Fraud Blocker Skip to main content

Harpsichord Collection (page 7)

The harpsichord, a beloved instrument of the past, has played witness to countless musical moments throughout history

Background imageHarpsichord Collection: Der Saengerkrieg, c. 1854-55 (fresco)

Der Saengerkrieg, c. 1854-55 (fresco)
XPH311159 Der Saengerkrieg, c.1854-55 (fresco) by Schwind, Moritz Ludwig von (1804-71); Sammlungen auf der Wartburg, Eisenach, Germany; (add.info.: The Singers War; ); Austrian, out of copyright

Background imageHarpsichord Collection: Maria-Anna Mozart, called Nannerl (1751-1829), sister of Wolfgang Amadeus Mozart

Maria-Anna Mozart, called Nannerl (1751-1829), sister of Wolfgang Amadeus Mozart
XPH73642 Maria-Anna Mozart, called Nannerl (1751-1829), sister of Wolfgang Amadeus Mozart, 1763 by Lorenzoni, Peter Anton (1721-82); Mozart Museum, Salzburg, Austria; Italian, out of copyright

Background imageHarpsichord Collection: Interrupted Concert, c. 1512 (oil on canvas)

Interrupted Concert, c. 1512 (oil on canvas)
XJL60997 Interrupted Concert, c.1512 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 108x122 cm; Galleria Palatina, Palazzo Pitti, Florence, Italy; Italian, out of copyright

Background imageHarpsichord Collection: Illustration from The Sorrows of Werther by Johann Wolfgang Goethe (1749-1832)

Illustration from The Sorrows of Werther by Johann Wolfgang Goethe (1749-1832)
XIR287213 Illustration from The Sorrows of Werther by Johann Wolfgang Goethe (1749-1832) engraved by Xaver Steifensand (1809-76) (engraving) (b/w photo) by Bendel

Background imageHarpsichord Collection: Illustration from The Sorrows of Werther by Johann Wolfgang Goethe (1749-1832)

Illustration from The Sorrows of Werther by Johann Wolfgang Goethe (1749-1832)
XIR287212 Illustration from The Sorrows of Werther by Johann Wolfgang Goethe (1749-1832) (engraving) (b/w photo) by Johannot, Tony (1803-52); Bibliotheque Nationale, Paris

Background imageHarpsichord Collection: Frederick, Prince of Wales and his Sisters, 1733 (oil on canvas)

Frederick, Prince of Wales and his Sisters, 1733 (oil on canvas)
XCF285175 Frederick, Prince of Wales and his Sisters, 1733 (oil on canvas) by Mercier, Philippe (1689-1760); 48x57.78 cm; National Portrait Gallery, London, UK; (add.info.: Frederick Lewis)

Background imageHarpsichord Collection: The Concert, c. 1755 (oil on canvas)

The Concert, c. 1755 (oil on canvas)
XIR26912 The Concert, c.1755 (oil on canvas) by Traversi, Gaspare (1732-69); 95.5x130.5 cm; Musee des Beaux-Arts, Rouen, France; Italian, out of copyright

Background imageHarpsichord Collection: Joseph Haydn (1732-1809) c. 1770 (oil on canvas) (b / w photo)

Joseph Haydn (1732-1809) c. 1770 (oil on canvas) (b / w photo)
XJF264499 Joseph Haydn (1732-1809) c.1770 (oil on canvas) (b/w photo) by Guttenbrunn, Ludwig (c.1750-1819); Private Collection; Austrian, out of copyright

Background imageHarpsichord Collection: Joseph Haydn (1732-1809) engraved by Schiavonnetti, 1792 (engraving) (b / w photo)

Joseph Haydn (1732-1809) engraved by Schiavonnetti, 1792 (engraving) (b / w photo)
XJF264498 Joseph Haydn (1732-1809) engraved by Schiavonnetti, 1792 (engraving) (b/w photo) by Guttenbrunn, Ludwig (c.1750-1819) (after); Private Collection; Austrian, out of copyright

Background imageHarpsichord Collection: John Richard Comyns of Hylands Essex, with his daughters, 1775 (oil on canvas)

John Richard Comyns of Hylands Essex, with his daughters, 1775 (oil on canvas)
XYC257428 John Richard Comyns of Hylands Essex, with his daughters, 1775 (oil on canvas) by Greenwood, John (1727-92); 90.2x109.2 cm; Yale Center for British Art, Paul Mellon Collection

Background imageHarpsichord Collection: The Forestier Family (graphite on paper) (b / w photo) (see also 233241)

The Forestier Family (graphite on paper) (b / w photo) (see also 233241)
XIR233242 The Forestier Family (graphite on paper) (b/w photo) (see also 233241) by Ingres, Jean Auguste Dominique (1780-1867); 24.1x32.5 cm; Musee Ingres, Montauban

Background imageHarpsichord Collection: The Forestier Family, 1806 (graphite on paper) (b / w photo) (see also 233242)

The Forestier Family, 1806 (graphite on paper) (b / w photo) (see also 233242)
XIR233241 The Forestier Family, 1806 (graphite on paper) (b/w photo) (see also 233242) by Ingres, Jean Auguste Dominique (1780-1867); 23.3x31.9 cm; Louvre (Cabinet de dessins), Paris

Background imageHarpsichord Collection: Celebration Scene, 1588 (engraving) (b / w photo)

Celebration Scene, 1588 (engraving) (b / w photo)
XIR213101 Celebration Scene, 1588 (engraving) (b/w photo) by Sadeler, Jean or Johann (1550-1600); Bibliotheque Nationale, Paris, France; (add.info.: Scene de Fete au c16th; ); Flemish

Background imageHarpsichord Collection: Family Group near a Harpsichord, Cornelis Troost, 1739

Family Group near a Harpsichord, Cornelis Troost, 1739

Background imageHarpsichord Collection: The Grand Turk Giving a Concert for his Mistress (oil on canvas)

The Grand Turk Giving a Concert for his Mistress (oil on canvas)
XIR206935 The Grand Turk Giving a Concert for his Mistress (oil on canvas) by Loo, Carle van (1705-65) (after); Chateau de Montresor

Background imageHarpsichord Collection: Portrait of Wolfgang Amadeus Mozart (1756-91) after 1770 (oil on canvas)

Portrait of Wolfgang Amadeus Mozart (1756-91) after 1770 (oil on canvas)
XAL201644 Portrait of Wolfgang Amadeus Mozart (1756-91) after 1770 (oil on canvas) by Austrian School, (18th century); Civico Museo Bibliografico Musicale, Bologna

Background imageHarpsichord Collection: Title Page for Sonates pour le clavecin dedicated to Madame Victoire de France

Title Page for Sonates pour le clavecin dedicated to Madame Victoire de France
XIR200327 Title Page for Sonates pour le clavecin dedicated to Madame Victoire de France (1733-99) by Mozart (1756-91), published in Paris in 1764 (engraving) (b/w photo) by French School

Background imageHarpsichord Collection: Family Portrait, formerly known as Michel Gerard (1737-1815) member of the Convention

Family Portrait, formerly known as Michel Gerard (1737-1815) member of the Convention
XIR196921 Family Portrait, formerly known as Michel Gerard (1737-1815) member of the Convention, with his Family, end of 18th century (oil on canvas) (b/w photo) by David

Background imageHarpsichord Collection: Musical Conversation, c. 1760 (oil on canvas)

Musical Conversation, c. 1760 (oil on canvas)
XYC189969 Musical Conversation, c.1760 (oil on canvas) by Laroon, Marcellus the Younger (1679-1772); 66x78.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageHarpsichord Collection: Hearing (engraving) (b / w photo)

Hearing (engraving) (b / w photo)
XIR188728 Hearing (engraving) (b/w photo) by Bonnart (Family of Engravers) (1650-1750); Bibliotheque Municipale, Valenciennes, France; French, out of copyright

Background imageHarpsichord Collection: Le concert mecanique, engraving by Joseph de Longueil, 1769 (etching and engraving)

Le concert mecanique, engraving by Joseph de Longueil, 1769 (etching and engraving)
XOS1765972 Le concert mecanique, engraving by Joseph de Longueil, 1769 (etching and engraving) by Eisen, Charles Joseph Dominique (1720-78) (after); National Gallery of Art, Washington DC

Background imageHarpsichord Collection: Girl at the Piano, David Bles, in or before 1863

Girl at the Piano, David Bles, in or before 1863

Background imageHarpsichord Collection: The Concert (fresco) (detail)

The Concert (fresco) (detail)
XIR154689 The Concert (fresco) (detail) by Italian School, (16th century); Villa Caldogno-Nordera, Caldogna, Italy; Italian, out of copyright

Background imageHarpsichord Collection: A Gentleman Receiving a Visitor, 1650 (oil on canvas)

A Gentleman Receiving a Visitor, 1650 (oil on canvas)
BAL152424 A Gentleman Receiving a Visitor, 1650 (oil on canvas) by Neefs II, Pieter (1620-c.75) and Coques, Gonzales (1614-84); 84.5x121.8 cm; Private Collection; (add.info)

Background imageHarpsichord Collection: Hearing, 1617 (oil on panel) (detail of 55898)

Hearing, 1617 (oil on panel) (detail of 55898)
XJL122675 Hearing, 1617 (oil on panel) (detail of 55898) by Brueghel, Jan the Elder (1568-1625); Prado, Madrid, Spain; Flemish, out of copyright

Background imageHarpsichord Collection: 1072737; out of copyright

1072737; out of copyright

Background imageHarpsichord Collection: A L ombre des bosquets dans un beau jour d Ete c. 1710 (engraving)

A L ombre des bosquets dans un beau jour d Ete c. 1710 (engraving)
XJF1072746 A L ombre des bosquets dans un beau jour d EtA©..c.1710 (engraving) by Picart, Bernard (1673-1733) (after); Private Collection; French, out of copyright

Background imageHarpsichord Collection: Family Group, c. 1774-80 (oil on canvas)

Family Group, c. 1774-80 (oil on canvas)
XYC152733 Family Group, c.1774-80 (oil on canvas) by Millar, James (c.1735-1805); 127x101.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageHarpsichord Collection: Rehearsal of an Opera, c. 1709 (oil on canvas)

Rehearsal of an Opera, c. 1709 (oil on canvas)
XYC146927 Rehearsal of an Opera, c.1709 (oil on canvas) by Ricci, Marco (1676-1730); 46.25x57.75 cm; Yale Center for British Art, Paul Mellon Collection

Background imageHarpsichord Collection: John Richard Comyns of Hylands, Essex, with His Daughters, John Greenwood, 1727-1792

John Richard Comyns of Hylands, Essex, with His Daughters, John Greenwood, 1727-1792, American

Background imageHarpsichord Collection: Emily and George Mason, Arthur William Devis, 1762-1822, British

Emily and George Mason, Arthur William Devis, 1762-1822, British

Background imageHarpsichord Collection: Rehearsal of an opera, Marco Ricci, 1676-1729, Italian

Rehearsal of an opera, Marco Ricci, 1676-1729, Italian

Background imageHarpsichord Collection: ENGLAND: COUPLE. 1872. An Old Song. Engraving, English, 1872

ENGLAND: COUPLE. 1872. An Old Song. Engraving, English, 1872

Background imageHarpsichord Collection: BURKAT SHUDI (1702-1773). Swiss-born English harpsichord maker

BURKAT SHUDI (1702-1773). Swiss-born English harpsichord maker. Shudi tuning a harpsichord presented to him by Frederick the Great, with his family. Engraving after a contemporary painting

Background imageHarpsichord Collection: STEEN: HARPSICHORD LESSON. Oil on canvas, by Jan Steen

STEEN: HARPSICHORD LESSON. Oil on canvas, by Jan Steen

Background imageHarpsichord Collection: MUSIC INSTRUCTION. Title page of an English music instruction book owned by Thomas Jefferson

MUSIC INSTRUCTION. Title page of an English music instruction book owned by Thomas Jefferson, for playing the violin, harpsichord and other instruments

Background imageHarpsichord Collection: FRANCE: CHINOISERIE, 1754. Chinese musicians playing European instruments

FRANCE: CHINOISERIE, 1754. Chinese musicians playing European instruments. Painting on a harpsichord made in Paris, 1754

Background imageHarpsichord Collection: MUSIC INSTRUCTION BOOK. Title page of Thomas Jeffersons copy of The Compleat

MUSIC INSTRUCTION BOOK. Title page of Thomas Jeffersons copy of The Compleat Tutor for the Harpsichod or Spinnet, by Peter Prelleur, mid 18th century

Background imageHarpsichord Collection: The Empress Harpsichord

The Empress Harpsichord - made for the Empress Marie Theresa. The strings are plucked by quills rather than struck by hammers

Background imageHarpsichord Collection: German clavichord, 17th century (top), Italian harpsichord, 17th century

German clavichord, 17th century (top), Italian harpsichord, 17th century, and diagrams of harpsichord
CLAVICHORD & HARPSICHORD. German clavichord, 17th century (top), Italian harpsichord, 17th century, and diagrams of harpsichord and clavichord actions (bottom)

Background imageHarpsichord Collection: A Young Woman playing a Harpsichord, c1659. Dutch interior with girl at keyboard

A Young Woman playing a Harpsichord, c1659. Dutch interior with girl at keyboard sight-reading from an open music book. Jan Steen (1626-1679) Dutch painter

Background imageHarpsichord Collection: Portrait of composer Francois-Adrien Boieldieu (1775 - 1834)

Portrait of composer Francois-Adrien Boieldieu (1775 - 1834)
Louis-Leopold Boilly (1761-1845), Portrait of Francois-Adrien Boieldieu (Rouen, 1775 - Varennes-Jarci, 1834), French composer

Background imageHarpsichord Collection: France, Paris, Music Lesson

France, Paris, Music Lesson
Jean-HonorA

Background imageHarpsichord Collection: Wolfgang Amadeus Mozart at piano, illustration

Wolfgang Amadeus Mozart at piano, illustration
Austria - 18th century. Music. Silhouette. Wolfgang Amadeus Mozart at piano

Background imageHarpsichord Collection: France, Paris, Music Lesson for Harpsichord

France, Paris, Music Lesson for Harpsichord
Gabriel Metsu (1629-1667), Music Lesson for Harpsichord, oil on panel, 32x24, 5 cm

Background imageHarpsichord Collection: Johann Sebastian Bach (1685-1750)

Johann Sebastian Bach (1685-1750)
Born in Eisenbach, Germany, he was considered in his lifetime a virtuoso instrumentalist of the organ, violin and harpsichord who also composed sacred organ and choral music

Background imageHarpsichord Collection: Mozart when he was 7 seven years old playing

Mozart when he was 7 seven years old playing

Background imageHarpsichord Collection: Mozart Kaiser Josef

Mozart Kaiser Josef
WOLFGANG AMADEUS MOZART the Austrian composer playing for Kaiser Josef II of Austria Date: 1756 - 1791



All Professionally Made to Order for Quick Shipping

The harpsichord, a beloved instrument of the past, has played witness to countless musical moments throughout history. One such occasion was when Mozart and his sister showcased their prodigious talents before Empress Maria Theresa. The grandeur of the event is captured in "Mozart performs for Empress Maria Theresia, " an enchanting painting from 1936. In another artistic depiction, William Hogarth's "A Rake's Progress - Plate 2: The Levee" transports us to 18th-century England, where a harpsichord takes center stage amidst a scene of decadence and indulgence. This captivating artwork serves as a reminder of the instrument's presence in social gatherings during that era. Moving forward in time, we encounter Margaret Isabel Dicksee's painting titled "Their Evening Hymn. " Created in 1892, it portrays two figures playing the harpsichord while immersed in music-making. Their harmonious melodies fill the air with beauty and evoke emotions that transcend time. The allure of this instrument extends beyond Europe as well. In France during the 18th century, scenes like those depicted in "Social Scenes / France / C18" were common occurrences. The elegant sounds emanating from harpsichords filled salons and drawing rooms alike, creating an atmosphere of refined sophistication. Even renowned French playwright Sacha Guitry recognized the charm of this instrument when he featured it alongside his wife in his film from 1929. As they sat side by side at the harpsichord, their shared passion for music became palpable through every note they played together. Stepping back into Mozart's world once more brings us to Nether Lypiatt Manor in Gloucestershire.