Hartman Collection

Stern Ornament, c. 1940. Creator: L. B. Hartman
Stern Ornament, c. 1940

Church Bell, 1935 / 1942. Creator: L. B. Hartman
Church Bell, 1935/1942

Street Car Bell, 1935 / 1942. Creator: L. B. Hartman
Street Car Bell, 1935/1942

Ships Stern Ornament, c. 1940. Creator: L. B. Hartman
Ships Stern Ornament, c. 1940

Bell, 1935 / 1942. Creator: L. B. Hartman
Bell, 1935/1942

Wendy Hartman 200 Metres 24 August 1999 Date: 24 August 1999

Hartman von Kroneberg. 1372 (engraving)
672155 Hartman von Kroneberg. 1372 (engraving) by English School, (19th century); Private Collection; (add.info.: Hartman von Kroneberg. 1372)

FALL / LABRADOR / 1937
IRISH CHAMPION GIMCRACK PETER. INTERNATIONAL CHAMPION GIMCRACK BRUCE. And GIMCRACK BLEACH. Owner: Hartman Date: 1937

Hartman - Diving Apparatus
Professor Hartman uses his pressurised diving apparatus in the Gulf of Napoli, Italy. Date: 1926

Stage design for the ballet The Scarlet Pimpernel by F. Hartman, 1911. Artist: Korovin
Stage design for the ballet The Scarlet Pimpernel by F. Hartman, 1911. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

BLACK PLAGUE, 1493. Dance of death with plague victims. Woodcut from the Nuremberg Chronicle, 1493

MONSTER, 1493. Part-wolf, part-human monster. Woodcut from the Nuremberg Chronicle, 1493

MEDIEVAL CHURCH. Woodcut from The Nuremberg Chronicle, 1493

Le printemps Dieterle family records French art
Le printemps, Dieterle family records of French art galleries, 1846-1986, Millet, Jean Francois, 1814-1875, Salmon, A. Toussaint, Henri, 1849-1911, Etching, 1887?, Captions on print: J. F

Moses and Joshua descend from Mount Sinai with the tablets of the Law broken and found the Israelites worshiping the golden fleece. Engraving in Liber Chronicarum by Hartman Schedel, 15th century

LOTs WIFE. Lots wife looks back at Sodom and Gomorrah and turns into a pillar of salt (Genesis 19: 26). Woodcut from The Nuremberg Chronicle, 1493

BUILDING OF NOAHs ARK. Woodcut from the Nuremberg Chronicle, 1493

Adam Samuel Hartman
ADAM SAMUEL HARTMAN German protestant churchman, probably in England. Date: 17TH CENTURY

MOSES & THE BURNING BUSH. Moses and the burning bush from which God speaks (Exodus iii I-IV 9). Woodcut from the Nuremberg Chronicle, 1493

BIRTH OF EVE. The Birth of Eve. Woodcut from the Nuremberg Chronicle, 1493

ADAM & EVE. The tasting of forbidden fruit and the expulsion from Eden. Woodcut from the Nuremberg Chronicle

FALL OF JERUSALEM and the destruction of Herods Temple in 70 A.D.: woodcut from the " Nuremberg Chronicle, " 1493

MOSES & BURNING BUSH. Moses and the burning bush, from which God speaks (Exodus iii, I-IV). Woodcut from the " Nuremberg Chronicle", 1493

The Anatomy Lesson of Dr Nicolaes Tulp, Johannes Pieter de Frey, Rembrandt Harmensz. van Rijn, 1798

METZ, FRANCE, 1493. Woodcut, German, 1493, from the Nuremberg Chronicle, of Metz, the capital of Lorraine, France

LYONS, FRANCE, 1493. Woodcut, German, 1493, from the Nuremberg Chronicle

ITALY: ROME, 1493. A panoramic view of Rome during the Renaissance. Woodcut from the Nuremberg Chronicle, 1493

ITALY: VERONA, 1493. Woodcut from the Nuremberg Chronicle, 1493

GERMANY: LUBECK, 1493. A view of Lubeck, Germany. Woodcut from the Nuremberg Chronicle, 1493

MAINZ, GERMANY, 1493. Woodcut from Hartmann Schedels Weltchronik, 1493

ALEXANDRIA, 1493. Alexandria, Egypt. Woodcut, 1493, from the Nuremberg Chronicle

JERUSALEM: TEMPLE, 1493. Jerusalem, with the Temple of Solomon at the top center. Woodcut from " Nuremberg Chronicle, " 1493

FRANCE, PARIS, 1493. Woodcut, German, from the Nuremberg Chronicle, 1493

ITALY: MANTUA, 1493. Woodcut from the Nuremberg Chronicle, 1493

VIENNA, 1493. View of the city of Vienna along the Danube: woodcut from the Nuremberg Chronicle
VIENNA, 1493. View of the city of Vienna along the Danube: woodcut from the " Nuremberg Chronicle, " 1493

NUREMBERG, 1493. Overview of the city of Nuremberg, Germany. Woodcut, 1493, from the Nuremberg Chronicle

SAINT VALENTINE. Late 3rd century Christian martyr. Woodcut from the Nuremberg Chronicle, German, 1493

JEWS BURNED ALIVE, 1493. European Jews serve as scapegoats and are burned alive as the Black Death nears. Woodcut from Nuremberg Chronicle, 1493

HARTMANN: PHILOSOPHIE. Manuscript page from Eduard Hartmanns Die Philosophie des Unbewussten (Philosophy of the Unconscious)

HENRY I (876-936). Called Henry the Fowler. First Saxon king of Germany, 919-936. Woodcut from the Nuremberg Chronicle, 1493

LOTs WIFE. Lots wife looks back at Sodom and Gomorrah and turns into a pillar of salt (Genesis 19: 26). Woodcut from The Nuremberg Chronicle, 1493

ENOCH. Enoch, the father of Methusaleh. Woodcut from the Nuremberg Chronicle, 1493

BUILDING OF NOAHs ARK. Woodcut from the Nuremberg Chronicle, 1493

JUDGMENT OF SOLOMON. Woodcut from the Nuremberg Chronicle, 1493

ENOCH AND METHUSALEH. Enoch and his son Methusaleh. Woodcut from the Nuremberg Chronicle, 1493

CARPENTER, 1493. Woodcut, 1493, from the Nuremberg Chronicle

SUPERSTITION, 1493. Spontaneous Generation. A monster born from the Biblical Deluge. Woodcut from the Nuremberg Chronicle

PTOLEMAIC WORLD MAP, 1493. Ptolemaic world map, including depictions of Noahs sons, Japhet, Shem and Ham, progenitors of the human race in Judeo-Christian tradition

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Hartman, a name that echoes through history and artistry, carries with it a legacy of creativity and craftsmanship. From biblical tales to intricate ornaments, the Hartman name has left an indelible mark on various mediums. In the ancient story of Moses and Joshua descending from Mount Sinai with the sacred tablets, one cannot help but wonder if L. B. Hartman's creations were inspired by this divine moment. The Stern Ornament from 1940 showcases his attention to detail and mastery of form, capturing the essence of beauty in its purest form. Moving forward in time, we encounter the Church Bell created by Hartman in 1935/1942. Its resonant sound reverberates through generations, calling worshippers to gather and find solace within its walls. Similarly, the Street Car Bell transports us back to a bygone era when trams traversed bustling city streets - a testament to Hartman's ability to capture nostalgia within his work. Venturing into maritime territory, we discover the Ships Stern Ornament from around 1940. As waves crash against its sturdy frame, it stands as a symbol of strength amidst turbulent seas. This piece exemplifies Hartman's ability to infuse life into metalwork. Beyond these tangible creations lies Wendy Hartman - perhaps an artist herself or someone who cherishes their artistic heritage deeply. Her connection to this illustrious lineage is shrouded in mystery yet adds another layer of intrigue surrounding the name "Hartman. " Delving further into history brings us face-to-face with Hartman von Kroneberg's engraving dating back to 1372. A relic from centuries past that serves as a reminder of how far-reaching this family's influence truly is. The mention of FALL / LABRADOR / 1937 piques curiosity about what significance these words hold for the Hartmans; are they locations visited or events experienced? Only those privy to their personal history can unravel this enigma.