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Idealised Collection (#7)

"Capturing the Essence of Idealised: From Historical Triumphs to Artistic Visions" Napoleon Crossing the Grand Saint-Bernard Pass, 20 May 1800

Background imageIdealised Collection: Coffee plantation (colour litho)

Coffee plantation (colour litho)
3096828 Coffee plantation (colour litho) by German School, (19th century); Private Collection; (add.info.: Coffee plantation)

Background imageIdealised Collection: Bay of Naples, Italy (colour litho)

Bay of Naples, Italy (colour litho)
3096824 Bay of Naples, Italy (colour litho) by German School, (19th century); Private Collection; (add.info.: Bay of Naples, Italy)

Background imageIdealised Collection: Chinese tea plantation (colour litho)

Chinese tea plantation (colour litho)
3096823 Chinese tea plantation (colour litho) by German School, (19th century); Private Collection; (add.info.: Chinese tea plantation)

Background imageIdealised Collection: Schwarzburg (colour litho)

Schwarzburg (colour litho)
3096816 Schwarzburg (colour litho) by German School, (19th century); Private Collection; (add.info.: Schwarzburg. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard Walther)

Background imageIdealised Collection: Earths surface (colour litho)

Earths surface (colour litho)
3096813 Earths surface (colour litho) by German School, (19th century); Private Collection; (add.info.: Earths surface. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard)

Background imageIdealised Collection: Vienna, Austria (colour litho)

Vienna, Austria (colour litho)
3096811 Vienna, Austria (colour litho) by German School, (19th century); Private Collection; (add.info.: Vienna, Austria. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard)

Background imageIdealised Collection: Plants (colour litho)

Plants (colour litho)
3096801 Plants (colour litho) by German School, (19th century); Private Collection; (add.info.: Plants. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard Walther (Eklingen)

Background imageIdealised Collection: Post and railways (colour litho)

Post and railways (colour litho)
3096779 Post and railways (colour litho) by German School, (19th century); Private Collection; (add.info.: Post and railways)

Background imageIdealised Collection: The sea (colour litho)

The sea (colour litho)
3096776 The sea (colour litho) by German School, (19th century); Private Collection; (add.info.: The sea. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard Walther (Eklingen)

Background imageIdealised Collection: Coal mine (colour litho)

Coal mine (colour litho)
3096773 Coal mine (colour litho) by German School, (19th century); Private Collection; (add.info.: Coal mine. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard Walther)

Background imageIdealised Collection: Wood workers (colour litho)

Wood workers (colour litho)
3096771 Wood workers (colour litho) by German School, (19th century); Private Collection; (add.info.: Wood workers. Illustration for Bilder zum Anschauungsunterricht fur die Jugend by Eduard Walther)

Background imageIdealised Collection: Figure studies for the Sistine Ceiling, 1510-11 (red chalk on paper)

Figure studies for the Sistine Ceiling, 1510-11 (red chalk on paper)
3469689 Figure studies for the Sistine Ceiling, 1510-11 (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); 34.3x24.3 cm; Cleveland Museum of Art, OH, USA; Gift in memory of Henry G

Background imageIdealised Collection: Study for the Nude Youth over the Prophet Daniel, for the Sistine Ceiling

Study for the Nude Youth over the Prophet Daniel, for the Sistine Ceiling
3469688 Study for the Nude Youth over the Prophet Daniel, for the Sistine Ceiling, 1510-11 (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); 34.3x24.3 cm; Cleveland Museum of Art, OH

Background imageIdealised Collection: The Annunciation, c. 1878 (stained glass)

The Annunciation, c. 1878 (stained glass)
3475642 The Annunciation, c.1878 (stained glass) by Holmes Jewitt, Edward (1849-1929); St Lawrences Church, Crosby Ravensworth, Cumbria

Background imageIdealised Collection: Angel Musicians, 1888 (stained glass)

Angel Musicians, 1888 (stained glass)
3475637 Angel Musicians, 1888 (stained glass) by Holmes Jewitt, Edward (1849-1929); St Lawrences Church, Crosby Ravensworth, Cumbria

Background imageIdealised Collection: The Virgin Mary, 1873 (stained glass)

The Virgin Mary, 1873 (stained glass)
3475636 The Virgin Mary, 1873 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Martin Church, Marple, Stockport

Background imageIdealised Collection: St Frideswide, c. 1872 (stained glass)

St Frideswide, c. 1872 (stained glass)
3475585 St Frideswide, c.1872 (stained glass) by Holiday, Henry (1839-1927); St Mary Magdalene Church, Paddington, London, UK; (add.info.: Heaton Butler & Bayne); eAlastair Carew-Cox; English

Background imageIdealised Collection: St. John & The Angel, c. 1891 (stained glass)

St. John & The Angel, c. 1891 (stained glass)
3475570 St. John & The Angel, c.1891 (stained glass) by Brown, John William (1842-1928); St Andrews Church, Ashburton, UK; (add.info)

Background imageIdealised Collection: Martha, 1888 (stained glass)

Martha, 1888 (stained glass)
3475510 Martha, 1888 (stained glass) by Brown, John William (1842-1928); St Mary Magdalene Church, Woodstock, UK; (add.info.: James Powell & Sons); eAlastair Carew-Cox; out of copyright

Background imageIdealised Collection: Boreas, 1886 (stained glass)

Boreas, 1886 (stained glass)
3475508 Boreas, 1886 (stained glass) by Holmes Jewitt, Edward (1849-1929); Pownall Hall Farm, Wilmslow, Cheshire, UK; (add.info.: Pownall Hall, S&H, EH Jewitt, Boreas)

Background imageIdealised Collection: St Michael Weighing Souls, The Last Judgement detail, 1876 (stained glass)

St Michael Weighing Souls, The Last Judgement detail, 1876 (stained glass)
3475477 St Michael Weighing Souls, The Last Judgement detail, 1876 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael and St Mary Magdalenes Church, Easthampstead

Background imageIdealised Collection: Musical Angel, Nativity, 1876 (stained glass)

Musical Angel, Nativity, 1876 (stained glass)
3475476 Musical Angel, Nativity, 1876 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael and St Mary Magdalenes Church, Easthampstead

Background imageIdealised Collection: Abednigo, The Fiery Furnace, West Window, 1870 (stained glass)

Abednigo, The Fiery Furnace, West Window, 1870 (stained glass)
3475467 Abednigo, The Fiery Furnace, West Window, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire

Background imageIdealised Collection: Ruth with Corn, detail, 1881-83 (stained glass)

Ruth with Corn, detail, 1881-83 (stained glass)
3475453 Ruth with Corn, detail, 1881-83 (stained glass) by Holiday, Henry (1839-1927); The Church of St Editha, Tamworth, Staffordshire, UK; (add.info.: Tamworth, St Editha, JPS, HH, Ruth detail)

Background imageIdealised Collection: Samson and the Pillars, 1881-83 (stained glass)

Samson and the Pillars, 1881-83 (stained glass)
3475450 Samson and the Pillars, 1881-83 (stained glass) by Holiday, Henry (1839-1927); The Church of St Editha, Tamworth, Staffordshire

Background imageIdealised Collection: Archangels St Michael & St Gabriel, 1882 (stained glass)

Archangels St Michael & St Gabriel, 1882 (stained glass)
3475437 Archangels St Michael & St Gabriel, 1882 (stained glass) by Holiday, Henry (1839-1927); St Michaels Church, Muncaster, Cumbria, UK; (add.info.: Muncaster, St Michael, JPS, HH)

Background imageIdealised Collection: Angels, 1882 (stained glass)

Angels, 1882 (stained glass)
3475423 Angels, 1882 (stained glass) by Holmes Jewitt, Edward (1849-1929); All Saints Church, Higher Walton, Lancashire, UK; (add.info.: Higher Walton, St John the Evangelist, S&H, EHJ, Angels)

Background imageIdealised Collection: Angel Musician, 1877 (stained glass)

Angel Musician, 1877 (stained glass)
3475406 Angel Musician, 1877 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Leonards Church, Ribbesford, UK; (add.info.: Ribbesford, St Leonards, M&C, EBJ, Angel Musician, 1877)

Background imageIdealised Collection: Angel Musician, 1881 (stained glass)

Angel Musician, 1881 (stained glass)
3475400 Angel Musician, 1881 (stained glass) by Morris, William (1834-96); St James Church, Staveley, UK; eAlastair Carew-Cox; English, out of copyright

Background imageIdealised Collection: Angel Musician, 1881 (stained glass)

Angel Musician, 1881 (stained glass)
3475399 Angel Musician, 1881 (stained glass) by Morris, William (1834-96); St James Church, Staveley, UK; eAlastair Carew-Cox; English, out of copyright

Background imageIdealised Collection: Faith, 1888 (stained glass)

Faith, 1888 (stained glass)
3475385 Faith, 1888 (stained glass) by Holiday, Henry (1839-1927); St Johns Church, Keswick, Cumbria, UK; (add.info.: Keswick, St John s, JPS, HH, Faith, 1888); eAlastair Carew-Cox; English

Background imageIdealised Collection: O All Ye Children Of Men, Benedicite Window detail, c. 1895 (stained glass)

O All Ye Children Of Men, Benedicite Window detail, c. 1895 (stained glass)
3475379 O All Ye Children Of Men, Benedicite Window detail, c.1895 (stained glass) by Holiday, Henry (1839-1927); All Saints Church, Casterton Road, Stamford, UK; (add.info.: Casterton, All Saints)

Background imageIdealised Collection: Venus Born of the Sea Foam (The Birth of Venus) 1887 (oil on canvas)

Venus Born of the Sea Foam (The Birth of Venus) 1887 (oil on canvas)
3504694 Venus Born of the Sea Foam (The Birth of Venus) 1887 (oil on canvas) by Stott, William (1857-1900); Gallery Oldham, UK; eGallery Oldham; English, out of copyright

Background imageIdealised Collection: An Allegorical Female Figure, (oil on panel)

An Allegorical Female Figure, (oil on panel)
658334 An Allegorical Female Figure, (oil on panel) by Richmond, William Blake (1842-1921); 183.5x104.2 cm; Private Collection; (add.info.: An Allegorical Female Figure)

Background imageIdealised Collection: Portrait of a lady as Flora (oil on canvas)

Portrait of a lady as Flora (oil on canvas)
CH430287 Portrait of a lady as Flora (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 88.3x69.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageIdealised Collection: Pastoral Landscape, 1638 (oil on canvas)

Pastoral Landscape, 1638 (oil on canvas)
488248 Pastoral Landscape, 1638 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 97.16 x 130.18 cm; Minneapolis Institute of Arts, MN

Background imageIdealised Collection: Bust of Emperor Napoleon I (Sevres biscuit) (see also 698749)

Bust of Emperor Napoleon I (Sevres biscuit) (see also 698749)
698748 Bust of Emperor Napoleon I (Sevres biscuit) (see also 698749) by Chaudet, Antoine Denis (1763-1810) (after); 53.5x27.4x26.4 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt

Background imageIdealised Collection: Bust of Empress Josephine (Sevres biscuit) (detail) (see also 698746)

Bust of Empress Josephine (Sevres biscuit) (detail) (see also 698746)
698747 Bust of Empress Josephine (Sevres biscuit) (detail) (see also 698746) by Bosio, Francois Joseph, Baron (1768-1845) (after); 59x38x22 cm; BibliothAque Paul-Marmottan

Background imageIdealised Collection: Bust of Jerome Bonaparte (marble)

Bust of Jerome Bonaparte (marble)
698743 Bust of Jerome Bonaparte (marble) by Bosio, Francois Joseph, Baron (1768-1845) (after); 53.5x22.7x25 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

Background imageIdealised Collection: The Coming of Bride, c. 1930 (w / c)

The Coming of Bride, c. 1930 (w / c)
6198012 The Coming of Bride, c.1930 (w/c) by Duncan, John (1866-1945); 57.2x56.5 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageIdealised Collection: A Philharmonic Rehearsal in a Farmhouse, 1860 (oil on canvas)

A Philharmonic Rehearsal in a Farmhouse, 1860 (oil on canvas)
WAG13320 A Philharmonic Rehearsal in a Farmhouse, 1860 (oil on canvas) by Hodgson, John Evan (1831-95); 86.4 x 111.8 cm; Wolverhampton Art Gallery, West Midlands

Background imageIdealised Collection: Statue of Louis XIV (1638-1715), cour d honneur of Hotel Carnavalet, c

Statue of Louis XIV (1638-1715), cour d honneur of Hotel Carnavalet, c
XIR346020 Statue of Louis XIV (1638-1715), cour d honneur of Hotel Carnavalet, c.1687-89 (bronze) (b/w photo) by Coysevox, Antoine (1640-1720); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageIdealised Collection: Peaceful Homes, 1868 (oil on canvas)

Peaceful Homes, 1868 (oil on canvas)
ALM403386 Peaceful Homes, 1868 (oil on canvas) by Hart, James McDougal (1828-1901); 129.5x237.5 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageIdealised Collection: Ship Ahoy! (oil on canvas)

Ship Ahoy! (oil on canvas)
CH441574 Ship Ahoy! (oil on canvas) by Spaun, Paul von (1876-1932); 110.5x80 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageIdealised Collection: Victorious bride loved not the shows of this world - Here she sat a bird seat on a cliff

Victorious bride loved not the shows of this world - Here she sat a bird seat on a cliff
6200419 Victorious bride loved not the shows of this world - Here she sat a bird seat on a cliff (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee

Background imageIdealised Collection: Three Persons Viewing the Gladiator by Candlelight, c. 1764-65 (oil on canvas)

Three Persons Viewing the Gladiator by Candlelight, c. 1764-65 (oil on canvas)
5905768 Three Persons Viewing the Gladiator by Candlelight, c.1764-65 (oil on canvas) by Wright of Derby, Joseph (1734-97); Private Collection; (add.info.: Central portrait believed to be P. P)

Background imageIdealised Collection: Writing the Declaration of Independence, c. 1930 (photomechanical print)

Writing the Declaration of Independence, c. 1930 (photomechanical print)
5854062 Writing the Declaration of Independence, c.1930 (photomechanical print) by Ferris, Jean Leon Gerome (1863-1930); Private Collection; (add.info)



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"Capturing the Essence of Idealised: From Historical Triumphs to Artistic Visions" Napoleon Crossing the Grand Saint-Bernard Pass, 20 May 1800, 1802 (oil on canvas): A testament to determination and strategic brilliance, this iconic painting immortalizes Napoleon's audacious crossing of the treacherous pass, symbolizing his idealized vision for a united Europe. The Great Sacrifice by James Clark, WW1: In this poignant masterpiece, Clark pays tribute to the selfless heroism of soldiers who made the ultimate sacrifice during World War I - an idealized representation of bravery and patriotism that resonates through generations. Recruitment poster for the RAF: With its bold typography and soaring aircraft imagery, this poster embodies the idealized image of courage and adventure associated with joining Britain's Royal Air Force during times of conflict. Welwyn Garden City, an example of town planning: Designed as a utopian community in Hertfordshire, England, Welwyn Garden City epitomizes urban planning ideals with its harmonious blend of green spaces and functional architecture - a visionary concept brought to life. Mary Tudor / Egleton: This exquisite portrait captures Queen Mary Tudor in all her regal splendor while highlighting her idealized role as a powerful monarch shaping England's destiny amidst political turmoil. Trades union membership certificate: Symbolizing solidarity among workers striving for better conditions and fair treatment, this certificate represents an idealized vision where collective action empowers individuals within society. Woman with greyhound dogs in the Mountains: Against breathtaking mountain vistas lies an idyllic scene depicting harmony between humans and nature - a gentle reminder that our relationship with animals can embody tranquility and companionship at its best. Poster depicting cocoa pod gathering: Celebrating laborers' dedication in cultivating one of humanity's most beloved treats - chocolate.