Illuminator Collection

A Fender (boating) hanging on the board to protect the side of the sailing vessel from the damage. Italy

Portrait of Giorgio Giulio Clovio, illuminator, miniaturist, and painter born in Croatia, active in Renaissance Italy
6338714 Portrait of Giorgio Giulio Clovio, illuminator, miniaturist, and painter born in Croatia, active in Renaissance Italy, 1496-1578 by Greco

Illuminator, 1458 (chromolitho)
2817203 Illuminator, 1458 (chromolitho) by French School, (19th century); Private Collection; (add.info.: Illuminator, 1458. Educational card, late 19th or early 20th century.); © Look and Learn

The Manuscript Illuminator (engraving)
3646601 The Manuscript Illuminator (engraving) by Amman, Jost (1539-91) (after); Private Collection; (add.info.: The Manuscript Illuminator)

Portrait of Bartolomeo della Gatta, Italian (Florentine) painter, illuminator, and architect, 1448-1502
6338656 Portrait of Bartolomeo della Gatta, Italian (Florentine) painter, illuminator, and architect, 1448-1502 by Italian School, (16th-17th century); (add.info.: Portrait of Bartolomeo della Gatta)

Self-portrait, 1558 (tempera and gold leaf on parchment)
3525765 Self-portrait, 1558 (tempera and gold leaf on parchment) by Bening, Simon (c.1483-1561); 8.5x5.7 cm; Metropolitan Museum of Art, New York

Eelctricity in diagnosis (b / w photo)
6013612 Eelctricity in diagnosis (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Eelctricity in diagnosis)

Ms 149 t. 1 fol. 1 The Scribe, from the Histoire des Nobles Princes de Hainaut
XIR240916 Ms 149 t.1 fol.1 The Scribe, from the Histoire des Nobles Princes de Hainaut, by Jacques de Guise (vellum) by French School, (15th century); Bibliotheque Municipale, Boulogne-sur-Mer

The Nativity, 1406-10 (tempera on wood, gold ground)
3471139 The Nativity, 1406-10 (tempera on wood, gold ground) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); 22.2x31.1 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Adoration of the Shepherds, c. 1500 (tempera and gold on parchment)
3471138 Adoration of the Shepherds, c.1500 (tempera and gold on parchment) by Marmitta, Francesco (c.1460-1505); 24.4x15.2 cm; Metropolitan Museum of Art, New York

Jaume Marquilles delivers his book to the Consellers of Barcelona in the presence of King Alphonso IV the Magnanimous (1416-1458)

Illuminator, 16th century (1849). Artist: Jost Amman
Illuminator, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Saint Gregory the Illuminator (c. 257- c. 331). Statue. St
Saint Gregory the Illuminator or Saint Gregory the Enlightener (c. 257- c. 331). Patron saint and first official head of the Armenian Apostolic Church. Statue. St. Peters Basilica. Vatican City

Manuscript Illumination Birth Virgin Initial G
Artokoloro

Cyrus the Great, Founder of the Persian Empire, killed by Thamaris, Queen of the Massagetai; Boucicaut Master Illuminator, French, active about 1390 - 1430; Paris, France

Polycrates Hanged; Boucicaut Master Illuminator, French, active about 1390 - 1430; Paris, France, Europe; about 1413 - 1415; Tempera colors, gold leaf, gold paint

Boccaccios Vision of the Laurel-Crowned Petrarch; Boucicaut Master Illuminator, French, active about 1390 - 1430; Paris, France, Europe; about 1413 - 1415; Tempera colors, gold leaf, gold paint

The Knights Templar Burned in the Presence of Philip the Fair and His Courtiers; Boucicaut Master Illuminator, French, active about 1390 - 1430; Paris, France

Initial M: The Death of Saint Dominic; Bolognese Illuminator of the First Style; Bologna, Italy, Emilia-Romagna, Europe; about 1265; Tempera colors, gold

ILLUMINATOR, 1568. The Illuminator colors or gilds pictures on paper or parchment; he does not hold with stencils, which produce poor work that is less highly remunerated

Microscope Optics and Mirror Diagrams C017 / 3456
Plate from 18th century encyclopedia showing illustrations of microscope optics and apparatus. Several technical innovations make microscopes better and easier to handle

Saint Gregory the Illuminator (or Enlightener), patron saint of Armenia, Bishop of Artashat. He was the first official head of the Armenian Apostolic Church

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The art of illumination has a rich and fascinating history, spanning centuries and continents. From the early days of Saint Gregory the Illuminator in the 3rd century to the Renaissance brilliance of Giorgio Giulio Clovio, illuminators have left their mark on the world. Intricate statues and portraits capture the essence of these talented individuals. A statue immortalizes Saint Gregory, whose skill with light brought beauty to religious manuscripts. Meanwhile, a portrait reveals Clovio's mastery as an illuminator, miniaturist, and painter who graced Renaissance Italy with his talent. Through chromolithography and engravings, we catch glimpses into the lives of other illuminators throughout history. An image from 1458 showcases an anonymous artist at work, diligently bringing colors to life on parchment. Bartolomeo della Gatta's portrait reminds us that he was not only a renowned painter but also an accomplished illuminator and architect. The self-portrait of an unknown artist from 1558 demonstrates how tempera and gold leaf were used to create stunning illuminated manuscripts. These works were treasured for their intricate details and vibrant colors that seemed to glow from within. Beyond artistic endeavors, illumination played a role in scientific advancements as well. A black-and-white photograph depicts electricity being used for medical diagnosis—a testament to how innovation can shed light on new possibilities. Turning our attention back to illuminated manuscripts themselves, we encounter scenes filled with wonderment. The scribe meticulously transcribes words onto parchment while Jaume Marquilles delivers his book amidst esteemed company in Barcelona—an act symbolizing knowledge shared through illumination. Finally, two breathtaking artworks transport us into sacred moments captured by skilled hands using tempera paint mixed with gold accents—The Nativity evokes awe while The Adoration of the Shepherds invites contemplation.