High Collar Collection

Portrait of John Bunyan (1628-1688)
864051 Portrait of John Bunyan (1628-1688); (add.info.: John Bunyan (1628-1688) English Puritan preacher. Author of "The Pilgrim's Progress" (London, 1878)

Dress, c. 1937. Creator: John Tubrant
Dress, c. 1937

Dress, c. 1941. Creator: Winifred Gibbes
Dress, c. 1941

HRH The Princess of Wales, Princess Diana visit To Hong Kong as part of their Far East tour. Princess Diana wears a diamond coronet and pearls a studded gown and short jacket

Sketch of Anne Lister of Shibden Hall (w / c on paper)
5905677 Sketch of Anne Lister of Shibden Hall (w/c on paper) by English School, (19th century); Calderdale Museums Service, West Yorkshire, UK; (add.info.: Anne Lister (1791-1840) was a diarist

Princess Diana visit To Hong Kong as part of their Far East tour
***CROPPED VERSION. ORIGINAL FRAME IS ALSO IN THIS SET*** HRH The Princess of Wales, Princess Diana visit To Hong Kong as part of their Far East tour

HRH The Princess of Wales, Princess Diana visit To Hong Kong as part of their Far East tour. Princess Diana wears a diamond coronet and pearls a studded gown and short jacket

Princess Diana visit To Hong Kong as part of their Far East tour
***CROPPED VERSION. ORIGINAL FRAME IS ALSO IN THIS SET*** HRH The Princess of Wales, Princess Diana visit To Hong Kong as part of their Far East tour

Fashionables of 1817, 1817 (hand-coloured etching)
5043062 Fashionables of 1817, 1817 (hand-coloured etching) by Cruikshank, George (1792-1878); 33x25.4 cm; Manchester Art Gallery, UK; (add.info.: Coloured caricature of man and woman)

Portrait of Madame Floge, 1902 (oil on canvas)
3506780 Portrait of Madame Floge, 1902 (oil on canvas) by Klimt, Gustav (1862-1918); 178x80 cm; Wien Museum Karlsplatz, Vienna, Austria; (add.info.: Portrait of Madame Floge (Floege)

Dress, c. 1936. Creator: Erwin Schwabe
Dress, c. 1936

Reception Gown, c. 1940. Creator: Jean Peszel
Reception Gown, c. 1940

Brocade Dress, 1935 / 1942. Creator: Fanchon Larzelere
Brocade Dress, 1935/1942

William Thomas Meyer (?), before 1802 (oil on canvas)
5938134 William Thomas Meyer (?), before 1802 (oil on canvas) by Romney, George (1734-1802); 54.0x40.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Queen Elizabeth I (1533-1603), c. 1572-75 (engraving)
STC169249 Queen Elizabeth I (1533-1603), c.1572-75 (engraving) by Hogenbergh, Remigius (before 1536-after 1573); Private Collection; (add.info)

Leaving off Powder, or A Frugal Family saving the Guinea
NCO191734 Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Dandy or Incroyable in morning outfit, 1800 (handcoloured copperplate engraving)
5986573 Dandy or Incroyable in morning outfit, 1800 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Dandy or Incroyable in morning outfit, 1800)

The Dandy Dressing or At Home, The Dandy Dressed Abroad, pub. c
3526872 The Dandy Dressing or At Home, The Dandy Dressed Abroad, pub.c.1820 (hand coloured engraving) by English School, (19th century); The Stapleton Collection; English, out of copyright

And catch the living Manners as they rise, published by Hannah Humphrey
NCO191293 And catch the living Manners as they rise, published by Hannah Humphrey (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Portrait sketch of John Poulter, 1834 (oil on millboard)
HEH416449 Portrait sketch of John Poulter, 1834 (oil on millboard) by Hayter, George (1792-1871); 35.2x30.2 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Portrait of an Old Woman, 1881 (oil on canvas)
TW427020 Portrait of an Old Woman, 1881 (oil on canvas) by Hedley, Ralph (1848-1913); 61.3x50.8 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

Fashionable women at a play, Paris. Woman in large bonnet with ribbons, dress with high collar
5913059 Fashionable women at a play, Paris. Woman in large bonnet with ribbons, dress with high collar, lace cape or pelerine and full sleeves en beret. Entering the Comedie Francaise, 1828

High-collared waistcoat with woven vertical stripes in fading colours of purple
HMP409864 High-collared waistcoat with woven vertical stripes in fading colours of purple, bronze and yellow, c.1840 (silk) by English School, (19th century); Harris Museum and Art Gallery, Preston

May Prinsep (1853-1935) 1885 (oil on canvas)
MHD265699 May Prinsep (1853-1935) 1885 (oil on canvas) by Leighton, Frederic (1830-96); Private Collection; (add.info.: Lady Tennyson; second wife of Hallam, Lord Tennyson, son of the poet Alfred)

April Fools Day (colour litho)
3094212 April Fools Day (colour litho) by French School, (20th century); Private Collection; (add.info.: April Fools Day. Postcard, early 20th century.); © Look and Learn

Day dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)
STC102866 Day dress, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Sarah Bernhardt (1844-1923) 1891 (pastel on paper)
CHT167900 Sarah Bernhardt (1844-1923) 1891 (pastel on paper) by Abbema, Louise (1858-1927); Private Collection; eArchives Charmet; French, out of copyright

So Skiffy-Skipt-on, with his wonted grace published by Hannah Humphrey in 1800
NCO191256 So Skiffy-Skipt-on, with his wonted grace published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

Le Petit Coblentz, Boulevard de Grand sous le Directoire, engraved by Eugene Loizelet
3090257 Le Petit Coblentz, Boulevard de Grand sous le Directoire, engraved by Eugene Loizelet, pub. 1978 (hand coloured engraving) by Isabey

Portrait of Mrs Emma Harvey, 1750-59 (oil on canvas)
2829675 Portrait of Mrs Emma Harvey, 1750-59 (oil on canvas) by Hudson, Thomas (1701-79); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased, 1959; English

High-collared black pelerine or cape, c. 1890-1900 (silk & jet)
HMP409872 High-collared black pelerine or cape, c.1890-1900 (silk & jet) by English School, (19th century); Harris Museum and Art Gallery, Preston, Lancashire

Walking dress (colour litho)
FMB398914 Walking dress (colour litho) by English School, (19th century); Fashion Museum Bath; (add.info.: published in the Ackermanns Repository of Arts)

Miniature of Anne Lister of Shibden Hall (w / c on paper)
5905678 Miniature of Anne Lister of Shibden Hall (w/c on paper) by English School, (19th century); Calderdale Museums Service, West Yorkshire, UK; (add.info.: Anne Lister (1791-1840) was a diarist

Fashionable woman in embroidered toquet hat, 1801 (handcoloured copperplate engraving)
5986621 Fashionable woman in embroidered toquet hat, 1801 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Fashionable woman in embroidered toquet hat, 1801)

Fashionable gentleman or Incroyable with cudgel, Paris, 1799 (handcoloured copperplate engraving)
5986510 Fashionable gentleman or Incroyable with cudgel, Paris, 1799 (handcoloured copperplate engraving) by French School

Fashionable young man or Incroyable on horseback, 1801 (handcoloured copperplate engraving)
5986462 Fashionable young man or Incroyable on horseback, 1801 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: He wears a short riding coat with high collar)

Henry Kirke White (oil on wood)
3744100 Henry Kirke White (oil on wood) by Cooper, Frederick Carter (c.1795-1875); 22.9x17.5 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Self Portrait (oil on wood)
3744093 Self Portrait (oil on wood) by Bonington, Richard Parkes (1802-28) (manner of); 39.4x33 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Leaving off Powder, or a Frugal Family saving the Guinea, pub
3025383 Leaving off Powder, or a Frugal Family saving the Guinea, pub.1795 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Paul Smith Palmer, 1835 / 1838. Creator: Erastus Salisbury Field
Paul Smith Palmer, 1835/1838

Costume of Dorlis, Muscadin in the fashion of 1796.. Costume of Dorlis, Muscadin in the fashion of 1796. He wears a small bicorn cocked hat, long jacket with huge lapels and cuffs, high-collar shirt

Female figure cap raised fan collar high collar
Female figure with cap and raised fan collar, Female figure with cap and high collar. The print is part of an album, adult woman, anonymous, 1551 - 1650, paper, etching, h 73 mm × w 54 mm

Head Man Wearing High Collar 1696-1770 Pen
Artokoloro

Prince Alexander Mavrocordato (engraving)
XJF493365 Prince Alexander Mavrocordato (engraving) by English School, (19th century); Private Collection; (add.info.: Alexandros Mavrokordatos (1791a'1865)

Lewis Carroll, c. 1870 (b / w photo)
XJF444383 Lewis Carroll, c.1870 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Charles Dodgson, alias Lewis Carroll (1832-1898)

Self Portrait (oil on panel)
XIR179485 Self Portrait (oil on panel) by Sabran, Delphine de, Marquise de Custine (1770-1826); 50x30 cm; Private Collection; (add.info.: Delphine de Custine)

Portrait of Louise de Coligny, Fourth wife of William I of Orange. She wears a high collar, Jan de Visscher, Michiel Jansz van Mierevelt, Geeraert Brandt (I), 1643 - 1692

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"High Collar: A Fashionable Trend Through the Ages" Step back in time to 1817, where fashionistas donned high collars that exuded elegance and sophistication. In a hand-coloured etching from that era, we catch a glimpse of the stylish individuals embracing this trend. Fast forward to another iconic figure - Anne Lister of Shibden Hall. Her sketch showcases her confidence as she sports a high collar with watercolors on paper, proving that even in the early 19th century, this fashion statement was empowering. The allure of high collars transcended borders and eras. Princess Diana's visit to Hong Kong during their Far East tour saw her grace the occasion with regal charm. HRH The Princess of Wales effortlessly rocked a high collar ensemble, captivating all who laid eyes upon her. Madame Floge's portrait from 1902 immortalizes her in an oil-on-canvas masterpiece wearing an exquisite dress adorned with an elegant high collar. This depiction serves as a testament to how this style continued to captivate throughout different periods. As we delve into more recent history, Erwin Schwabe's creation from 1936 showcases a stunning dress featuring intricate details and a prominent high collar, and is clear that this timeless design has stood the test of time. Jean Peszel's reception gown from around 1940 further emphasizes how designers embraced the beauty and versatility of high collars during this period. The gown exudes glamour while highlighting its wearer's refined taste. Fanchon Larzelere's brocade dress from 1935-1942 demonstrates yet another example of how women embraced the allure of high collars during these years. This piece combines opulence with sophistication, making it perfect for any formal occasion. Even before these modern interpretations emerged, William Thomas Meyer captured someone sporting a distinguished look with his oil-on-canvas painting dating back to before 1802 - showcasing just how long this trend has been admired.