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Haida Collection (page 2)

"Haida: Preserving the Rich Cultural Heritage of Alaska's Tlingit Native Americans" In Yakutat, Alaska

Background imageHaida Collection: Weapons, utensils and ornaments of American Indians, from The History of Mankind, Vol

Weapons, utensils and ornaments of American Indians, from The History of Mankind, Vol
BAL126168 Weapons, utensils and ornaments of American Indians, from The History of Mankind, Vol.1, by Prof. Friedrich Ratzel, 1896 (litho) by English School

Background imageHaida Collection: HAIDA VILLAGE, c1880. Totem poles and canoes in the Haida village of Skidegate

HAIDA VILLAGE, c1880. Totem poles and canoes in the Haida village of Skidegate in the Queen Charlotte Islands, off the coast of British Columbia, Canada. Photographed c1880

Background imageHaida Collection: HAIDA CANOE EXHIBIT. The prow of a 63-foot-long ceremonial canoe, carved from a

HAIDA CANOE EXHIBIT. The prow of a 63-foot-long ceremonial canoe, carved from a cedar tree in 1878 by Haida Native Americans in the Queen Charlotte Islands, off the coast of British Columbia, Canada

Background imageHaida Collection: HAIDA NATIVE AMERICAN, 1900. Drawing, 20th century

HAIDA NATIVE AMERICAN, 1900. Drawing, 20th century

Background imageHaida Collection: CANADA: HAIDA TOTEM POLES. Totem poles in front of houses in the Haida village of Haina

CANADA: HAIDA TOTEM POLES. Totem poles in front of houses in the Haida village of Haina (New Gold Harbour) in the Queen Charlotte Islands, British Columbia, Canada

Background imageHaida Collection: CANADA: HAIDA TOTEM POLE. Totem pole topped by a figure in a tall hat, in front

CANADA: HAIDA TOTEM POLE. Totem pole topped by a figure in a tall hat, in front of the ruins of a Haida chiefs house in the village of Kayung in the Queen Charlotte Islands, British Columbia, Canada

Background imageHaida Collection: CANADA: HAIDA TOTEM POLE. Totem pole at the front of a Haida house in the village of Haina

CANADA: HAIDA TOTEM POLE. Totem pole at the front of a Haida house in the village of Haina (New Gold Harbour) in the Queen Charlotte Islands, British Columbia, Canada

Background imageHaida Collection: CANADA: HAIDA HOUSE. Painted front of a Haida house belonging to Chief Gold, with

CANADA: HAIDA HOUSE. Painted front of a Haida house belonging to Chief Gold, with carved moon crest, near Skidegate in the Queen Charlotte Islands, British Columbia, Canada

Background imageHaida Collection: CANADA: HAIDA TOTEM POLE. Totem pole at the front of a house in the Haida village

CANADA: HAIDA TOTEM POLE. Totem pole at the front of a house in the Haida village of Tanu in the Queen Charlotte Islands, British Columbia, Canada, with representations of three watchmen (top)

Background imageHaida Collection: A totem pole in the Haida or Tlingit style, Alaska

A totem pole in the Haida or Tlingit style, Alaska

Background imageHaida Collection: Alaska. Totem at Cheif Shakes Tribal House, historic site, Wrangell, Southeast Alaska

Alaska. Totem at Cheif Shakes Tribal House, historic site, Wrangell, Southeast Alaska

Background imageHaida Collection: Queen Charlotte Island - Masset Totem Poles

Queen Charlotte Island - Masset Totem Poles
The Masset Inlet - Queen Charlotte Islands, British Columbia, Canada. The Totem Poles of the Haida People. Masset was known by the Haida as Uttewas (or White Slope Town)

Background imageHaida Collection: War damage, Haidar Pacha, Constantinople, WW1

War damage, Haidar Pacha, Constantinople, WW1
Factories and a munitions train burnt out at Haidar Pacha, the western terminus of the Anatolian Railway, Constantinople, Turkey, during the First World War. Date: 1917

Background imageHaida Collection: Constantinople - Haidar Pacha - Hotel Hugel

Constantinople - Haidar Pacha - Hotel Hugel
(German) Hotel Hugel, Haidar Pacha, Constantinople. On Asian side of the Bosphorus in the Uskudar District

Background imageHaida Collection: Medical School - Haida Pacha

Medical School - Haida Pacha, Istanbul

Background imageHaida Collection: Totem pole of Shaman and land otter

Totem pole of Shaman and land otter, carved in red cedar in 1940 by John Wanlace, Inside Passage, Juneau, Alaska, United States of America, North America

Background imageHaida Collection: Inside Passage four-story totem pole

Inside Passage four-story totem pole, carved from red cedar in 1940 by John Wanlace, a native Haida carver, Juneau, Alaska, United States of America, North America

Background imageHaida Collection: Haida cemetery, Queen Charlotte Islands, British Columbia (B. C. ), Canada, North America

Haida cemetery, Queen Charlotte Islands, British Columbia (B. C. ), Canada, North America
Haida cemetery, Queen Charlotte Islands, British Columbia (B.C.), Canada, North America

Background imageHaida Collection: Haida Woman

Haida Woman
A Haida woman of Queen Charlotte Island, northwest America : note the lip-plug, an ornament supposed to be attractive



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"Haida: Preserving the Rich Cultural Heritage of Alaska's Tlingit Native Americans" In Yakutat, Alaska, a Tlingit Native American woman proudly showcases her ancestral heritage through the art of basket weaving. With intricate designs and skilled craftsmanship, she weaves together stories passed down through generations. The Haida people have long been known for their exceptional artistic abilities and deep connection to nature. Their totem poles stand tall as symbols of cultural identity and spiritual significance. One such Haida Totem Post engraving captures the essence of their beliefs, depicting powerful creatures that embody strength and wisdom. Tattooed Haidas were once a common sight among this indigenous community. These engravings tell tales of bravery and honor, showcasing the unique body art that adorned these individuals with pride. Each tattoo held its own meaning, representing personal achievements or tribal affiliations. Artifacts found in Queen Charlotte Islands, British Columbia provide glimpses into the lives led by the Haida people in ancient times. A gelatin silver print captures these artifacts in stunning detail, reminding us of their rich history and cultural legacy. One particularly captivating piece is the Haida double thunderbird color litho - an artwork that exudes vibrancy and power. The thunderbird holds great importance within Haida mythology as a symbol of protection against evil spirits. Despite facing numerous challenges over time, including colonization and forced assimilation efforts, the spirit of resilience remains strong within the Haida community today. They continue to celebrate their traditions while embracing modern influences with grace. Through their artistry and storytelling skills, they ensure that future generations understand and appreciate their heritage. The bright hope shines on as they pass down age-old techniques from one generation to another – preserving not just baskets but also memories woven into every thread. Haida culture serves as a reminder that diversity should be cherished; it enriches our world with vibrant colors woven together like threads in a basket.