Harlequin Collection (page 4)

Arlequin, Magicien et Barbier, pub. 1758 (engraving)
3664616 Arlequin, Magicien et Barbier, pub.1758 (engraving) by Troost, Cornelis (1697-1750) (after); The Stapleton Collection

Arlequin et Pierrot (Autoportraits, en costumes de la Comedia dell Arte) - Harlequin and Pierrot (Self-portraits)
FIA5327144 Arlequin et Pierrot (Autoportraits, en costumes de la Comedia dell Arte) - Harlequin and Pierrot (Self-portraits) - Peinture de Alexander Yevgenyevich Yakovlev (Alexandre Iacovleff)

Scaled dancer, c. 1930 (silvered bronze, ivory & marble) (see also 940740)
940741 Scaled dancer, c.1930 (silvered bronze, ivory & marble) (see also 940740) by Chiparus, Dimitri (1886-1947); height: 69 cm; Private Collection; Photo © Christies Images

A Harlequin with his Dog (oil on canvas)
659587 A Harlequin with his Dog (oil on canvas) by Jacobsen, Frederick Wilhelm (1878-1948); 48x30 cm; Private Collection; Photo © Christies Images

La tragedie d Harlequin - Lithography, from Theatre des marionnettes du jardin des Tuileries
LSE4088931 La tragedie d Harlequin - Lithography, from Theatre des marionnettes du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863 by Duranty

Le marchand de coups de baton - Lithography, extracted from Theatre des puppets du jardin des Tuileries
LSE4088993 Le marchand de coups de baton - Lithography, extracted from Theatre des puppets du jardin des Tuileries, text and drawing by Louis Edmond Duranty (1833-1880), Paris, 1863 by Duranty

Karsavina, 1914 (pochoir print)
STC226840 Karsavina, 1914 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Arlequin, from the Masks and Characters of Italian Theatre edition of Le Journal des Dames et des Modes
STC133481 Arlequin, from the Masks and Characters of Italian Theatre edition of Le Journal des Dames et des Modes, engraved by Henri Reidel (fl)

Columbine, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1928 (pochoir print)
STC237079 Columbine, illustration for Fetes Galantes by Paul Verlaine (1844-96) 1928 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

The eternal pantomime, the Jack of Hearts and the Queen of Diamonds - illustration from la Vie Parisienne, 1923 (litho)
3029640 The eternal pantomime, the Jack of Hearts and the Queen of Diamonds - illustration from la Vie Parisienne, 1923 (litho) by Pavis

The Woman with the Fan, 1919-21 (pochoir print)
781146 The Woman with the Fan, 1919-21 (pochoir print) by Brunelleschi, Umberto (1879-1949); Private Collection; (add.info.: La Femme a l eventail Illustration from La Guirlande)

Nijinsky, Title Page, from the series Designs on the dances of Vaskac Nijinsky (Pochoir Print)
STC255504 Nijinsky, Title Page, from the series Designs on the dances of Vaskac Nijinsky (Pochoir Print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Les clowns, pagliacci (bouffons) (Clowns, Pagliacci) (Costumes de la commedia dell arte)
FIA5350840 Les clowns, pagliacci (bouffons) (Clowns, Pagliacci) (Costumes de la commedia dell arte, Pierrot et Arlequin) - Peinture de Sergei Yurievich Sudeykin (Serge Soudeikine) (1882-1946)

Arlequinade (Harlequinade) - Oeuvre de Nikolai Nikolayevich Chernov Krauze (Chernov-Krauze) (1875-1941)
FIA5342453 Arlequinade (Harlequinade) - Oeuvre de Nikolai Nikolayevich Chernov Krauze (Chernov-Krauze) (1875-1941), tempera sur carton, 1914 - Art russe, 20e siecle, art nouveau

Concert, 1919-21 (pochoir print)
781142 Concert, 1919-21 (pochoir print) by Brunelleschi, Umberto (1879-1949); Private Collection; (add.info.: Illustration from La Guirlande: album mensuel d art et de litterature (The Garland)

The Toilette of Salome, c. 1894 (litho)
2630801 The Toilette of Salome, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Harlequin, Zany Corneto and Patalone, characters from the Commedia dell Arte (woodcut)
7201706 Harlequin, Zany Corneto and Patalone, characters from the Commedia dell Arte (woodcut) by French School, (16th century) (after); Private Collection; (add.info.: Harlequin)

Columbine, mistress of Harlequin in the Commedia dell arte (colour litho)
7185286 Columbine, mistress of Harlequin in the Commedia dell arte (colour litho) by Sarg, Tony (1880-1942); Private Collection; (add.info.: Columbine)

"Apres le bal masque"(After the masquerade) La fin de la fete, quatre personnages deguises avachis ou
FIA5327704 " Apres le bal masque" (After the masquerade) La fin de la fete, quatre personnages deguises avachis ou allonges a la fin d une soiree animee

The Pass to Fairyland (colour litho)
7149430 The Pass to Fairyland (colour litho) by Higgins, Reginald Edward (1877-1933); Private Collection; (add.info.: The Pass to Fairyland)

Poster advertising Jacquot shoe cream (colour litho)
AKV384646 Poster advertising Jacquot shoe cream (colour litho) by Lefevre, Lucien (1850-c.1902); Private Collection; © Ackermann Kunstverlag; French, out of copyright

Le Vocabulaire Illustre: Arlequin; Harlequin; Harlekin (engraving)
7194725 Le Vocabulaire Illustre: Arlequin; Harlequin; Harlekin (engraving) by European School, (19th century); Private Collection; (add.info.: Arlequin; Harlequin; Harlekin)

Commedia dell arte. Personnages de la commedia dell arte dont arlequin avec texte en francais donnant une definition du
FIA5353652 Commedia dell arte. Personnages de la commedia dell arte dont arlequin avec texte en francais donnant une definition du theatre de la commedia dell arte

La comedie italienne, commedia dell arte. (The italian Comedy). Scene de nuit avec des personnages costumes jouant dans
FIA5374190 La comedie italienne, commedia dell arte. (The italian Comedy). Scene de nuit avec des personnages costumes jouant dans un jardin

Arlequin et la mort (Harlequin and Death) - Oeuvre de Konstantin Andreyevich Somov (1869-1939), aquarelle
FIA5384929 Arlequin et la mort (Harlequin and Death) - Oeuvre de Konstantin Andreyevich Somov (1869-1939), aquarelle, gouache et encre sur papier (28, 5x22, 5 cm), 1918

Arlequin et la mort (Harlequin and Death) - Oeuvre de Konstantin Andreyevich Somov (1869-1939)
FIA5368753 Arlequin et la mort (Harlequin and Death) - Oeuvre de Konstantin Andreyevich Somov (1869-1939), aquarelle et gouache sur papier, 1907 - Art russe, debut 20e siecle

Illustration pour "Le Livre de la Marquise"de Franz Blei (Illustration for the Book of Marquise by Franz Blei)
FIA5370164 Illustration pour " Le Livre de la Marquise" de Franz Blei (Illustration for the Book of Marquise by Franz Blei) (une marquise souleve un rideau de scene de theatre)

Actors of the Italian Comedie (Commedia dell Arte) (oil on canvas)
YOU4419288 Actors of the Italian Comedie (Commedia dell Arte) (oil on canvas) by Lancret, Nicolas (1690-1743); Louvre, Paris, France; (add.info.: Actors of the Italian Comedie (Commedia dell Arte)

13131100
Harlequin Crab on Amberfish Sea Cucumber (Thelenota anax) - night dive - Murex House Reef dive site, Bangka Island, north Sulawesi, Indonesia, Pacific Ocean Date: 24-03-2016

The Death of Pierrot, from The Savoy No. 6, 1896. Creator: Aubrey Beardsley
The Death of Pierrot, from The Savoy No. 6, 1896. Characters from the Commedia dell Arte tiptoe towards the dying Pierrot

The Scarlet Pastorale, 1894. Creator: Aubrey Beardsley
The Scarlet Pastorale, 1894. A masked ball, with a man dressed as Harlequin in the foreground, First published in The Sketch for 10 April 1895. From " The Best of Beardsley" edited by R. A

Antique illustration of 18th century acrobat on the tightope (Slacklining)
Antique illustration of a 18th century French acrobat performing during a show or training a tightrope-walking exercise (Slacklining)

Mirror: Female Harlequin, Italy, 1740 / 60. Creator: Unknown
Mirror: Female Harlequin, Italy, 1740/60

Mirror: Male Harlequin, Italy, 1740 / 60. Creator: Unknown
Mirror: Male Harlequin, Italy, 1740/60

Ornate Alphabet - Capital Letter A
6523578 Ornate Alphabet - Capital Letter A by French School, (19th century); Private Collection; (add.info.: in " New alphabet of first acquaintances by Mrs)

An Italian Comedy in Verona, 1772. Creator: Marco Marcola
An Italian Comedy in Verona, 1772

Portrait of Carlo Antonio Bertinazzi (1710-1783), 1740s. Found in the Collection of the Petit Palais, Musee des Beaux-Arts de la Ville de Paris

The Genius of Caricature, and his Friends, celebrating the completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, July 2, 1808

Scene 13 of Act III of the comic piece "Arlecchino servitore di due
GIA4793434 Scene 13 of Act III of the comic piece " Arlecchino servitore di due padroni" (Harlequin servant of two masters) (1745) by Carlo Goldoni (1707-1793)

Harlequin in 1671. Maurice Sand "Masks and Jesters"
GIA4738214 Harlequin in 1671. Maurice Sand " Masks and Jesters" Paris 19th century. (Maurice Sand was George Sands son)

Harlequin and Colombine. Anonymous painting from the beginning of the 19th century
GIA4737562 Harlequin and Colombine. Anonymous painting from the beginning of the 19th century. Burcardo Museum, Rome. by Italian School, (19th century); Biblioteca e Raccolta Teatrale del Burcardo

Portrait of Dominique (Domenico Giuseppe) Biancolelli (1640-1688) actor
XEE4408412 Portrait of Dominique (Domenico Giuseppe) Biancolelli (1640-1688) actor, he created the character of Harlequin (Arlechino) that he performed

Commedia dell Arte: "the dismissal of the comedians after the abolition
JLJ4676552 Commedia dell Arte: " the dismissal of the comedians after the abolition of the Italian Comedie" King Louis XIV closed the theatre of the Ancient Italian Comedie on 4/05/1697 for

Harlequin and Columbina, 1886 (pastel)
LRI4651365 Harlequin and Columbina, 1886 (pastel) by Degas, Edgar (1834-1917); Kunsthistorisches Museum, Vienna, Austria; (add.info.: Harlequin and Colombine)

Commedia dell arte: the characters of Harlequin and Columbina
LRI4646487 Commedia dell arte: the characters of Harlequin and Columbina. 18th century (painting) by Italian School, (18th century); Biblioteca e Raccolta Teatrale del Burcardo, Rome

"The snack with the masks"Comedians wearing Commedia dell
AIS5384855 " The snack with the masks" Comedians wearing Commedia dell arte costumes around a table where biscuits and wine are served (detail) 18th century (painting) by Longhi

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"Harlequin: The Enigmatic Pantomime Character of Commedia dell Arte" Step into the whimsical world of Harlequin, a beloved figure in the realm of Pantomime Characters and Commedia dell Arte. With his vibrant costume and mischievous antics, he captivates audiences as the Court Jester, bringing laughter to all who witness his performances. In this captivating image from 1920, we see Harlequin and Columbine gracefully dancing on stage with an accompanying orchestra. Their movements are fluid and enchanting, showcasing their incredible talent and chemistry. This Fancy Dress Ball at Theatre Royal in Covent Garden was undoubtedly a night to remember. But Harlequin's influence extends beyond the theater walls. In nature, we find the striking Harlequin Duck perched confidently on a rock amidst winter's embrace in Barnegat Light, New Jersey. Its colorful plumage mirrors that of its theatrical counterpart, reminding us that beauty can be found even in the harshest seasons. Mieczyslaw Pianowski, a Polish ballet dancer renowned for his portrayal of Harlequin, brings this character to life with grace and precision. His performances leave audiences spellbound as he effortlessly glides across the stage with agility reminiscent of these iconic jesters. Even our four-legged friends have been inspired by Harlequin's charm. A Great Dane bitch rests peacefully in repose; her regal presence echoing the elegance associated with this timeless character. Artists throughout history have immortalized Harlequin's allure through their masterpieces. Les Saltimbanques by Boilly captures a carnival scene filled with joyous revelry while X-X-X-X-Xmas by J. Gordge depicts an intriguing fusion between Christmas festivities and harlequinesque elements - both testaments to how deeply ingrained this figure is within our cultural imagination.