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Globus Cruciger Collection

The globus cruciger, a symbol of power and authority, has been depicted throughout history in various forms

Background imageGlobus Cruciger Collection: (1729-1796). Empress of Russia, 1762-1796. Painting of Catherine II in her coronation gown, c1762

(1729-1796). Empress of Russia, 1762-1796. Painting of Catherine II in her coronation gown, c1762
CATHERINE II OF RUSSIA (1729-1796). Empress of Russia, 1762-1796. Painting of Catherine II in her coronation gown, c1762

Background imageGlobus Cruciger Collection: God the Falther and the dove of Holy Spirit, c.1920 (stained glass)

God the Falther and the dove of Holy Spirit, c.1920 (stained glass)
8714251 God the Falther and the dove of Holy Spirit, c.1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s. Glass by Franz Mayer Germany)

Background imageGlobus Cruciger Collection: the Holy family and God the Father, c1920 (stained glass)

the Holy family and God the Father, c1920 (stained glass)
8714220 the Holy family and God the Father, c1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s. Glass by Franz Mayer Germany)

Background imageGlobus Cruciger Collection: God the Father and the dove of Holy Spirit, c.1920 (stained glass)

God the Father and the dove of Holy Spirit, c.1920 (stained glass)
8714189 God the Father and the dove of Holy Spirit, c.1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s. Glass by Franz Mayer Germany)

Background imageGlobus Cruciger Collection: Salvator Mundi (Saviour of the world), c.1570 (oil on canvas)

Salvator Mundi (Saviour of the world), c.1570 (oil on canvas)
FIA5334901 Salvator Mundi (Saviour of the world), c.1570 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 96x80 cm; State Hermitage Museum, St

Background imageGlobus Cruciger Collection: Holy Mary Mother of God with a Lily, 1895 (hand coloured litho)

Holy Mary Mother of God with a Lily, 1895 (hand coloured litho)
8696795 Holy Mary Mother of God with a Lily, 1895 (hand coloured litho) by Bernard, Emile (1868-1941); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageGlobus Cruciger Collection: Peter III of Aragon - Peter III ' The Great' (1240-1285). King of Aragon and Valencia (1276-1285)

Peter III of Aragon - Peter III " The Great" (1240-1285). King of Aragon and Valencia (1276-1285). Painting
CUL4876447 Peter III of Aragon - Peter III " The Great" (1240-1285). King of Aragon and Valencia (1276-1285). Painting. SPAIN. CATALONIA. Barcelona

Background imageGlobus Cruciger Collection: The Kings Orb from the Crown Jewels of England, 1919 (colour litho)

The Kings Orb from the Crown Jewels of England, 1919 (colour litho)
2629935 The Kings Orb from the Crown Jewels of England, 1919 (colour litho) by English School, (20th century); Private Collection; Photo eGraphicaArtis; English, out of copyright

Background imageGlobus Cruciger Collection: The Queens Orb from the Crown Jewels of England, 1919 (colour litho)

The Queens Orb from the Crown Jewels of England, 1919 (colour litho)
2629934 The Queens Orb from the Crown Jewels of England, 1919 (colour litho) by English School, (20th century); Private Collection; Photo eGraphicaArtis; English, out of copyright

Background imageGlobus Cruciger Collection: The Trinity, c.1464 (w/c & ink)

The Trinity, c.1464 (w/c & ink)
8678078 The Trinity, c.1464 (w/c & ink) by German School, (15th century); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Place Created : Ulm, Germany; Augsburg, Germany)

Background imageGlobus Cruciger Collection: Sigismond of Luxembourg, 1645 (Engraving)

Sigismond of Luxembourg, 1645 (Engraving)
7422851 Sigismond of Luxembourg, 1645 (Engraving) by Goltzius, Hubert (1526-83); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: History. Austria)

Background imageGlobus Cruciger Collection: Triptych of Antonius Tsgrooten (oil on panel)

Triptych of Antonius Tsgrooten (oil on panel)
471367 Triptych of Antonius Tsgrooten (oil on panel) by Weyden, Goossen (Goswyn) van der (1465-c.1538); 32.6x41.8 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageGlobus Cruciger Collection: Triumphant Christ (oil on panel)

Triumphant Christ (oil on panel)
490159 Triumphant Christ (oil on panel) by Gheeraerts, Marcus, the Elder (c.1520-90); 74.5x108 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageGlobus Cruciger Collection: I Mourn because the World is so Untrustworthy, 1594 (oil on panel)

I Mourn because the World is so Untrustworthy, 1594 (oil on panel)
471422 I Mourn because the World is so Untrustworthy, 1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageGlobus Cruciger Collection: Christ with Singing and Music-Making Angels (oil on oak panel)

Christ with Singing and Music-Making Angels (oil on oak panel)
471492 Christ with Singing and Music-Making Angels (oil on oak panel) by Memling, Hans (c.1433-94); 164x212 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageGlobus Cruciger Collection: Restored Portrait of Richard II, in the National Portrait Exhibition, South Kensington (engraving)

Restored Portrait of Richard II, in the National Portrait Exhibition, South Kensington (engraving)
1611219 Restored Portrait of Richard II, in the National Portrait Exhibition, South Kensington (engraving) by English School

Background imageGlobus Cruciger Collection: Maximilian Presented by his Patron Saints to the Almighty, 1519 (woodcut)

Maximilian Presented by his Patron Saints to the Almighty, 1519 (woodcut)
883042 Maximilian Presented by his Patron Saints to the Almighty, 1519 (woodcut) by Springinklee, Hans (c.1495-after 1522); 35.72x37.47 cm; Minneapolis Institute of Arts, MN

Background imageGlobus Cruciger Collection: Apse window with Virgin & Child and St. John The Evangelist, detail

Apse window with Virgin & Child and St. John The Evangelist, detail
3475244 Apse window with Virgin & Child and St. John The Evangelist, detail, 1841-42 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Saint John The Evangelist Catholic Church, Banbury

Background imageGlobus Cruciger Collection: George I Coronation Plaque, 1714 (silver)

George I Coronation Plaque, 1714 (silver)
2959922 George I Coronation Plaque, 1714 (silver) by English School, (18th century); Timothy Millett Collection; (add.info.: George I (28 May 1660 - 11 June 1727)

Background imageGlobus Cruciger Collection: Una and the Lion pattern £5 piece, 1839 (gold)

Una and the Lion pattern £5 piece, 1839 (gold)
1220138 Una and the Lion pattern £ 5 piece, 1839 (gold) by Wyon, William (1795-1851); The Royal Mint Museum, Llantrisant

Background imageGlobus Cruciger Collection: Portrait of George III in his Coronation Robes, c. 1760 (oil on canvas)

Portrait of George III in his Coronation Robes, c. 1760 (oil on canvas)
CPB90787 Portrait of George III in his Coronation Robes, c.1760 (oil on canvas) by Ramsay, Allan (1713-84); 130.8x102. cm; Private Collection; (add.info)

Background imageGlobus Cruciger Collection: Book of Hours, folios 13 verso: Salve sancta facies, Christ as Salvator mundi holding orb

Book of Hours, folios 13 verso: Salve sancta facies, Christ as Salvator mundi holding orb
5938140 Book of Hours, folios 13 verso: Salve sancta facies, Christ as Salvator mundi holding orb and blessing, , 1510 (parchment and gold) by Master of the Dresden Prayer Book (fl.c.1460-1520)

Background imageGlobus Cruciger Collection: WHEEL OF FORTUNE. An astrological representation of the Wheel of Fortune, depicting

WHEEL OF FORTUNE. An astrological representation of the Wheel of Fortune, depicting Mars in the highest position, but with the sun, Venus, and Mercury on the rise. German woodcut, 1490

Background imageGlobus Cruciger Collection: WHEEL OF FORTUNE. Woodcut, 1534, by Georg Pencz

WHEEL OF FORTUNE. Woodcut, 1534, by Georg Pencz

Background imageGlobus Cruciger Collection: NAST: TWEED CARTOON, 1870. The Power Behind the Throne

NAST: TWEED CARTOON, 1870. The Power Behind the Throne. Cartoon, 1870, by Thomas Nast attacking Boss William M. Tweed as the sinister power behind the throne of Governor John T. Hoffman of New York

Background imageGlobus Cruciger Collection: KING CHARLES II OF ENGLAND. Oil on canvas (detail), c1660-65, from the studio of

KING CHARLES II OF ENGLAND. Oil on canvas (detail), c1660-65, from the studio of John Michael Wright

Background imageGlobus Cruciger Collection: Representation of the horoscope, with the seven planets, the tweleve signs of the zodiac

Representation of the horoscope, with the seven planets, the tweleve signs of the zodiac
ASTROLOGY CHART, 1515. Representation of the horoscope, with the seven planets, the tweleve signs of the zodiac, and the twelve houses rotating around the earth

Background imageGlobus Cruciger Collection: Byzantine Art. Greece. icon with Saint Michael Archangel by workshop Constantinople

Byzantine Art. Greece. icon with Saint Michael Archangel by workshop Constantinople. Dated at 14th century. Byzantine Museum. Athens

Background imageGlobus Cruciger Collection: GOD AND SATAN. The Lord and Satan vying for the soul of man, who is navigating the ocean of vices

GOD AND SATAN. The Lord and Satan vying for the soul of man, who is navigating the ocean of vices and sin. Woodcut from Le grand kalendrier et compost des Bergiers, Troyes, 1496

Background imageGlobus Cruciger Collection: HENRY IV OF GERMANY (1015-1106). King of Germany and Holy Roman Emperor (1056-1106)

HENRY IV OF GERMANY (1015-1106). King of Germany and Holy Roman Emperor (1056-1106). Drawing after a miniature from an early 12th century German manuscript

Background imageGlobus Cruciger Collection: GOD AND SATAN. Vying for the soul of man, who is navigating the ocean of vices and sin

GOD AND SATAN. Vying for the soul of man, who is navigating the ocean of vices and sin. Woodcut from " Le grand kalendrier et compost des Bergiers, " Troyes, 1496

Background imageGlobus Cruciger Collection: 2603410; out of copyright

2603410; out of copyright

Background imageGlobus Cruciger Collection: DANCE OF DEATH, 1538. Death and the Emperor

DANCE OF DEATH, 1538. Death and the Emperor. Woodcut, French, 1547, after Hans Holbein the Younger from his Dance of Death, published in 1538

Background imageGlobus Cruciger Collection: WHEEL OF FORTUNE. Woodcut, 1534, by Georg Pencz

WHEEL OF FORTUNE. Woodcut, 1534, by Georg Pencz

Background imageGlobus Cruciger Collection: WHEEL OF FORTUNE. An astrological representation of the Wheel of Fortune, depicting

WHEEL OF FORTUNE. An astrological representation of the Wheel of Fortune, depicting Mars in the highest position, but with the sun, Venus, and Mercury on the rise. German woodcut, 1490

Background imageGlobus Cruciger Collection: HENRY I (876-936). Called Henry the Fowler. First Saxon king of Germany, 919-936

HENRY I (876-936). Called Henry the Fowler. First Saxon king of Germany, 919-936. Woodcut from the Nuremberg Chronicle, 1493

Background imageGlobus Cruciger Collection: HENRY IV OF GERMANY (1015-1106). King of Germany and Holy Roman Emperor (1056-1106)

HENRY IV OF GERMANY (1015-1106). King of Germany and Holy Roman Emperor (1056-1106). Drawing after a miniature from an early 12th century German manuscript

Background imageGlobus Cruciger Collection: CHRISTIAN IV (1577-1648). King of Denmark and Norway, 1588-1648. Copper engraving

CHRISTIAN IV (1577-1648). King of Denmark and Norway, 1588-1648. Copper engraving, 18th century

Background imageGlobus Cruciger Collection: SAINT CHRISTOPHER. Early Christian martyr

SAINT CHRISTOPHER. Early Christian martyr. Woodcut, German, 1423. Text reads: Each day that thou the likeness of St. Christopher shall see / That day no frightful form of death shall make an end of

Background imageGlobus Cruciger Collection: TAROT CARD: THE EMPRESS. The Empress (Initiative). Woodcut, French, 16th century

TAROT CARD: THE EMPRESS. The Empress (Initiative). Woodcut, French, 16th century

Background imageGlobus Cruciger Collection: KING ENTHRONED, 1494. Woodcut title page from a Spanish translation of Egidio Colonna s

KING ENTHRONED, 1494. Woodcut title page from a Spanish translation of Egidio Colonna s
KING ENTHRONED, 1494. Woodcut title page from a Spanish translation of Egidio Colonnas Regimiento de los Principes, Seville, 1494



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The globus cruciger, a symbol of power and authority, has been depicted throughout history in various forms. One notable representation is seen in the painting of Catherine II, Empress of Russia from 1762 to 1796. Adorned in her majestic coronation gown, she holds the orb with a cross atop it, signifying her reign over the vast Russian empire. Another significant example can be found within the Crown Jewels of England. The Kings Orb, dating back to 1919, showcases intricate craftsmanship and vibrant colors through a lithographic print. Similarly, the Queens Orb from the same collection exudes regal elegance and serves as a testament to royal sovereignty. Religious artworks also feature this iconic symbol. In Antonius Tsgrooten's triptych painting, we witness Christ holding the globus cruciger as he triumphantly ascends into heaven. This portrayal emphasizes his divine authority over all creation. Furthermore, an intriguing juxtaposition arises when observing "I Mourn because the World is so Untrustworthy, " an oil painting from 1594 depicting human vulnerability alongside Christ with Singing and Music-Making Angels on an oak panel. Here we see contrasting emotions conveyed by both mortals and celestial beings united under one universal globe. Historical figures are often portrayed carrying or being presented with this emblematic object. A restored portrait of Richard II at South Kensington's National Portrait Exhibition showcases him clutching a globus cruciger tightly – perhaps symbolic of his desire for stability during turbulent times. Similarly, Augustus II the Strong is depicted as King of Poland in a portrait from 1725-30 where he proudly holds this powerful orb that represents his dominion over his realm. Intriguingly different yet equally captivating is Maximilian Presented by his Patron Saints to the Almighty - a woodcut created in 1519 that illustrates Maximilian I receiving divine approval while holding this sacred sphere. Even within religious architecture, the globus cruciger finds its place.