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Headcloth Collection

"Exploring the Rich History and Cultural Significance of Headcloths Around the World" Headcloths have been a prominent feature in various cultures throughout history

Background imageHeadcloth Collection: Ruth with Green Headcloth, 1927 (oil on canvas)

Ruth with Green Headcloth, 1927 (oil on canvas)
823128 Ruth with Green Headcloth, 1927 (oil on canvas) by Kuhn, Walt (1880-1949); 38.1x30.5 cm; Private Collection; (add.info.: Ruth with Green Headcloth. Walt Kuhn (1880-1949). Oil on canvas

Background imageHeadcloth Collection: Womans headcloth, 20th century (hemp fiber, cotton, and silk; plain weave (hemp)

Womans headcloth, 20th century (hemp fiber, cotton, and silk; plain weave (hemp)
1072512 Womans headcloth, 20th century (hemp fiber, cotton, and silk; plain weave (hemp) with applique (cotton twill-woven cloth) and embroidery (cotton and silk)

Background imageHeadcloth Collection: Warrior of Sawu island, East Nusa Tenggara, Indonesia

Warrior of Sawu island, East Nusa Tenggara, Indonesia
6339132 Warrior of Sawu island, East Nusa Tenggara, Indonesia by Duverger (18th-19th century); (add.info.: Warrior of Sawu island, East Nusa Tenggara, Indonesia)

Background imageHeadcloth Collection: View of Narumi (Narumi no zu) (colour woodblock print)

View of Narumi (Narumi no zu) (colour woodblock print)
5043867 View of Narumi (Narumi no zu) (colour woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Bristol Museum and Art Gallery, UK; (add.info.: No)

Background imageHeadcloth Collection: View of Yoshiwara (Yoshiwara zu) (colour woodblock print)

View of Yoshiwara (Yoshiwara zu) (colour woodblock print)
5043841 View of Yoshiwara (Yoshiwara zu) (colour woodblock print) by Kunisada, Utagawa (Toyokuni III) (1786-1865); Bristol Museum and Art Gallery, UK; (add.info.: No)

Background imageHeadcloth Collection: Statue of Sesostris III (1878-1843 BC) in middle age, from Deir el-Bahri, Thebes, c

Statue of Sesostris III (1878-1843 BC) in middle age, from Deir el-Bahri, Thebes, c
BAL85719 Statue of Sesostris III (1878-1843 BC) in middle age, from Deir el-Bahri, Thebes, c.1850 BC (granite) by Egyptian 12th Dynasty (1991-1786 BC); British Museum, London, UK; Egyptian

Background imageHeadcloth Collection: Life size statue of Tutankhamun, from the Tomb of Tutankhamun (c

Life size statue of Tutankhamun, from the Tomb of Tutankhamun (c
XIR228215 Life size statue of Tutankhamun, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (wood & gilded bronze) (see also 120789 & 120785) by Egyptian 18th Dynasty (c.1567-1320 BC)

Background imageHeadcloth Collection: Seated Statue of Hatshepsut, c. 1479-58 B. C. (indurated limestone, paint)

Seated Statue of Hatshepsut, c. 1479-58 B. C. (indurated limestone, paint)
3472277 Seated Statue of Hatshepsut, c.1479-58 B.C. (indurated limestone, paint) by Egyptian 18th Dynasty (c.1567-1320 BC); 195 high cm; Metropolitan Museum of Art, New York

Background imageHeadcloth Collection: Actor Bando Mitsugoro III (colour woodblock print)

Actor Bando Mitsugoro III (colour woodblock print)
5043965 Actor Bando Mitsugoro III (colour woodblock print) by Toyokuni, Utagawa (1769-1825); Bristol Museum and Art Gallery

Background imageHeadcloth Collection: Komachi at Kiyomizu Temple (Shimizu) (colour woodblock print)

Komachi at Kiyomizu Temple (Shimizu) (colour woodblock print)
5043904 Komachi at Kiyomizu Temple (Shimizu) (colour woodblock print) by Harunobu, Suzuki (1725-70); Bristol Museum and Art Gallery, UK; (add.info.: No)

Background imageHeadcloth Collection: Standing Guard, (oil on cradled panel)

Standing Guard, (oil on cradled panel)
989234 Standing Guard, (oil on cradled panel) by Ernst, Rudolphe (1854-1932); 61.2x49.3 cm; Private Collection; (add.info.: Standing Guard. Rudolphe Ernst (1854-1932). Oil on cradled panel

Background imageHeadcloth Collection: Womans headcloth ('taritat or tarredat')

Womans headcloth ("taritat or tarredat")
1072312 Womans headcloth (" taritat or tarredat" ), late 19th century (wool; plain weave, resist-dyed and painted) by Moroccan School (19th Century); 138.4x99 cm; Dallas Museum of Art

Background imageHeadcloth Collection: EyeUbiquitous_20109887

EyeUbiquitous_20109887
Egypt, Cairo, Painting of Tutankhamuns death mask on papyrus paper

Background imageHeadcloth Collection: Tuareg, Sebha, Ubari, Libya, North Africa, Africa

Tuareg, Sebha, Ubari, Libya, North Africa, Africa

Background imageHeadcloth Collection: Berber Man In Berber Costume, Merzouga, Morocco, North Africa

Berber Man In Berber Costume, Merzouga, Morocco, North Africa

Background imageHeadcloth Collection: Amasis II (570-526 BC)

Amasis II (570-526 BC). Pharaoh of Egypt. Head of an statue. Dynasty 26. C.550 BC. From Sais. Neues Museum. Berlin. Germany

Background imageHeadcloth Collection: Statues of Sesostris III. Egypt

Statues of Sesostris III. Egypt
Three black granite statues of Sesostris III. 1850 BC. 12th Dynasty. Middle Kingdom. From the Temple of Mentuhotep, Lower South Court. Deir el-Bahri, Thebes. British Museum. London. United Kingdom

Background imageHeadcloth Collection: Study heads profile view woman headcloth bearded man

Study heads profile view woman headcloth bearded man
Artokoloro

Background imageHeadcloth Collection: Second Class - The Parting. Thus part we rich in sorrow, parting poor

Second Class - The Parting. Thus part we rich in sorrow, parting poor
Second Class - The Parting. " Thus part we rich in sorrow, parting poor." Third Class - The Parting, Railway journey, travel by train, Signed and dated in red paint

Background imageHeadcloth Collection: September: Apples Postcard by Rie Cramer. ca. 1907-1930, September: Apples Postcard by Rie Cramer

September: Apples Postcard by Rie Cramer. ca. 1907-1930, September: Apples Postcard by Rie Cramer

Background imageHeadcloth Collection: If You Are a Girlie and Born in Apr Postcard. ca. 1900, If You Are a Girlie and Born in Apr Postcard

If You Are a Girlie and Born in Apr Postcard. ca. 1900, If You Are a Girlie and Born in Apr Postcard

Background imageHeadcloth Collection: If You Are a Girlie and Born in Sept. Postcard. ca. 1900, If You Are a Girlie and Born in Sept

If You Are a Girlie and Born in Sept. Postcard. ca. 1900, If You Are a Girlie and Born in Sept. Postcard

Background imageHeadcloth Collection: Sinbad the Sailor Carreras Cigarette Card. ca. 1929, Sinbad the Sailor Carreras Cigarette Card

Sinbad the Sailor Carreras Cigarette Card. ca. 1929, Sinbad the Sailor Carreras Cigarette Card

Background imageHeadcloth Collection: Bluebeard Carreras Cigarette Card. ca. 1929, Bluebeard Carreras Cigarette Card

Bluebeard Carreras Cigarette Card. ca. 1929, Bluebeard Carreras Cigarette Card


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"Exploring the Rich History and Cultural Significance of Headcloths Around the World" Headcloths have been a prominent feature in various cultures throughout history, serving both practical and symbolic purposes. From ancient Egypt to modern-day Morocco, these versatile garments have adorned the heads of individuals from all walks of life. In ancient Egypt, headcloths were worn by royalty and commoners alike. The statues of Sesostris III depict him wearing an intricately wrapped headcloth, symbolizing his power and authority during his reign from 1878-1843 BC. Similarly, the life-size statue of Tutankhamun showcases a regal headdress that highlights his status as a pharaoh. Moving on to North Africa, we find Berber men proudly donning their traditional costumes complete with vibrant headcloths. A striking image captured in Merzouga, Morocco portrays a Berber man showcasing his rich cultural heritage through his elaborate headcloth. The art world has also celebrated the beauty of headcloths. Ruth with Green Headcloth is an exquisite oil painting from 1927 that captures the grace and elegance of a woman wearing this accessory. Meanwhile, intricate embroidery adorns another woman's headcloth made from hemp fiber, cotton, and silk in the 20th century - showcasing skilled craftsmanship across different materials. Heading eastward to Indonesia's Sawu island reveals warriors sporting distinctive headcloths as part of their traditional attire. These warrior garments not only provide protection but also reflect their unique identity within their community. Even Japanese woodblock prints offer glimpses into historical fashion trends surrounding headwear. The View of Narumi depicts women elegantly dressed with delicate headscarves while Yoshiwara shows courtesans adorned with ornate headdresses - highlighting how these accessories played a role in defining social status during Japan's Edo period.