Gray Ink Collection

A View of the River Seine from the Heights of Saint Cloud, 1791 (black lead
989645 A View of the River Seine from the Heights of Saint Cloud, 1791 (black lead, pen and gray ink, watercolour on wove paper) by Debret

Belisarius Begging (pen and gray ink on ivory)
989694 Belisarius Begging (pen and gray ink on ivory) by Karpff, Jean-Jacques Casimir (1770-1829); 12.8x9.8 cm; Private Collection; (add.info.: Belisarius Begging. Jean-Jacques Karpff (1770-1829)

A View of Paris from the Heights of Saint Cloud, 1791 (black lead, pen and gray ink
989644 A View of Paris from the Heights of Saint Cloud, 1791 (black lead, pen and gray ink, watercolour on wove paper) by Debret

Louis Jean Desprez King Gustav III Gustavus III Attending Christmas Mass
Louis Jean Desprez, King Gustav III, Gustavus III Attending Christmas Mass in 1783, in St. Peter s, Rome, Gustaf III proves the Christmas Fair in St

Portrait Dame Etiennette Philippe de Champaigne
Portrait of Dame Etiennette; Philippe de Champaigne (French, born Belgium, 1602 - 1674); France; 1647; Brush and gray ink; 22.5 x 16.8 cm (8 7, 8 x 6 5, 8 in.)

Battle Sea Ludolf Backhuyzen Dutch 1631 1708
A Battle at Sea; Ludolf Backhuyzen (Dutch, 1631 - 1708); The Netherlands; 1692; Black chalk, gray ink and wash; 11.9 x 17.7 cm (4 11, 16 x 6 15, 16 in.)

Father Psyche Consulting Oracle Apollo Baron Francois-Pascal-Simon
The Father of Psyche Consulting the Oracle of Apollo; Baron Francois-Pascal-Simon Gerard (French, born Italy, 1770 - 1837); about 1796; Pen and brown and gray ink, gray and brown wash, white gouache

Box-Lobby Loungers Thomas Rowlandson British
Box-Lobby Loungers; Thomas Rowlandson (British, 1757 - 1827); 1785; Pencil, pen and black and gray ink, and watercolor; 37.5 × 56.2 cm (14 3, 4 × 22 1, 8 in.)

Old Maids Sale Curiosities Thomas Rowlandson
Old Maids at a Sale of Curiosities. Thomas Rowlandson (British, 1756-1827). Pen and brown and gray ink and watercolor wash

Resurrection Martin Johann Schmidt Austrian 1718-1801
The Resurrection. Martin Johann Schmidt (Austrian, 1718-1801). Pen and brush and gray ink;

View Amalfi Carl Wagner German 1796 1867 Italy
View of Amalfi; Carl Wagner (German, 1796 - 1867); Italy; 1823; Pen and gray ink over pencil; 32.3 x 44.1 cm (12 11, 16 x 17 3, 8 in.)

Seated Man Playing Guitar Pietro Antonio Novelli
A Seated Man Playing a Guitar; Pietro Antonio Novelli (Italian, 1729 - 1804); about 1760; Pen and gray ink, brush with gray wash; 37.5 x 29.5 cm (14 3, 4 x 11 5, 8 in.)

Wooded Landscape Paulus van Liender Dutch 1731
Wooded Landscape; Paulus van Liender (Dutch, 1731 - 1797); about 1780 - 1790; Pen and gray ink and wash over black chalk; 32 x 29 cm (12 5, 8 x 11 7, 16 in.)

Wooded Landscape Path House Lucas Achtschellinck
A Wooded Landscape with a Path to a House; Lucas Achtschellinck (Flemish, 1626 - 1699); about 1640 - 1650; Pen and brown and gray ink, and watercolor over black chalk; 36.2 x 31.8 cm (14 1, 4 x 12 1)

Four Figures Theatrical Costume Claude Gillot
Four Figures in Theatrical Costume; Claude Gillot (French, 1673 - 1722); about 1710; Pen and gray ink and brush with red wash on cream-colored paper; 15 × 20 cm (5 7, 8 × 7 7, 8 in.)

Madonna Child Angels Bearing Symbols Passion
Madonna and Child with Angels Bearing Symbols of the Passion; Friedrich Sustris (Dutch, about 1540 - 1599); about 1583; Pen and brown ink and gray ink and wash; 38.4 x 26.2 cm (15 1, 8 x 10 5, 16 in.)

Landscape Chateau Gaillard Jean-Jacques de Boissieu
Landscape with the Chateau Gaillard; Jean-Jacques de Boissieu (French, 1736 - 1810); 1796; Pen with black and gray ink and brush and gray wash

View Alkmaar Boats 1600s Netherlands 17th century
View of Alkmaar with Boats, 1600s. Netherlands, 17th century. Point of brush and gray ink and brush and gray wash with traces of pen

Scene Park 1760 Jean-Honore Fragonard French
Scene in a Park, c. 1760. Jean-Honore Fragonard (French, 1732-1806). Pen and brown and gray ink, brush and brown and gray wash

Cafe Constantinople 1847 Alexandre Bida
Cafe in Constantinople, 1847. Alexandre Bida (French, 1823-1895). Brush and black and gray ink, graphite, and stylus on white wove paper coated with a white ground; sheet

Venus Adonis 1713 France 18th century Black chalk
Venus and Adonis, 1713. France, 18th century. Black chalk, pen and gray ink with brown wash; matted: 29.8 x 24.9 cm (11 3/4 x 9 13/16 in.)

A Palace Arched Bridge Roman Villa 1760 Hubert Robert
A Palace with an Arched Bridge (A Roman Villa), 1760. Hubert Robert (French, 1733-1808). Pen and brown and gray ink, graphite, and watercolor; sheet: 30.9 x 27.8 cm (12 3/16 x 10 15/16 in.)

View My Window Rome 1817 Carl Wilhelm Tischbein
View from My Window in Rome, c. 1817. Carl Wilhelm Tischbein (German, 1797-1855). Graphite and pen and gray ink, framing lines in pen and black ink and graphite; sheet

View My Window Rome recto Soldier Landscape verso
View from My Window in Rome (recto) Soldier in a Landscape (verso), c. 1817. Carl Wilhelm Tischbein (German, 1797-1855). Graphite and pen and gray ink

Soldier Landscape second quarter 19th century
Soldier in a Landscape, second quarter 19th century. Carl Wilhelm Tischbein (German, 1797-1855). Pen and gray ink and graphite; sheet: 16.8 x 20.5 cm (6 5/8 x 8 1/16 in.)

Saint Deicolus Boar 1747-1748 Johann Wolfgang Baumgartner
Saint Deicolus and the Boar, 1747-1748. Johann Wolfgang Baumgartner (German, 1712-1761). Pen and brown and gray ink and brush and gray wash heightened with white gouache; incised

Christ Crowned Thorns 1788 Martin Johann Schmidt
Christ Crowned with Thorns, 1788. Martin Johann Schmidt (Austrian, 1718-1801). Brush and gray ink and gray wash with black chalk;

Christ Mount Olives 1788 Martin Johann Schmidt
Christ on the Mount of Olives, 1788. Martin Johann Schmidt (Austrian, 1718-1801). Brush and gray ink and gray wash with black chalk;

Flagellation 1788 Martin Johann Schmidt Austrian
The Flagellation, 1788. Martin Johann Schmidt (Austrian, 1718-1801). Brush and gray ink and gray wash with black chalk;

Crucifixion 1788 Martin Johann Schmidt Austrian
The Crucifixion, 1788. Martin Johann Schmidt (Austrian, 1718-1801). Brush and gray ink and gray wash with black chalk;

Design Snuff Box Pen gray ink brush rose yellow
Artokoloro

Member Institute 1798 Pen gray ink watercolor
Artokoloro

Portrait Man 16th century Charcoal stumped black
Artokoloro

Design ceiling fresco scenes life Saint Barbara
Artokoloro

Palace Neptune Water Palace 19th century Pen
Artokoloro

View Bridge Waterfalls Tivoli verso Waterfall
Artokoloro

View Ariccia Italy ca 1758 Pen gray ink brush
Artokoloro

Illustrations Allegorical Pattern Book late 18th-early 19th century
Artokoloro

Saint Martin Beggar 1493-1500 Pen gray ink
Artokoloro

Picnic Party 1716 Pen gray ink brush wash heightened
Artokoloro

Cloister Certosa di San Martino Naples n. d Pen
Artokoloro

Plan Roof Section Pavilion Gardens Chateau de Saint-Cloud
Artokoloro

Woodland Scene 1819 Brush gray ink wash black chalk
Artokoloro

Night scene soldiers chasing fugitive Mark XIV
Artokoloro

Illustration Reinecke Fuchs Tomcat Hinz hit Reinecke
Artokoloro

Design Cove Ceiling 1700-1780 Pen gray ink
Artokoloro

Vignette Two Portrait Medallions Pen gray ink
Artokoloro

Christ Carrying Cross 1720-61 Brush gray ink
Artokoloro

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"Gray Ink: Capturing the Essence of Time and Emotion in Art" Immerse yourself in the enchanting world of gray ink, where shades of black lead and pen blend seamlessly to create timeless masterpieces. From A View of the River Seine from the Heights of Saint Cloud, 1791, to Belisarius Begging, each stroke tells a story that transcends time. Step into Louis Jean Desprez's A View of Paris from the Heights of Saint Cloud, 1791, as black lead intertwines with pen and gray ink to depict a mesmerizing panorama. Feel the presence of King Gustav III attending Christmas Mass through Gustavus III's penetrating gaze captured by Baron Francois-Pascal-Simon. In Portrait Dame Etiennette Philippe de Champaigne, witness how delicate lines crafted with gray ink on ivory bring forth an exquisite portrayal. Ludolf Backhuyzen's Battle Sea immerses you in a tempestuous sea voyage where every wave is meticulously etched using this versatile medium. Experience Father Psyche Consulting Oracle Apollo as Baron Francois-Pascal-Simon delves into mythology with intricate details brought to life by skillful strokes. Thomas Rowlandson's Box-Lobby Loungers and Old Maids Sale Curiosities evoke laughter through their satirical depictions rendered effortlessly in gray ink. Martin Johann Schmidt's Resurrection takes you on a spiritual journey where shadows dance gracefully amidst celestial light. Carl Wagner captures Amalfi's breathtaking beauty using German precision combined with Italian charm. Finally, let Pietro Antonio Novelli serenade your senses as he portrays a Seated Man Playing Guitar with utmost grace and finesse. Gray ink breathes life into these artworks; it whispers tales untold and emotions unspoken. Discover the depth and versatility hidden within this seemingly monochromatic palette – for within its subtlety lies an entire spectrum waiting to be explored. Gray ink, a timeless medium that captures the essence of art and emotion.