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Identifying Collection

"Unveiling the Unseen: The Art through Time and Technology" Step into a world where hints unravel mysteries, as fingerprints become keys to unlocking secrets

Background imageIdentifying Collection: Poster, Public Warning, identifying aircraft, WW1

Poster, Public Warning, identifying aircraft, WW1
British information poster, Public Warning, identifying German and British aircraft, First World War. 1914-1918

Background imageIdentifying Collection: Fingerprint scanner

Fingerprint scanner. Persons finger being scanned by a fingerprint scanner. This scanner is being used to open a door. The ridges on peoples fingers form a unique identifying pattern

Background imageIdentifying Collection: The Kiss of Judas, Scenes from the Life of Christ (mosaic)

The Kiss of Judas, Scenes from the Life of Christ (mosaic)
XIR193457 The Kiss of Judas, Scenes from the Life of Christ (mosaic) by Byzantine School, (6th century); Sant Apollinare Nuovo, Ravenna, Italy; out of copyright

Background imageIdentifying Collection: Fingerprint scanner, artwork

Fingerprint scanner, artwork
Fingerprint scanner, computer artwork

Background imageIdentifying Collection: Human fingerprint

Human fingerprint
Fingerprint. Computer artwork of a human fingerprint. A fingerprint is formed by epidermal ridges, creating a distinct pattern. Each pattern is unique to an individual, even for identical twins

Background imageIdentifying Collection: Biometric scans

Biometric scans. Computer artwork of a human eye and fingerprint. Biometrics is the identification of individuals by measuring and analysing their physiological characteristics, such as fingerprints

Background imageIdentifying Collection: The Betrayal of Christ (oil)

The Betrayal of Christ (oil)
CH22891 The Betrayal of Christ (oil) by Vargas, Luis de (1502-86); Private Collection; Photo eChristies Images; Spanish, out of copyright

Background imageIdentifying Collection: View of Hartington, Peak District, Derbshire

View of Hartington, Peak District, Derbshire, basically uncanged to this day. The house on the left has a sign above the door identifying it as the village Post Office Date: 1906

Background imageIdentifying Collection: Doberman Dog of the Palestine Police Force in training, 1945

Doberman Dog of the Palestine Police Force in training, 1945
Photograph showing a doberman dog of the Palestine Police Force, during training, identifying the person it was told to track, November 1945

Background imageIdentifying Collection: Foot prints, 1850

Foot prints, 1850
3478447 Foot prints, 1850; (add.info.: Illustration of foot prints of different individuals, this system was used in identifying criminals. Dated 19th Century.); Universal History Archive/UIG.

Background imageIdentifying Collection: English pottery and porcelain marks. From The Business Encyclopaedia and Legal Adviser

English pottery and porcelain marks. From The Business Encyclopaedia and Legal Adviser, published 1907

Background imageIdentifying Collection: Edith The Fair Identifying Body Husband King Harold

Edith The Fair Identifying Body Husband King Harold
Edith the Fair identifying the body of her husband King Harold after his death at the Battle of Hastings, 1066. From Cassell's Illustrated History of England, published 1857

Background imageIdentifying Collection: RAF cadet identifying types of flight, WW2

RAF cadet identifying types of flight, WW2
RAF cadet identifying types of flight Date: circa 1941

Background imageIdentifying Collection: PILGRIMS/COMPOSTELLA

PILGRIMS/COMPOSTELLA
Two pilgrims - Die Jacobs Bruder - make their way to Compostella, dressed in the traditional garb ornamented with coquilles saint-Jacques identifying them as pilgrims Date: 1568

Background imageIdentifying Collection: Boeing WC-135B Constant Phoenix 61-2666

Boeing WC-135B Constant Phoenix 61-2666
United States Air Force - Boeing WC-135B Constant Phoenix 61-2666 (msn 18342) at McCleelan Air Force Base. Designated Constant Phoenix to collect atmospheric samples for the purpose of detecting

Background imageIdentifying Collection: United States Air Force Boeing WC-135B 61-2666

United States Air Force Boeing WC-135B 61-2666 (msn 18342) at McCleelan Air Force Base. Boeing C-135B-BN Stratolifter (Boeing 717-185)

Background imageIdentifying Collection: Pottery and porcelain marks

Pottery and porcelain marks
6317631 Pottery and porcelain marks by English School, (20th century); (add.info.: English pottery and porcelain marks. From The Business Encyclopaedia and Legal Adviser)

Background imageIdentifying Collection: Pottery and porcelain marks. From The Business Encyclopaedia and Legal Adviser, published 1907

Pottery and porcelain marks. From The Business Encyclopaedia and Legal Adviser, published 1907

Background imageIdentifying Collection: Denounced by a dying man (colour litho)

Denounced by a dying man (colour litho)
2807779 Denounced by a dying man (colour litho) by French School, (20th century); Private Collection; (add.info.: Denounced by a dying man)

Background imageIdentifying Collection: Illustration of Mushrooms c. 1923 (litho)

Illustration of Mushrooms c. 1923 (litho)
3090502 Illustration of Mushrooms c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: Illustration of Fish c. 1923 (litho)

Illustration of Fish c. 1923 (litho)
3090507 Illustration of Fish c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info.: Adolphe Philippe Millot (1857 - 1921) was a French naturalist illustrator;

Background imageIdentifying Collection: Illustration of Insects c. 1923 (litho)

Illustration of Insects c. 1923 (litho)
3090500 Illustration of Insects c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info.: Adolphe Philippe Millot (1857 - 1921) was a French naturalist illustrator;

Background imageIdentifying Collection: The Fire at a Charity Bazaar in Paris (litho)

The Fire at a Charity Bazaar in Paris (litho)
1597459 The Fire at a Charity Bazaar in Paris (litho) by Amato, G.S. (fl.1897-1914) (after); Private Collection; (add.info.: The Fire at a Charity Bazaar in Paris)

Background imageIdentifying Collection: An Every-Day Scene in the Morgue, identifying the Unknown Dead (litho)

An Every-Day Scene in the Morgue, identifying the Unknown Dead (litho)
6021951 An Every-Day Scene in the Morgue, identifying the Unknown Dead (litho) by American School, (19th century); Private Collection; (add.info.: An Every-Day Scene in the Morgue)

Background imageIdentifying Collection: The Betrayal of Christ, c. 1618-20 (oil on canvas)

The Betrayal of Christ, c. 1618-20 (oil on canvas)
487972 The Betrayal of Christ, c.1618-20 (oil on canvas) by Dyck, Anthony van (1599-1641); 141.9x113 cm; Minneapolis Institute of Arts, MN

Background imageIdentifying Collection: Illustration of Eggs c. 1923 (litho)

Illustration of Eggs c. 1923 (litho)
3082015 Illustration of Eggs c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info.: Adolphe Philippe Millot (1857 - 1921) was a French naturalist illustrator; 1

Background imageIdentifying Collection: Illustration of Crustaceans c. 1923 (litho)

Illustration of Crustaceans c. 1923 (litho)
3090498 Illustration of Crustaceans c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: Are you a Mason? (colour litho)

Are you a Mason? (colour litho)
3641568 Are you a Mason? (colour litho) by English School, (20th century); Private Collection; (add.info.: Are you a Mason? Postcard, early 20th century.); © Look and Learn

Background imageIdentifying Collection: The Kiss of Judas and the Arrest of Christ (wood)

The Kiss of Judas and the Arrest of Christ (wood)
XIR414033 The Kiss of Judas and the Arrest of Christ (wood) by Basabe, Vicente Martin (fl.1603-10); Musee des Beaux-Arts, Pau, France; (add.info.: Kiss of Judas and Arrest of Christ; ); Spanish

Background imageIdentifying Collection: The Soudan, after the Second Battle of Teb (engraving)

The Soudan, after the Second Battle of Teb (engraving)
1061528 The Soudan, after the Second Battle of Teb (engraving) by Villiers, Frederic (1851-1922) (after); Private Collection; (add.info.: The Soudan, after the Second Battle of Teb)

Background imageIdentifying Collection: Japanese Officers identifying the Dead after an Engagement (litho)

Japanese Officers identifying the Dead after an Engagement (litho)
1039276 Japanese Officers identifying the Dead after an Engagement (litho) by Bigot, Georges Ferdinand (1860-1927) (after); Private Collection; (add.info)

Background imageIdentifying Collection: Illustration of Butterflies and Moths c. 1923 (litho)

Illustration of Butterflies and Moths c. 1923 (litho)
3090503 Illustration of Butterflies and Moths c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: Illustration of useful Insects and insect pests c. 1923 (litho)

Illustration of useful Insects and insect pests c. 1923 (litho)
3090508 Illustration of useful Insects and insect pests c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: Illustration of Marine Fish c. 1923 (litho)

Illustration of Marine Fish c. 1923 (litho)
3090504 Illustration of Marine Fish c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: Victims of burglaries trying to identify their stolen property at Kings Cross Road Police Station

Victims of burglaries trying to identify their stolen property at Kings Cross Road Police Station, London
5216776 Victims of burglaries trying to identify their stolen property at Kings Cross Road Police Station, London, 1891 (engraving) by English School

Background imageIdentifying Collection: Illustration of Insects c. 1923 (litho)

Illustration of Insects c. 1923 (litho)
3090501 Illustration of Insects c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info.: Adolphe Philippe Millot (1857 - 1921) was a French naturalist illustrator;

Background imageIdentifying Collection: Illustration of Algae and Seaweed c. 1923 (litho)

Illustration of Algae and Seaweed c. 1923 (litho)
3090496 Illustration of Algae and Seaweed c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: Illustration of Butterflies and Moths c. 1923 (litho)

Illustration of Butterflies and Moths c. 1923 (litho)
3090506 Illustration of Butterflies and Moths c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: Illustration of Butterflies and moths c. 1923 (litho)

Illustration of Butterflies and moths c. 1923 (litho)
3082017 Illustration of Butterflies and moths c.1923 (litho) by Millot, Adolphe Philippe (1857 - 1921); Private Collection; (add.info)

Background imageIdentifying Collection: With the Nile Expedition (litho)

With the Nile Expedition (litho)
1050795 With the Nile Expedition (litho) by Nash, Joseph (d.1922); Private Collection; (add.info.: With the Nile Expedition)



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"Unveiling the Unseen: The Art through Time and Technology" Step into a world where hints unravel mysteries, as fingerprints become keys to unlocking secrets. From the sleek fingerprint scanner that guards our modern-day security to the faded poster warning us of lurking dangers, identifying takes on various forms. Intricate mosaics depict biblical scenes like "The Kiss of Judas, " reminding us how even ancient civilizations sought ways to identify individuals. As we marvel at these timeless artworks, we realize that human fingerprints have always been unique identifiers throughout history. Advancements in biometric scans now allow us to delve deeper into identification processes. Just as "The Betrayal of Christ" immortalizes a moment in oil paint, technology captures our very essence with precision and accuracy. Amidst breathtaking landscapes like the View of Hartington in Derbyshire's Peak District, identifying aircraft soaring above reminds us how crucial it is for safety and security. Similarly, Doberman dogs trained by Palestine Police Force during WW2 were indispensable allies in identifying threats amidst chaos. Not limited to personal identification alone, institutions like National Children's Home (NCH) utilize aerial views for efficient organization and protection. Meanwhile, medical identification tags serve as lifesaving tools when time is critical. Through these diverse glimpses into the artistry and science behind identifying, we are reminded that every hint holds significance – be it an artwork or a technological marvel. In this ever-evolving world where identities intertwine seamlessly with innovation, let us appreciate the beauty found within each individual fingerprint – a testament to our uniqueness and interconnectedness.