Gothic Period Collection

The life of St. Francis
5304969 The life of St. Francis.; (add.info.: Altarpiece depicting the life of St. Francis by Bonaventura Berlinghieri (1210-1287) an Italian painter

Mourning Mary, probably from an Altar Cross, 1200-1300 (gilded bronze)
499775 Mourning Mary, probably from an Altar Cross, 1200-1300 (gilded bronze) by Mosan School; 10.2x3.25 cm; Cleveland Museum of Art, OH, USA; Gift of Mrs. Chester D

Plaque: The Crucifixion and Virgin and Child with Angels, c. 1250-1270 (ivory)
491137 Plaque: The Crucifixion and Virgin and Child with Angels, c.1250-1270 (ivory) by French School, (13th century); h:12.70 w:7.62 d:1.27 cm; Cleveland Museum of Art, OH

Diptych: Scenes from the Passion and Afterlife of Christ, c. 1330-1350 (ivory)
499862 Diptych: Scenes from the Passion and Afterlife of Christ, c.1330-1350 (ivory) by French School, (14th century); 16.9x16.5x1.3 cm; Cleveland Museum of Art, OH

Pyx, c. 1250 (gilded copper, champleve enamel)
499757 Pyx, c.1250 (gilded copper, champleveenamel) by French School, (13th century); 8.95x6.7 cm; Cleveland Museum of Art, OH

Pendant, 1200s (gilded copper, champleve enamel)
499884 Pendant, 1200s (gilded copper, champleveenamel) by French School, (13th century); 10.2x8.95 cm; Cleveland Museum of Art, OH

Reliquary in Purse Form, c. 1320 (copper, gilded and engraved; glass; rock crystal
491171 Reliquary in Purse Form, c.1320 (copper, gilded and engraved; glass; rock crystal; precious stones; wood core) by German School

The Spitzer Cross, c. 1190. Creator: Master of the Royal Plantagenet Workshop (French)
The " Spitzer Cross", c. 1190. This fine enameled cross is named the " Spitzer Cross" after the Viennese art dealer and collector Baron Frederic Spitzer

Harness Pendant, 1200s. Creator: Unknown
Harness Pendant, 1200s. Probably a pendant (hanging ornament) because of the loop at the top, this plaque may have been hung from a horses breast plate. It also could be a crusaders badge

Christs Mission to the Apostles, c. 970-980. Creator: Unknown
Christs Mission to the Apostles, c. 970-980. This ivory plaque represents a full-length figure of Christ flanked by bust-length portraits of the twelve apostles

Book-Shaped Reliquary, c. 1000. Creator: Master of the Registrum Gregorii (German), circle of
Book-Shaped Reliquary, c. 1000. This sumptuous object closely resembles a deluxe medieval book cover in both form and decoration

Panel from a Casket with Scenes from Courtly Romances, c. 1330-1350 or later. Creator: Unknown
Panel from a Casket with Scenes from Courtly Romances, c. 1330-1350 or later. These ivory panels, along with others, once adorned a large casket

Panel from a Casket with Scenes from Courtly Romances, 1330-1350 or later. Creator: Unknown
Panel from a Casket with Scenes from Courtly Romances, 1330-1350 or later. These ivory panels, along with others, once adorned a large casket

Panel from a Casket with Scenes from Courtly Romances, 1330. Creator: Unknown
Panel from a Casket with Scenes from Courtly Romances, 1330. These ivory panels, along with others, once adorned a large casket

Pyx 1250 France Limousin Limoges Gothic period
Pyx, c. 1250. France, Limousin, Limoges, Gothic period, mid-13th century. Gilded copper, champleve enamel; overall: 8.3 x 10.4 cm (3 1/4 x 4 1/8 in.)

Plaque Reliquary Shrine 1200-1250 Mosan Valley
Plaque, probably from a Reliquary Shrine, c. 1200-1250. Mosan, Valley of the Meuse, Gothic period, early 13th century. Gilded copper; champleve enamel; overall: 3.4 x 5.9 cm (1 5/16 x 2 5/16 in.)

Comb 1400s France Gothic period 15th century
Comb, 1400s. France, Gothic period, 15th century. Boxwood; overall: 11.5 x 16.1 cm (4 1/2 x 6 5/16 in.)

Triptych Life Virgin 1325-1350 France Lorraine
Triptych: The Life of the Virgin, c. 1325-1350. France, Lorraine?, or Austria?, Gothic period, 14th century. Ivory, traces of gilding; overall: 25.9 x 21.3 cm (10 3/16 x 8 3/8 in.)

Plaque Crucifixion 1345-1365 France England Gothic period
Plaque: The Crucifixion, c. 1345-1365. France or England, Gothic period, 14th century. Ivory, mounted in a silver stand (after 1919); without base: 10.8 x 6.6 cm (4 1/4 x 2 5/8 in.)

Reliquary Purse Form 1320 Germany Upper Rhine
Reliquary in Purse Form, c. 1320. Germany, Upper Rhine, Southern Swabia, Gothic period, 14th century. Copper, gilded and engraved; glass; rock crystal; precious stones; wood core; overall

Plaque Crucifixion Virgin Child Angels 1250-1270
Plaque: The Crucifixion and Virgin and Child with Angels, c. 1250-1270. France, Paris?, Gothic period, 13th century. Ivory; overall: 12.7 x 7.6 x 1.3 cm (5 x 3 x 1/2 in.)

Portable Altar 1200-1220 Germany Cologne Gothic Period
Portable Altar, c. 1200-1220. Germany, Cologne, Gothic Period, 13th century. Walrus ivory, gilded copper, porphyry, champleve enamel

Plaque Virgin Child Angels 1320-1330 France Paris
Plaque: The Virgin and Child with Angels, c. 1320-1330. France, Paris, Gothic period. Ivory, traces of paint and gilding; overall: 22.9 x 11.5 cm (9 x 4 1/2 in.)

Leather Casket Scenes Courtly Love 1350-1400
Leather Casket with Scenes of Courtly Love, c. 1350-1400. France, Gothic period, 2nd half of the 14th century. Leather: embossed

Lion Aquamanile 1200-1250 Germany Lower Saxony
Lion Aquamanile, 1200-1250. Germany, Lower Saxony, Hildesheim, Gothic period, first half 13th century. Bronze: cast, chased, and punched; overall: 26.4 x 29 x 15 cm (10 3/8 x 11 7/16 x 5 7/8 in.)

Clavendier Belt Hook 1400 Netherlands Gothic period
Clavendier (Belt Hook), c. 1400. Netherlands, Gothic period, late 14th century. Silver, gilded silver, champleve enamel; overall: 15 cm (5 7/8 in.)

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The Gothic period, spanning from the 12th to the 14th century, was a time of artistic and cultural transformation in Europe. This captivating era is beautifully captured through various exquisite artifacts. One such artifact is "Mourning Mary, " a gilded bronze sculpture probably from an Altar Cross dating back to 1200-1300. Its intricate details showcase the delicate craftsmanship of this period. Another remarkable piece is the ivory plaque depicting "The Crucifixion and Virgin and Child with Angels" created between 1250-1270. The skillful carving brings these religious scenes to life, evoking a sense of devotion and spirituality. A diptych made of ivory showcases "Scenes from the Passion and Afterlife of Christ" dating back to around 1330-1350. These panels tell stories that resonate deeply with viewers, reflecting their beliefs and values during this time. Intricately designed pyx made of gilded copper with champleve enamel from around 1250 demonstrates both beauty and functionality as it holds sacred objects within its ornate structure. Similarly, a pendant crafted in gilded copper also features champleve enamel work, showcasing the mastery of metalwork during this period. A reliquary in purse form created circa 1320 combines copper, gilding, engraving, glass, and rock crystal into an exquisite object for holding precious relics. Its design reflects both practicality and aesthetic appeal. "The Spitzer Cross, " originating from France around 1190 by Master of the Royal Plantagenet Workshop stands out as an exceptional example of gothic artistry in metalwork. Its intricate detailing captivates viewers' attention while conveying religious symbolism. An unknown creator's harness pendant from the 1200s exhibits fine craftsmanship combined with functional purpose—a testament to gothic artisans' skills beyond traditional artwork.