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Hatherell Collection

"Hatherell: A Glimpse into the Artistic Journey of William Hatherell" Step back in time and immerse yourself in the late 19th century with a visit to St

Background imageHatherell Collection: Interior of St. Albans Church, Holborn, late 19th century. Creator: William Hatherell

Interior of St. Albans Church, Holborn, late 19th century. Creator: William Hatherell
Interior of St. Albans Church, Holborn, late 19th century. Congregation during a service in the church of St Alban s, Wood Street, City of London

Background imageHatherell Collection: Mafeking: The Wolf That Never Sleeps, 1901. Creator: William Hatherell

Mafeking: The Wolf That Never Sleeps, 1901. Creator: William Hatherell
Mafeking: " The Wolf That Never Sleeps", 1901. Robert Baden-Powell (1857-1941) British Army officer successfully defended the town during the Siege of Mafeking and was nicknamed Impeesa

Background imageHatherell Collection: Queen Alexandra as a Christmas Fairy, First World War, 1915, (c1920). Creator: Unknown

Queen Alexandra as a Christmas Fairy, First World War, 1915, (c1920). Creator: Unknown
Queen Alexandra as a Christmas Fairy, First World War, 1915, (c1920). Her Majesty serving soldiers at a free buffet in London...The free buffets at the great railway stations

Background imageHatherell Collection: The Studio, 1896. Artist: William Hatherell

The Studio, 1896. Artist: William Hatherell
The Studio, 1896. The studio of Frederic Leighton (1830-1896) at Leighton House in London. Leighton was a British painter and sculptor whose works depicted historical

Background imageHatherell Collection: Alma Tademas Former Studio, 1890. Artist: William Hatherell

Alma Tademas Former Studio, 1890. Artist: William Hatherell
Alma Tademas Former Studio, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890]

Background imageHatherell Collection: Herkomers Studio, 1890. Artist: William Hatherell

Herkomers Studio, 1890. Artist: William Hatherell
Herkomers Studio, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890]

Background imageHatherell Collection: A Study of Strategy - Stage VI c1920. Artist: William Hatherell

A Study of Strategy - Stage VI c1920. Artist: William Hatherell
A Study of Strategy - Stage VI c1920. From The Art of the Illustrator - W Hatherell and his work, by Percy V Bradshaw. [The Press Art School, London, c1920]

Background imageHatherell Collection: Elizabeth Bay, Sydney, 19th century. Artist: William Hatherell

Elizabeth Bay, Sydney, 19th century. Artist: William Hatherell
Elizabeth Bay, Sydney, 19th century

Background imageHatherell Collection: En Route for the Gold Fields, Australia, 1887. Artist: William Hatherell

En Route for the Gold Fields, Australia, 1887. Artist: William Hatherell
En Route for the Gold Fields, Australia, 1887

Background imageHatherell Collection: Triumphant return of a tank

Triumphant return of a tank. Introducing the Tanks to Londoners. The film The Battle of the Ancre as seen at the Scala Theatre, London

Background imageHatherell Collection: Hatherall / Village Street

Hatherall / Village Street
A village scene as country folk go about their business Date: 1893

Background imageHatherell Collection: The King Opens the Olympic Games, 1908

The King Opens the Olympic Games, 1908
Illustration by W. Hatherell showing Edward VII with Queen Alexandra at the opening of the 1908 Olympic Games in London. Rome had originally been selected to host the 1908 Olympics


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"Hatherell: A Glimpse into the Artistic Journey of William Hatherell" Step back in time and immerse yourself in the late 19th century with a visit to St. Albans Church in Holborn, beautifully captured by the talented artist William Hatherell. His intricate brushstrokes bring to life the grandeur and serenity of this historic interior. In 1901, Hatherell's artistic prowess took on a different form as he depicted "Mafeking: The Wolf That Never Sleeps. " This powerful illustration showcases his ability to capture intense emotions and tell stories through his art. During World War I, Queen Alexandra transformed into a Christmas Fairy, spreading joy amidst the chaos. Although created by an unknown artist, this enchanting portrayal resonates with Hatherell's style - delicate yet impactful. "The Studio, " painted in 1896, provides us with a glimpse into Hatherell's own creative space, and is here that he hones his craft and brings imagination to life on canvas. Venturing outside his studio walls, we find ourselves transported to Alma Tadema's former studio in 1890. Through Hatherell's eyes, we witness not only an artist at work but also gain insight into their shared world of creativity. Herkomer's Studio also becomes a subject for Hatherell’s brush strokes during this period. With meticulous attention to detail, he captures the essence of an artist’s sanctuary where ideas are born and masterpieces take shape. "A Study of Strategy - Stage VI" transports us further ahead in time – around c1920 – showcasing how Hatherall adapts his skills across various themes and eras while maintaining his signature style. Traveling overseas to Elizabeth Bay in Sydney during the 19th century allows us to see Australia through William Hatherall’s eyes. His depiction captures both its natural beauty and cultural heritage with remarkable precision.