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Grundy Collection

"Exploring the Artistic Tapestry of Grundy: A Journey Through Time" Step into the enchanting world of Grundy, a captivating place that spans centuries and landscapes

Background imageGrundy Collection: St. Albans, 1809. Artist: George Sidney Shepherd

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageGrundy Collection: Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield

Background imageGrundy Collection: Near Sevenoaks, Kent, 19th century, (1935). Artist: Richard Hilder

Near Sevenoaks, Kent, 19th century, (1935). Artist: Richard Hilder
Near Sevenoaks, Kent, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageGrundy Collection: Mary Rossam, c1734, (1930). Creator: Joseph Highmore

Mary Rossam, c1734, (1930). Creator: Joseph Highmore
Mary Rossam, c1734, (1930). Portrait of a woman, 1st Wife of Rev. S. F. Swinden. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1930]

Background imageGrundy Collection: The Green Lane, 19th century, (1935). Artist: Birket Foster

The Green Lane, 19th century, (1935). Artist: Birket Foster
The Green Lane, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageGrundy Collection: Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageGrundy Collection: The Attack, 1834, (1935). Artist: William Henry Hunt

The Attack, 1834, (1935). Artist: William Henry Hunt
The Attack, 1834, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageGrundy Collection: Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner

Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner
Lancaster, from the Aqueduct Bridge, c1825. Painting housed in the Lady Lever Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy

Background imageGrundy Collection: Rue De La Grosse Horloge, Rouen, 1821. Artist: Henry Edridge

Rue De La Grosse Horloge, Rouen, 1821. Artist: Henry Edridge
Rue De La Grosse Horloge, Rouen, 1821. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Background imageGrundy Collection: Gate of the Vivarrambla, Granada, 1830s, (1930). Creator: David Roberts

Gate of the Vivarrambla, Granada, 1830s, (1930). Creator: David Roberts
Gate of the Vivarrambla, Granada, 1830s, (1930). Arc (or Gate) of the Ears, also known as the Bib-Arrambla Gate, in Granada, Andalusia, Spain

Background imageGrundy Collection: St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Creator

St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Creator
St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930)

Background imageGrundy Collection: A Devonshire Stream, 1864, (1935). Artist: James Clarke Hook

A Devonshire Stream, 1864, (1935). Artist: James Clarke Hook
A Devonshire Stream, 1864, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageGrundy Collection: Near Otford, Kent, 1846, (1935). Artist: Richard Hilder

Near Otford, Kent, 1846, (1935). Artist: Richard Hilder
Near Otford, Kent, 1846, (1935). From the collection of the Bristol Museum & Art Gallery. From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II

Background imageGrundy Collection: Men of War, c1720. Artist: Peter Monamy

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageGrundy Collection: Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Background imageGrundy Collection: Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham

Background imageGrundy Collection: A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Background imageGrundy Collection: Lady Hamilton as the Goddess of Health, c1790, (1920). Creator: George Romney

Lady Hamilton as the Goddess of Health, c1790, (1920). Creator: George Romney
Lady Hamilton as the Goddess of Health, c1790, (1920). Emma Hart, later Lady Hamilton, mistress of Lord Nelson as muse of portrait artist, George Romney. From " The Connoisseur Vol

Background imageGrundy Collection: Warlock Knowe, 1872. Artist: William Leighton Leitch

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageGrundy Collection: Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageGrundy Collection: St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I

St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I
St. Alkmund s, Shrewsbury, 1801, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageGrundy Collection: A Woodmans Cottage, 1820. Artist: Patrick Nasmyth

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

Background imageGrundy Collection: St. John in the Wilderness, c1776. Artist: Sir Joshua Reynolds

St. John in the Wilderness, c1776. Artist: Sir Joshua Reynolds
St. John in the Wilderness, c1776. Painting held in the Wallace Collection, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Background imageGrundy Collection: Pat Eddery on Grundy 1970s

Pat Eddery on Grundy 1970s

Background imageGrundy Collection: Lamentation over the Dead Christ, 1470-1474, (1930). Creator: Andrea Mantegna

Lamentation over the Dead Christ, 1470-1474, (1930). Creator: Andrea Mantegna
Lamentation over the Dead Christ, 1470-1474, (1930). Dramatically foreshortened view of the body of Jesus Christ, showing his stigmata. Painting in the Pinacoteca di Brera, Milan, Italy

Background imageGrundy Collection: Portrait of a woman, possibly Isabella I of Castile, late 15th-early 16th century, (1930)

Portrait of a woman, possibly Isabella I of Castile, late 15th-early 16th century, (1930)

Background imageGrundy Collection: Frost on the Thames, 1788-1789, (1930). Creator: Samuel Collings

Frost on the Thames, 1788-1789, (1930). Creator: Samuel Collings
Frost on the Thames, 1788-1789, (1930). A frost fair on the River Thames in the City of London, sketched on the spot

Background imageGrundy Collection: Egyptian Travel Bureau Advertisement Illustration

Egyptian Travel Bureau Advertisement Illustration
An advertisement illustration for the Egyptian Travel Bureau, featuring a smiling man and woman enjoying the views from a boat, which is travelling on an Egyptian trip. Date: circa 1939

Background imageGrundy Collection: Mabel Terry Lewis, in A Pair of Spectacles, Garrick Theatre

Mabel Terry Lewis, in A Pair of Spectacles, Garrick Theatre
Actress Mabel Terry Lewis, (28 October 1872 ?? 28 November 1957), appearing in the production A Pair of Spectacles, by Sydney Grundy, at the Garrick Theatre, London

Background imageGrundy Collection: Poster, Haddon Hall, light opera by Arthur Sullivan

Poster, Haddon Hall, light opera by Arthur Sullivan
Theatre poster, Haddon Hall, a light opera with music by Arthur Sullivan and libretto by Sydney Grundy, depicting the main female character, Dorothy Vernon

Background imageGrundy Collection: Mrs Grundy anywhere about? - A young girl checks before emerging from a beach tent

Mrs Grundy anywhere about? - A young girl checks before emerging from a beach tent

Background imageGrundy Collection: Settee of Walnut and Gesso, (1930). Creator: Unknown

Settee of Walnut and Gesso, (1930). Creator: Unknown
Settee of Walnut and Gesso, (1930). Piece of furniture, possibly made in the 18th century. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageGrundy Collection: Chippendale Mahogany Secretaire Bookcase, mid 18th century, (1930). Creator: Unknown

Chippendale Mahogany Secretaire Bookcase, mid 18th century, (1930). Creator: Unknown
Chippendale Mahogany Secretaire Bookcase, mid 18th century, (1930). Piece of furniture made by English cabinet-maker Thomas Chippendale (1718-1779)

Background imageGrundy Collection: The Corinthian Maid, 1782-1784, (1930). Creator: Joseph Wright of Derby

The Corinthian Maid, 1782-1784, (1930). Creator: Joseph Wright of Derby
The Corinthian Maid, 1782-1784, (1930). The Ancient Greek potter Butades daughter, Kora of Sicyon (c650 BC), is believed to have drawn the charcoal silhouette of her sleeping lovers face on a wall

Background imageGrundy Collection: Self Portrait at the Age of about Fifty

Self Portrait at the Age of about Fifty, c1782-1785, (1930). Self portrait by British painter Joseph Wright of Derby (1734-1797). Painting in the National Portrait Gallery, London

Background imageGrundy Collection: The Church of St. Severin, Paris, 1831, (1930). Creator: James Holland

The Church of St. Severin, Paris, 1831, (1930). Creator: James Holland
The Church of St. Severin, Paris, 1831, (1930). Roman catholic church on the Rue Saint-Severin in Paris. Painting in the Lady Lever Art Gallery, National Museums Liverpool

Background imageGrundy Collection: George Murray, 6th Duke of Atholl, c1850, (1930). Creator: Francis Grant

George Murray, 6th Duke of Atholl, c1850, (1930). Creator: Francis Grant
George Murray, 6th Duke of Atholl, c1850, (1930)

Background imageGrundy Collection: Guinea Pigs, c1789, (1930). Creator: George Morland

Guinea Pigs, c1789, (1930). Creator: George Morland
Guinea Pigs, c1789, (1930). Children play with guinea pigs watched by their mother. The kneeling man with a basket is possibly an itinerant seller

Background imageGrundy Collection: English Landscape, with Shorthorned Cattle, late 18th-early 19th century, (1930)

English Landscape, with Shorthorned Cattle, late 18th-early 19th century, (1930). Woman driving cattle with a stick. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageGrundy Collection: Market Gardener, c1845, (1930). Creator: Edmund Bristow

Market Gardener, c1845, (1930). Creator: Edmund Bristow
Market Gardener, c1845, (1930). Man carrying a basket and leading a donkey. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1930]

Background imageGrundy Collection: The Brocas, Eton, early-mid 19th century, (1930). Creator: David Cox the elder

The Brocas, Eton, early-mid 19th century, (1930). Creator: David Cox the elder
The Brocas, Eton, early-mid 19th century, (1930). View of The Brocas, a meadow on the River Thames at Windsor, with the chapel of Eton College in the distance

Background imageGrundy Collection: The Venetian Lovers, 1525-1530, (1930). Creator: Paris Bordone

The Venetian Lovers, 1525-1530, (1930). Creator: Paris Bordone
The Venetian Lovers, 1525-1530, (1930). Man and woman holding a necklace. The third figure may be a self portrait of the artist. Painting in the Pinacoteca di Brera, Milan, Italy

Background imageGrundy Collection: Portrait of a gentleman with gloves, 1543, (1930). Creator: Lorenzo Lotto

Portrait of a gentleman with gloves, 1543, (1930). Creator: Lorenzo Lotto
Portrait of a gentleman with gloves, 1543, (1930). Bearded man in black. Painting in the Pinacoteca di Brera, Milan, Italy. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageGrundy Collection: Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding

Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding
Storm off Whitby, 1851, (1930). Ships in rough seas off the coast of Whitby in Yorkshire. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageGrundy Collection: Landscape with a Rainbow Effect, 1794, (1930). Creator: Joseph Wright of Derby

Landscape with a Rainbow Effect, 1794, (1930). Creator: Joseph Wright of Derby
Landscape with a Rainbow Effect, 1794, (1930). A bridge and surrounding countryside illuminated by an eerie light after a storm. Painting in the Derby Museum & Art Gallery

Background imageGrundy Collection: Grinling Gibbons, late 17th century, (1930). Creator: John Baptist de Medina

Grinling Gibbons, late 17th century, (1930). Creator: John Baptist de Medina
Grinling Gibbons, late 17th century, (1930)

Background imageGrundy Collection: Tynemouth, early 19th century, (1930). Creator: JMW Turner

Tynemouth, early 19th century, (1930). Creator: JMW Turner
Tynemouth, early 19th century, (1930). People clinging to wreckage in rough seas as a ship founders off the coast of north-east England. From " The Connoisseur", Volume 86, edited by C

Background imageGrundy Collection: Yoshiwara: Mount Fuji on the Left, 1833-1834, (1930). Creator: Ando Hiroshige

Yoshiwara: Mount Fuji on the Left, 1833-1834, (1930). Creator: Ando Hiroshige
Yoshiwara: Mount Fuji on the Left, 1833-1834, (1930). (Yoshiwara, hidari Fuji), from the series Fifty-three Stations of the Tokaido Road, also known as the First Tokaido or Great Tokaido

Background imageGrundy Collection: Anthony Highmore, 1720, (1930). Creator: Joseph Highmore

Anthony Highmore, 1720, (1930). Creator: Joseph Highmore
Anthony Highmore, 1720, (1930). Portrait of the British artist Anthony Highmore (1719-1799) as a child, painted by his father Joseph Highmore

Background imageGrundy Collection: Thomas Waring, Esq. early-mid 19th century, (1930). Creator: Thomas Goff Lupton

Thomas Waring, Esq. early-mid 19th century, (1930). Creator: Thomas Goff Lupton
Thomas Waring, Esq. early-mid 19th century, (1930). Portrait of a rider surrounded by fox hounds. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageGrundy Collection: Trepanning A Recruit, c1791, (1930). Creator: George Keating

Trepanning A Recruit, c1791, (1930). Creator: George Keating
Trepanning A Recruit, c1791, (1930). A group of people outside a building with a sign reading Cumberland House D. Irwin from Carlisle

Background imageGrundy Collection: General James Wolfe (1727-1759) as a Young Man, 19th century, (1930). Creator: Unknown

General James Wolfe (1727-1759) as a Young Man, 19th century, (1930). Creator: Unknown
General James Wolfe (1727-1759) as a Young Man, 19th century, (1930)

Background imageGrundy Collection: Numazu, Hikure, 'Yellow Dusk'

Numazu, Hikure, "Yellow Dusk", 1831-1834, (1930). Pilgrims walking along a tree-lined river bank towards Numazu-juku. One is carrying a huge Tengu mask on his back

Background imageGrundy Collection: Capriccio with the Arcade of the Doges Palace and San Giorgio Maggiore, late 1780s, (1930)

Capriccio with the Arcade of the Doges Palace and San Giorgio Maggiore, late 1780s, (1930). People walking through a vaulted colonnade in Venice

Background imageGrundy Collection: The duc d Etampes, 1536-1540, (1930). Creator: Corneille de Lyon

The duc d Etampes, 1536-1540, (1930). Creator: Corneille de Lyon
The duc d Etampes, 1536-1540, (1930). Portrait of French nobleman Jean IV de Brosse, duc d Etampes (1505-1564), wearing a plumed hat. (The later inscription, M)

Background imageGrundy Collection: Eleonora di Toledo, c1562-1572, (1930). Creator: Agnolo Bronzino

Eleonora di Toledo, c1562-1572, (1930). Creator: Agnolo Bronzino
Eleonora di Toledo, c1562-1572, (1930). Portrait of Spanish noblewoman Eleanor of Toledo (1522-1562), Grand Duchess of Tuscany, wife of Cosimo dei Medici, First Grand Duke

Background imageGrundy Collection: The Deposition, 1563, (1930). Creator: Jacopo Tintoretto

The Deposition, 1563, (1930). Creator: Jacopo Tintoretto
The Deposition, 1563, (1930). The body of Christ is taken down from the cross. Painting in the Pinacoteca di Brera, Milan, Italy. From " The Connoisseur", Volume 86, edited by C

Background imageGrundy Collection: Three Pique Snuff-Boxes, 1920. Creator: Unknown

Three Pique Snuff-Boxes, 1920. Creator: Unknown
Three Pique Snuff-Boxes, 1920. Pique work is a decorative technique in which inlaid designs are created by means of small gold or silver pins. From " The Connoisseur Vol

Background imageGrundy Collection: Portrait of a Lady, c19th century, (1920). Creator: Jan Anthonisz van Ravesteyn

Portrait of a Lady, c19th century, (1920). Creator: Jan Anthonisz van Ravesteyn
Portrait of a Lady, c19th century, (1920). From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: The Air Balloon, 1783, (1920). Creator: Unknown

The Air Balloon, 1783, (1920). Creator: Unknown
The Air Balloon, (1783). 1920. The Air Balloon launched in the Artillery ground Nov.25, 1783. Engraving. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: Sortie Des Barques A Trouville, 1895, (1920). Creator: Eugene Louis Boudin

Sortie Des Barques A Trouville, 1895, (1920). Creator: Eugene Louis Boudin
Sortie Des Barques A Trouville, 1895, (1920). by French artist Eugene Boudin. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: Elizabeth Jane Hinchcliffe, 1805, (1920). Creator: John James Masquerier

Elizabeth Jane Hinchcliffe, 1805, (1920). Creator: John James Masquerier
Elizabeth Jane Hinchcliffe, 1805, (1920). Elizabeth Jane Hinchcliffe, (1800-1870) by artist John James Masquerier. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: Handel, c1740, (1920). Creator: William Hoare

Handel, c1740, (1920). Creator: William Hoare
Handel, c1740, (1920). George Frideric Handel (1685-1759), English Baroque musical composer, German by origin. Attributed to William Hoare of Bath (1706-1799). Oil on canvas

Background imageGrundy Collection: St. Michaels Mount, c1830s, (1920). Creator: James Baker Pyne

St. Michaels Mount, c1830s, (1920). Creator: James Baker Pyne
St. Michaels Mount, c1830s, (1920). St Michaels Mount is a small tidal island in Mounts Bay, Cornwall, England. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: Portrait of Mr. John Maddison, 1783, (1920). Creator: Johan Zoffany

Portrait of Mr. John Maddison, 1783, (1920). Creator: Johan Zoffany
Portrait of Mr. John Maddison, 1783, (1920). By Johann Zoffany. Oil on canvas. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: Master Bloxham, c1810, (1920). Creator: Thomas Lawrence

Master Bloxham, c1810, (1920). Creator: Thomas Lawrence
Master Bloxham, 1920. Portrait of one of the artists nephews, a son of Ann Lawrence, sister of the painter Sir Thomas Lawrence. Sir Thomas Lawrence (1769-1830). Pastel

Background imageGrundy Collection: Mary Hatfield, c1828, (1920). Creator: J Wright

Mary Hatfield, c1828, (1920). Creator: J Wright
Mary Hatfield, 1920. Possibly painted by artist J Wright c1828. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: The Countess of Erroll, c1750, (1920). Creator: Francis Cotes

The Countess of Erroll, c1750, (1920). Creator: Francis Cotes
The Countess of Erroll, c1750, (1920). Mary Hay, 14th Countess of Erroll inherited her titles in 1717 on the death of her brother. Painted by Francis Cotes (1726-1770). Oil on Canvas

Background imageGrundy Collection: Fete Du Sacre Et Couronnement De Leurs Majetes Imperiales, 1804, (1920). Creator: Unknown

Fete Du Sacre Et Couronnement De Leurs Majetes Imperiales, 1804, (1920). Creator: Unknown
Fete Du Sacre Et Couronnement De Leurs Majetes Imperiales, 1920. (Feast of the Sacred Heart and Coronation of Their Imperial Majesties)

Background imageGrundy Collection: Kitty Fisher, c1750, (1920). Creator: Francis Cotes

Kitty Fisher, c1750, (1920). Creator: Francis Cotes
Kitty Fisher, c1750, (1920). Kitty Fisher (1741-1767) a prominent British courtesan whose image was enhanced by attention from Sir Joshua Reynolds. From " The Connoisseur Vol

Background imageGrundy Collection: Silver Tankard, 1695; Jug, 1746; Cup and Cover

Silver Tankard, 1695; Jug, 1746; Cup and Cover
Silver Tankard, William & Mary, 1695; Jug, George II. 1746; Cup and Cover, Commonwealth, 1658, c19th century, (1920)

Background imageGrundy Collection: St. Jerome in his Study, c1530, (1920). Creator: Circle of Joos van Cleve

St. Jerome in his Study, c1530, (1920). Creator: Circle of Joos van Cleve
St. Jerome in his Study, c1530, (1920). St Jerome was a Christian priest, confessor, theologian, and historian. Painted by Circle of Joos van Cleve in Tempera and Oil on Panel

Background imageGrundy Collection: Sadler Over The Lighthouse, Dublin, 1817, (1920). Creator: Robert Havell

Sadler Over The Lighthouse, Dublin, 1817, (1920). Creator: Robert Havell
Sadler Over The Lighthouse, Dublin, 1817, (1920). James Sadler (1753-1828) above Dublin Lighthouse on route to Holyhead 24 July 1817 by artist Robert Havell. Photogravure

Background imageGrundy Collection: Fanny Burney (Mme. D Arblay), c1780, (1920). Creator: Nathaniel Hone

Fanny Burney (Mme. D Arblay), c1780, (1920). Creator: Nathaniel Hone
Fanny Burney (Mme. D Arblay). c1780, (1920). Frances Burney (1752-1840), English satirical novelist, diarist and playwright. Portrait by N. Hone in Kings Lynn Town Hall

Background imageGrundy Collection: In The Beys Garden, 1865, (1920). Creator: John Frederick Lewis

In The Beys Garden, 1865, (1920). Creator: John Frederick Lewis
In The Beys Garden, 1865, (1920). Marian Lewis wife of Orientalist artist John Frederick Lewis is portrayed as the wife of the Bey. Oil on Wood. From " The Connoisseur Vol

Background imageGrundy Collection: Miss Elizabeth Phelps, 1778, (1920). Creator: Matthew William Peters

Miss Elizabeth Phelps, 1778, (1920). Creator: Matthew William Peters
Miss Elizabeth Phelps, 1778, (1920). Portrait of Elizabeth Henriette Phelps by Matthew William Peters. From " The Connoisseur Vol. LVI" [Otto Limited, London, 1920.]

Background imageGrundy Collection: Portrait of Sir James Oxenden, 2nd Bart

Portrait of Sir James Oxenden, 2nd Bart. (1643-1708). c1670, (1920). Sir James Oxenden, 2nd Baronet, English politician who sat in the House of Commons between 1679 and 1702

Background imageGrundy Collection: A Summer Night: the Terrace, Haddon Hall, 1875, (1935). Artist: George Haydock Dodgson

A Summer Night: the Terrace, Haddon Hall, 1875, (1935). Artist: George Haydock Dodgson
A Summer Night: the Terrace, Haddon Hall, 1875, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageGrundy Collection: St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageGrundy Collection: Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford

Background imageGrundy Collection: On the Balcony, Venice, c1826

On the Balcony, Venice, c1826. Painting housed at the Walker Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageGrundy Collection: Dovedale by Moonlight, 1784. Artist: Joseph Wright of Derby

Dovedale by Moonlight, 1784. Artist: Joseph Wright of Derby
Dovedale by Moonlight, 1784. Painting housed in the Derby Museum and Art Gallery, Derby. From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageGrundy Collection: The Bilsden (Billesdon) Coplow Day, c18th century. Artist: Francis Jukes

The Bilsden (Billesdon) Coplow Day, c18th century. Artist: Francis Jukes
The Bilsden (Billesdon) Coplow Day, c18th century. After Charles Loraine Smith (1751-1835). From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageGrundy Collection: Sidmouth, 1825-27, (1938). Artist: JMW Turner

Sidmouth, 1825-27, (1938). Artist: JMW Turner
Sidmouth, c1825-27, (1938). Painting held at the Whitworth Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C



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"Exploring the Artistic Tapestry of Grundy: A Journey Through Time" Step into the enchanting world of Grundy, a captivating place that spans centuries and landscapes. Brinkburn Priory in Northumberland, circa 1830, comes alive with JMW Turner's brushstrokes, transporting us to a bygone era where history whispers through its ancient walls. George Sidney Shepherd takes us to St. Albans in 1809, capturing the essence of this historic city with his masterful strokes. The scene unfolds before our eyes as we immerse ourselves in the architectural marvels and bustling streets of yesteryears. Joseph Highmore introduces us to Mary Rossam from c1734, an enigmatic figure whose story remains shrouded in mystery. Her portrait evokes curiosity and invites us to delve deeper into her intriguing tale. Patrick Nasmyth's "A Woodmans Cottage" transports us to a tranquil countryside retreat in 1820. We can almost hear the rustling leaves and feel the gentle breeze as we imagine ourselves strolling along its idyllic pathways. Henry Edridge captures Rue De La Grosse Horloge in Rouen during 1821—a snapshot frozen in time that showcases both architectural grandeur and everyday life intertwining harmoniously on these historic streets. Lady Hamilton graces our presence as the Goddess of Health through George Romney's masterpiece from around 1790. Her ethereal beauty radiates vitality and reminds us of the timeless pursuit for well-being throughout history. James Clarke Hook paints "A Devonshire Stream" in 1864—an exquisite portrayal that immerses us into nature's embrace. The babbling brook becomes our sanctuary as we find solace amidst its serene surroundings. Richard Hilder guides our gaze towards Otford and Sevenoaks—two picturesque locations captured during different periods but united by their scenic charm. These artworks transport us back to simpler times, where the beauty of nature was cherished and celebrated.

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