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Hearth Collection (page 7)

"Hearth: A Timeless Source of Warmth and Comfort" The hearth, an age-old symbol of warmth and togetherness, has been depicted in various forms throughout history

Background imageHearth Collection: A Cardinals Move (oil on panel)

A Cardinals Move (oil on panel)
1769814 A Cardinals Move (oil on panel) by Brispot, H. (1846-1928); 53.3x64.8 cm; Private Collection; (add.info.: A Cardinals Move. Henri Brispot (1846-1928). Oil on panel

Background imageHearth Collection: A Cottage Interior, 19th century (oil on canvas)

A Cottage Interior, 19th century (oil on canvas)
6199643 A Cottage Interior, 19th century (oil on canvas) by Cassie, James (1819-79); 31.8x44.5 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; Scottish

Background imageHearth Collection: Loquebantur Omnes (Everyone was talking), 1740 (pastel, gouache on paper on canvas)

Loquebantur Omnes (Everyone was talking), 1740 (pastel, gouache on paper on canvas)
5864162 Loquebantur Omnes (Everyone was talking), 1740 (pastel, gouache on paper on canvas) by Troost, Cornelis (1697-1750); 58.2x74.5 cm; Mauritshuis, The Hague

Background imageHearth Collection: The Crepes (oil on panel)

The Crepes (oil on panel)
XMN32145 The Crepes (oil on panel) by Victors (Victoors), Jan (1620-76); 40x54 cm; Musee de Picardie, Amiens, France; eMusee de Picardie, Amiens; Dutch, out of copyright

Background imageHearth Collection: By the Fireside

By the Fireside
MAL43364 By the Fireside by Tozer, Henry Spernon (c.1870-1940); Private Collection; eMallett Gallery, London, UK; English, out of copyright

Background imageHearth Collection: Hours of Louis XII (formerly Hours of Henry VII), Calendar leaf for the month of February

Hours of Louis XII (formerly Hours of Henry VII), Calendar leaf for the month of February
486264 Hours of Louis XII (formerly Hours of Henry VII), Calendar leaf for the month of February, c.1490-1510 (tempera on vellum) by Bourdichon

Background imageHearth Collection: Fireside Companions (litho)

Fireside Companions (litho)
LLM459921 Fireside Companions (litho) by Stretton, Philip Eustace (1865-1919); Private Collection; (add.info.: Theres no place like home)

Background imageHearth Collection: Interior scene, c. 1660-70 (oil on board)

Interior scene, c. 1660-70 (oil on board)
PNH366407 Interior scene, c.1660-70 (oil on board) by Steen, Jan Havicksz. (1625/26-79); 68x58.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; Dutch, out of copyright

Background imageHearth Collection: The Kitchen at Chatsworth, c. 1830 (w / c on paper)

The Kitchen at Chatsworth, c. 1830 (w / c on paper)
621513 The Kitchen at Chatsworth, c.1830 (w/c on paper) by Hunt, William Henry (1790-1864); 30.5x22.9 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Chatsworth House, North Derbyshire)

Background imageHearth Collection: Detail of the Sam Wilson Chimneypiece, c. 1908-14 (bronze)

Detail of the Sam Wilson Chimneypiece, c. 1908-14 (bronze)
700197 Detail of the Sam Wilson Chimneypiece, c.1908-14 (bronze) by Gilbert, Alfred (1854-1934); 351x213.8x94.6 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageHearth Collection: Drawing room, Kelmscott House, London, 1896 (photo)

Drawing room, Kelmscott House, London, 1896 (photo)
STC156424 Drawing room, Kelmscott House, London, 1896 (photo) by English School, (19th century); London, UK; The Stapleton Collection; English, out of copyright

Background imageHearth Collection: David Garrick and Mary Bradshaw in The Farmers Return by David Garrick, c

David Garrick and Mary Bradshaw in The Farmers Return by David Garrick, c
XYC151880 David Garrick and Mary Bradshaw in The Farmers Return by David Garrick, c.1762 (oil on canvas) by Zoffany, Johann (1733-1810); 101.6x127 cm; Yale Center for British Art

Background imageHearth Collection: Apres le Bal, 1735 (oil on canvas)

Apres le Bal, 1735 (oil on canvas)
BNH146359 Apres le Bal, 1735 (oil on canvas) by Troy, Jean Francois de (1679-1752); 81.9x64.8 cm; Private Collection; Courtesy of Bernheimer Munich; French, out of copyright

Background imageHearth Collection: The New Puppies, 1861 (w / c on paper)

The New Puppies, 1861 (w / c on paper)
MIG170038 The New Puppies, 1861 (w/c on paper) by Hardy, David (1837-70); 25.4x24.1 cm; Private Collection; Manya Igel Fine Arts Ltd.; English, out of copyright

Background imageHearth Collection: Art Nouveau dining room, 1903-06 (b / w photo)

Art Nouveau dining room, 1903-06 (b / w photo)
XIR160218 Art Nouveau dining room, 1903-06 (b/w photo) by Prouve, Victor (1858-1943) and Vallin, Eugene (1856-1922); Musee de l Ecole de Nancy, Meurthe-et-Moselle, France; French, out of copyright

Background imageHearth Collection: Isba, etched by the artist, published 1803 (colour litho)

Isba, etched by the artist, published 1803 (colour litho)
STC169220 Isba, etched by the artist, published 1803 (colour litho) by Atkinson, John Augustus (1775-1831); Private Collection; The Stapleton Collection; English, out of copyright

Background imageHearth Collection: Santa Claus or St. Nicholas, 1837 (oil on panel)

Santa Claus or St. Nicholas, 1837 (oil on panel)
NYH154252 Santa Claus or St. Nicholas, 1837 (oil on panel) by Weir, Robert Walter (1803-89); 76.2x64.5 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American

Background imageHearth Collection: Interior of the Rosenburg Palace, Copenhagen (oil on panel)

Interior of the Rosenburg Palace, Copenhagen (oil on panel)
BOU202939 Interior of the Rosenburg Palace, Copenhagen (oil on panel) by Hansen, Heinrich (1821-90); Private Collection; (add.info.: summer palace of Christian IV, built in 1606; ); Bourne Gallery

Background imageHearth Collection: Spellbound

Spellbound
CW13664 Spellbound by Cotman, Frederick George (1850-1920); Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Background imageHearth Collection: Curfew, c. 1685 (decorated brass)

Curfew, c. 1685 (decorated brass)
BAL6648 Curfew, c.1685 (decorated brass) by Dutch School, (17th century); 60.7 cm; Victoria & Albert Museum, London, UK; (add.info.: Brass, repousse(embossed), chased, punched, folded and rivetted

Background imageHearth Collection: By the Fire (pair of 77836)

By the Fire (pair of 77836)
BON77837 By the Fire (pair of 77836) by Duke, Alfred (fl.1893-d.c.1905); 50.8x61 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

Background imageHearth Collection: Tavern interior with card players

Tavern interior with card players
BON76868 Tavern interior with card players by Mahu, Victor (fl.1689-1700); 61x83.8 cm; Private Collection; Photo eBonhams, London, UK; Flemish, out of copyright

Background imageHearth Collection: Cinderella and the Birds, 1868

Cinderella and the Birds, 1868
GG80975 Cinderella and the Birds, 1868 by English School, (19th century); Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Background imageHearth Collection: MS W449 fol. 3v February: Cooking and Feasting, c. 1525 (vellum)

MS W449 fol. 3v February: Cooking and Feasting, c. 1525 (vellum)
WLT219415 MS W449 fol.3v February: Cooking and Feasting, c.1525 (vellum) by Master Jean de Mauleon (fl.1525); 17x10 cm; Walters Art Museum, Baltimore, USA; French, out of copyright

Background imageHearth Collection: Room at the old Trading House, 1851 (pencil on paper)

Room at the old Trading House, 1851 (pencil on paper)
NBY331353 Room at the old Trading House, 1851 (pencil on paper) by Mayer, Frank Blackwell (1827-89); 10.5x18 cm; Newberry Library, Chicago, Illinois, USA; eNewberry Library; American, out of copyright

Background imageHearth Collection: Making pancakes, illustration from Le Petit Journal

Making pancakes, illustration from Le Petit Journal
CHT237191 Making pancakes, illustration from Le Petit Journal, 26th February 1911 (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageHearth Collection: The Blue Devils!, published by Hannah Humphrey

The Blue Devils!, published by Hannah Humphrey
CHT234666 The Blue Devils!, published by Hannah Humphrey, 10th January 1823 (coloured engraving) by Cruikshank, George (1792-1878); Bibliotheque Nationale, Paris

Background imageHearth Collection: Leaving off Powder, or A Frugal Family saving the Guinea

Leaving off Powder, or A Frugal Family saving the Guinea
NCO191734 Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageHearth Collection: Interior with Fifteenth Century Fireplace, Villa Medicea di Careggi (photo)

Interior with Fifteenth Century Fireplace, Villa Medicea di Careggi (photo)
BEN276616 Interior with Fifteenth Century Fireplace, Villa Medicea di Careggi (photo) by Michelozzo di Bartolommeo (1396-1472); Villa Medicea di Careggi, Florence, Tuscany

Background imageHearth Collection: Visitors in Pelisses

Visitors in Pelisses
Guests at a fashionable salon, all wearing extravagent fur-lined clothes, jackets, dresses and pelisses. By the early 19th century, fur lined and trimmed cloaks, coats and jackets were all the rage

Background imageHearth Collection: Sloth in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c

Sloth in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c
STC227391 Sloth in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c.1850 (colour litho) by Boilly, Louis Leopold (1761-1845) (after); Private Collection; (add.info)

Background imageHearth Collection: Tom Echo laid up with the Headington Fever or an Oxonian very near the Wall

Tom Echo laid up with the Headington Fever or an Oxonian very near the Wall
STC255130 Tom Echo laid up with the Headington Fever or an Oxonian very near the Wall, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London

Background imageHearth Collection: Interior of a French castle during the Middle Ages, c. 1845 (colour litho)

Interior of a French castle during the Middle Ages, c. 1845 (colour litho)
CHT341983 Interior of a French castle during the Middle Ages, c. 1845 (colour litho) by Charpentier, (fl.1845); Private Collection; (add.info)

Background imageHearth Collection: William Brereton, c. 1780 (oil on canvas)

William Brereton, c. 1780 (oil on canvas)
450070 William Brereton, c.1780 (oil on canvas) by Walton, Henry (1746-1813); 108x91.5 cm; The Holburne Museum, Bath, UK; (add.info)

Background imageHearth Collection: Lay of The Last Minstrel, 1890 (oil on canvas)

Lay of The Last Minstrel, 1890 (oil on canvas)
TW426731 Lay of The Last Minstrel, 1890 (oil on canvas) by Hedley, Ralph (1848-1913); 102.5x123.6 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English

Background imageHearth Collection: The Fairy Godmother touched them with her Wand, Cinderella, 1925 (colour litho)

The Fairy Godmother touched them with her Wand, Cinderella, 1925 (colour litho)
IL433787 The Fairy Godmother touched them with her Wand, Cinderella, 1925 (colour litho) by Margetson, William Henry (1861-1940); Private Collection; (add.info)

Background imageHearth Collection: While the Christmas Log is Burning (colour litho)

While the Christmas Log is Burning (colour litho)
730621 While the Christmas Log is Burning (colour litho) by English School, (19th century); Private Collection; (add.info.: While the Christmas Log is Burning)

Background imageHearth Collection: Section through a dome-shaped Lapp (Sami) house

Section through a dome-shaped Lapp (Sami) house
Section through a dome-shaped Lapp (Sami) fishermens house, with hearth in centre. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrarios Costumes Ancient

Background imageHearth Collection: Napoleon Bonaparte and Marie Louise nursing

Napoleon Bonaparte and Marie Louise nursing
Napoleon Bonaparte and Empress Marie Louise nursing their first son Napoleon Francois Charles Joseph Bonaparte, King of Rome, 1811

Background imageHearth Collection: Beulouk-Bachi, Head Chef of the Sultan, c. 1708 (coloured engraving)

Beulouk-Bachi, Head Chef of the Sultan, c. 1708 (coloured engraving)
468878 Beulouk-Bachi, Head Chef of the Sultan, c.1708 (coloured engraving) by Vanmour, Jean Baptiste (1671-1737) (after); Private Collection; (add.info)

Background imageHearth Collection: Alfred in the Neatherds Cottage, engraved by A. H. Payne (colour litho)

Alfred in the Neatherds Cottage, engraved by A. H. Payne (colour litho)
475407 Alfred in the Neatherds Cottage, engraved by A.H. Payne (colour litho) by Wilkie, David (1785-1841) (after); Private Collection; (add.info.: Alfred the Great (849-99), King of Wessex

Background imageHearth Collection: L Attente (The Wait) (colour litho)

L Attente (The Wait) (colour litho)
2818144 L Attente (The Wait) (colour litho) by Haag, Carl (1820-1915) (after); Private Collection; (add.info.: L Attente (The Wait). A family waiting for their Christmas goose to cook

Background imageHearth Collection: My Father and Mother, 1884 (oil on canvas)

My Father and Mother, 1884 (oil on canvas)
3504573 My Father and Mother, 1884 (oil on canvas) by Stott, William (1857-1900); 102x160 cm; Gallery Oldham, UK; eGallery Oldham; English, out of copyright

Background imageHearth Collection: Charles Reade (engraving)

Charles Reade (engraving)
3627988 Charles Reade (engraving) by English School, (19th century); Private Collection; (add.info.: Charles Reade. Illustration for The Picture Magazine, 1895.); © Look and Learn

Background imageHearth Collection: Interior of a New England pioneers home (litho)

Interior of a New England pioneers home (litho)
3622394 Interior of a New England pioneers home (litho) by American School, (19th century); Private Collection; (add.info.: Interior of a New England pioneers home)

Background imageHearth Collection: Bertha and her father (colour litho)

Bertha and her father (colour litho)
3105734 Bertha and her father (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: Bertha and her father)

Background imageHearth Collection: Advert, Jones & Campbell, Ironfounders, Larbert, Scotland

Advert, Jones & Campbell, Ironfounders, Larbert, Scotland
Advert for Jones & Campbell, Ironfounders, Larbert, Scotland. 1905

Background imageHearth Collection: Advert, J E Gibson & Co, Fireplaces, Falkirk, Scotland

Advert, J E Gibson & Co, Fireplaces, Falkirk, Scotland
Advert for J E Gibson & Co, British Fireplaces, Falkirk, Scotland. 1905



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"Hearth: A Timeless Source of Warmth and Comfort" The hearth, an age-old symbol of warmth and togetherness, has been depicted in various forms throughout history. In "After the Bath, 1890, " a cozy fire crackles in the background as individuals unwind after a long day. Similarly, George Studdy's "A Cat and Dog Life" showcases furry companions basking in the hearth's gentle glow. During Twelfth Night Revels at Haddon Hall, Derbyshire, the grandeur of the great hall is enhanced by a roaring fireplace that invites merriment and joy. Muriel Dawson captures this sentiment beautifully in her painting "Little girl with dog, " where a young girl finds solace beside her loyal canine friend near the comforting flames. However, not all encounters with fireplaces are pleasant. Alfred faces scolding for burning cakes in a humorous color lithograph while an Irish gentleman seeks solace within the walls of a whisky bar located inside Dublin prison during 1821. Throughout history, fireside scenes have provided comfort even during mundane moments like tending to corns or lighting fires on Christmas Eve as seen in hand-colored engravings such as "Comfort to the Corns" from 1800 or Victorian church wardens preparing for festivities. Artists have also captured more intimate moments by depicting individuals engaged in personal activities near their hearths. Gerard Dou's masterpiece "The Prayer of Spinner" portrays a spinner finding solace through prayer beside her flickering companion. Meanwhile, lithographs like "The Squatters First Home" and Godefroy Engelmann's engraving titled "Interior of Coal-Miners Hut" shed light on humble dwellings where families found respite from harsh conditions around their modest hearths. Lastly, female nudity takes center stage alongside warm embers in mantochrome artwork titled "Female Nude Seated by Fireside.