Henry Bright Collection

A system of vanes for attaching to balloons so that ascents and descents could be made without discarding ballast or
3732726 A system of vanes for attaching to balloons so that ascents and descents could be made without discarding ballast or releasing gas; (add.info)

"Humble Fare" - painted by J. J. Hill, H. Bright, and Earl - from the Flatou Collection, 1858. Engraving after a painting. This is another selection from Mr

Rocky Scene, n.d. Creator: Henry Bright
Rocky Scene, n.d

Cottage on Edge of Canal, c. 1840. Creator: Henry Bright
Cottage on Edge of Canal, c. 1840

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

A Rocky Coastline at Padstow, Cornwall, (pastel)
824102 A Rocky Coastline at Padstow, Cornwall, (pastel) by Bright, Henry (1810-73); 60.3x107.4 cm; Private Collection; (add.info.: A Rocky Coastline at Padstow, Cornwall. Henry Bright (1814-1873)

Church in a Landscape, 1800s. Creator: Henry Bright (British, 1810-1873)
Church in a Landscape, 1800s

Near Bettws-y-Coed, North Wales, (c1900). Creator: Unknown
Near Bettws-y-Coed, North Wales, (c1900). Landscape with figures on a stone bridge near the village of Betws-y-Coed. Print after a painting made mid-late 19th century by Henry Bright

Horses at a well, 1854-1857. Artist: John Frederick Herring I
Horses at a well, 1854-1857

Mills on the Fens, c1853. Artist: Henry Bright
Mills on the Fens, c1853. Painting held at the Norwich Castle Museum and Art Gallery, Norfolk. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I

Crookston Castle, near Paisley, 1840. Artist: Henry Bright
Crookston Castle, near Paisley, 1840. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Landscape With Windmill, 19th century, (1917). Artist: Henry Bright
Landscape With Windmill, 19th century. From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Engraving depicting a system of vanes for attaching to balloons so that ascents and descents could be made without discarding ballast or releasing gas. Designed by Henry Bright of London

Church Landscape 1800s Henry Bright British 1810-1873
Church in a Landscape, 1800s. Henry Bright (British, 1810-1873). Charcoal and white chalk;

Norfolk Broads with Boats
Artist: Bright, Henry - Title: Norfolk Broads with Boats - Date: N/A - Original Medium and Size: Oil on Canvas 22.9 x 31.1

On the Norfolk Broads, Henry Bright, 1814-1873, British

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Henry Bright was a British artist known for his stunning landscapes and detailed engravings. Born in 1810, he left a lasting legacy through his beautiful artworks. One of Bright's notable works is "Newstead Abbey, Nottinghamshire, " which captures the grandeur and tranquility of this historic site. His attention to detail is evident in every brushstroke, bringing the abbey to life on canvas. In another masterpiece titled "St. Benets Abbey, on the Bure, " created around 1854, Bright showcases his talent as an artist. The intricate details of the abbey against a serene backdrop highlight his ability to capture nature's beauty. Bright also ventured into pastel art with "A Rocky Coastline at Padstow, Cornwall. " This piece transports viewers to the rugged shores of Cornwall, where crashing waves meet towering cliffs. Through delicate strokes and vibrant colors, Bright creates a sense of movement and drama in this coastal scene. Another gem from Bright's collection is "Church in a Landscape" from the 1800s. With meticulous precision and skillful use of light and shadow, he portrays a peaceful countryside setting with an imposing church as its centerpiece. Bright's versatility shines through in "Near Bettws-y-Coed, North Wales. " Although it was created by an unknown artist around 1900 but attributed to him due to stylistic similarities; it displays lush greenery surrounding quaint cottages nestled amidst rolling hills—a testament to Henry Bright's influence on landscape painting during that era. His collaboration with John Frederick Herring I resulted in "Horses at a well" (1854-1857), showcasing their combined expertise in capturing equine gracefulness. The horses' muscular forms are beautifully rendered while they quench their thirst at the well under bright sunlight—an exquisite portrayal of rural life. "Mills on the Fens" exemplifies Bright's fascination with industrial scenes set against natural landscapes.