Hannah More Collection

Hannah More, England, c. 1830. Creator: Minton
Hannah More, England, c. 1830

L E Landon, Mrs Opie, Hannah More, Lady Blessington, M R Mitford, Mrs Norton (engraving)
969823 L E Landon, Mrs Opie, Hannah More, Lady Blessington, M R Mitford, Mrs Norton (engraving) by English School, (19th century); Private Collection; (add.info.: L E Landon, Mrs Opie, Hannah More)

Parley the Porter and Mr Flatterwell (engraving)
6008103 Parley the Porter and Mr Flatterwell (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: Parley the Porter and Mr Flatterwell)

The Two Weavers (engraving)
5219186 The Two Weavers (engraving) by Marks, Henry Stacey (1829-98) (after); Private Collection; (add.info.: The Two Weavers)

Portrait of Hannah More, c. 1800 (oil on paper board)
2829772 Portrait of Hannah More, c.1800 (oil on paper board) by British School, (18th Century); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Mrs S.M

Hannah More (engraving)
964455 Hannah More (engraving) by Opie, John (1761-1807) (after); Private Collection; (add.info.: Hannah More, British religious writer and philanthropist. With a facsimile of Mores signature)

Portrait of Hannah More (engraving)
819310 Portrait of Hannah More (engraving) by Pickersgill, Henry William (1782-1875) (after); Private Collection; (add.info.: Hannah More, English religious writer and philanthropist)

Hannah More (engraving)
663155 Hannah More (engraving) by English School, (19th century); Private Collection; (add.info.: Hannah More. Illustration from A Short History of the English People by J R Green (Macmillan, 1892)

Hannah More, English religious writer and philanthropist, 19th century. Artist: William Finden
Hannah More, English religious writer and philanthropist, 19th century. Portrait of More (1745-1833) who was a member of the Blue Stocking Circle of learned intelligent women

Hannah More being introduced to society, English religious writer
Hannah More (1745-1833) English religious writer and playwright, and member of the Blue Stocking circle of intelligent educated women, being introduced to Society by the Duchess of Gloucester

School House, Fishponds, Bristol, c1880. Birthplace of Hannah More (1745-1833) English religious writer and playwright and member of the Blue Stocking circle of Learned intelligent women. Engraving

Hannah More, English religions writer, poet and playwright, c1800. English religions writer, poet and playwright. Member of Blue Stocking Circle of learned intelligent women. Engraving as young woman

BARLEY WOOD, SOMERSET, THE RESIDENCE OF MRS. HANNAH MORE, an English religious writer and philanthropist.; DIED SEPTEMBER 7, 1833

BARLEY WOOD, SOMERSET, THE RESIDENCE OF MRS. HANNAH MORE, an English religious writer and philanthropist.; DIED SEPTEMBER 7, 1833

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Hannah More, a prominent figure in 18th and 19th century England, was not only a religious writer and philanthropist but also an influential member of society. Her impact can be seen through various portraits and engravings that capture her essence. In the painting "Portraits in the Characters of the Muses in the Temple of Apollo, " created in 1779, we catch a glimpse of Hannah More's intellectual prowess as she is depicted among other muses. This oil on canvas masterpiece showcases her dedication to literature and education. Another portrait from around 1830 by Minton portrays Hannah More with grace and elegance. Her refined features reflect her status as a respected Englishwoman during this time period. Engravings such as "L E Landon, Mrs Opie, Hannah More, Lady Blessington, M R Mitford, Mrs Norton" provide us with insight into the social circles that Hannah More moved within. These engravings depict her alongside other notable women of her era who were also making significant contributions to literature and society. The engravings "Parley the Porter and Mr Flatterwell" as well as "The Two Weavers" showcase another aspect of Hannah More's work – her commitment to moral instruction through storytelling. These illustrations highlight how she used allegorical tales to impart valuable lessons about character and virtue. A portrait dating back to approximately 1800 captures Hannah More's likeness on paper board. The delicate brushstrokes reveal both strength and gentleness in her expression – qualities that defined her persona throughout life. Through multiple engravings dedicated solely to capturing her image, it becomes evident that people sought visual representations of this remarkable woman. Each engraving offers its own interpretation while emphasizing different aspects of Hannah More's personality or achievements. One particular engraving by William Finden emphasizes not only Hannah More's religious devotion but also highlights her role as a philanthropist.