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Incredulity Collection

"Incredulity: A Journey of Doubt and Faith" In the realm of faith, doubt often lingers like a shadow, testing our beliefs and challenging our convictions

Background imageIncredulity Collection: Incredulity of St Thomas

Incredulity of St Thomas
3362092 Incredulity of St Thomas by Guercino (Giovanni Francesco Barbieri) (1591-1666); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageIncredulity Collection: I am Edward, King of England, 1923 (colour litho)

I am Edward, King of England, 1923 (colour litho)
IL439851 I am Edward, King of England, 1923 (colour litho) by Hatherell, William (1855-1928); Private Collection; (add.info.: Illustration from The Prince and the Pauper by Mark Twain)

Background imageIncredulity Collection: Fol. 132vb Doubting Thomas asks to touch the wound of Christ (vellum)

Fol. 132vb Doubting Thomas asks to touch the wound of Christ (vellum)
ALI142189 Fol.132vb Doubting Thomas asks to touch the wound of Christ (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageIncredulity Collection: The Incredulity and Confession of Thomas (engraving)

The Incredulity and Confession of Thomas (engraving)
5200646 The Incredulity and Confession of Thomas (engraving) by Schnorr von Carolsfeld, Julius (1794-1872) (after); Private Collection; (add.info.: The Incredulity and Confession of Thomas)

Background imageIncredulity Collection: The incredulity of Thomas (engraving)

The incredulity of Thomas (engraving)
5224105 The incredulity of Thomas (engraving) by English School, (19th century); Private Collection; (add.info.: The incredulity of Thomas)

Background imageIncredulity Collection: The Incredulity of Saint Thomas, c. 1556-57 (ink & wash on paper)

The Incredulity of Saint Thomas, c. 1556-57 (ink & wash on paper)
877314 The Incredulity of Saint Thomas, c.1556-57 (ink & wash on paper) by Vasari, Giorgio (1511-74); 21.5x17.6 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageIncredulity Collection: Doubting Thomas with St. Magnus, c. 1504-05

Doubting Thomas with St. Magnus, c. 1504-05
FTB165438 Doubting Thomas with St. Magnus, c.1504-05 by Cima da Conegliano, Giovanni Battista (c.1459-1517); 210x141 cm; Gallerie dell Accademia, Venice

Background imageIncredulity Collection: The Doubting Thomas (bronze)

The Doubting Thomas (bronze)
BAT237841 The Doubting Thomas (bronze) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageIncredulity Collection: Window depicting the doubting St Thomas (stained glass)

Window depicting the doubting St Thomas (stained glass)
2921828 Window depicting the doubting St Thomas (stained glass) by French School, (15th century); Eglise Saint Martin, Vatteville-la-Rue

Background imageIncredulity Collection: Doubting Thomas (oil on panel)

Doubting Thomas (oil on panel)
AII135293 Doubting Thomas (oil on panel) by Mazzolino, Lodovico (c.1479-c.1528); Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Background imageIncredulity Collection: The Doubting Thomas (bronze) (detail of 237841)

The Doubting Thomas (bronze) (detail of 237841)
869987 The Doubting Thomas (bronze) (detail of 237841) by Verrocchio, Andrea del (1435-88); Orsanmichele Church and Museum, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian

Background imageIncredulity Collection: The Incredulity of St Thomas, John XX, 27 (engraving)

The Incredulity of St Thomas, John XX, 27 (engraving)
6005688 The Incredulity of St Thomas, John XX, 27 (engraving) by European School, (19th century); Private Collection; (add.info.: The Incredulity of St Thomas, John XX, 27)

Background imageIncredulity Collection: The Incredulity of St. Thomas, c. 1514 (pen & ink on paper) (verso of 3551547)

The Incredulity of St. Thomas, c. 1514 (pen & ink on paper) (verso of 3551547)
FIT82783 The Incredulity of St. Thomas, c.1514 (pen & ink on paper) (verso of 3551547) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 23.1x37.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageIncredulity Collection: Benjamin Franklin - Royal Society derides his discoveries

Benjamin Franklin - Royal Society derides his discoveries
Benjamin Franklins discoveries are met with incredulity by the Royal Society of London. Date: 1706 - 1790

Background imageIncredulity Collection: The risen Jesus says to Thomas: Put your finger here and be

The risen Jesus says to Thomas: Put your finger here and be not faithless. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageIncredulity Collection: Incredulity Thomas St Thomas unbelieving Tomas

Incredulity Thomas St Thomas unbelieving Tomas
The Incredulity of Thomas The Incredulity of St Thomas, The unbelieving Tomas. Christ stands in the midst of his disciples. Tomas feels with his finger in the wound in Christ

Background imageIncredulity Collection: Incredulity St Thomas Unbelieving Tomas Standing amidst

Incredulity St Thomas Unbelieving Tomas Standing amidst
The Incredulity of St Thomas, The Unbelieving Tomas. Standing amidst the disciples, Thomas sticks his finger in the wound in the side of Christ

Background imageIncredulity Collection: incredulity Thomas prints paintings Nicolas Poussin

incredulity Thomas prints paintings Nicolas Poussin
The incredulity of Thomas, prints after paintings by Nicolas Poussin, Audran, Gerard, 1640-1703, Poussin, Nicolas, 1594?-1665, 1645-1711

Background imageIncredulity Collection: 3 Old Italian Masters Incredulity St. Thomas

3 Old Italian Masters Incredulity St. Thomas
3: Old Italian Masters: The Incredulity of St. Thomas, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving

Background imageIncredulity Collection: Jesus performing miracles to the disbelief of the Jews. Code

Jesus performing miracles to the disbelief of the Jews. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageIncredulity Collection: The reading out of letters from Franklin to the Royal Society of London

The reading out of letters from Franklin to the Royal Society of London is greeted with incredulity and remarks of irony

Background imageIncredulity Collection: Central panel from the St. Thomas Altarpiece, 1501, Christ and Saint Thomas surrounded by St

Central panel from the St. Thomas Altarpiece, 1501, Christ and Saint Thomas surrounded by St
XIR352380 Central panel from the St. Thomas Altarpiece, 1501, Christ and Saint Thomas surrounded by St.Helena, Mary Magdalena, St.Jerome and St.Ambrose (oil on panel) by Master of St

Background imageIncredulity Collection: The Incredulity of Thomas (recto), Study for the Figure of Thom

The Incredulity of Thomas (recto), Study for the Figure of Thomas (verso); Pellegrino Tibaldi, Italian (Bolognese), 1527 - 1596; Italy, Europe; about 1565 - 1585; Pen and brown ink and brown wash

Background imageIncredulity Collection: The Incredulity of Thomas (1634) Picture illustrating episode in John 20: 19-29

The Incredulity of Thomas (1634) Picture illustrating episode in John 20: 19-29
The Incredulity of Thomas (1634) Picture illustrating episode in John 20:19-29 where the Apostle Thomas puts hand in wound in the risen Saviours side as he doubts what he is seeing

Background imageIncredulity Collection: SANTO DOMINGO DE SILOS, Master of (12th century)

SANTO DOMINGO DE SILOS, Master of (12th century). The Incredulity of Saint Thomas. 12th c. SPAIN. Santo Domingo de Silos. Monastery of Santo Domingo (St. Dominic). Romanesque art. Relief on rock


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"Incredulity: A Journey of Doubt and Faith" In the realm of faith, doubt often lingers like a shadow, testing our beliefs and challenging our convictions. The story of Thomas, forever known as the doubter, encapsulates this delicate dance between skepticism and belief. "The risen Jesus says to Thomas: Put your finger here and be, " whispers an ancient scripture. In that moment, incredulity consumes Thomas as he yearns for tangible proof before surrendering to faith's embrace. His outstretched hand reaches towards the wounds on Christ's body - a desperate plea for certainty in an uncertain world. Centuries later, artists captured this profound encounter through their masterful creations. "Incredulity of St. Thomas" they titled their works - from vivid color lithographs to intricate engravings etched upon vellum pages. "I am Edward, King of England, " declares a regal figure in 1923 amidst a changing world. Yet even kings are not immune to moments of disbelief; they too grapple with questions that test their very core. The inked strokes on paper reveal another rendition - "The Incredulity of Saint Thomas. " Washes blend seamlessly together as doubt mingles with hope upon fragile parchment. And nearby stands "Doubting Thomas with St. Magnus, " painted centuries ago but still resonating today; two souls bound by uncertainty seeking solace within each other's presence. An altar piece reveals yet another facet - "The Incredulity of St. Thomas" detailed meticulously on its reverse surface where hidden beauty awaits discovery beneath layers unseen by casual observers. Bronze sculptures immortalize doubt itself in three-dimensional form - "The Doubting Thomas" frozen in time yet forever questioning his own perception while stained glass windows depict the doubter bathed in ethereal light, reminding us that even amidst darkness there is room for illumination.