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Hearth Collection (#19)

"Hearth: A Timeless Source of Warmth and Comfort" The hearth, an age-old symbol of warmth and togetherness, has been depicted in various forms throughout history

Background imageHearth Collection: Hearth, boilers and water level of the furnace of a steam engine

Hearth, boilers and water level of the furnace of a steam engine

Background imageHearth Collection: Cross section of the hearth

Cross section of the hearth

Background imageHearth Collection: The Improvised Concert, or The Price of Harmony, 1790 (oil on canvas)

The Improvised Concert, or The Price of Harmony, 1790 (oil on canvas)
XIR92397 The Improvised Concert, or The Price of Harmony, 1790 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 46x55 cm; Musee de l Hotel Sandelin, Saint-Omer, France; French, out of copyright

Background imageHearth Collection: The Test (oil on canvas)

The Test (oil on canvas)
BAL8936 The Test (oil on canvas) by Armstrong, Thomas (1835-1911); Roy Miles Fine Paintings; English, out of copyright

Background imageHearth Collection: Supper Time

Supper Time
BAL57435 Supper Time by Frere, Charles Edouard (1837-94); Josef Mensing Gallery, Hamm-Rhynern, Germany; French, out of copyright

Background imageHearth Collection: The Cup of Cheer

The Cup of Cheer
BAL56380 The Cup of Cheer by Gray, Kate (fl.1865-90); Josef Mensing Gallery, Hamm-Rhynern, Germany; English, out of copyright

Background imageHearth Collection: Interior of a Peasants Cottage, c. 1903 (oil on canvas)

Interior of a Peasants Cottage, c. 1903 (oil on canvas)
XIR52278 Interior of a Peasants Cottage, c.1903 (oil on canvas) by Onslow, Edouard Amable (1830-1904); 39x30 cm; Musee Crozatier, Le Puy-en-Velay

Background imageHearth Collection: Inside of a Weavers Cottage in Ilay, illustration from A Tour in Scotland

Inside of a Weavers Cottage in Ilay, illustration from A Tour in Scotland
XJF498616 Inside of a Weavers Cottage in Ilay, illustration from A Tour in Scotland by Thomas Pennant, published 1769 (engraving) by Scottish School

Background imageHearth Collection: The Christmas Tree, 1911 (oil on canvas)

The Christmas Tree, 1911 (oil on canvas)
BAL4942 The Christmas Tree, 1911 (oil on canvas) by Tayler, Albert Chevallier (1862-1925); Private Collection; English, out of copyright

Background imageHearth Collection: Christmas card depicting a Pioneer Christmas (colour litho)

Christmas card depicting a Pioneer Christmas (colour litho)
BAL48950 Christmas card depicting a Pioneer Christmas (colour litho) by American School, (19th century); Private Collection; American, out of copyright

Background imageHearth Collection: Paul and Mrs. Pipchin, illustration from Dombey and Son by Charles Dickens

Paul and Mrs. Pipchin, illustration from Dombey and Son by Charles Dickens
XJF393875 Paul and Mrs. Pipchin, illustration from Dombey and Son by Charles Dickens (1812-70) first published 1848 (litho) by Browne

Background imageHearth Collection: St. Barbara from the right wing of the Werl Altarpiece, 1438 (oil on panel) (see

St. Barbara from the right wing of the Werl Altarpiece, 1438 (oil on panel) (see
XIR36924 St. Barbara from the right wing of the Werl Altarpiece, 1438 (oil on panel) (see also 68547) by Master of Flemalle, (Robert Campin) (1375/8-1444) (attr.to); 101x47 cm; Prado, Madrid

Background imageHearth Collection: By the Fireside (oil on canvas)

By the Fireside (oil on canvas)
XPG366381 By the Fireside (oil on canvas) by Bramley, Frank (1857-1915); Private Collection; English, out of copyright

Background imageHearth Collection: The Christmas Hearth, Drawn by Foster

The Christmas Hearth, Drawn by Foster

Background imageHearth Collection: COMING FROM THE FORGE. JOHN S. DAVIS. A forge is a hearth used for heating metals

COMING FROM THE FORGE. JOHN S. DAVIS. A forge is a hearth used for heating metals, or the workplace (" smithy" ) where the hearth is located

Background imageHearth Collection: Prince Albert Victor at Sheffield and Cleethorpes: at the Bessemer Steel Works

Prince Albert Victor at Sheffield and Cleethorpes: at the Bessemer Steel Works

Background imageHearth Collection: The Coming of Santa Claus, 1872 (litho)

The Coming of Santa Claus, 1872 (litho)
XJF391506 The Coming of Santa Claus, 1872 (litho) by Nast, Thomas (1840-1902); Private Collection; American, out of copyright

Background imageHearth Collection: Playtime (w / c on paper)

Playtime (w / c on paper)
XPG379857 Playtime (w/c on paper) by Ronner-Knip, Henriette (1821-1909); Private Collection; Dutch, out of copyright

Background imageHearth Collection: Francis Osbaldistone at Squire Inglewoods, illustration from Rob Roy

Francis Osbaldistone at Squire Inglewoods, illustration from Rob Roy
KW284713 Francis Osbaldistone at Squire Inglewood s, illustration from Rob Roy by Sir Walter Scott (1771-1832) published 1842 (litho) by Cruikshank

Background imageHearth Collection: BridgemanArt Full Collection

BridgemanArt Full Collection
OneVisionArt BridgemanArt Full Collection

Background imageHearth Collection: George Washington hears his mother convince him not to go to sea as a midshipman

George Washington hears his mother convince him not to go to sea as a midshipman
KW280672 George Washington hears his mother convince him not to go to sea as a midshipman, from Life and Times of Washington, Volume I, published 1857 (litho) by Chappel

Background imageHearth Collection: The Deans Cottage, stage design for The Heart of Midlothian, c. 1819

The Deans Cottage, stage design for The Heart of Midlothian, c. 1819
XYC261301 The Deans Cottage, stage design for The Heart of Midlothian, c.1819 (oil on canvas) by Nasmyth, Alexander (1758-1840); 27.9x38.7 cm; Yale Center for British Art, Paul Mellon Collection

Background imageHearth Collection: The Travellers, illustration from Seven Poor Travellers, by Charles Dickens

The Travellers, illustration from Seven Poor Travellers, by Charles Dickens
KW259267 The Travellers, illustration from Seven Poor Travellers, by Charles Dickens (1812-70) first published 1854 (litho) by Browne

Background imageHearth Collection: The Smallweed family, illustration from Bleak House by Charles Dickens

The Smallweed family, illustration from Bleak House by Charles Dickens
KW259220 The Smallweed family, illustration from Bleak House by Charles Dickens (1812-70) published 1853 (litho) by Browne, Hablot Knight (Phiz) (1815-92); Private Collection; Ken Welsh; English

Background imageHearth Collection: Friendly behaviour of Mr. Bucket, illustration from Bleak House by Charles Dickens

Friendly behaviour of Mr. Bucket, illustration from Bleak House by Charles Dickens
KW259213 Friendly behaviour of Mr. Bucket, illustration from Bleak House by Charles Dickens (1812-70) published 1853 (litho) by Browne

Background imageHearth Collection: Mrs. Jellyby, illustration from Bleak House by Charles Dickens (1812-70) published 1853

Mrs. Jellyby, illustration from Bleak House by Charles Dickens (1812-70) published 1853
KW259208 Mrs. Jellyby, illustration from Bleak House by Charles Dickens (1812-70) published 1853 (litho) by Browne, Hablot Knight (Phiz) (1815-92); Private Collection; Ken Welsh; English

Background imageHearth Collection: Knight and Page (w / c on paper)

Knight and Page (w / c on paper)
BAL25824 Knight and Page (w/c on paper) by Cattermole, George (1800-68); 29.5x20.8 cm; Victoria & Albert Museum, London, UK; English, out of copyright

Background imageHearth Collection: Portrait of Richard Montgomery (1736-75) (litho)

Portrait of Richard Montgomery (1736-75) (litho)
KW254735 Portrait of Richard Montgomery (1736-75) (litho) by Chappel, Alonzo (1828-87) (after); Private Collection; (add.info)

Background imageHearth Collection: The Beautiful Kitchen Maid (oil on canvas)

The Beautiful Kitchen Maid (oil on canvas)
XIR239932 The Beautiful Kitchen Maid (oil on canvas) by Boucher, Francois (1703-70); Musee Cognacq-Jay, Paris, France; French, out of copyright

Background imageHearth Collection: The Letter, 1869 (oil on canvas)

The Letter, 1869 (oil on canvas)
XKH234228 The Letter, 1869 (oil on canvas) by Gensler, Johann Martin (1811-81); 82x113 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageHearth Collection: The Game of Pied de Boeuf, c. 1824 (oil on canvas)

The Game of Pied de Boeuf, c. 1824 (oil on canvas)
XIR231543 The Game of Pied de Boeuf, c.1824 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 45x55 cm; Musee des Beaux-Arts, Lille, France; French, out of copyright

Background imageHearth Collection: The Crepe Seller on Market Day in Quimperle (oil on canvas)

The Crepe Seller on Market Day in Quimperle (oil on canvas)
XIR231247 The Crepe Seller on Market Day in Quimperle (oil on canvas) by Trayer, Jules (1824-1908); Musee des Beaux-Arts, Quimper, France; (add.info.: La marchande de crepes)

Background imageHearth Collection: Alfred Lord Tennyson (1809-92) (pen & ink on paper)

Alfred Lord Tennyson (1809-92) (pen & ink on paper)
KW229710 Alfred Lord Tennyson (1809-92) (pen & ink on paper) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

Background imageHearth Collection: The Boiler, 1853-54 (oil on canvas)

The Boiler, 1853-54 (oil on canvas)
XIR226084 The Boiler, 1853-54 (oil on canvas) by Millet, Jean-Francois (1814-75); 44x33 cm; Louvre, Paris, France; French, out of copyright

Background imageHearth Collection: The Philosopher, 1844 (oil on panel)

The Philosopher, 1844 (oil on panel)
XKH223060 The Philosopher, 1844 (oil on panel) by Hove, Hubertus van (1814-65); 50.5x40 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Background imageHearth Collection: Soldiers at Rest in an Inn (oil on canvas)

Soldiers at Rest in an Inn (oil on canvas)
XIR222743 Soldiers at Rest in an Inn (oil on canvas) by Michelin, Jean (1623-96); 87x121 cm; Louvre, Paris, France; (add.info.: Soldats au repos dans une auberge; ); French, out of copyright

Background imageHearth Collection: Oliver recovering from the fever, from The Adventures of Oliver Twist by Charles Dickens

Oliver recovering from the fever, from The Adventures of Oliver Twist by Charles Dickens
KW243063 Oliver recovering from the fever, from The Adventures of Oliver Twist by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving) by Cruikshank

Background imageHearth Collection: Woman at the Hearth, Jacob Vrel, 1654 - 1662

Woman at the Hearth, Jacob Vrel, 1654 - 1662

Background imageHearth Collection: A standing and a seated peasant both smoking pipe by the fire, left a jar, David Teniers

A standing and a seated peasant both smoking pipe by the fire, left a jar, David Teniers (II) (mentioned on object), Dating 1626 - 1740

Background imageHearth Collection: Bedroom Interior with Mother and New-Born Child (oil on panel)

Bedroom Interior with Mother and New-Born Child (oil on panel)
BAL178008 Bedroom Interior with Mother and New-Born Child (oil on panel) by Vrel or Frel, Jacobus (fl.1654-62); 71x58.5 cm; Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Background imageHearth Collection: Salon in the Barbierrini House, 1830-40s (oil on canvas)

Salon in the Barbierrini House, 1830-40s (oil on canvas)
BAL170638 Salon in the Barbierrini House, 1830-40s (oil on canvas) by Diofebi, Francesco (1781-1851); 36x46 cm; Archangelsk-Museum, Moscow; Italian, out of copyright

Background imageHearth Collection: Winter (engraving) (b / w photo)

Winter (engraving) (b / w photo)
XIR170050 Winter (engraving) (b/w photo) by Bosse, Abraham (1602-76); Bibliotheque Nationale, Paris, France; French, out of copyright

Background imageHearth Collection: The House of Therese, 1881 (oil on canvas)

The House of Therese, 1881 (oil on canvas)
XIR230378 The House of Therese, 1881 (oil on canvas) by Salome, Emile (1833-81); 82x71 cm; Musee des Beaux-Arts, Lille, France; French, out of copyright

Background imageHearth Collection: Ms 5169 f. 2v The Notaries and the Kings Secretaries in the Hall of the College of Notaries

Ms 5169 f. 2v The Notaries and the Kings Secretaries in the Hall of the College of Notaries
XIR155548 Ms 5169 f.2v The Notaries and the Kings Secretaries in the Hall of the College of Notaries and Kings Secretaries (w/c on paper) by French School, (16th century); Bibliotheque de L Arsenal

Background imageHearth Collection: The Lounge Bar, 1657 (oil on canvas)

The Lounge Bar, 1657 (oil on canvas)
XKH152252 The Lounge Bar, 1657 (oil on canvas) by Tilborgh, Gillis van (1625-78); 57x73.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Flemish, out of copyright

Background imageHearth Collection: The Christening Feast, 1668 (oil on canvas)

The Christening Feast, 1668 (oil on canvas)
XKH150653 The Christening Feast, 1668 (oil on canvas) by Steen, Jan Havicksz. (1625/26-79); 69.2x78.8 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Background imageHearth Collection: Night, 1799 (oil on canvas) (see 127218-220)

Night, 1799 (oil on canvas) (see 127218-220)
XYC146363 Night, 1799 (oil on canvas) (see 127218-220) by Wheatley, Francis (1747-1801); 44.5x54.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageHearth Collection: Two farmers in the fireplace, David Teniers (II), Anonymous, 1626 - 1690

Two farmers in the fireplace, David Teniers (II), Anonymous, 1626 - 1690



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"Hearth: A Timeless Source of Warmth and Comfort" The hearth, an age-old symbol of warmth and togetherness, has been depicted in various forms throughout history. In "After the Bath, 1890, " a cozy fire crackles in the background as individuals unwind after a long day. Similarly, George Studdy's "A Cat and Dog Life" showcases furry companions basking in the hearth's gentle glow. During Twelfth Night Revels at Haddon Hall, Derbyshire, the grandeur of the great hall is enhanced by a roaring fireplace that invites merriment and joy. Muriel Dawson captures this sentiment beautifully in her painting "Little girl with dog, " where a young girl finds solace beside her loyal canine friend near the comforting flames. However, not all encounters with fireplaces are pleasant. Alfred faces scolding for burning cakes in a humorous color lithograph while an Irish gentleman seeks solace within the walls of a whisky bar located inside Dublin prison during 1821. Throughout history, fireside scenes have provided comfort even during mundane moments like tending to corns or lighting fires on Christmas Eve as seen in hand-colored engravings such as "Comfort to the Corns" from 1800 or Victorian church wardens preparing for festivities. Artists have also captured more intimate moments by depicting individuals engaged in personal activities near their hearths. Gerard Dou's masterpiece "The Prayer of Spinner" portrays a spinner finding solace through prayer beside her flickering companion. Meanwhile, lithographs like "The Squatters First Home" and Godefroy Engelmann's engraving titled "Interior of Coal-Miners Hut" shed light on humble dwellings where families found respite from harsh conditions around their modest hearths. Lastly, female nudity takes center stage alongside warm embers in mantochrome artwork titled "Female Nude Seated by Fireside.