Hand Collection (page 100)

Self portrait, 1910 (w / c & charcoal on paper)
2646951 Self portrait, 1910 (w/c & charcoal on paper) by Schiele, Egon (1890-1918); 45.2x30.5 cm; Private Collection; (add.info.: Selbstbildnis); Photo eChristies Images; Austrian, out of copyright

Diagram of Human Thought and the Four Senses, c. 1650 (engraving)
2630228 Diagram of Human Thought and the Four Senses, c.1650 (engraving) by European School, (17th century); Private Collection; (add.info)

Womans Hand Chooses Between a Variety of Food Items, 1951 (screen print)
2630040 Womans Hand Chooses Between a Variety of Food Items, 1951 (screen print) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Resurrection of the daughter of Jaire - Raising of Jairus
XEE4160895 Resurrection of the daughter of Jaire - Raising of Jairus daughter (Jesus raising up the daugter of Jairus) - engraving in " The Bible illustree" by Gustave Dore (1832-1883)

illustration of Jules Vernes novel "Around the Moon"
PCT4259458 illustration of Jules Vernes novel " Around the Moon", drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870

Bobeche (Antoine Mandelot dit Bobeche, French paradist)
DUV4211790 Bobeche (Antoine Mandelot dit Bobeche, French paradist). Engraving in " Characters and Costumes vary". New Epinal Imaging. Imp. lith

Allegory of innocence crowned with palm to mark that time makes her triumph over
XEE4135835 Allegory of innocence crowned with palm to mark that time makes her triumph over the slander that wants to oppress her. Its symbol is the lamb

Allegory of philanthropy. She holds a scholarship and comes to rescue a poor man to whom
XEE4135698 Allegory of philanthropy. She holds a scholarship and comes to rescue a poor man to whom she reaches out. His attribute is a pelican that opens his breast to feed his young

Chiromancia - Saturnian Line - Engraving 1545 in "The Art of Chyromance"
XEE4148084 Chiromancia - Saturnian Line - Engraving 1545 in " The Art of Chyromance" by Andre Corvo - Private Collection by Anonymous; Private Collection; (add.info)

Chiromancia - Double solar line breaking against the middle - Engraving 1545 in "
XEE4148073 Chiromancia - Double solar line breaking against the middle - Engraving 1545 in " The Art of Chyromance" by Andre Corvo - Private collection by Anonymous; Private Collection;

Three Singers, (oil on canvas)
989302 Three Singers, (oil on canvas) by Rouffio, Albert Alexander Paul (1855-1911); 120.7x156.2 cm; Private Collection; (add.info.: Three Singers; Trio a Capella. Paul Rouffio (1855-1911)

Nude Study (Man Lying), 1858 (pencil on pink paper)
988858 Nude Study (Man Lying), 1858 (pencil on pink paper) by Degas, Edgar (1834-1917); 20.3x27.9 cm; Private Collection; (add.info.: Nude Study (Man Lying); Etude de Nu (Homme nu Allonge)

Teaching the Dog a New Set of Tricks, (oil on canvas)
989920 Teaching the Dog a New Set of Tricks, (oil on canvas) by Karlovsky, Bertelan (1858-1938); 80x106 cm; Private Collection; (add.info.: Teaching the Dog a New Set of Tricks)

Head of a Sage, (oil on canvas)
990326 Head of a Sage, (oil on canvas) by Mola, Pier Francesco (1612-66); 66x52 cm; Private Collection; (add.info.: Head of a Sage. Pier Francesco Mola (1612-1666). Oil on canvas

Adoration of the Child with the infant St John and St Romuald (tempera on panel)
884997 Adoration of the Child with the infant St John and St Romuald (tempera on panel) by Lippi, Filippino (c.1457-1504); 140x130 cm; Galleria degli Uffizi, Florence, Tuscany

Die Musik (oil on canvas)
823482 Die Musik (oil on canvas) by Klinger, Albert (1869-1912); 123x190.5 cm; Private Collection; (add.info.: Die Musik. Albert Klinger (1869-1912). Oil on canvas

Charles II Thirty Hour Longcase Clock, c. 1680 (mixed media)
870170 Charles II Thirty Hour Longcase Clock, c.1680 (mixed media) by Tompion, Thomas (1639-1713); Private Collection; Photo eChristies Images; English, out of copyright

The hospitable reception of Charles II (engraving)
816161 The hospitable reception of Charles II (engraving) by Benazech, Charles (1767-94) (after); Private Collection; (add.info.: The hospitable reception of Charles II)

Christ, detail of the fresco of the Madonna and Child with angels Raffael and Gabriel (fresco)
3573976 Christ, detail of the fresco of the Madonna and Child with angels Raffael and Gabriel (fresco) by Italian School, (13th century); Madonna della Croce, Matera, Italy; (add.info.: Christ)

Funerary Stela of the Priest Dionysios and His Wife, Tertia, c. 240-260 (marble)
3576916 Funerary Stela of the Priest Dionysios and His Wife, Tertia, c.240-260 (marble) by Roman, (3rd century AD); 153x86.4x20.3 cm; North Carolina Museum of Art, Raleigh

Nail shapes (litho)
3632305 Nail shapes (litho) by English School, (20th century); Private Collection; (add.info.: Nail shapes. Illustration for The Art and Craft of Hairdressing edited by Gilbert A Foan (New Era)

Jewel (engraving)
3626172 Jewel (engraving) by English School, (19th century); Private Collection; (add.info.: Jewel. Illustration for Chatterbox (1871). Digitally cleaned image.); © Look and Learn

The Wolf (engraving)
3626087 The Wolf (engraving) by English School, (19th century); Private Collection; (add.info.: The Wolf. Illustration for Chatterbox (1869). Digitally cleaned image.); © Look and Learn

Count R, advanced pistol in hand (engraving)
3625218 Count R, advanced pistol in hand (engraving) by English School, (19th century); Private Collection; (add.info.: Count R, advanced pistol in hand. Illustration for Chatterbox (1879)

Legerdemain (engraving)
3628620 Legerdemain (engraving) by English School, (19th century); Private Collection; (add.info.: Legerdemain. Illustration for The Boyss Own Book (Lockwood, 1861)

Gulliver kisses the Queen of Brobdingnagias hand from Part II
3514743 Gulliver kisses the Queen of Brobdingnagias hand from Part II: A Voyage to Brobdingnag in Gullivers Travels by Jonathan Swift by Rackham

Statue of the Annunciate Virgin
3563697 Statue of the Annunciate Virgin by Andreotti, Libero (1875-1933); Toeplitz Collection, Florence, Italy; (add.info.: Artist: Andreotti)

Study of hands
3565879 Study of hands by Sarto, Andrea del (1486-1530); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany

Portrait of a Man
3564843 Portrait of a Man by Parmigianino (Francesco Mazzola) (1503-40); Galleria Borghese, Rome, Lazio, Italy; (add.info.: Artist: Parmigianino, Francesco Mazzola)

Page from the Bible of Corbolino with initial representing God speaking to Moses (Cod. Conventi Soppressi 630, c)
3565244 Page from the Bible of Corbolino with initial representing God speaking to Moses (Cod. Conventi Soppressi 630, c. 52v), manuscript by Florentine School

Portrait of a man
3567354 Portrait of a man by Salviati Cecchino, Francesco de Rossi (1510-63); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Salviati, Francesco De Rossi Date of Artwork: 1535-1563 ca)

Six Studies of Hands, c. 1870-90 (graphite and chalk on tan wove paper)
3526223 Six Studies of Hands, c.1870-90 (graphite and chalk on tan wove paper) by Perry, Enoch Wood (1831-1915); 38.1x27 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Portrait of Saint Joseph
3433530 Portrait of Saint Joseph by Reni, Guido (1575-1642); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info)

Card Players, c. 1645 (oil on panel)
3545788 Card Players, c.1645 (oil on panel) by Craesbeeck, Joos van (c.1605-c.61); 31.1x38.7 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: In this disreputable game of cards)

Seated Breton Woman, 1886 (black chalk with pastel on paper)
3502569 Seated Breton Woman, 1886 (black chalk with pastel on paper) by Gauguin, Paul (1848-1903); 32.9x48.3 cm; The Art Institute of Chicago, IL, USA; Mr. and Mrs. Carter H

A Slender Loris standing upright on a branch, looking at a keepers hand as it is offered
3500029 A Slender Loris standing upright on a branch, looking at a keepers hand as it is offered a mealworm, London Zoo, August 1926 (b/w photo) by Bond

A Muh-Wohwa, or Indian Duel (engraving)
3627991 A Muh-Wohwa, or Indian Duel (engraving) by English School, (19th century); Private Collection; (add.info.: A Muh-Wohwa, or Indian Duel)

Sculpture, Un Mariage romain (engraving)
3645876 Sculpture, Un Mariage romain (engraving) by French School, (19th century); Private Collection; (add.info.: Sculpture, Un Mariage romain. Illustration for Le Magasin Pittoresque (1879)

Trade card, J Young (engraving)
733922 Trade card, J Young (engraving) by English School, (19th century); Private Collection; (add.info.: Trade card, J Young, shoe and boot maker, at the Hand & Slipper)

Christmas card - May you balance things perfectly this season (chromolitho)
731673 Christmas card - May you balance things perfectly this season (chromolitho) by English School, (19th century); Private Collection; (add.info)

Stuart Robson (chromolitho)
732663 Stuart Robson (chromolitho) by American School, (19th century); Private Collection; (add.info.: Stuart Robson.); Look and Learn / Barbara Loe Collection

Two hand and foot inlays, New Kingdom, c. 1388-1292 B. C (glass)
2909764 Two hand and foot inlays, New Kingdom, c.1388-1292 B.C (glass) by Egyptian 13th Dynasty (c.1795-1700 BC); Private Collection; (add.info.: Including a hand in opaque blue glass)

Coal - Save Your Bit (colour litho)
747142 Coal - Save Your Bit (colour litho) by English School, (20th century); Private Collection; Photo eBarbara Singer; English, out of copyright

American Student Cheerfulness (Colour Litho)
2783959 American Student Cheerfulness (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: American student cheerfulness)

Paper Making, by Hand (engraving)
2793460 Paper Making, by Hand (engraving) by English School, (19th century); Private Collection; (add.info.: Paper Making, by Hand. Illustration for The Penny Magazine, 31 August 1833)

"The bishops had the barbarous curiosity to wish to see the baron with his oar in his hand"(engraving)
2780878 " The bishops had the barbarous curiosity to wish to see the baron with his oar in his hand" (engraving) by English School

"Bonner held his hand over the flame of a wax candle"(engraving)
2780823 " Bonner held his hand over the flame of a wax candle" (engraving) by Houghton, Arthur Boyd (1836-75) (after); Private Collection; (add.info)

"A heavy hand grasped my shoulder, and held it as if in a vice"(colour litho)
725622 " A heavy hand grasped my shoulder, and held it as if in a vice" (colour litho) by Groome, William Henry Charles (1881-1914); Private Collection; (add.info)

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"The Hand: A Multifaceted Marvel of Human Anatomy" The hand, a remarkable creation, is not merely an appendage but a gateway to our sensory and motor abilities. As depicted in the Sensory Homunculus and Motor Homunculus models, this intricate structure holds immense significance in our daily lives. Exploring the palmistry map of the hand reveals how ancient cultures believed that every line on our hands held secrets about our destinies. Similarly, the Cave of the Hands in Argentina showcases prehistoric art where early humans left their mark through handprints. In literature, Sir Gawain's encounter with the Green Knight by William McLaren highlights both bravery and vulnerability as he faces his adversary with trembling hands. Meanwhile, Albrecht Durer's iconic artwork "Praying Hands" captures devotion and faith through delicate fingers intertwined. Moving forward in time, Portsmouth's aviation poster symbolizes progress and innovation as aircrafts soar above open palms. Charles and Flora McDonald exemplify unity as they hold hands while facing life's challenges together. On a different note, propaganda posters from Wonsan City in North Korea depict clenched fists representing strength and determination amidst adversity. In contrast, Cid Officers portrayed as dockers emphasize hard work and resilience within their community. Lastly, let us not forget the Westfield SEI British car - its sleek design allows drivers to experience exhilaration at their fingertips while navigating roads with precision akin to a motor homunculus model. From palmistry to art masterpieces; historical events to modern innovations – each aspect sheds light on how hands shape our world physically, emotionally, and culturally. The hand truly embodies humanity’s ability to create beauty or wield power; it remains an enduring symbol of connection between individuals across time and space.