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Hands Tied Collection

"Hands Tied: A Captivating Glimpse into the Struggles of Humanity" In a world where power and oppression often prevail

Background imageHands Tied Collection: Daniel in the Lions Den, 1872, (1917). Artist: Briton Riviere

Daniel in the Lions Den, 1872, (1917). Artist: Briton Riviere
Daniel in the Lions Den, 1872, (1917). Painting held at the Walker Art Gallery, Liverpool. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Background imageHands Tied Collection: Jesus mocked (oil on canvas)

Jesus mocked (oil on canvas)
XIR307962 Jesus mocked (oil on canvas) by Champaigne, Philippe de (1602-74); Musee National de Port-Royal des Champs, France; (add.info)

Background imageHands Tied Collection: The Disrobing of Christ (oil on canvas)

The Disrobing of Christ (oil on canvas)
NGW185746 The Disrobing of Christ (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 130x163 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageHands Tied Collection: Ecce Homo (oil on canvas)

Ecce Homo (oil on canvas)
BFM286662 Ecce Homo (oil on canvas) by Dujardin, Karel (1626-78); 80x62 cm; Schlossmuseum, Schloss Friedenstein, Gotha, Germany; Bildarchiv Foto Marburg

Background imageHands Tied Collection: Detail of the Mocking of Christ (oil on canvas)

Detail of the Mocking of Christ (oil on canvas)
PHD607 Detail of the Mocking of Christ (oil on canvas) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Alte Pinakothek, Munich, Germany; German, out of copyright

Background imageHands Tied Collection: Detail of the Portico de la Gloria with scenes of Hell (stone)

Detail of the Portico de la Gloria with scenes of Hell (stone)
XJL158472 Detail of the Portico de la Gloria with scenes of Hell (stone) by Mateo, Master (fl.1168-88); Cathedral of St. James, Santiago da Compostela, Spain; Spanish, out of copyright

Background imageHands Tied Collection: Censorship (colour litho)

Censorship (colour litho)
3096383 Censorship (colour litho) by French School, (20th century); Private Collection; (add.info.: Censorship. Postcard, early 20th century.); © Look and Learn

Background imageHands Tied Collection: Cyrus and Croesus, 1890. Creator: Unknown

Cyrus and Croesus, 1890. Creator: Unknown
Cyrus and Croesus, 1890. Croesus, king of Lydia, reigned from 560 BC until his defeat by Persian king Cyrus the Great, founder of the Achaemenid empire in 546 BC

Background imageHands Tied Collection: The Boy Cyrus Playing the King, 1890. Creator: Unknown

The Boy Cyrus Playing the King, 1890. Creator: Unknown
The Boy Cyrus Playing the King, 1890. Cyrus II (c600-530BC), founder of the Achaemenid Empire, the first Persian Empire. From " Cassells Illustrated Universal History, Vol

Background imageHands Tied Collection: The Young Martyr, 1855. Artist: Paul Delaroche

The Young Martyr, 1855. Artist: Paul Delaroche
The Young Martyr, 1855. Found in the collection of the Louvre, Paris, France

Background imageHands Tied Collection: Christ Caiaphas hands tied surrounded armed soldiers

Christ Caiaphas hands tied surrounded armed soldiers
Christ before Caiaphas, Christ, his hands tied and surrounded by armed soldiers, is brought before Caiaphas. In the background various spectators

Background imageHands Tied Collection: Ecce Homo 1625-77 Etching state Sheet 3 7 / 16

Ecce Homo 1625-77 Etching state Sheet 3 7 / 16
Artokoloro

Background imageHands Tied Collection: Christ standing hands tied back Herod seated

Christ standing hands tied back Herod seated
Artokoloro


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"Hands Tied: A Captivating Glimpse into the Struggles of Humanity" In a world where power and oppression often prevail, the artwork "Daniel in the Lions Den" by Briton Riviere (1872) depicts a man whose hands are tied, yet his unwavering faith protects him from imminent danger. Similarly, "Jesus mocked, " an oil on canvas masterpiece, portrays Christ with bound hands enduring ridicule and humiliation. Across time and mediums, we witness countless instances where individuals find themselves helpless against injustice. In the vellum manuscript titled "A Judge Interrogating Prisoners, " we see prisoners with their hands restrained as they face interrogation - their fate hanging in balance. However, not all stories of restraint end tragically. The coloured engraving of "Pocahontas saves the life of John Smith" showcases her brave act that defies societal norms; her outstretched hand symbolizes liberation amidst captivity. Religious narratives further emphasize this theme. In "Ecce Homo, " an oil on canvas painting captures Jesus standing before Pontius Pilate with his hands bound - a poignant moment embodying sacrifice and redemption. Meanwhile, in another depiction called "Detail of the Mocking of Christ, " we observe how even divinity is subjected to physical constraint. Moving beyond religious contexts, stone carvings like the "Detail of Portico de la Gloria with scenes of Hell" serve as reminders that oppressive forces can be found within society itself. These images force us to confront our own complicity or resistance to such systems. Censorship also plays a significant role in suppressing voices and restricting freedom. A colour lithograph aptly named "Censorship" sheds light on this issue by illustrating how tied hands represent silenced expression struggling against authority's grip. Artistic interpretations extend beyond biblical tales too.