Giovanni 1858 1899 Collection

Mezzogiorno sulle Alpi (Noon in the Alps), 1891. Found in the Collection of Segantini Museum, St. Moritz

Goddess of Love (Angel of love). Found in the Collection of Galleria d arte moderna, Milano

L ultima fatica del giorno (The Last Task of the Day), 1884. Creator: Segantini, Giovanni
L ultima fatica del giorno (The Last Task of the Day), 1884. Found in the Collection of Szepmuveszeti Muzeum, Budapest

Le due madri (The two mothers), 1884-1886. Creator: Segantini, Giovanni (1858-1899)
Le due madri (The two mothers), 1884-1886. Found in the Collection of The Mesdag Collection, The Hague

Pascoli di primavera (Spring Pastures), 1896. Creator: Segantini, Giovanni (1858-1899)
Pascoli di primavera (Spring Pastures), 1896. Found in the Collection of Pinacoteca di Brera, Milan

On the balcony, 1892. Creator: Segantini, Giovanni (1858-1899)
On the balcony, 1892. Found in the Collection of Gottfried Keller-Stiftung

La raccolta dei bozzoli (Collecting the cocoons), 1882-1883. Creator: Segantini, Giovanni
La raccolta dei bozzoli (Collecting the cocoons), 1882-1883. Found in the Collection of Gallerie di Piazza Scala, Milano

Le due madri (The two mothers), 1889. Creator: Segantini, Giovanni (1858-1899)
Le due madri (The two mothers), 1889. Found in the Collection of Galleria d arte moderna, Milano

Rose petal. Private Collection

La falconiera, c. 1875. Found in the Collection of Musei Civici, Pavia

The Bad Mothers (Le cattive madri), 1894. Found in the Collection of O sterreichische Galerie Belvedere, Vienna

Love at the Source of Life (L amore alla fonte della vita). Found in the Collection of Galleria d arte moderna, Milano

The angel of life. Found in the Collection of Galleria d arte moderna, Milano

May in the Alps. Private Collection

The hay harvest. Found in the Collection of Pinacoteca Fondazione Cassa di Risparmio di Tortona

High Noon in the Alps, 1892. Found in the collection of Ohara Museum of Art, Kurashiki

Vanity (The Source of Evil). Artist: Segantini, Giovanni (1858-1899)
Vanity (The Source of Evil). Found in the collection of Kunsthaus Zurich

The Angel of Life. Artist: Segantini, Giovanni (1858-1899)
The Angel of Life. Found in the collection of Szepmuveszeti Muzeum, Budapest

Vanity (La Vanita), 1897. Artist: Segantini, Giovanni (1858-1899)
Vanity (La Vanita), 1897. Found in the collection of the Kunsthaus Zurich

Bagpipers of Brianza, c. 1883-1885. Artist: Segantini, Giovanni (1858-1899)
Bagpipers of Brianza, c. 1883-1885. Found in the collection of the National Museum of Western Art, Tokyo

The Sheepshearing, 1883-1884. Artist: Segantini, Giovanni (1858-1899)
The Sheepshearing, 1883-1884. Found in the collection of the National Museum of Western Art, Tokyo

Rocky landscape, 1898-1899. Found in the Collection of Aargauer Kunsthaus, Aarau

Study for The Life, 1897. Private Collection

Springtime in the Alps (The Allegory of Spring), 1897. Private Collection

Riposo all ombra (Rest in the Shade), 1892. Private Collection

Ritorno dal bosco (Return From The Forest), 1890. Found in the Collection of Segantini Museum, St. Moritz

Costume grigionese (Grisons Costume), 1887. Found in the Collection of Segantini Museum, St. Moritz

Vacche aggiogate (Cows at the Watering Place), 1888. Found in the Collection of Art Museum Basel

Ave Maria a trasbordo (Ave Maria at the Crossing), 1886. Found in the Collection of Segantini Museum, St. Moritz

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Giovanni Segantini (1858-1899) was a renowned Italian painter who left an indelible mark on the art world with his captivating works. From Mezzogiorno sulle Alpi (Noon in the Alps), 1891, to Goddess of Love (Angel of love) and On the balcony, 1892, Segantini's artistic prowess shines through. In L'ultima fatica del giorno (The Last Task of the Day), 1884, we witness Segantini's ability to capture emotion and depth within a single frame. The painting Le due madri (The two mothers), created between 1884-1886, showcases his talent for storytelling as he explores themes of motherhood and sacrifice. Pascoli di primavera (Spring Pastures), painted in 1896, transports us to idyllic landscapes filled with vibrant colors that evoke feelings of renewal and hope. Meanwhile, La raccolta dei bozzoli (Collecting the cocoons), completed between 1882-1883, offers a glimpse into everyday life while highlighting Segantini's attention to detail. With Rose Petal and La falconiera from c. 1875, we see Segantini's versatility as he ventures into different subjects but maintains his signature style. And in The Bad Mothers (Le cattive madri) from 1894, he confronts societal norms by challenging traditional notions of motherhood. Segantini's work continues to inspire generations even after his untimely death at just forty-one years old. His ability to capture raw emotions and depict scenes with remarkable precision solidifies him as one of Italy's most celebrated artists.