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Greene John B Collection

"Exploring the Ancient Wonders: The Captivating Works of Greene John B" Step into a world frozen in time as you delve into the captivating works of John Beasley Greene

Background imageGreene John B Collection: 'Second Cataract Of Nile'-#26 (image 1 of 2), Printed 1854. Creator: John Beasley Greene

"Second Cataract Of Nile"-#26 (image 1 of 2), Printed 1854. Creator: John Beasley Greene
"Second Cataract Of Nile"-#26 (image 1 of 2), Printed 1854

Background imageGreene John B Collection: Untitled [Roman sculptures, Cherchell Museum], 1856. Creator: John Beasley Greene

Untitled [Roman sculptures, Cherchell Museum], 1856. Creator: John Beasley Greene
Untitled [Roman sculptures, Cherchell Museum], 1856. [Antiquities in the Museum at Cherchell, Algeria]. Salted paper print

Background imageGreene John B Collection: Medinet Habu, Mortuary Temple of Ramses III, Left Wall (Medinet-Habou

Medinet Habu, Mortuary Temple of Ramses III, Left Wall (Medinet-Habou, Temple funeraire de Ramses III, paroi gauche, 1854. Salted paper print

Background imageGreene John B Collection: Tombeau de la chretienne. Vue du cotenord. (Tomb of the Christian Woman

Tombeau de la chretienne. Vue du cotenord. (Tomb of the Christian Woman
Tombeau de la chretienne. Vue du cote nord. (Tomb of the Christian Woman. View from the North Side.), 1855. [Possibly Algeria or Egypt]. Albumen print

Background imageGreene John B Collection: Antiquities in the Museum at Cherchell, Algeria, 1853-54. Creator: John Beasley Greene

Antiquities in the Museum at Cherchell, Algeria, 1853-54. Creator: John Beasley Greene
Antiquities in the Museum at Cherchell, Algeria, 1853-54

Background imageGreene John B Collection: Island of Philae, 1853-54. Creator: John Beasley Greene

Island of Philae, 1853-54. Creator: John Beasley Greene
Island of Philae, 1853-54

Background imageGreene John B Collection: Tents, Algeria, 1856. Creator: John Beasley Greene

Tents, Algeria, 1856. Creator: John Beasley Greene
Tents, Algeria, 1856

Background imageGreene John B Collection: Dakkeh, 1853-54. Creator: John Beasley Greene

Dakkeh, 1853-54. Creator: John Beasley Greene
Dakkeh, 1853-54

Background imageGreene John B Collection: Bank of the Rhumel, near Constantine, Algeria, ca. 1855-56. Creator: John Beasley Greene

Bank of the Rhumel, near Constantine, Algeria, ca. 1855-56. Creator: John Beasley Greene
Bank of the Rhumel, near Constantine, Algeria, ca. 1855-56

Background imageGreene John B Collection: Waterfall, Constantine, 1856. Creator: John Beasley Greene

Waterfall, Constantine, 1856. Creator: John Beasley Greene
Waterfall, Constantine, 1856

Background imageGreene John B Collection: Amada, Temple, 1853-54. Creator: John Beasley Greene

Amada, Temple, 1853-54. Creator: John Beasley Greene
Amada, Temple, 1853-54

Background imageGreene John B Collection: Medinet-Habu, 1854. Creator: John Beasley Greene

Medinet-Habu, 1854. Creator: John Beasley Greene
Medinet-Habu, 1854

Background imageGreene John B Collection: Fragment of an Egyptian Statue in the Museum at Cherchell, Algeria, 1856

Fragment of an Egyptian Statue in the Museum at Cherchell, Algeria, 1856

Background imageGreene John B Collection: Etude de Palmiers, Bords du Nil, Kalabschi, 1853-54. Creator: John Beasley Greene

Etude de Palmiers, Bords du Nil, Kalabschi, 1853-54. Creator: John Beasley Greene
Etude de Palmiers, Bords du Nil, Kalabschi, 1853-54

Background imageGreene John B Collection: The Nile in front of the Theban Hills, 1853-54. Creator: John Beasley Greene

The Nile in front of the Theban Hills, 1853-54. Creator: John Beasley Greene
The Nile in front of the Theban Hills, 1853-54

Background imageGreene John B Collection: Excavations near the Sphinx, 1853. Creator: John Beasley Greene

Excavations near the Sphinx, 1853. Creator: John Beasley Greene
Excavations near the Sphinx, 1853

Background imageGreene John B Collection: Boat in Harbor, Algeria, 1853-54. Creator: John Beasley Greene

Boat in Harbor, Algeria, 1853-54. Creator: John Beasley Greene
Boat in Harbor, Algeria, 1853-54

Background imageGreene John B Collection: Constantine, Algeria, 1853-54. Creator: John Beasley Greene

Constantine, Algeria, 1853-54. Creator: John Beasley Greene
Constantine, Algeria, 1853-54

Background imageGreene John B Collection: Temple de Deboud, 1853-54. Creator: John Beasley Greene

Temple de Deboud, 1853-54. Creator: John Beasley Greene
Temple de Deboud, 1853-54


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"Exploring the Ancient Wonders: The Captivating Works of Greene John B" Step into a world frozen in time as you delve into the captivating works of John Beasley Greene. With his keen eye for detail and passion for archaeology, Greene takes us on a journey through ancient civilizations and breathtaking landscapes. In "Untitled [Roman sculptures, Cherchell Museum], 1856, " Greene transports us to the Cherchell Museum, where Roman sculptures stand proudly, whispering tales of bygone eras. His meticulous composition captures their intricate beauty with an artistic finesse that leaves us in awe. As we venture further, we find ourselves at Medinet Habu's Mortuary Temple of Ramses III. On its left wall lies "Medinet-Habou (Tombeau de la chretienne). Vue du cotenord (Tomb of the Christian Woman), " a hauntingly evocative piece that immerses us in the sacredness and mystery surrounding this ancient burial site. Greene's exploration extends beyond tombs and temples; he also reveals Algeria's rich antiquities. In "Antiquities in the Museum at Cherchell, Algeria, " created between 1853-54, he unveils treasures from another era - artifacts that tell stories long forgotten but still resonate with our collective human history. The Island of Philae beckons next – a sanctuary untouched by time. Through Greene's lens, we witness its ethereal allure in his series from 1853-54. Each photograph encapsulates Philae's enchantment while paying homage to its architectural grandeur. Algeria comes alive under Greene's gaze as well. In "Tents, Algeria, " captured in 1856, he portrays nomadic life against vast desert backdrops – a testament to resilience amidst harsh conditions and an invitation to appreciate simplicity amidst complexity. Dakkeh unfolds before our eyes through his lens during 1853-54.