Hand Colored Collection (page 41)

German 15th Century (Augsburg), Christ on the Cross with the Virgin and Saint John, 1491, color woodcut, printed in black, red, blue, brown, olive, and yellow on vellum, and hand-colored in blue

Frances Flora Bond Palmer and Nathaniel Currier (publisher), American Winter Scenes: Morning, American, born England, c. 1812 - 1876, published 1854, hand-colored lithograph on wove paper

French 18th Century, Minerva Crowning the Genius of Fine Arts, hand-colored stipple engraving with gold leaf on satin

John G. Ellinwood (American, active c. 1870 - c. 1900), Portrait of a Woman, c. 1870
John G. Ellinwood (American, active c. 1870 - c. 1900), Portrait of a Woman, c.1870, tintype, hand-colored

Augsburg 15th century (and attributed to Hans Burgkmair?), Christ on the Cross with the Virgin and Saint John, 1493, color woodcut printed from five blocks on vellum, hand-colored with gouache

John G. Warnicke after Alexander Wilson, Passenger Pigeon, Blue-mountain Warbler, and Hemlock Warbler, American, died 1818, published 1808-1814, hand-colored engraving with etching on wove paper

Currier and Ives (publishers), William Penns Treaty with the Indians, 1857 - 1907, hand-colored lithograph

American 19th Century, William Penns History, hand-colored lithograph

John T. Bowen after John James Audubon, Boat-tailed Grackle, American, c. 1810 - probably 1856, hand-colored lithograph

German 15th Century, The Marriage of the Virgin, 1480-1490, woodcut, hand-colored in red lake, rose, blue, green, yellow, black, gold, and orange

Alexander Lawson after Alexander Wilson, Pinnated Grous, Blue-green Warbler, and Nashville Warbler, American, 1773 - 1846, published 1808-1814, hand-colored engraving with etching on wove paper

The annunciation, Print showing Mary visited by an angel, woodcut, hand-colored, between 1450 and 1460

Allegory of vanity (presumptuousness) showing five demon-like figures confronting a man and a woman wearing elaborate collars. Nutzel, Hieronymus active approximately 1584/5-1590, engraver

Print shows a member of the Third Estate, possibly a woman, kneeling on top of a fallen friar, cutting wooden branches or horns from his head. 1789, etching, hand-colored

Robert Havell after John James Audubon, Trumpeter Swan, American, 1793 1878, 1838, hand colored etching and aquatint

Martin Marvie after Jean-Baptiste Oudry (French, 1713 - 1813 ), Le chat, la balette et le petit lapin (The Cat, the Weasel, and the Rabbit), published 1756, hand-colored etching, Gift of Mr. and Mrs

A. -J. de Fehrt after Jean-Baptiste Oudry (French, born 1723 ), L homme qui court
A.-J. de Fehrt after Jean-Baptiste Oudry (French, born 1723 ), L homme qui court apres la fortune et l hommequi l attend dans son lit (The Man who Courts Fortune and the Man Who Sleeps in Bed)

American 19th Century, Lanius rufus, hand-colored etching on laid paper, Collection of Mr. and Mrs. Paul Mellon

Robert Havell after John James Audubon, Ivory-billed Woodpecker, American, 1793 - 1878
Robert Havell after John James Audubon, Ivory-billed Woodpecker, American, 1793-1878, 1829, hand-colored etching and aquatint on Whatman paper

Jan Christiaan Sepp (Dutch, 1739 - 1811 ), The White Stork, hand-colored etching and engraving, Gift of Dr. and Mrs. George Benjamin Green

L assemblee nationale or grand cooperation meeting at St. Anns Hill. Respectfully dedicated to the admirers of A Broad-Bottom d Administration, Gillray, James, 1756-1815, artist

John Bull fighting the French single handed, P.F.L.B. fecit. [England : Publisher not named, between 1800 and 1815], 1 print : etching, hand-colored; 19.2 x 29.9 cm (border, plate marks cropped)

The father of the family takeing [sic] his eldest boy from school, [England : Publisher not named, between 1813 and 1815], 1 print : etching, hand-colored; 35 x 25 cm (plate)

An high wind in St. Pauls Church yard, , artist, [1783], mezzotint, hand-colored, a street scene outside a print shop on a windy day as pedestrians struggle against the force of the wind

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Large-billed Puffin, 1836 (coloured engraving)
XOS2644348 Large-billed Puffin, 1836 (coloured engraving) by Audubon, John James (1785-1851) (after); National Gallery of Art, Washington DC, USA; (add.info.: Fratercula corniculata)

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"Hand Colored: Exploring the Victorian Era through Botanical Illustrations" Step into the enchanting world of hand-colored botanical illustrations from the Victorian era, where nature's wonders come to life in vibrant hues. Marvel at the intricate details of an Oak Tree (Quercus) as it proudly stands tall, its majestic branches reaching towards the sky. Transport yourself back in time with a captivating Poisonous Mushroom illustration, meticulously rendered with delicate strokes that reveal its mysterious allure. Delve into the realm of Herbs and Spice, where fragrant plants are brought to life on paper. Each leaf and petal carefully colored by skilled hands, capturing their essence for generations to admire. Discover the ethereal beauty of Campanula or Bellflower Plant, its bell-shaped blooms seemingly dancing in harmony with nature's symphony. Gaze upon an Aster or Star Plant illustration that exudes celestial elegance; each blossom resembling a miniature starburst against a backdrop of lush green foliage. Beware as you explore Poisonous and Toxic Plants depicted in these meticulous drawings - their allure lies hidden within their deadly secrets. Uncover the hidden intricacies of Plant Anatomy through detailed engravings that dissect nature's design. From roots to petals, every part is meticulously illustrated and colored with precision. Immerse yourself in Lily of the Valley 19th-century illustrations; delicate white flowers cascading like tiny bells amidst verdant leaves - a timeless symbol of purity and grace. Journey further into Medicinal and Herbal Plants' depictions; discover remedies from times gone by captured forever on paper. Witness White Bryony poison plant engraving from 1857; its tendrils winding sinuously around other flora - a haunting reminder of nature's duality between beauty and danger. Finally, lose yourself amidst Red Exotic Flowers' vivid colors showcased in stunning Victorian botanical illustrations – each bloom radiating passion and exoticism. Travel back through time as you explore the Canada Thistle botanical engraving from 1843.