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House Close Collection

"House Close: A Captivating Glimpse into Hidden Worlds" Step back in time and explore the intriguing world of "house close, " where secrets, scandals, and stories unfold

Background imageHouse Close Collection: Communion. Illustration of 'La Maison Tellier', short story by Guy de Maupassant (1850-1893)

Communion. Illustration of "La Maison Tellier", short story by Guy de Maupassant (1850-1893)
GIA4807834 Communion. Illustration of "La Maison Tellier", short story by Guy de Maupassant (1850-1893), published in 1881. Illustration by G. Lemoine, late 19th century

Background imageHouse Close Collection: The prodigal son or 'allegory of the five senses'

The prodigal son or "allegory of the five senses"
LSE4316066 The prodigal son or " allegory of the five senses". Painting by Johannes Baeck (ca. 1600-1654), oil on canvas, 1637. Flemish art, 17th century. Dim. 122, 5 x 184 cm

Background imageHouse Close Collection: Le salon de la rue des Moulins (Paris). Watercolour by Henri De Toulouse Lautrec

Le salon de la rue des Moulins (Paris). Watercolour by Henri De Toulouse Lautrec
JLJ4655177 Le salon de la rue des Moulins (Paris). Watercolour by Henri De Toulouse Lautrec (Toulouse-Lautrec) (1864-1901), 1894

Background imageHouse Close Collection: The Bad Company. painting by Steen Jan Havicksz (1626-1679) (Hs / WOOD 0. 41 X 0. 35)

The Bad Company. painting by Steen Jan Havicksz (1626-1679) (Hs / WOOD 0. 41 X 0. 35)
JLJ4646141 The Bad Company. painting by Steen Jan Havicksz (1626-1679) (H S/WOOD 0.41 X 0.35). by Steen, Jan Havicksz. (1625/26-79); Louvre, Paris, France; (add.info.: The Bad Company)

Background imageHouse Close Collection: Illustration of Maurice Radiguet (1866-1941) for the French magazine '

Illustration of Maurice Radiguet (1866-1941) for the French magazine "
XEE4148042 Illustration of Maurice Radiguet (1866-1941) for the French magazine " Le Rire" number 46 de 1895 - " Flagrant Delit" - Ben monsieur commissioner

Background imageHouse Close Collection: A roundup in hotels - in 'Le Petity Journal'du 04 / 08 / 1895

A roundup in hotels - in "Le Petity Journal"du 04 / 08 / 1895
LSE4099751 A roundup in hotels - in " Le Petity Journal" du 04/08/1895 by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageHouse Close Collection: The presentation. Parisian house at the beginning of the 20th century

The presentation. Parisian house at the beginning of the 20th century
GIA4738855 The presentation. Parisian house at the beginning of the 20th century. Illustration by Rene Lelong (1871-1933) by Lelong

Background imageHouse Close Collection: House close - engraving, 18th century

House close - engraving, 18th century
LSE4105669 House close - engraving, 18th century by Unknown artist, (18th century); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: House close - engraving)

Background imageHouse Close Collection: The Tellier House by Guy de Maupassant - by Steinlen, in 'Gil Blas'

The Tellier House by Guy de Maupassant - by Steinlen, in "Gil Blas"
LSE4105668 The Tellier House by Guy de Maupassant - by Steinlen, in " Gil Blas" of 09/10/1892 (same drawing as No)

Background imageHouse Close Collection: House in ancient Greece. 19th century sd engraving

House in ancient Greece. 19th century sd engraving
GIA4715371 House in ancient Greece. 19th century sd engraving. by Unknown Artist, (19th century); Private Collection; (add.info.: House in ancient Greece)

Background imageHouse Close Collection: Courtisan Osen with a client, 1768. Prints by Harunobu Suzuki (1724 / 25-1770)

Courtisan Osen with a client, 1768. Prints by Harunobu Suzuki (1724 / 25-1770)
GIA4768812 Courtisan Osen with a client, 1768. Prints by Harunobu Suzuki (1724/25-1770). by Harunobu, Suzuki (1725-70); Private Collection; (add.info.: Courtisan Osen with a client, 1768)

Background imageHouse Close Collection: Le Cafe d enfer - in 'Life in Paris'by David Carey, London, 1822

Le Cafe d enfer - in "Life in Paris"by David Carey, London, 1822
LSE4080898 Le Cafed enfer - in " Life in Paris" by David Carey, London, 1822 by Cruikshank, George (1792-1878); Bibliotheque des Arts Decoratifs, Paris

Background imageHouse Close Collection: Filles et Marlous: Its the feast of the Spanish: the notary pays the champagne - in

Filles et Marlous: Its the feast of the Spanish: the notary pays the champagne - in
LSE4094791 Filles et Marlous: Its the feast of the Spanish: the notary pays the champagne - in " Dans la vie", by Steinlen 1901 (same drawing as No)

Background imageHouse Close Collection: The 'House'in Rouen, which inspired Maupassant 'La Maison Tellier'

The "House"in Rouen, which inspired Maupassant "La Maison Tellier"
LSE4310763 The " House" in Rouen, which inspired Maupassant " La Maison Tellier", a portrait of tenants and owners. Photography, late 19th century

Background imageHouse Close Collection: La Courtesan amoureuse: Woman removing the bottom of a man - engraving by ap

La Courtesan amoureuse: Woman removing the bottom of a man - engraving by ap
LSE4093211 La Courtesan amoureuse: Woman removing the bottom of a man - engraving by ap. Butcher, 18th century by Boucher

Background imageHouse Close Collection: Aspasia of Miletus the Greek Courtesan of the 5th century BC Engraving

Aspasia of Miletus the Greek Courtesan of the 5th century BC Engraving
XEE4407148 Aspasia of Miletus the Greek Courtesan of the 5th century BC Engraving by French School, (19th century); Private Collection; (add.info)

Background imageHouse Close Collection: Couple in a room. Painting by Ernst Ludwig Kirchner (1880-1938), Oil On Canvas, 1912

Couple in a room. Painting by Ernst Ludwig Kirchner (1880-1938), Oil On Canvas, 1912
LSE4315416 Couple in a room. Painting by Ernst Ludwig Kirchner (1880-1938), Oil On Canvas, 1912. German art, 20th century, expressionism. Kunsthalle Hamburg (Germany)

Background imageHouse Close Collection: Maison close - in 'Doctor Syntaxs three tours in search of

Maison close - in "Doctor Syntaxs three tours in search of
LSE4081521 Maison close - in " Doctor Syntaxs three tours in search of the picturesque consolation and a wife" by William Combe, ill

Background imageHouse Close Collection: Illustration by Richard Ranft (1862 - 1931) for Lucien de Samosate (125 approx

Illustration by Richard Ranft (1862 - 1931) for Lucien de Samosate (125 approx
GIA4755709 Illustration by Richard Ranft (1862 - 1931) for Lucien de Samosate (125 approx. - 192): the courtesans. by Ranft



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"House Close: A Captivating Glimpse into Hidden Worlds" Step back in time and explore the intriguing world of "house close, " where secrets, scandals, and stories unfold. From ancient Rome to the vibrant streets of Paris, this captivating journey takes us through various artistic depictions that shed light on the enigmatic realm. In Agnes of Rome's harrowing tale, we witness her being shamefully paraded naked through the streets towards a brothel. Franco Mistrali's drawing from "Misteri del Vaticano" transports us to that fateful moment, evoking empathy for Agnes' plight. Guy de Maupassant's short story "La Maison Tellier" comes alive with G. Lemoine's illustration from the late 19th century. Communion is explored within these pages, blurring lines between sin and redemption as characters navigate their desires within these secretive walls. "The genius extinguished by pleasure or abuse of pleasures, " an oil painting from 1850-1851, serves as a cautionary reminder of how indulgence can lead to downfall. The artist masterfully captures the allure and danger intertwined within our human nature. Peering into a medieval bathhouse thumbnail image allows us glimpses into intimate moments shared behind closed doors—a sanctuary for relaxation amidst societal constraints. The patron Maison close revels in opulence during a grand celebration honoring a proxenete—an insight into the lavish lifestyle enjoyed by those who profit from such establishments. Henriette Hauser shines as Citron in Nana’s role—a portrait capturing both vulnerability and strength embodied by actresses entangled in this world. "The prodigal son or allegory of the five senses" reminds us that sensory pleasures can lead astray but also offer profound experiences when channeled wisely—depicting an eternal struggle faced by all individuals seeking fulfillment.