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Hands On Face Collection

"Captivating Expressions: The Power in Art" "The delicate touch of vulnerability and contemplation captured in 'Female Nude Seated by Fireside' speaks volumes

Background imageHands On Face Collection: Female Nude Seated by Fireside, c. 1850-1900 (mantochrome, paper-taped)

Female Nude Seated by Fireside, c. 1850-1900 (mantochrome, paper-taped)
990443 Female Nude Seated by Fireside, c.1850-1900 (mantochrome, paper-taped) by Mante, Louis Amedee (1826-1913) & Goldschmidt

Background imageHands On Face Collection: Study of a Girl, c1910. Artist: Maxwell Gordon Lightfoot

Study of a Girl, c1910. Artist: Maxwell Gordon Lightfoot
Study of a Girl, c1910. From The Studio Volume 95. [London Offices of the Studio, London, 1928]

Background imageHands On Face Collection: The New York Sunday herald for the glorious fourth. Sunday June 30th 1895. c1895

The New York Sunday herald for the glorious fourth. Sunday June 30th 1895. c1895. Creator: Charles Hubbard Wright
The New York Sunday herald for the glorious fourth. Sunday June 30th 1895. c1895

Background imageHands On Face Collection: Bewilderment, 1920 (colour etching and drypoint)

Bewilderment, 1920 (colour etching and drypoint)
991055 Bewilderment, 1920 (colour etching and drypoint) by Icart, Louis (1888-1950); 49.5x39 cm; Private Collection; (add.info.: Bewilderment. Louis Icart (1888-1950). Colour etching and drypoint

Background imageHands On Face Collection: Unfinished Sketch of Man in Tunic, n. d. Creator: Henry Stacy Marks

Unfinished Sketch of Man in Tunic, n. d. Creator: Henry Stacy Marks
Unfinished Sketch of Man in Tunic, n.d

Background imageHands On Face Collection: Study of a Reclining Female Nude, 1885 (lithograph)

Study of a Reclining Female Nude, 1885 (lithograph)
1195553 Study of a Reclining Female Nude, 1885 (lithograph) by Zichy, Mihaly von (1827-1906); 20.5x33 (approx) cm; Private Collection; Photo eChristies Images; Hungarian, out of copyright

Background imageHands On Face Collection: Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)

Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
1199575 Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imageHands On Face Collection: Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c

Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c
988857 Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c.1867 (pencil on paper laid on board) by Degas, Edgar (1834-1917); 45.1x28 cm; Private Collection; (add.info.: Eugenie Fiocre)

Background imageHands On Face Collection: A Classical Beauty, (watercolour on paper)

A Classical Beauty, (watercolour on paper)
987324 A Classical Beauty, (watercolour on paper) by Ryland, Henry (1856-1924); 43.2x52.1 cm; Private Collection; (add.info.: A Classical Beauty. Henry Ryland (1856-1924). Watercolour on paper

Background imageHands On Face Collection: Mary Reading, (oil on canvas)

Mary Reading, (oil on canvas)
985483 Mary Reading, (oil on canvas) by Tarbell, Edmund Charles (1862-1938); 127.5x102.2 cm; Private Collection; (add.info.: Mary Reading. Edmund Charles Tarbell (1862-1938). Oil on canvas

Background imageHands On Face Collection: Nude Lying Down; Liegende Nackte, 1917 (gouache and charcoal on paper)

Nude Lying Down; Liegende Nackte, 1917 (gouache and charcoal on paper)
656719 Nude Lying Down; Liegende Nackte, 1917 (gouache and charcoal on paper) by Schiele, Egon (1890-1918); 44.5x28.6 cm; Private Collection; (add.info.: Nude Lying Down; Liegende Nackte)

Background imageHands On Face Collection: Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border)

Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border)
990437 Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border) by Evans, Frederick Henry (1853-1943); 13.65x9.84 cm; Private Collection; (add.info.: Aubrey Beardsley)

Background imageHands On Face Collection: Castor and Pollux, 1922 (oil on canvas)

Castor and Pollux, 1922 (oil on canvas)
988762 Castor and Pollux, 1922 (oil on canvas) by La Fresnaye, Roger de (1885-1925); 28x19 cm; Private Collection; (add.info.: Castor and Pollux; Castor et Pollux. Roger de la Fresnaye (1885-1925)

Background imageHands On Face Collection: Mother and Child, (oil on canvas)

Mother and Child, (oil on canvas)
987375 Mother and Child, (oil on canvas) by Jacobides, Georg (1853-1932); 90.2x66 cm; Private Collection; (add.info.: Mother and Child. Georges Jacobides (1853-1932). Oil on canvas

Background imageHands On Face Collection: News from the Front, 1880 (oil on canvas)

News from the Front, 1880 (oil on canvas)
1772166 News from the Front, 1880 (oil on canvas) by Webb, Charles Meer (1830-1895); 91.5x80 cm; Private Collection; (add.info.: News from the Front. Charles Meer Webb (1830-1895). Oil on canvas

Background imageHands On Face Collection: Sisterly Love, 1892 (oil on canvas)

Sisterly Love, 1892 (oil on canvas)
1769869 Sisterly Love, 1892 (oil on canvas) by Delobbe, FranAzois Alfred (1835-1915); 100.3x82.6 cm; Private Collection; (add.info.: Sisterly Love. Francois Alfred Delobbe (1835-1920). Oil on canvas

Background imageHands On Face Collection: Leontine Reading, 1909 (oil on canvas)

Leontine Reading, 1909 (oil on canvas)
989158 Leontine Reading, 1909 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 54x65 cm; Private Collection; (add.info.: Leontine Reading; Leontine Lisant. Pierre-Auguste Renoir (1841-1919)

Background imageHands On Face Collection: Sitting Boy, 1910 (watercolour over pencil on tan paper)

Sitting Boy, 1910 (watercolour over pencil on tan paper)
988996 Sitting Boy, 1910 (watercolour over pencil on tan paper) by Schiele, Egon (1890-1918); 44.5x28.5 cm; Private Collection; (add.info.: Sitting Boy; Sitzender Knabe. Egon Schiele (1890-1918)

Background imageHands On Face Collection: A Winters Tale of Sprites and Goblins, 1886 (oil on canvas)

A Winters Tale of Sprites and Goblins, 1886 (oil on canvas)
985370 A Winters Tale of Sprites and Goblins, 1886 (oil on canvas) by Bunker, Denis Miller (1861-90); 95.3x126.4 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageHands On Face Collection: Study of the Deacon for the painting The Religious Procession in the Province of

Study of the Deacon for the painting The Religious Procession in the Province of
1195706 Study of the Deacon for the painting The Religious Procession in the Province of Kursk (1880-3), (oil on canvas) by Repin

Background imageHands On Face Collection: Portrait of William Morris, 1886 (black and white photograph)

Portrait of William Morris, 1886 (black and white photograph)
1195399 Portrait of William Morris, 1886 (black and white photograph) by English School, (19th century); 36x29.3 cm; Private Collection; (add.info.: English School)

Background imageHands On Face Collection: Portrait of Gabrielle in a Red Blouse, 1896 (oil on canvas)

Portrait of Gabrielle in a Red Blouse, 1896 (oil on canvas)
989160 Portrait of Gabrielle in a Red Blouse, 1896 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 34.3x29.6 cm; Private Collection; (add.info)

Background imageHands On Face Collection: Waiting, 1885 (oil on canvas)

Waiting, 1885 (oil on canvas)
984907 Waiting, 1885 (oil on canvas) by Grant, Clement Rollins (1849-93); 51x76.2 cm; Private Collection; (add.info.: Waiting. Clement Rollins Grant (1849-1893). Oil on canvas. Painted in 1885

Background imageHands On Face Collection: Reflection of an Intimate World, 1894 (pencil and oil on canvas)

Reflection of an Intimate World, 1894 (pencil and oil on canvas)
1195708 Reflection of an Intimate World, 1894 (pencil and oil on canvas) by Iakunchikova, Maria (1870-1902); 115 x 65.7 cm; Private Collection; (add.info.: Iakunchikova)

Background imageHands On Face Collection: Two Dancers, c. 1897 (pastel and charcoal on paper)

Two Dancers, c. 1897 (pastel and charcoal on paper)
989092 Two Dancers, c.1897 (pastel and charcoal on paper) by Degas, Edgar (1834-1917); 64x54 cm; Private Collection; (add.info.: Two Dancers; Deux Danseuses. Edgar Degas (1834-1917)

Background imageHands On Face Collection: Never Mind!, 1884 (oil on canvas)

Never Mind!, 1884 (oil on canvas)
987321 Never Mind!, 1884 (oil on canvas) by Morgan, Frederick (1856-1927); 83.8x96.5 cm; Private Collection; (add.info.: Never Mind! Frederick Morgan (1856-1927). Oil on canvas. Painted in 1884

Background imageHands On Face Collection: A Lovely Thought, (oil on canvas)

A Lovely Thought, (oil on canvas)
984975 A Lovely Thought, (oil on canvas) by Knight, Daniel Ridgway (1839-1924); 56.2x46.4 cm; Private Collection; (add.info.: A Lovely Thought. Daniel Ridgway Knight (1839-1924). Oil on canvas

Background imageHands On Face Collection: An Allegory of Prudence, (oil on panel)

An Allegory of Prudence, (oil on panel)
990082 An Allegory of Prudence, (oil on panel) by Rubens, Peter Paul (1577-1640); 64.8x45.1 cm; Private Collection; (add.info.: An Allegory of Prudence. Peter Paul Rubens (1577-1640). Oil on panel

Background imageHands On Face Collection: Scene from the play Good Morning Bill. 9 March 1928

Scene from the play Good Morning Bill. 9 March 1928

Background imageHands On Face Collection: Bulldog puppy with chin on paws, against white background

Bulldog puppy with chin on paws, against white background

Background imageHands On Face Collection: Says Lady Betty Bourke to her friends: Anyone Who Is A Good Mixer Knows The Value of Booths Gun i

Says Lady Betty Bourke to her friends: Anyone Who Is A Good Mixer Knows The Value of Booths Gun i
Says Lady Betty Bourke to her friends: Anyone Who Is A Good Mixer Knows The Value of Booths Gin in a Cocktail, c1935 (1935). From An Anthology Of Cocktails Together With Selected Observations

Background imageHands On Face Collection: A Mad Tea-Party by Arthur Rackham. 1907, A Mad Tea-Party, one of Arthur Rackhams color plates

A Mad Tea-Party by Arthur Rackham. 1907, A Mad Tea-Party, one of Arthur Rackhams color plates from Alices Adventures in Wonderland, is reproduced on a postcard

Background imageHands On Face Collection: black, close up, color, color image, concept, copy space, cut out, different, digital composite

black, close up, color, color image, concept, copy space, cut out, different, digital composite
Similar women with different skin color

Background imageHands On Face Collection: La Belle Parisienne Postcard. ca. 1903, La Belle Parisienne Postcard

La Belle Parisienne Postcard. ca. 1903, La Belle Parisienne Postcard

Background imageHands On Face Collection: Encore Postcard. ca. 1903, Encore Postcard

Encore Postcard. ca. 1903, Encore Postcard

Background imageHands On Face Collection: An Ocean Liner, Outward Bound Postcard. 1902, An Ocean Liner, Outward Bound Postcard

An Ocean Liner, Outward Bound Postcard. 1902, An Ocean Liner, Outward Bound Postcard

Background imageHands On Face Collection: June: Roses Postcard by Rie Cramer. ca. 1907-1930, June: Roses Postcard by Rie Cramer

June: Roses Postcard by Rie Cramer. ca. 1907-1930, June: Roses Postcard by Rie Cramer

Background imageHands On Face Collection: I Look for Butterflies that Sleep Among the Wheat Postcard by Charles Folkard

I Look for Butterflies that Sleep Among the Wheat Postcard by Charles Folkard, Based on Alice in Wonderland by Lewis Carroll. ca

Background imageHands On Face Collection: Automne Postcard by Elisabeth Sonrel. ca. 1900, Automne Postcard by Elisabeth Sonrel

Automne Postcard by Elisabeth Sonrel. ca. 1900, Automne Postcard by Elisabeth Sonrel

Background imageHands On Face Collection: November Postcard by Joseph Speybrouck. 1928, November Postcard by Joseph Speybrouck

November Postcard by Joseph Speybrouck. 1928, November Postcard by Joseph Speybrouck

Background imageHands On Face Collection: If You Are a Girlie and Born in Jan. Postcard. ca. 1900, If You Are a Girlie and Born in Jan

If You Are a Girlie and Born in Jan. Postcard. ca. 1900, If You Are a Girlie and Born in Jan. Postcard

Background imageHands On Face Collection: If You Are a Girlie and Born in Nov. Postcard. ca. 1900, If You Are a Girlie and Born in Nov

If You Are a Girlie and Born in Nov. Postcard. ca. 1900, If You Are a Girlie and Born in Nov. Postcard

Background imageHands On Face Collection: Alice in Wonderland Postcard by Flora White. ca. 1922, Alice in Wonderland Postcard by Flora White

Alice in Wonderland Postcard by Flora White. ca. 1922, Alice in Wonderland Postcard by Flora White

Background imageHands On Face Collection: Postcard of a Woman at the Beach. ca. 1914, Postcard of a Woman at the Beach

Postcard of a Woman at the Beach. ca. 1914, Postcard of a Woman at the Beach


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"Captivating Expressions: The Power in Art" "The delicate touch of vulnerability and contemplation captured in 'Female Nude Seated by Fireside' speaks volumes. " "Maxwell Gordon Lightfoot's 'Study of a Girl' reveals the emotional depth conveyed through the simple gesture of hands on face. " "In 'Hercules at the Feet of Omphale, ' the artist skillfully portrays Hercules' inner turmoil with his hands covering his face. " "'Bewilderment' takes us on an enigmatic journey, as the subject's hands emphasize her state of perplexity and introspection. " "Henry Stacy Marks leaves us curious about the thoughts behind the unfinished sketch, where a man in tunic hides his face with one hand. " "'Study of a Reclining Female Nude' captures both sensuality and introspection as she gently rests her hand against her cheek. " "Jane Morris finds solace in slumber, depicted beautifully in this pencil sketch where her hands gracefully cradle her face. " "Eugenie Fiocre's study for Mlle Fiocre showcases elegance and grace, with delicate fingers tenderly touching her radiant visage. " "'A Classical Beauty' mesmerizes viewers with its ethereal watercolor strokes while showcasing a woman lost deep in thought, resting her hand upon her cheek. " "Mary Reading invites us into an intimate moment as she engrosses herself in literature, delicately supporting her chin with one hand. " "'Nude Lying Down; Liegende Nackte' captivates through its rawness; charcoal smudges trace along contours while hands shield parts unknown. " "'Aubrey Beardsley's 1894 platinum print evokes intrigue as it depicts an enigmatic figure hiding their identity behind elegantly poised hands.