Illegible Collection

The Thames at Westminster, London Signed and dated in center right: cd jong
The Thames at Westminster, London Signed and dated in center right: " cd jong [?] [?]" [date illegible], Claude de Jongh, active 1628-1663, Dutch

Euripides Medea (Fragment)
Minute fragment from Euripides Medea, v.1057-1062, parchment. From a codex, main body text in brown in a rounded unical hand

Unidentified Fragment
Fragment of a leaf of a manuscript, parchment. Text in Middle German(?). The text block has wide margins above, beneath and to the left-hand side but the leaf has been cut down the right-hand side

Middle-aged man in a studio photo (with illegible signature). Date: circa 1905

Dinner Time!!! (engraving)
6016536 Dinner Time!!! (engraving) by Barnard, Frederick (1846-1896) (attr. to); Private Collection; (add.info.: Dinner Time!!)

Double portrait Lienhard LAOEtzelmann wife Margreth Wohnlich
Double portrait of Lienhard Lutzelmann and his wife Margreth Wohnlich, 1621, oil on canvas, 102 x 138 cm, signed and dated upper right: BARTHOLOM. SARBVRG F

Portrait Hans Murer c. 1580-1620 oil panel 27. 5 x 19 cm
Portrait of Hans Murer, c. 1580-1620, oil on panel, 27.5 x 19 cm, unsigned. Above: Mr. Hans Maurer. Ward zunftmeister, Saffren A. 1561. Died Blessed A. 1564. Hr: Jos Maurer, Mahlers Vatter

Portrait hunter 1704 oil canvas 128. 5 x 97 cm
Portrait of a hunter, 1704, oil on canvas, 128.5 x 97 cm, signed and dated lower right: Desportes 1704 (illegible), Alexandre-Francois Desportes, Champigneulle 1661-1743 Paris

Tree-line avenue Basse Egypte Janvier 1906 Travel albums
Tree-line avenue, Basse Egypte Janvier 1906, Travel albums from Paul Fleurys trips to Switzerland, the Middle East, India, Asia, and South America, Zangaki, P

Winged Putto Riding Sea Horse Lion Raphael verso
Artokoloro

Cassone pair second quarter 15th century Italian
Artokoloro

The sour prospect before us, or The ins throwing up State, Dent, William, active 1783-1793, publisher, [England] : Pub by W. Dent [date illegible] 1789 : Sold by W Moore, No. 308 Oxford Street, 1789

Shepherd Boy Playing a Flute Shepherd Boy A Sheperd Boy with a Dog landscape Signed and dated, lower left: " [J l...ell] [date illegible ??], John Linnell, 1792-1882, British

The Artist and His Family The Artists Family The West Family Signed and dated, lower left: " B. West, 1770/72[?]" [mostly illegible], Benjamin West, 1738-1820, American

An Unknown Man, Aged 29, Possibly of the Kempe Family Inscribed in yellow paint, upper left: " [illegible]" Dated in yellow paint, upper right: " AETATIS SUAE. 29

Sketch for The Reading of a Will Dated center, illegible: 1[?]20"
Sketch for The Reading of a Will Dated center, illegible: " 1[?]20", Sir David Wilkie, 1785-1841, British

The Victory Returning from Trafalgar, in Three Positions The Victory"
The Victory Returning from Trafalgar, in Three Positions The " Victory" returning from Trafalgar Inscription lower right, illegible. Joseph Mallord William Turner, 1775-1851, British

The Sour Prospect Before Us, Or The Ins Throwing Up State, Dent, William, Active 1783-1793, Publisher, [england] : Pub By W. Dent [date Illegible] 1789 : Sold By W Moore, No. 308 Oxford Street, 1789

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"Decoding the Enigmatic: Unraveling Illegible Clues from High Court Citizenship Case to Historic Portraits" In a captivating journey through time and art, we delve into the realm hints that have left historians and enthusiasts intrigued. From the riveting High Court Citizenship Case to enigmatic fragments like "Euripides Medea, " these mysteries beckon us to unlock their secrets. As we stand by The Thames at Westminster, London, gazing upon an artwork signed by cd jong, our curiosity intensifies. What story does this piece hold? Is it connected to the unidentified fragment or perhaps intertwined with a middle-aged man's studio photo? Amidst this puzzle lies an engraving titled "Dinner Time. . ", evoking images of shared meals and camaraderie. How does it fit within this cryptic narrative? And what about the double portrait featuring Lienhard LAOEtzelmann and his wife Margreth Wohnlich? Do they hold clues to unraveling this intricate web? Our quest for answers takes us further back in history as we encounter glimpses of the Battle of Waterloo in 1815. Was there a connection between this monumental event and the silhouette portrait of a man? Could he be someone significant or merely another piece in this perplexing mosaic? Amongst these enigmas stands out a portrait of Hans Murer, painted between 1580-1620 on a small oil panel. Who was he, and why is his image shrouded in mystery? Similarly intriguing is the oil canvas depicting a hunter from 1704 - what stories lie behind those brushstrokes? With each clue deciphered, we inch closer to understanding these elusive narratives that transcend time itself. As history unfolds before our eyes, let us embark on this enthralling journey together - piecing together fragments from different eras until every stroke makes sense.