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Human Person Collection

"The Human Person: A Captivating Tapestry of Life, Love

Background imageHuman Person Collection: Edison's phonometer, 1890

Edison's phonometer, 1890
3479313 Edison's phonometer, 1890; (add.info.: Edison's phonometer which measured the mechanical force of sound waves produced by the human voice)

Background imageHuman Person Collection: The shoemaker, 1894 (oil on canvas)

The shoemaker, 1894 (oil on canvas)
AIS5355989 The shoemaker, 1894 (oil on canvas) by Abarzuza y Rodriguez de Arias, Felipe (1871-1948); 97x75 cm; Museo de Cadiz

Background imageHuman Person Collection: Representation of a Tarasque beating a man, 1883 (painted plaster sculpture)

Representation of a Tarasque beating a man, 1883 (painted plaster sculpture)
JEB4895018 Representation of a Tarasque beating a man, 1883 (painted plaster sculpture) by Amy, Jean Barnabe (1839-1907); Palais de Longchamp, Marseille, France; © Jean Bernard

Background imageHuman Person Collection: A pair of Kakiemon figures of karako each shown casually seated upon a drum, Edo Period

A pair of Kakiemon figures of karako each shown casually seated upon a drum, Edo Period, late 17th century (porcelain)
7279517 A pair of Kakiemon figures of karako each shown casually seated upon a drum, Edo Period, late 17th century (porcelain) by Japanese School

Background imageHuman Person Collection: Exploits d apaches (bandits, thugs): during the fire of a factory, bandits attack agents

Exploits d apaches (bandits, thugs): during the fire of a factory, bandits attack agents
XEE4150297 Exploits d apaches (bandits, thugs): during the fire of a factory, bandits attack agents and dig pumps pipes in Paris - Frontpage of newspaper " Le Petit Journal" may 26

Background imageHuman Person Collection: Portrait of Gustave Eiffel. 1889 (photo)

Portrait of Gustave Eiffel. 1889 (photo)
7224510 Portrait of Gustave Eiffel. 1889 (photo) by Walery (Stanislaw Julian Ignacy, Lucien Walery) (1863-1935); Private Collection; (add.info)

Background imageHuman Person Collection: Portrait of Gustave Eiffel. 1889 (photo)

Portrait of Gustave Eiffel. 1889 (photo)
7224488 Portrait of Gustave Eiffel. 1889 (photo) by Walery (Stanislaw Julian Ignacy, Lucien Walery) (1863-1935); Private Collection; (add.info)

Background imageHuman Person Collection: 1803 (engraving)

1803 (engraving)
7233715, 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans, guides a quack doctor to his death, 18th century)

Background imageHuman Person Collection: The skeleton of Death brings a lottery number to a gambler, 18th, 1803 (engraving)

The skeleton of Death brings a lottery number to a gambler, 18th, 1803 (engraving)
7233703 The skeleton of Death brings a lottery number to a gambler, 18th, 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death with the author and artist, 18th century. 1803 (engraving)

The skeleton of Death with the author and artist, 18th century. 1803 (engraving)
7233716 The skeleton of Death with the author and artist, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: Men and women look at a Memento Mori, 18th century. 1803 (engraving)

Men and women look at a Memento Mori, 18th century. 1803 (engraving)
7233717 Men and women look at a Memento Mori, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: Men and women look at a Memento Mori)

Background imageHuman Person Collection: The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving)

The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving)
7233714 The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death in a moonlight duel, 18th century. 1803 (engraving)

The skeleton of Death in a moonlight duel, 18th century. 1803 (engraving)
7233711 The skeleton of Death in a moonlight duel, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death kills an alchemist with an explosion. 1803 (engraving)

The skeleton of Death kills an alchemist with an explosion. 1803 (engraving)
7233710 The skeleton of Death kills an alchemist with an explosion. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death embracing a woman, 18th century. 1803 (engraving)

The skeleton of Death embracing a woman, 18th century. 1803 (engraving)
7233704 The skeleton of Death embracing a woman, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death catching two lovers in a net. 1803 (engraving)

The skeleton of Death catching two lovers in a net. 1803 (engraving)
7233693 The skeleton of Death catching two lovers in a net. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: Head of man with hat (sculpture)

Head of man with hat (sculpture)
JEB4870916 Head of man with hat (sculpture) by Amy, Jean Barnabe (1839-1907); 39x18x17 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Le remorse (sculpture)

Le remorse (sculpture)
JEB4870591 Le remorse (sculpture) by Amy, Jean Barnabe (1839-1907); 42x17x23 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Cacatoes Montreker (oil on canvas)

Cacatoes Montreker (oil on canvas)
JEB4913904 Cacatoes Montreker (oil on canvas) by Silbert, Jose (1862-1939); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Ladies of Quality (drawing)

Ladies of Quality (drawing)
JEB4870375 Ladies of Quality (drawing) by Lauzet, Auguste (1863-1898); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: The Intermede (drawing)

The Intermede (drawing)
JEB4870327 The Intermede (drawing) by Lauzet, Auguste (1863-1898); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Rendez-vous in the forest (drawing)

Rendez-vous in the forest (drawing)
JEB4870049 Rendez-vous in the forest (drawing) by Lauzet, Auguste (1863-1898); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: study of a bearded man (drawing)

study of a bearded man (drawing)
JEB4868831 study of a bearded man (drawing) by Torrents y de Amat, Stanislas (1839-1916); 20x30 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Shepherd Study (drawing)

Shepherd Study (drawing)
JEB4868384 Shepherd Study (drawing) by Levieux, Reynaud (c.1625-1690); 41x54 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Lou barullaire le vagabond (drawing)

Lou barullaire le vagabond (drawing)
JEB4868111 Lou barullaire le vagabond (drawing) by Bernard, Valere (1860-1936); 26x35.5 cm; Palais de Longchamp, Marseille

Background imageHuman Person Collection: In Arcadia: a double flute player (engraving)

In Arcadia: a double flute player (engraving)
JEB4891021 In Arcadia: a double flute player (engraving) by Bernard, Valere (1860-1936); Palais de Longchamp, Marseille, France; (add.info.: In Arcadia: a double flute player)

Background imageHuman Person Collection: The skeleton of Death with the school mistress, 18th century. 1803 (engraving)

The skeleton of Death with the school mistress, 18th century. 1803 (engraving)
7233713 The skeleton of Death with the school mistress, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death guides an initiate to the Masons, 18th cen, 1803 (engraving)

The skeleton of Death guides an initiate to the Masons, 18th cen, 1803 (engraving)
7233708 The skeleton of Death guides an initiate to the Masons, 18th cen, 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death embraces a poor man, 18th century. 1803 (engraving)

The skeleton of Death embraces a poor man, 18th century. 1803 (engraving)
7233702 The skeleton of Death embraces a poor man, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans, embraces a poor man)

Background imageHuman Person Collection: The skeleton of Death lays his bony hand on a judge. 18th centu, 1803 (engraving)

The skeleton of Death lays his bony hand on a judge. 18th centu, 1803 (engraving)
7233698 The skeleton of Death lays his bony hand on a judge. 18th centu, 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: The skeleton of Death visits a woman in her boudoir. 1803 (engraving)

The skeleton of Death visits a woman in her boudoir. 1803 (engraving)
7233695 The skeleton of Death visits a woman in her boudoir. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageHuman Person Collection: Three Antique Characters (drawing)

Three Antique Characters (drawing)
JEB4869118 Three Antique Characters (drawing) by Torrents y de Amat, Stanislas (1839-1916); 27x27 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Study of man drape, kneeling (drawing)

Study of man drape, kneeling (drawing)
JEB4869021 Study of man drape, kneeling (drawing) by Torrents y de Amat, Stanislas (1839-1916); 33x28 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Head of bearded man (drawing)

Head of bearded man (drawing)
JEB4868895 Head of bearded man (drawing) by Torrents y de Amat, Stanislas (1839-1916); 25x23 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Le sower Drawing by Auguste Carli (1868-1930)

Le sower Drawing by Auguste Carli (1868-1930)
JEB4868632 Le sower Drawing by Auguste Carli (1868-1930) by Carli, Auguste (1868-1930); 26x24 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Picking Olives (low relief on marble)

Picking Olives (low relief on marble)
JEB4891750 Picking Olives (low relief on marble) by Chardigny, Barthelemy Francois (1757-1813); 75x100 cm; Palais de Longchamp, Marseille

Background imageHuman Person Collection: Head of Moroccan Portrait of man with pierced ears and red hat, with a flower in the ear

Head of Moroccan Portrait of man with pierced ears and red hat, with a flower in the ear
JEB4864545 Head of Moroccan Portrait of man with pierced ears and red hat, with a flower in the ear and a tattoo on the temple 1892 (painting) by Silbert

Background imageHuman Person Collection: Workshop interior, 1893 (oil on canvas)

Workshop interior, 1893 (oil on canvas)
JEB4857625 Workshop interior, 1893 (oil on canvas) by Garibaldi, Joseph (1863-1941); 102x70 cm; Palais de Longchamp, Marseille, France; (add.info.: Workshop interior)

Background imageHuman Person Collection: Bazaar in the Orient (drawing)

Bazaar in the Orient (drawing)
JEB4869937 Bazaar in the Orient (drawing) by Lauzet, Auguste (1863-1898); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Portrait of Adolphe Monticelli (1824-1886) (drawing)

Portrait of Adolphe Monticelli (1824-1886) (drawing)
JEB4869864 Portrait of Adolphe Monticelli (1824-1886) (drawing) by Lauzet, Auguste (1863-1898); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: head of bearded man (sculpture)

head of bearded man (sculpture)
JEB4871052 head of bearded man (sculpture) by Amy, Jean Barnabe (1839-1907); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Portrait of Honore de Balzac (1799-1850) (sculpture)

Portrait of Honore de Balzac (1799-1850) (sculpture)
JEB4871009 Portrait of Honore de Balzac (1799-1850) (sculpture) by Amy, Jean Barnabe (1839-1907); 32x21 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: Ancient Scene Study (drawing)

Ancient Scene Study (drawing)
JEB4868935 Ancient Scene Study (drawing) by Torrents y de Amat, Stanislas (1839-1916); 19x18 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: The beach of Prado (watercolour)

The beach of Prado (watercolour)
JEB4853018 The beach of Prado (watercolour) by Moutte, Alphonse (1840-1913); Palais de Longchamp, Marseille, France; (add.info)

Background imageHuman Person Collection: Samson and Dalila (oil on canvas)

Samson and Dalila (oil on canvas)
JEB4912588 Samson and Dalila (oil on canvas) by Maury, Francois (1861-1933); Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageHuman Person Collection: La forge (To my friend Peyre, affectionate memory), 1893 (oil on wood)

La forge (To my friend Peyre, affectionate memory), 1893 (oil on wood)
JEB4857582 La forge (To my friend Peyre, affectionate memory), 1893 (oil on wood) by Garibaldi, Joseph (1863-1941); 40x32 cm; Palais de Longchamp, Marseille

Background imageHuman Person Collection: The pilgrimage of Saint Arnoult, 1906 (oil on canvas)

The pilgrimage of Saint Arnoult, 1906 (oil on canvas)
JEB4854318 The pilgrimage of Saint Arnoult, 1906 (oil on canvas) by Buffet, Amedee (1869-1934); 111x160 cm; Palais de Longchamp, Marseille, France; (add.info.: The pilgrimage of Saint Arnoult)

Background imageHuman Person Collection: The skeleton of Death pours wine into a gluttons mouth. 1803 (engraving)

The skeleton of Death pours wine into a gluttons mouth. 1803 (engraving)
7233706 The skeleton of Death pours wine into a gluttons mouth. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)



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"The Human Person: A Captivating Tapestry of Life, Love, and Tragedy" Step into the world of art and witness the intricate portrayal of the human person through various masterpieces. From "The Shoemaker" in 1894 to "A Drama in the Serail, " these oil on canvas paintings capture the essence of humanity's struggles and triumphs. Intriguingly dark yet thought-provoking, "The Skeleton of Death Murdering a Bookseller" depicts an eerie encounter with mortality. Meanwhile, a painted plaster sculpture titled "Representation of a Tarasque Beating a Man" showcases man's perpetual battle against mythical creatures. Delving further into history, we discover Judith holding Holofernes' head in a captivating 17th-century oil painting. The intensity portrayed is nothing short of mesmerizing. Equally powerful is "Christ Fainted After the Flogging, " where anguish and suffering are palpable on canvas. Moving beyond paintings, we encounter porcelain figures from late 17th-century Edo Period Japan – two karako casually seated upon drums. These delicate sculptures remind us that even amidst chaos, serenity can be found. Venturing back in time to ancient Rome, witness "The Abduction of the Sabines. " This oil painting captures both beauty and violence as emotions collide within its brushstrokes. Similarly impactful is "The Death of Caius Gracchus, " transporting us to ancient times with its vivid depiction. Shifting gears from traditional art forms to newspaper engravings reveals another facet – societal turmoil captured by artists like Gustave Eiffel himself. In one engraving titled "Exploits d'Apaches (Bandits): During the Fire of a Factory, " chaos reigns supreme as bandits attack agents during Parisian unrest. Finally, gaze upon portraits capturing Gustave Eiffel's essence through photography; his visionary spirit immortalized for generations to admire.