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Hurt Collection

"Hurt: A tapestry of pain and resilience" In the depths of a Gothic cathedral, stained glass windows bear witness to the haunting echoes of history

Background imageHurt Collection: Stained glass depicting victims of the First World War, Semur-en-Auxois, Cote d Or

Stained glass depicting victims of the First World War, Semur-en-Auxois, Cote d Or, Burgundy, France, Europe

Background imageHurt Collection: If you meet a fairy

If you meet a fairy, don t run away, she won t want to hurt you, she ll only want to play. 1920s

Background imageHurt Collection: Queen Victoria... visiting Soldiers wounded in the Indian Frontier campaigns... 1898, (1901)

Queen Victoria... visiting Soldiers wounded in the Indian Frontier campaigns... 1898, (1901)
Queen Victoria at Netley Hospital visiting Soldiers wounded in the Indian Frontier campaigns, December 3, 1898, (1901). Victoria (1819-1901) with injured men of the British Army

Background imageHurt Collection: West Indies cricket team summer tour of England. England batsman Brian Close shows

West Indies cricket team summer tour of England. England batsman Brian Close shows off the handy work of West Indies fast bowler Wes Hall after the second test match at Lords. June 1963

Background imageHurt Collection: Queen Victoria conferring the Victoria Cross on heroes of Dargai... May 14, 1898, (1901)

Queen Victoria conferring the Victoria Cross on heroes of Dargai... May 14, 1898, (1901)
Queen Victoria conferring the Victoria Cross on heroes of Dargai at Netley Hospital, May 14, 1898, (1901). Victoria (1819-1901)

Background imageHurt Collection: Tir Aux Pigeons (Sem)

Tir Aux Pigeons (Sem)
The great thing about Le tir aux pigeons at Monte Carlo is that you can do it in your best clothes, theres no danger and no one (except the pigeons) gets hurt... Date: 1905

Background imageHurt Collection: Footballer Paul Gascoigne - Gazza A worse for wear Paul Gascoigne is helped

Footballer Paul Gascoigne - Gazza A worse for wear Paul Gascoigne is helped from Walkers Nightclub in Low Friar Street, Newcastle after the footballer was punched unconscious

Background imageHurt Collection: A chained wolf bites Kyrgyz wolfhound during hunters festival Salburun near the town of

A chained wolf bites Kyrgyz wolfhound during hunters festival Salburun near the town of
A chained wolf bites a Kyrgyz wolfhound during the Kyrgyz traditional Hunters Festival Salburun, near the town of Cholpon-Ata some 250 km (155 miles) east from the capital Bishkek February 7, 2010

Background imageHurt Collection: Women workers hauling coal to the surface up a ladder. Leading woman has lost her load

Women workers hauling coal to the surface up a ladder. Leading woman has lost her load
530411 Women workers hauling coal to the surface up a ladder. Leading woman has lost her load and the woman following is in danger of being hurt buy falling coal and and falling off the ladder

Background imageHurt Collection: Rejection depicts woman of whom was rejected by the man walking past her with his new love

Rejection depicts woman of whom was rejected by the man walking past her with his new love. 1872 (engraving)
5615968 Rejection depicts woman of whom was rejected by the man walking past her with his new love. 1872 (engraving); Universal History Archive/UIG

Background imageHurt Collection: A sketch after Trumbull's painting, 'The Declaration of Independence', 1908

A sketch after Trumbull's painting, "The Declaration of Independence", 1908
1576160 A sketch after Trumbull's painting, "The Declaration of Independence", 1908; (add.info.: Don't sign that declaration, gentlemen! You'll hurt business)

Background imageHurt Collection: :: L a m e n t ::

:: L a m e n t ::
Hari Sulistiawan

Background imageHurt Collection: Black Lives Matter

Black Lives Matter
Jose A. Parra

Background imageHurt Collection: Black Lives Matter

Black Lives Matter
Jose A. Parra

Background imageHurt Collection: Worried looking Liverpool trainer Bob paisley looks on as Bobby Graham is carried off

Worried looking Liverpool trainer Bob paisley looks on as Bobby Graham is carried off the pitch on a stretcher on the way to hospital during the League division One match against Chelsea at Anfield

Background imageHurt Collection: 1965 FA Cup Final banquet. Injured Liverpool footballer Gerry Byrne

1965 FA Cup Final banquet. Injured Liverpool footballer Gerry Byrne (fractured collar bone) with Roger Hunt attending a banquet at the Grosvenor House. April 1965

Background imageHurt Collection: FA Charity Shield match at Wembley Stadium. Liverpool 1 v Leeds United 1

FA Charity Shield match at Wembley Stadium. Liverpool 1 v Leeds United 1. (Liverpool win on penalties). Peter Cormack of Liverpool puts his arm around Johnny Giles of Leeds after he has punched Kevin

Background imageHurt Collection: Charlton Athletic footballer Mike Bailey returns to London with his wife after breaking

Charlton Athletic footballer Mike Bailey returns to London with his wife after breaking his leg. 4th February 1965

Background imageHurt Collection: Everton footballer Mike Bernard carried off the pitch aided by a trainer

Everton footballer Mike Bernard carried off the pitch aided by a trainer and match official after being injured by Manchester Uniteds John Fitzpatrick in their brutal clash at Goodison Park

Background imageHurt Collection: The Innkeepers Wife and Daughter Taking Care of ye Don after Being Beaten and Br

The Innkeepers Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Quixote), 1756 or after

Background imageHurt Collection: Red Cross Work in the Flanders Mud, First World War, 1 August 1917, (c1920). Creator: Unknown

Red Cross Work in the Flanders Mud, First World War, 1 August 1917, (c1920). Creator: Unknown
Red Cross Work in the Flanders Mud, First World War, 1 August 1917, (c1920). R.A.M.C. stretcher-bearers bringing in wounded during the advance on Passchendaele

Background imageHurt Collection: He bound up his wounds, pouring in oil and wine, c1830s. Creator: GH Adcock

He bound up his wounds, pouring in oil and wine, c1830s. Creator: GH Adcock
He bound up his wounds, pouring in oil and wine, c1830s. Biblical scene, from Luke 10: 34: And went to him, and bound up his wounds, pouring in oil and wine, and set him on his own beast

Background imageHurt Collection: Svalbard reindeer (Rangifer tarandus platyrhynchus) with bloody antlers shedding velvet

Svalbard reindeer (Rangifer tarandus platyrhynchus) with bloody antlers shedding velvet, Spitsbergen, Svalbard, Norway, September

Background imageHurt Collection: Legs of an Animal rights activist are covered with fake blood during a protest against

Legs of an Animal rights activist are covered with fake blood during a protest against the use of leather and fur in Barcelona, Spain, January 20, 2018. REUTERS/Albert Gea

Background imageHurt Collection: The skin on five-year-old Dos arms and neck is blackened after a rocket fired by

The skin on five-year-old Dos arms and neck is blackened after a rocket fired by Islamic State landed and exploded in Qayyara, Iraq, November 12, 2016. REUTERS/Air Jalal TPX IMAGES OF THE DAY

Background imageHurt Collection: A Hindu devotee with hooks pierced into his back participates in a procession during

A Hindu devotee with hooks pierced into his back participates in a procession during Thaipusam at Batu Caves in Kuala Lumpur, Malaysia January 31, 2018. REUTERS/Lai Seng Sin

Background imageHurt Collection: A migrant touches his bandagged feet as he rests inside an improvised shelter in the

A migrant touches his bandagged feet as he rests inside an improvised shelter in the underground parking of a train station in Salzburg, Austria September 13, 2015

Background imageHurt Collection: Venezuelan refugees are seen after disembarking a Brazilian Air Force plane

Venezuelan refugees are seen after disembarking a Brazilian Air Force plane, at Brasilia International Airport in Brasilia, Brazil, July 24, 2018. REUTERS/Ueslei Marcelino

Background imageHurt Collection: Portrait 001

Portrait 001
May Hilma

Background imageHurt Collection: Martin The Boxer

Martin The Boxer
Faldhy Boer

Background imageHurt Collection: The Good Samaritan - sketch, 1878. Creator: Aime Morot

The Good Samaritan - sketch, 1878. Creator: Aime Morot
The Good Samaritan - sketch, 1878. The parable of the good Samaritan from the Gospel according to Saint Luke. The Samaritan rescues an injured man who has been attacked and left for dead

Background imageHurt Collection: Le Bon Samaritain, 1880. Creator: Aime Morot

Le Bon Samaritain, 1880. Creator: Aime Morot
Le Bon Samaritain, 1880. The parable of the good Samaritan from the Gospel according to Saint Luke. The Samaritan rescues an injured man who has been attacked and left for dead

Background imageHurt Collection: bull jumping series 6

bull jumping series 6
Piet Flour

Background imageHurt Collection: Love Hurts

Love Hurts
Treechild

Background imageHurt Collection: Self-destruction

Self-destruction
Aleksandra Milinkovic

Background imageHurt Collection: Love is painful

Love is painful
txules

Background imageHurt Collection: Bloody Thorns

Bloody Thorns
Mystic Number

Background imageHurt Collection: Wounded bitch (pentelic marble)

Wounded bitch (pentelic marble)
3930098 Wounded bitch (pentelic marble) by Roman, (4th century BC); Museo Barracco, Rome, Italy; (add.info.: Roman copy signed by Sopratos of a greek original by Lysippus)

Background imageHurt Collection: Boy fallen from bicycle, Christmas Card (chromolitho)

Boy fallen from bicycle, Christmas Card (chromolitho)
730652 Boy fallen from bicycle, Christmas Card (chromolitho) by English School, (19th century); Private Collection; (add.info.: Boy fallen from bicyle)

Background imageHurt Collection: Battle Scene (oil on canvas)

Battle Scene (oil on canvas)
6200284 Battle Scene (oil on canvas) by Spolverini, Ilario (1657-1734) (follower of); 82.6x114.3 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imageHurt Collection: Battered husband (colour litho)

Battered husband (colour litho)
3641744 Battered husband (colour litho) by English School, (20th century); Private Collection; (add.info.: Battered husband. Postcard, early 20th century.); © Look and Learn

Background imageHurt Collection: A Slap in the Face, (oil on canvas)

A Slap in the Face, (oil on canvas)
658199 A Slap in the Face, (oil on canvas) by Frangiamore, Salvatore (1853-1915); 67.3x46.3 cm; Private Collection; (add.info.: A Slap in the Face. Salvatore Frangiamore (fl. 1897). Oil on canvas

Background imageHurt Collection: After the Battle, (ink and wash on paper laid on board)

After the Battle, (ink and wash on paper laid on board)
651007 After the Battle, (ink and wash on paper laid on board) by Remington, Frederic (1861-1909); 44.5x69.7 cm; Private Collection; (add.info.: After the Battle. Frederic Remington (1861-1909)

Background imageHurt Collection: DDE-90023472

DDE-90023472
Antarctica, Antarctic Penninsula, Antarctic Sound. Wounded crabeater seal (wild: Lobodon carcinophagus) on iceberg. Date: 28/06/2006

Background imageHurt Collection: 2178869

2178869

Background imageHurt Collection: Wounded Lioness, 1840 / 50. Creator: Pierre Andrieu

Wounded Lioness, 1840 / 50. Creator: Pierre Andrieu
Wounded Lioness, 1840/50

Background imageHurt Collection: The Wounded Cateran by R. Carrick, Exhibition of the New Society of Painters in Wa

The Wounded Cateran by R. Carrick, Exhibition of the New Society of Painters in Water Colours, from " Illustrated London News", May 13, 1848

Background imageHurt Collection: Sign from Womens March on Washington with When you hurt me you hurt

Sign from Womens March on Washington with When you hurt me you hurt
The election of the Republican Donald Trump as president of the United States of America prompted worldwide protests in January 2017

Background imageHurt Collection: The Land Agitation in Ireland, Sketches from Ballinrobe and Lough Mask (engraving)

The Land Agitation in Ireland, Sketches from Ballinrobe and Lough Mask (engraving)
1060450 The Land Agitation in Ireland, Sketches from Ballinrobe and Lough Mask (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: The Land Agitation in Ireland)

Background imageHurt Collection: The Wounded Eurydice, c. 1868-70 (oil on canvas)

The Wounded Eurydice, c. 1868-70 (oil on canvas)
487984 The Wounded Eurydice, c.1868-70 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 60.6 x 45.4 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Eurydice)

Background imageHurt Collection: Valuable episodes, an officer who gathers on the field, in Homs

Valuable episodes, an officer who gathers on the field, in Homs, a wounded corporal and among the fire
2808452 Valuable episodes, an officer who gathers on the field, in Homs, a wounded corporal and among the fire... (colour litho) by Beltrame

Background imageHurt Collection: Comic postcard, Man, boy and starfish on the beach Date: 20th century

Comic postcard, Man, boy and starfish on the beach Date: 20th century

Background imageHurt Collection: A bobby on the beat, who has stopped to enjoy a bit of pie from a friendly cook in one

A bobby on the beat, who has stopped to enjoy a bit of pie from a friendly cook in one house, gets surprised by the heat of a stove. Date: 1912

Background imageHurt Collection: The Cut Finger (colour litho)

The Cut Finger (colour litho)
3642413 The Cut Finger (colour litho) by Wilkie, David (1785-1841) (after); Private Collection; (add.info.: The Cut Finger)

Background imageHurt Collection: The Wounded Eagle, c. 1870 (oil on canvas)

The Wounded Eagle, c. 1870 (oil on canvas)
3588503 The Wounded Eagle, c.1870 (oil on canvas) by Bonheur, Rosa (1822-99); 147.6x114.6 cm; Los Angeles County Museum of Art, CA, USA; French, out of copyright

Background imageHurt Collection: 'Frocks and Frills, 'at the Haymarket Theatre (litho)

"Frocks and Frills, "at the Haymarket Theatre (litho)
1629202 " Frocks and Frills, " at the Haymarket Theatre (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: " Frocks and Frills)

Background imageHurt Collection: The Inter-University Football Match on 18 February (litho)

The Inter-University Football Match on 18 February (litho)
1598555 The Inter-University Football Match on 18 February (litho) by Cleaver, Ralph (fl.1902); Private Collection; (add.info.: The Inter-University Football Match on 18 February)

Background imageHurt Collection: Sporting with Winter Sports by H. M. Bateman - tobogganning

Sporting with Winter Sports by H. M. Bateman - tobogganning
A tobogganist takes a rather steep hill, wins the cup but limps away bruised and bandaged. Date: 1912

Background imageHurt Collection: A Victim of Good Luck, by W E Norris (litho)

A Victim of Good Luck, by W E Norris (litho)
1604758 A Victim of Good Luck, by W E Norris (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: A Victim of Good Luck, by W E Norris)

Background imageHurt Collection: The Cut Finger (engraving)

The Cut Finger (engraving)
671783 The Cut Finger (engraving) by Wilkie, David (1785-1841) (after); Private Collection; (add.info.: The Cut Finger. From The Wilkie Gallery (Virtue, c 1870)

Background imageHurt Collection: Man smoking cigar after skating accident (chromolitho)

Man smoking cigar after skating accident (chromolitho)
732746 Man smoking cigar after skating accident (chromolitho) by American School, (19th century); Private Collection; (add.info)

Background imageHurt Collection: The Victor (ceramic)

The Victor (ceramic)
NFM315348 The Victor (ceramic) by German School; height: 19 cm; National Football Museum, Manchester, UK; eNational Football Museum; out of copyright

Background imageHurt Collection: Show of the English Horse Society at Olympia (engraving)

Show of the English Horse Society at Olympia (engraving)
1055649 Show of the English Horse Society at Olympia (engraving) by Corbould, Alfred Chantrey (1852-1920); Private Collection; (add.info.: Show of the English Horse Society at Olympia)

Background imageHurt Collection: The Little Girl Who Was Unkind To Her Sister (colour litho)

The Little Girl Who Was Unkind To Her Sister (colour litho)
5224195 The Little Girl Who Was Unkind To Her Sister (colour litho) by English School, (19th century); Private Collection; (add.info.: The Little Girl Who Was Unkind To Her Sister)

Background imageHurt Collection: There was a young Fellow of Croy (engraving)

There was a young Fellow of Croy (engraving)
3622898 There was a young Fellow of Croy (engraving) by English School, (19th century); Private Collection; (add.info.: There was a young Fellow of Croy)

Background imageHurt Collection: By Loch Treachlan, Glencoe, Morning Mists, 1907 (oil on canvas)

By Loch Treachlan, Glencoe, Morning Mists, 1907 (oil on canvas)
3431767 By Loch Treachlan, Glencoe, Morning Mists, 1907 (oil on canvas) by Hurt, Louis Bosworth (1856-1929); Private Collection; Photo eChristies Images; English, out of copyright

Background imageHurt Collection: Children playing leap-frog in the street, New Year Card (chromolitho)

Children playing leap-frog in the street, New Year Card (chromolitho)
730799 Children playing leap-frog in the street, New Year Card (chromolitho) by English School, (19th century); Private Collection; (add.info.: Children playing leap-frog in the street)

Background imageHurt Collection: Injured, from Qualified Horses and Unqualified Riders, 1815 (colour engraving)

Injured, from Qualified Horses and Unqualified Riders, 1815 (colour engraving)
BSA266710 Injured, from Qualified Horses and Unqualified Riders, 1815 (colour engraving) by Alken, Henry Thomas (1785-1851); 45.5x53 cm; Private Collection; eThe British Sporting Art Trust; English

Background imageHurt Collection: The Story of an Auto-Motor Car (engraving)

The Story of an Auto-Motor Car (engraving)
1051204 The Story of an Auto-Motor Car (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Story of an Auto-Motor Car)

Background imageHurt Collection: The Injured Foot (engraving)

The Injured Foot (engraving)
6003619 The Injured Foot (engraving) by English School, (19th century); Private Collection; (add.info.: The Injured Foot. Illustration for The Childrens Friend (1888).); © Look and Learn

Background imageHurt Collection: Letter Q (colour litho)

Letter Q (colour litho)
6032891 Letter Q (colour litho) by European School, (19th century); Private Collection; (add.info.: Letter Q. Victorian scrap, late 19th century.); Look and Learn / Barbara Loe Collection

Background imageHurt Collection: Wife tending to her injured husband who has hurt himself doing carpentry (colour litho)

Wife tending to her injured husband who has hurt himself doing carpentry (colour litho)
5999991 Wife tending to her injured husband who has hurt himself doing carpentry (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageHurt Collection: More Frightened than Hurt (engraving)

More Frightened than Hurt (engraving)
1038606 More Frightened than Hurt (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: More Frightened than Hurt)

Background imageHurt Collection: Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze)

Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze)
824484 Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze) by Rodin, Auguste (1840-1917); 30.5 high cm; Private Collection; (add.info.: Man with the Broken Nose; L Homme au Nez Casse)

Background imageHurt Collection: A despotic king, a dog, a fox, a man, and a horse with maimed legs from Lights of Canopus

A despotic king, a dog, a fox, a man, and a horse with maimed legs from Lights of Canopus
3619849 A despotic king, a dog, a fox, a man, and a horse with maimed legs from Lights of Canopus, 1847 (ink and pigment on paper) by Persian School, (19th century); 35x21.5 cm; Walters Art Museum

Background imageHurt Collection: 'Get out of my way, pussy, my elephants might hurt you!'(colour litho)

"Get out of my way, pussy, my elephants might hurt you!"(colour litho)
3622691 " Get out of my way, pussy, my elephants might hurt you!" (colour litho) by Wilson, Patten (1868-1928) (after); Private Collection; (add.info.: " Get out of my way, pussy)

Background imageHurt Collection: Italian Students From The University Of Innsbruck Attacked In The Street By German Students

Italian Students From The University Of Innsbruck Attacked In The Street By German Students (colour litho)
2798606 Italian Students From The University Of Innsbruck Attacked In The Street By German Students (colour litho) by Beltrame

Background imageHurt Collection: Mr Pecksniff from Martin Chuzzlewit. I am not angry. I am hurt

Mr Pecksniff from Martin Chuzzlewit. I am not angry. I am hurt
LLM454486 Mr Pecksniff from Martin Chuzzlewit. I am not angry. I am hurt. by English School, (19th century); Private Collection; (add.info.: Mr Pecksniff from Martin Chuzzlewit. I am not angry)

Background imageHurt Collection: Detail from the Miracle Window depicting a wall falling on the infant Geoffrey of

Detail from the Miracle Window depicting a wall falling on the infant Geoffrey of
PC345081 Detail from the Miracle Window depicting a wall falling on the infant Geoffrey of Winchester (stained glass) by English School, (13th century); Canterbury Cathedral, Canterbury, Kent

Background imageHurt Collection: Cat-astrophe

Cat-astrophe
BON40254 Cat-astrophe! by Wain, Louis (1860-1939); Private Collection; Photo eBonhams, London, UK; English, out of copyright

Background imageHurt Collection: Margate Dog Show (engraving)

Margate Dog Show (engraving)
1616652 Margate Dog Show (engraving) by Wain, Louis (1860-1939); Private Collection; (add.info.: Margate Dog Show. Illustration for The Illustrated Sporting and Dramatic News, 17 May 1884)

Background imageHurt Collection: Through Glencoe by Way to the Tay, 1899 (oil on canvas)

Through Glencoe by Way to the Tay, 1899 (oil on canvas)
828398 Through Glencoe by Way to the Tay, 1899 (oil on canvas) by Hurt, Louis Bosworth (1856-1929); 91.4x152.7 cm; Private Collection; (add.info.: Through Glencoe by Way to the Tay)

Background imageHurt Collection: A Run with the Queens Staghounds (engraving)

A Run with the Queens Staghounds (engraving)
1047435 A Run with the Queens Staghounds (engraving) by English School, (19th century); Private Collection; (add.info.: A Run with the Queens Staghounds)



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"Hurt: A tapestry of pain and resilience" In the depths of a Gothic cathedral, stained glass windows bear witness to the haunting echoes of history. One such window depicts the solemn faces of those lost in the ravages of the First World War, their sacrifice forever etched into our collective memory. Amidst this somber setting, imagine stumbling upon a fairy with tear-stained wings. If you meet her, she might whisper tales of heartbreak and sorrow, reminding us that even magical beings are not immune to life's trials. Venturing further into Semur-en-Auxois, an ancient town steeped in tradition, we encounter Tir Aux Pigeons. Here lies a paradoxical scene - amidst joyous festivities where pigeons take flight, there is an undercurrent as one realizes these birds become targets for sport. A snapshot frozen in time emerges from 1947 – Mouse on Train. In this poignant image captured during post-war chaos and destruction, we glimpse how even innocent creatures can experience pain within humanity's turmoil. Love has long been known to be both beautiful and painful; its duality evident throughout history. As if echoing this sentiment through artistry itself, Bloody Thorns emerge from Spanish Gothic Art in the 14th Century – a reminder that love often comes at great cost. Yet sometimes it is not just emotional anguish that inflicts wounds upon our souls but also self-destruction. The chains that bind us may lead to biting consequences akin to a chained wolf sinking its teeth into a Kyrgyz wolfhound during Salburun festival – an allegory for personal struggles faced head-on. In recent times, movements like Black Lives Matter have brought societal hurts into sharp focus. They remind us that systemic injustices continue to inflict deep wounds on marginalized communities who demand recognition and equality. Ultimately though hurt surrounds us all; it is how we respond that defines us. Through adversity and pain, we find strength and resilience.

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