Gillray Collection (page 4)

A Peep at Christies, 1796. Artist: James Gillray
A Peep at Christies, 1796. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Parisian Ladies in their Full Winter Dress for 1800, 1799. Artist: James Gillray
Parisian Ladies in their Full Winter Dress for 1800, 1799. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Indecency, 1799. Cruikshank, Isaac Robert (1789-1856). Private collection

The hoarders and wasters, 1857. Illustration to the Divine Comedy by Dante Alighieri. Dore, Gustave (1832-1883). Private collection

Joan of Arc saved France, Women of America, save your country poster, 1918. Coffin, Haskell (1878-1941). Private Collection

Charons Boat, or the Ghosts of all the Talents taking their last voyage, 1807. Artist: James Gillray
Charons Boat, or the Ghosts of all the Talents taking their last voyage, 1807. Gillray, James (1757-1815). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Humphry Davy, British chemist and inventor, 1802. Artist: James Gillray
Humphry Davy, British chemist and inventor, 1802. Davy (1778-1829) discovered the anaesthetic effects of laughing gas (nitrous oxide)

Chemical lecture, 1802. Artist: James Gillray
Chemical lecture; Scientific Researches! - New Discoveries in Pneumaticks! or - an Experimental Lecture on the Powers of Air!, 1802

The Pic-Nic Orchestra, James Gilray, 1802. Artist: James Gillray
The Pic-Nic Orchestra, James Gilray, 1802. Cartoon

Gillray cartoon on vaccination against Smallpox using Cowpox serum, 1802. Artist: James Gillray
Gillray cartoon on vaccination against Smallpox using Cowpox serum, 1802. In 1796 the English physician Edward Jenner (1749-1823) proved efficacy of practice, but opposition continued for a while

FRENCH REVOLUTION: CARTOON. Smelling Out a Rat. British philosopher Richard Price at work with a rat caricature of Irish statesman Edmund Burke over his shoulder. Etching by James Gillray, 1790

Cartoon, The Cow Pock, or, the Wonderful Effects of the New Inoculation! by James Gillray. Depicting a scene at the Smallpox and Inoculation Hospital, St Pancras, London

Cartoon, Promis d Horrors of the French Invasion, or, Forcible Reasons for negotiating a Regicide Peace, Vide, The Authority of Edmund Burke, by James Gillray

Cartoon, Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar, by James Gillray. Showing John Bull and his wife (actually King George III and Queen Charlotte)

Dr. Elisha Perkins using a quack metallic tractor. Cartoon by James Gillray, late 18th century
GILLRAY CARTOON: QUACK. Dr. Elisha Perkins using a quack metallic tractor. Cartoon by James Gillray, late 18th century

Comfort Of A Bed Of Roses, Gillray, James, 1756-1815, Engraver, [london] : H. Humphrey, 1806, Charles Fox, In Bed With His Wife, Having A Nightmare

Visiting The Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting In An Armchair, Obviously Ill. On One Side Of Him Is Mrs

Joseph Hume Reading
JOSEPH HUME radical statesman Date: 1777 - 1855

1808 / Canning / Gillray
Disciples catching the Mantle - the Spirit of Darkness overshadowing the Priests of Baal George Canning reaches for Pitt the Youngers mantle Date: 1808

Canning Defiant / Gillray
Phaeton alarm d George Canning defies his enemies Date: 1808

James Gillray
JAMES GILLRAY English caricaturist, especially well known for his political cartoons. Date: 1757 - 1815

Married life by Gillray
Matrimonial Harmonics by Gillray (Marriage : After) Date: C19

Burke (Gillray)
EDMUND BURKE statesman, depicted giving his notorious dagger speech in the Commons, 28 December 1792 Date: 1729 - 1797

Cartoon, The Great Balloon, by James Gillray. A satirical comment on the subject of Lord Grenvilles installation as Chancellor of Oxford University

Cartoon, True Reform of Parliament, ie Patriots lighting a Revolutionary Bonfire in New Palace Yard, by James Gillray. Showing Sir Francis Burdett at the centre

Cartoon, Delicious Dreams! Castles in the Air! Glorious Prospects! Vide An Afternoon Nap after the Fatigues of an Official Dinner, by James Gillray

Cartoon, Broad Bottom Drones storming the Hive, Wasps, Hornets & Bumble Bees joining in the Attack, by James Gillray. Showing leading politicians (both those in power and those in opposition)

Cartoon, Patriotic Petitions on the Convention, by James Gillray. Four scenes: The Cockney Petition, The Westminster Petition, The Chelmsford Petition, and The Middlesex Petition

Cartoon, British Tars, towing the Danish Fleet into Harbour; the Broadbottom Leviathan trying to swamp Billys old Boat, & the little Corsican tottering on the Clouds of Ambition, by James Gillray

Cartoon, Connoisseurs examining a collection of George Morland s, by James Gillray. A satire on the popularity of Morlands paintings, focusing on fat pigs, foolish donkeys and greedy dealers

Cartoon, The Pigs Possessed, or, the Broad-bottomd Litter running headlong into the Sea of Perdition, by James Gillray. Showing John Bull (doubling as Farmer George)

Cartoon, Westminster Conscripts under the Training Act, by James Gillray. Showing Napoleon training a group of British politicians, including Charles James Fox

Cartoon, Political Mathematicians, Shaking the Broad bottomd Hemispheres, by James Gillray. To that last Hope of the Country, the New Opposition

Cartoon, Pacific Overtures, or, a Flight from St Clouds over the Water to Charley, a new Dramatic Piece now Rehearsing, by James Gillray

Cartoon, A Great Stream from a Petty Fountain, or, John Bull swamped in the Flood of new Taxes; Cormorants fishing in the Stream, by James Gillray

Cartoon, Tiddy Doll the great French Gingerbread Baker, drawing out a new Batch of Kings, his Man, Hopping Talley [Talleyrand], mixing up the Dough, by James Gillray

Cartoon, End of the Irish Farce of Catholic Emancipation, by James Gillray. Showing a scene outside Heaven, with St Peter at the gate of Popish Supremacy and a crowd of Catholic priests and clergy

Cartoon, The Reconciliation, by James Gillray, with a quotation from the parable of the Prodigal Son. Showing a reconciliation between King George III and his son, the Prince of Wales

Cartoon, Middlesex Election, 1804, a Long Pull, a Strong Pull, and a Pull All together, by James Gillray. Showing Sir Francis Burdett in a carriage labelled Peace & Plenty

Cartoon, L Assemblee Nationale, or grand Cooperative Meeting at St Annes Hill, respectfully dedicated to the admirers of a Broad-Bottomd Administration, by James Gillray

Cartoon, Confederated Coalition, or, The Giants storming Heaven, with the Gods alarmed for their everlasting abodes, by James Gillray. Depicting government ministers Hawkesbury, Addington and St

Cartoon, The State Waggoner and John Bull, or, the Waggon too much for the Donkeys! together with a distant view of the New Coalition among Johnnys Old Horses, by James Gillray

Cartoon, The King of Brobdingnag and Gulliver. Scene: Gulliver manoeuvring with his little Boat in the Cistern. By James Gillray. A satire on King George III and Napoleon Bonaparte. Date: 1804

Cartoon, Scientific Researches! New Discoveries in Pneumaticks! or, an Experimental Lecture on the Powers of Air, by James Gillray

Cartoon, Introduction of Citizen Volpone... at Paris
Cartoon, Introduction of Citizen Volpone & his Suite at Paris, Vide The Moniteur, & Cobbetts Letters, by James Gillray. Showing Charles James Fox

Cartoon, Political Dreamings, Visions of Peace! Perspective Horrors! by James Gillray. Showing William Windham, British War Minister, asleep and dreaming in bed, surrounded by visions

Cartoon, The French Consular Triumverate [Triumvirate], settling the New Constitution, with a peep at the constitutional pigeon holes of the Abbe Sieyes in the Background, by James Gillray

Cartoon, Siege de la Colonne de Pompee [Pompeys Pillar, a Roman triumphal column], Science in the Pillory, by James Gillray

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James Gillray (1757-1815) was a renowned British caricaturist and printmaker who left an indelible mark on the world of political satire. His satirical etchings, such as "The Cow-Pock" and "Political Ravishment, " showcased his sharp wit and keen observation of society. In "The Cow-Pock, " created in 1802, Gillray depicted Edward Jenner, the pioneer of vaccination, in a humorous light. Through this artwork, he not only highlighted the significance of Jenner's work but also playfully commented on the fears surrounding vaccination at that time. Another notable piece by Gillray is "A March to the Bank" from 1787. This artwork humorously portrays people rushing to withdraw their money from the bank during a financial crisis. With his characteristic exaggeration and attention to detail, Gillray captured both the panic and absurdity of such situations. Gillray's talent for capturing social commentary extended beyond financial matters. In works like "The Gout, " he used satire to mock societal vices and indulgences. By portraying gout as a grotesque figure tormenting its victims, Gillray shed light on issues related to excesses in food consumption prevalent among certain classes during that era. One cannot discuss James Gillray without mentioning his iconic cartoon titled "Britannia between Scylla & Charybdis. " This piece symbolizes Britain's precarious position during times of political turmoil when it had to navigate between conflicting interests represented by two mythical sea monsters. Through this image, Gillray cleverly critiqued politicians' struggles with making difficult decisions while maintaining national stability. Gillray's artistry was not limited solely to politics; he also delved into cultural events like elections or public gatherings. In works such as "Election fair" or "L assemblee Nationale Or Grand Cooperation Meeting At St.