x37.8 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageGesturing Collection: Bound to Beat: Yankee Doodle crossed the pond... (litho)

Bound to Beat: Yankee Doodle crossed the pond... (litho)
AQS336795 Bound to Beat: Yankee Doodle crossed the pond... (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts



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"Gesturing: A Visual Language Spoken by Nature, Art, and History" William Wallace - statue in Aberdeen: As his hand reaches out towards the sky, William Wallace's gesture symbolizes defiance and unwavering determination. Polar bear (Ursus maritimus) young bear rolling around in the snow, on newly formed ice: With playful gestures of joy, this young polar bear embraces the wintry landscape as if inviting us to join its frolicsome dance. Rosa Luxemburg (1871 - 1919): In her passionate speeches and writings, Rosa Luxemburg's gesturing hands became a powerful tool for expressing her revolutionary ideas and fighting for social justice. A signed photograph of Sigmund Freud, c. 1921 (sepia photo): Through subtle hand movements and facial expressions captured in this sepia-toned image, Sigmund Freud reveals his deep understanding of human psychology without uttering a single word. Night and Her Daughter Sleep, 1902. Creator: Mary L. Macomber: In this ethereal painting filled with tranquility, Night gently cradles her daughter Sleep with tender gestures that lull the world into peaceful slumber. The Sortie Made by the Garrison of Gibraltar, 1789. Creator: John Trumbull: Amidst chaos and battle cries depicted on canvas through vivid gestures of bravery and sacrifice stands a testament to human resilience during times of conflict. Edward refuses succour to his son at Crecy, 1346 (1864). Artist: James William Edmund Doyle: With an anguished expression on his face combined with a resolute gesture denying aid to his wounded son amidst medieval warfare captures both tragedy and paternal duty within one poignant scene. Saint Nicholas of Lipna, 1294. Artist : Alexa Petrov .