Gustave Moreau Collection

Devant le tableau de M. G. Moreau, 19th century. Creator: Honore Daumier
Devant le tableau de M. G. Moreau, 19th century. Sketch taken at the exhibition - In front of the painting by M G Moreau

Charybdis and Scylla, 1894. Creator: Ernest Cornelis Ary Renan
Charybdis and Scylla, 1894

A Saint in the Desert, c1879. Creator: Gustave Moreau
A Saint in the Desert, c1879

Arion, 1891. Creator: Gustave Moreau
Arion, 1891

Diomede Devore by His Horses Painting by Gustave Moreau (1826-1898) 1865 Sun. 1, 38x0, 84 m Rouen, Musee des Beaux Arts
JLJ4689635 Diomede Devore by His Horses Painting by Gustave Moreau (1826-1898) 1865 Sun. 1, 38x0, 84 m Rouen, Musee des Beaux Arts by Moreau, Gustave (1826-98); Musee des Beaux-Arts, Rouen

Apollo Receiving the Shepherds Offerings, 1893-95 (oil on panel)
PNH347151 Apollo Receiving the Shepherds Offerings, 1893-95 (oil on panel) by Moreau, Gustave (1826-98); 26x22 cm; Private Collection; (add.info)

The wandering Jew, surprised by the calvary which calls him, oil painting on canvas by Gustave Moreau (1826-1898)
YOU4419153 The wandering Jew, surprised by the calvary which calls him, oil painting on canvas by Gustave Moreau (1826-1898). Photography, KIM Youngtae, Paris, Musee Gustave Moreau

Promethee. Oil Painting On Canvas by Gustave Moreau (1826-1898). Photography, KIM Youngtae, Paris, Musee Gustave Moreau
YOU4419166 Promethee. Oil Painting On Canvas by Gustave Moreau (1826-1898). Photography, KIM Youngtae, Paris, Musee Gustave Moreau. by Moreau, Gustave (1826-98); (add.info.: Promethee)

Diomedes Being Eaten by his Horses, 1865 (oil on canvas)
XOU50696 Diomedes Being Eaten by his Horses, 1865 (oil on canvas) by Moreau, Gustave (1826-98); 138.5x84.5 cm; Musee des Beaux-Arts, Rouen

Leda and the swan (oil on canvas)
YOU4419171 Leda and the swan (oil on canvas) by Moreau, Gustave (1826-98); Musee Gustave Moreau, Paris, France; (add.info.: Leda, in Greek mythology)

Hercules and the Lernaean Hydra, 1875 / 76. Creator: Gustave Moreau
Hercules and the Lernaean Hydra, 1875/76

The Apparition (oil on canvas)
XIR6282 The Apparition (oil on canvas) by Moreau, Gustave (1826-98); 142x103 cm; Musee Gustave Moreau, Paris, France; French, out of copyright

The Peri, 1865 (graphite, brush and black ink, gray wash, touches of gold metallic paint
AIS5375502 The Peri, 1865 (graphite, brush and black ink, gray wash, touches of gold metallic paint, white gouache, on ivory wove paper) by Moreau, Gustave (1826-98); The Art Institute of Chicago

Susanna and the Elders, c. 1895 (oil on canvas)
987535 Susanna and the Elders, c.1895 (oil on canvas) by Moreau, Gustave (1826-98); 81x64.8 cm; Private Collection; (add.info.: Susanna and the Elders; Suzanne et les Vieillards)

Venus Rising from the Sea; Venus Sortant de l Onde, 1866 (oil on panel)
658607 Venus Rising from the Sea; Venus Sortant de l Onde, 1866 (oil on panel) by Moreau, Gustave (1826-98); 56x46 cm; Private Collection; (add.info)

Oedipus and the Sphinx; Oedipe et le Sphinx, (black chalk, pen and ink)
827625 Oedipus and the Sphinx; Oedipe et le Sphinx, (black chalk, pen and ink) by Moreau, Gustave (1826-98); 25.2x16.5 cm; Private Collection; (add.info.: Oedipus and the Sphinx; Oedipe et le Sphinx)

Helen Glorified, 1896 (w / c, gouache and shell gold on paper)
1197560 Helen Glorified, 1896 (w/c, gouache and shell gold on paper) by Moreau, Gustave (1826-98); 30.5x23.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Orpheus (gravure)
671931 Orpheus (gravure) by Moreau, Gustave (1826-98); Private Collection; (add.info.: Orpheus. Illustration for Character Sketches of Romance)

Christ and Mary Magdalene (Noli Me Tangere), c. 1889 (oil on panel)
1766688 Christ and Mary Magdalene (Noli Me Tangere), c.1889 (oil on panel) by Moreau, Gustave (1826-98); 81.2x64.4 cm; Private Collection; (add.info.: Christ and Mary Magdalene (Noli Me Tangere)

The Apparition, c. 1876 (oil on canvas)
652989 The Apparition, c.1876 (oil on canvas) by Moreau, Gustave (1826-98); 32.5x22.5 cm; Private Collection; (add.info.: The Apparition. Gustave Moreau (1826-1898). Oil on canvas

Diomedes Devoured by his Horses, c. 1865-1870 (oil on canvas)
989870 Diomedes Devoured by his Horses, c.1865-1870 (oil on canvas) by Moreau, Gustave (1826-98); 46.4x38.1 cm; Private Collection; (add.info.: Diomedes Devoured by his Horses)

Orpheus; L Orphee, (pencil, pen and brown ink with brown wash in drawn frame)
827626 Orpheus; L Orphee, (pencil, pen and brown ink with brown wash in drawn frame) by Moreau, Gustave (1826-98); 30x16.5 cm; Private Collection; (add.info.: Orpheus; L Orphee)

La Discorde, 1886. Creator: Felix Bracquemond
La Discorde, 1886. [Discord]

L Homme qui court apres la Fortune et celui qui l attend dans son lit, 1886. [The man who runs after Fortune and the man who waits for it in bed, or The fortune-seeker and the layabout]

Le Lion amoureux, 1886. Creator: Felix Bracquemond
Le Lion amoureux, 1886. [The Lion in Love]

Saint Cecilia, ca. 1890-95. Creator: Gustave Moreau
Saint Cecilia, ca. 1890-95

Sphinx in a Grotto (Poet, King and Warrior), 1840-98. Creator: Gustave Moreau
Sphinx in a Grotto (Poet, King and Warrior), 1840-98

Allegory of Vices, 1840-98. Creator: Attributed to Gustave Moreau; Moreau
Allegory of Vices, 1840-98

Oedipus and the Sphinx, 1864. Creator: Gustave Moreau
Oedipus and the Sphinx, 1864

Portrait of Gustave Moreau (1826-1898), 1874. Found in the Collection of Musee Gustave Moreau

Portrait of Gustave Moreau (1826-1898), 1876. Found in the collection of Musee Gustave Moreau

Orpheus, 1865 (1900). Reprinted from The Magazine Of Art, 1885. A print from The Magazine of Art, Cassell and Company, Limited, 1900

David, 1878 (1900). A print from The Magazine of Art, Cassell and Company, Limited, 1900

Angels of Sodom, c1846-1898. Artist: Gustave Moreau
Angels of Sodom, c1846-1898. Found in the collection of the Musee Gustave Moreau, Paris, France

Orpheus, 1865. Artist: Gustave Moreau
Orpheus, 1865. Found in the collection of the Musee d Orsay, Paris, France

Diomedes Devoured Horses Gustave Moreau French
Diomedes Devoured by Horses; Gustave Moreau (French, 1826 - 1898); France; 1866; Watercolor over graphite; 21.4 x 19.7 cm (8 7, 16 x 7 3, 4 in.)

Sphinx Grotto Poet King Warrior 1840-98 Watercolor
Artokoloro

Oedipus Sphinx 1864 Oil canvas 81 1 / 4 x 41 1 / 4
Artokoloro

Fa lix Bracquemond after Gustave Moreau (French, 1833 - 1914), Untitled (The Dream
Fa© lix Bracquemond after Gustave Moreau (French, 1833 - 1914), Untitled (The Dream of the Mogul?), 1886, etching on vellum

Dejanira (Autumn); Gustave Moreau, French, 1826 - 1898; about 1872 - 1873; Oil on panel; Unframed: 55.1 x 45.4 cm (21 11/16 x 17 7/8 in.), Framed: 70.2 x 60.6 x 6.4 cm (27 5/8 x 23 7/8 x 2 1/2 in.)

Diomedes Devoured by Horses; Gustave Moreau, French, 1826 - 1898; France, Europe; 1866; Watercolor over graphite; 21.4 x 19.7 cm (8 7/16 x 7 3/4 in.)

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Gustave Moreau (1826-1898) was a French painter known for his intricate and symbolic artworks. His painting "Diomede Devore by His Horses" depicts a dramatic scene from Greek mythology, showcasing his attention to detail and mastery of composition. In "The Torture of Prometheus, " Moreau captures the agony of the Titan as he is punished for stealing fire from the gods. The artist's fascination with mythological themes continues in "Prometheus Bound, " where he portrays the eternal suffering of Prometheus. Moreau also explored religious subjects, as seen in "Apollo Receiving the Shepherds Offerings. " This piece showcases his ability to create ethereal atmospheres and capture divine beauty. In "The Wandering Jew, surprised by the cavalry which calls him, " Moreau delves into biblical lore, depicting an enigmatic figure caught in a moment of revelation. His mural series titled "Humanity: From TtoB" presents contrasting scenes representing different ages. From Adam and Eve in the Golden Age to Cain and Abel in the Iron Age, Moreau skillfully conveys complex narratives through rich symbolism. In addition to these grand compositions, Moreau also created smaller works such as watercolors like "Salome" and "The Apparition. " These pieces demonstrate his versatility as an artist while maintaining his signature style. "The Execution of Messalina" showcases Moreau's ability to depict historical events with emotional intensity. Meanwhile, in "Promethee, " he revisits the theme of Prometheus but adds his unique interpretation. One notable work is "The Pretendants Recit of Homere Odyssee recounting the massacre of Penelope pretendants on Ulysses' return. " Painted early in his career, this piece displays Moreau's talent for storytelling through art. Throughout his career, Gustave Moreau pushed artistic boundaries with his imaginative interpretations and meticulous technique.