Girolamo Francesco Mazzola Collection (page 3)

Holy Family, 17th century. Creator: Unknown
Holy Family, 17th century. After Parmigianino

The Lovers, 17th century. Creator: Unknown
The Lovers, 17th century. After Parmigianino

Astrology, 17th century. Creator: Unknown
Astrology, 17th century. After Parmigianino

Nativity, 17th century. Creator: Unknown
Nativity, 17th century

Youth with two Old Men, 17th century. Creator: Unknown
Youth with two Old Men, 17th century. After Parmigianino

The Lovers, 16th-17th century. Creator: Unknown
The Lovers, 16th-17th century. After Parmigianino

Female personification of Faith who kneels raising a chalice in her left hand, af... ca
Female personification of Faith who kneels raising a chalice in her left hand, after Parmigianino, ca. 1520-1560. After Parmigianino

Seated Woman with two Children, 16th century. Creator: Unknown
Seated Woman with two Children, 16th century

Melancholy, 16th century. Creator: Unknown
Melancholy, 16th century

Heavily draped male Figure, 16th century. Creator: Unknown
Heavily draped male Figure, 16th century

Male Saint, 16th century. Creator: Unknown
Male Saint, 16th century

Nativity, 16th century. Creator: Unknown
Nativity, 16th century

Youth with two old Men, 16th century. Creator: Unknown
Youth with two old Men, 16th century. After Parmigianino

Judith, 16th century. Creator: Unknown
Judith, 16th century. After Parmigianino

Madonna and Child. n. d. Creator: Aegidius Sadeler II
Madonna and Child.n.d

Raphael at the age of 15 - painted by himself - from the Louvre Gallery, 1845. Portrait of a Young Man, (formerly thought to be a self-portrait of Raphael)

Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right, ca. 1527-30

Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546. Creator: Enea Vico
Venus at her Toilette, and Vulcan Working at His Forge, ca. 1546

Proserpine Changing Aesculapius into an Owl, 1548. Creator: Enea Vico
Proserpine Changing Aesculapius into an Owl, 1548

Circe Giving a Drink to Ulyssess Companions, 1540-45. Creator: Antonio Fantuzzi
Circe Giving a Drink to Ulyssess Companions, 1540-45

Man seated viewed from behind (Narcissus), ca. 1527-30. Creator: Antonio da Trento
Man seated viewed from behind (Narcissus), ca. 1527-30

Frontispiece, before 1749. Creator: Anton Maria Zanetti
Frontispiece, before 1749. [Portrait of Parmigianino]

Diversarum Iconum... ca. 1749. Creator: Anton Maria Zanetti
Diversarum Iconum... ca. 1749. [St Andrew]

The Virgin and Child with Saint John the Baptist, ca. 1722. Creator: Anton Maria Zanetti
The Virgin and Child with Saint John the Baptist, ca. 1722

Saint John the Evangelist preaching in a temple, 1724. Creator: Anton Maria Zanetti
Saint John the Evangelist preaching in a temple, 1724

The Apostle Saint James, 1722. Creator: Anton Maria Zanetti
The Apostle Saint James, 1722

Entombment Facing Left, 1529-1530. 1529-1530. Creator: Parmigianino
Entombment Facing Left, 1529-1530

St Christopher carrying the Christ Child, early 16th century. Creator: Unknown
St Christopher carrying the Christ Child, early 16th century

Marsyas drawing the Syrinx from the river, ca. 1540-50. ca. 1540-50
Marsyas drawing the Syrinx from the river, ca. 1540-50. Formerly attributed to Ugo da Carpi

Adoration of the Magi, 1540-50. 1540-50. Creator: Niccolo Vicentino
Adoration of the Magi, 1540-50

Christ healing the Lepers, 1540-50. 1540-50. Creator: Niccolo Vicentino
Christ healing the Lepers, 1540-50

The contest between Apollo and Marsyas, ca. 1540-1550. Creator: Niccolo Vicentino
The contest between Apollo and Marsyas, ca. 1540-1550. Formerly attributed to Ugo da Carpi

Olympus (Surprise), ca. 1540-50. ca. 1540-50. Creator: Niccolo Vicentino
Olympus (Surprise), ca. 1540-50

Left Third of a Martyrdom of Saint Peter and Saint Paul. 1508-ca. 1550. Creator: Unknown
Left Third of a Martyrdom of Saint Peter and Saint Paul. 1508-ca. 1550. After Antonio da Trento. After Parmigianino

Roman or Greek Warriors Celebrating after a Victory. 1503-40. Creator: Parmigianino
Roman or Greek Warriors Celebrating after a Victory. 1503-40

Parmegiano, (1503-1540), 1830. Creator: Unknown
Parmegiano, (1503-1540), 1830. Francesco Mazzola Parmegiano (1503-1540) Italian Mannerist painter and printmaker whose career was disrupted by the Sack of Rome in 1527

Study of Saint Catherine, c1530-1540, (1943). Creator: Parmigianino
Study of Saint Catherine, c1530-1540, (1943). Drawing in the Uffizi Gallery, Florence. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart

Mercury Presenting a Panpipe to Minerva. Creator: Giulio Bonasone
Mercury Presenting a Panpipe to Minerva

The Vision of St. Jerome. Creator: Giulio Bonasone
The Vision of St. Jerome

The Mystic Marriage of St. Catherine. Creator: Giulio Bonasone
The Mystic Marriage of St. Catherine

Helmeted head, 17th century (?). Creator: Unknown
Helmeted head, 17th century (?)

Head of a young woman in profile to right, 1645. Creator: Wenceslaus Hollar
Head of a young woman in profile to right, 1645

Head of a young girl, 1645. Creator: Wenceslaus Hollar
Head of a young girl, 1645

Virgin and Child with Saints, ca. 1550-56. Creator: Leon Davent
Virgin and Child with Saints, ca. 1550-56

Venus and Nymphs Bathing, 1543. Creator: Antonio Fantuzzi
Venus and Nymphs Bathing, 1543

A Woman Standing at the Foot of a Tree Holding an Infant, with a Seated Boy, 1724

Nine Studies Moses Santa Maria della Steccata
Artokoloro

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Girolamo Francesco Mazzola, also known as Parmigianino, was an Italian painter and printmaker of the High Renaissance. Born in Parma in 1503, he displayed exceptional talent from a young age. His works showcased his mastery of composition, perspective, and intricate details. One of his notable pieces is "The Holy Family with Mary Magdalene and John the Baptist who embraces Christ" painted in 1543. This painting depicts the sacred family surrounded by religious figures, showcasing Parmigianino's ability to capture emotion and spirituality. In another masterpiece titled "Venus and Mars Embracing as Vulcan Works at His Forge, " created in the same year by Enea Vico but inspired by Parmigianino's style, we see a sensual scene depicting love between gods. The delicate brushwork and harmonious colors demonstrate Parmigianino's influence on other artists. Parmigianino's skill is further evident in "Madonna of the Rose, " an anonymous work from the 16th-17th century that reflects his iconic style. The Madonna is portrayed with grace and elegance while holding a rose symbolizing purity. Another intriguing piece attributed to him is "[Four Cupids; Apollo and Daphne in the Background], " which showcases mythological themes popular during that era. The detailed rendering of Cupids alongside Apollo creates a captivating narrative within this artwork. Parmigianino's impact extends beyond religious or mythological subjects as seen in "The Tiburtine Sibyl showing Emperor Augustus the Virgin and Christ Child. " This painting demonstrates his ability to depict historical events with accuracy while infusing them with spiritual significance. His versatility can be observed through various genres such as portraiture shown in "Mystic Marriage of St. Catherine (reverse copy)" where he captures Saint Catherine's serene expression flawlessly.