Gilt Bronze Collection (#6)

Corner Cupboard (Encoignure); Carcass and mounts attributed to Jean-Pierre Latz, French, about 1691 - 1754, Marquetry panels attributed to the Workshop of Jean-Francois Oeben, French, born Germany

Paneled Room; Unknown; Paris, France, Europe; about 1755; Painted and gilded oak; four oil-on-canvas overdoor paintings; breche d Alep mantelpiece; modern mirrored glass; gilt-bronze hardware; Object

Planisphere Clock (Pendule a planisphere); Movement by Alexandre Fortier, French, about 1700 - 1770, and case attributed to Jean-Pierre Latz, French, about 1691 - 1754; Paris, France

Card and Writing Table (Table a quadrille brise); Unknown; Paris, France, Europe; about 1725; Oak and fir veneered with bloodwood

Pair of Pot-pourri Bowls; Unknown; porcelain about 1660 - 1680; mounts about 1750; Hard-paste porcelain, celadon ground color, and polychrome enamel decoration; gilt-bronze mounts; Various

Cabinet; Case by Guillaume Benneman, French, died 1811, Gilt-bronze mounts after models by Gilles-Francois Martin, French, about 1713 - 1795, Mounts cast by Etienne-Jean Forestier, French

Cabinet (one of a pair); Attributed to Adam Weisweiler, French, 1744 - 1820, master 1778, active until 1809; Paris, France, Europe; about 1810; pietra dura plaque mid-17th - late 18th century; Oak

Commode; Unknown; Paris, France, Europe; about 1710 - 1715; Fir and oak veneered with bloodwood and walnut; drawers of fir

One pair of Mounted Groups; Flowers made at the Chantilly Porcelain Manufactory, French, active about 1725 - about 1792, Porcelain maker Unknown maker, Chinese, Bronzier Unknown maker, French; China

Corner Cupboard; Cabinet by Jacques Dubois, French, 1694 - 1763, master 1742, clock movement by Etienne Le Noir II, French, 1699 - 1778, master 1717

Mounted Vase with Flowers; Bronzier Unknown maker, French, Vase made at the Meissen Porcelain Manufactory, German, active 1710 - present, Flowers possibly made at the Vincennes Porcelain Manufactory

Tripod table; Attributed to Pierre Golle, French, about 1620 - 1684, master before 1656; Paris, France, Europe; about 1680; Oak veneered with brass, pewter, tortoise shell, walnut, and ebony

Two Coffers on Stands; Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1684 - 1689; Oak, cypress, and walnut veneered with tortoise shell

Porphyry Urn; Unknown, After a design by Ennemond-Alexandre Petitot, French, 1727 - 1801; Paris, France, Europe; vase 1700s; mount about 1765 - 1770; Porphyry; red marble; gilt-bronze mounts; Object

Writing Table; Unknown; Paris, France, Europe; about 1670 - 1675; Oak veneered with ivory, blue-painted horn, ebony, rosewood, and amaranth

Group of Japanese Figures; Model by Johann Joachim Kandler, German, 1706 - 1775, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen, Germany

Cartonnier with Bout de Bureau and Clock; Bernard II van Risenburgh, French, after 1696 - about 1766, master before 1730, movement by Etienne Le Noir II, French, 1699 - 1778, master 1717

Cabinet (Cabinet des Medailles); Attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France, Europe; about 1710 - 1715; Oak and fir veneered with ebony, amaranth

Long Case Musical Clock; Clock case by David Roentgen, German, 1743 - 1807, master 1780, Gilt-bronze mounts by Francois Remond, French, 1747 - 1812, master 1774, Clock movement by Peter Kinzing

Pair of Magot Figures; Mounts: Unknown, Figures: Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; about 1740; Soft-paste porcelain

Compound Microscope and Case; Micrometric stage invented by Michel-Ferdinand d Albert d Ailly, sixth duke of Chaulnes, French, 1714 - 1769, Gilt-bronze mounts attributed to Jacques Caffieri, French

Casket (Carre de toilette); Unknown; Germany, Southern Germany, Europe; about 1680 - 1690; Wood veneered with rosewood, brass, mother-of-pearl, pewter, copper

North Italian 16th Century, A Victorious Hero, early 16th century, gilt bronze

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"Gilt Bronze: A Journey Through Time and Artistic Mastery" Step into the world of gilt bronze, a captivating medium that has adorned masterpieces throughout history. From a three-door cabinet crafted in the mid-19th century to an exquisite Buddhist goddess statue dating back to the 8th century, this alloy of bronze coated with gold leaf has left its shimmering mark on countless works of art. Intricately detailed and anonymous in origin, the three-door cabinet from c. 1835-1838 showcases the skilled craftsmanship of its time. Its golden accents add an air of opulence and elegance to any space it graces. Moving further back in time, we encounter the Bodhisattva Avalokiteshvara from Kurkihar, Bihar. Created during the Pala Dynasty, this gilt bronze masterpiece radiates divine serenity and spiritual grace. The eighth-century bronze statue depicting Tara, a revered Buddhist goddess, is another testament to the allure of gilt bronze. Its delicate features and graceful posture evoke a sense of tranquility that transcends centuries. Venturing into European artistry, we find "The Twelve Works of Hercules, " sculpted in bronze during the 15th century. This magnificent piece immortalizes Hercules' legendary feats with intricate details that captivate both eye and imagination. Spanish artist Francisco de Zurbaran's c. 1930 sculpture showcases his mastery over bronze as he brings forth lifelike expressions through his work. The material adds depth and texture to each stroke captured by Zurbaran's skillful hand. As we delve deeper into history, we stumble upon engravings depicting "The Brazen Bull" - a chilling reminder of ancient cruelty transformed into art through meticulous etching techniques. Transitioning towards functional beauty, an enamel ewer from late Ming/early Qing dynasty stands as an epitome of artistic fusion between East and West.