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Indigenous People Collection (page 6)

"Preserving the Rich Heritage of Indigenous People: A Glimpse into their Vibrant Cultures" Exploring the Ancient Cave of the Hands in Argentina

Background imageIndigenous People Collection: Do You Know: Why is grapefruit so called? (colour litho)

Do You Know: Why is grapefruit so called? (colour litho)
8668107 Do You Know: Why is grapefruit so called? (colour litho) by English School, (20th century); Private Collection; (add.info.: Why is grapefruit so called)

Background imageIndigenous People Collection: Une Famille de Plougastel-Daoulas (colour photo)

Une Famille de Plougastel-Daoulas (colour photo)
8653047 Une Famille de Plougastel-Daoulas (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: Une Famille de Plougastel-Daoulas)

Background imageIndigenous People Collection: Les Mariages de Plougastel-Daoulas, Le Bal de la Gavotte (colour photo)

Les Mariages de Plougastel-Daoulas, Le Bal de la Gavotte (colour photo)
8653054 Les Mariages de Plougastel-Daoulas, Le Bal de la Gavotte (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: Les Mariages de Plougastel-Daoulas)

Background imageIndigenous People Collection: Scaer, Le Jambadao de la Gavotte bretonne (colour photo)

Scaer, Le Jambadao de la Gavotte bretonne (colour photo)
8653040 Scaer, Le Jambadao de la Gavotte bretonne (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: Scaer, Le Jambadao de la Gavotte bretonne)

Background imageIndigenous People Collection: Scotland: Group of Natives, St Kilda (b/w photo)

Scotland: Group of Natives, St Kilda (b/w photo)
8654891 Scotland: Group of Natives, St Kilda (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Group of Natives, St Kilda)

Background imageIndigenous People Collection: World, Occupations, Commercial Languages and Currencies (colour litho)

World, Occupations, Commercial Languages and Currencies (colour litho)
8650827 World, Occupations, Commercial Languages and Currencies (colour litho) by English School, (20th century); Private Collection; (add.info.: World, Occupations)

Background imageIndigenous People Collection: Walter Trier's crazy costumes: Eskimo (colour litho)

Walter Trier's crazy costumes: Eskimo (colour litho)
8646569 Walter Trier's crazy costumes: Eskimo (colour litho) by Trier, Walter (1890-1951); Private Collection; (add.info.: Eskimo)

Background imageIndigenous People Collection: Eskimo native photographed on North Pole expedition, handcolored print, 1909 (photo)

Eskimo native photographed on North Pole expedition, handcolored print, 1909 (photo)
8782679 Eskimo native photographed on North Pole expedition, handcolored print, 1909 (photo) by Peary, Robert Edwin (1856-1920); (add.info.: Eskimo native photographed on North Pole expedition)

Background imageIndigenous People Collection: James Red Cloud 1899 (Albumen silver print)

James Red Cloud 1899 (Albumen silver print)
8766648 James Red Cloud 1899 (Albumen silver print) by Rinehart, Frank Albert (1861-1928); 23.5x18.4 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageIndigenous People Collection: Shingaba W'Ossin (Chippewa) 1831 (Oil on canvas)

Shingaba W'Ossin (Chippewa) 1831 (Oil on canvas)
8766611 Shingaba W'Ossin (Chippewa) 1831 (Oil on canvas) by Inman, Henry (1801-46); 98.4x85.7 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageIndigenous People Collection: Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool

Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool
UIG5425947 Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool, which was used to produce fire. Dated 19th Century ©UIG/Leemage.

Background imageIndigenous People Collection: Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool

Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool
UIG5425957 Engraving depicting a North American Indian using a bow drill, a prehistoric form of drilling tool, which was used to produce fire. Dated 19th Century; UIG.

Background imageIndigenous People Collection: Portrait of a man from Oonalashka (or Unalaska, Alaska, United States)

Portrait of a man from Oonalashka (or Unalaska, Alaska, United States). Late 18th century engraving, by William Sharp ()
MMM5484991 Portrait of a man from Oonalashka (or Unalaska, Alaska, United States). Late 18th century engraving, by William Sharp (?) , after John Webber (1751-1793)

Background imageIndigenous People Collection: An aboriginal canoe coming to meet the schooner 'Tom Tough', August 28, 1855

An aboriginal canoe coming to meet the schooner 'Tom Tough', August 28, 1855
MMM5460253 An aboriginal canoe coming to meet the schooner 'Tom Tough', August 28, 1855, during the British expedition in the Gulf of Carpentaria (Australia); National Maritime Museum

Background imageIndigenous People Collection: Terrestrial floor globe, detail of Cartouche, c.1650 (papier mache, plaster, copper-engraved, ink)

Terrestrial floor globe, detail of Cartouche, c.1650 (papier mache, plaster, copper-engraved, ink, varnish, brass)
7340692 Terrestrial floor globe, detail of Cartouche, c.1650 (papier mache, plaster, copper-engraved, ink, varnish, brass, wood, paper) by Blaeu

Background imageIndigenous People Collection: One of the Greenland Inuit, 1854 (b/w photo)

One of the Greenland Inuit, 1854 (b/w photo)
7340156 One of the Greenland Inuit, 1854 (b/w photo) by Inglefield, Admiral Edward Augustus (1820-94); National Maritime Museum, London

Background imageIndigenous People Collection: Young persan holding a mirror, ca 1820 (Engraving)

Young persan holding a mirror, ca 1820 (Engraving)
7422861 Young persan holding a mirror, ca 1820 (Engraving); (add.info.: Geography. Iran. Young persan holding a mirror. Engraving, France, ca 1820.); © Archives Charmet.

Background imageIndigenous People Collection: Texas Rangers (print)

Texas Rangers (print)
7419933 Texas Rangers (print); (add.info.: A group of Texas Rangers charge during a skirmish with Native Americans. After a 19th century illustration by Henry Walker Herrick)

Background imageIndigenous People Collection: A young woman of the Sandwich Islands, 18th century (engraving)

A young woman of the Sandwich Islands, 18th century (engraving)
7341834 A young woman of the Sandwich Islands, 18th century (engraving) by Webber, John (1750-93); 31.4x25.5 cm; National Maritime Museum, London

Background imageIndigenous People Collection: A young woman of Otaheite, bringing a present, 18th century (engraving)

A young woman of Otaheite, bringing a present, 18th century (engraving)
7341833 A young woman of Otaheite, bringing a present, 18th century (engraving) by Webber, John (1750-93) (after); 51.5x38.5 cm; National Maritime Museum, London

Background imageIndigenous People Collection: An Indian village. (print)

An Indian village. (print)
7419903 An Indian village. (print); (add.info.: An Indian village. A 19th century print by an unidentified artist.); Photo © Ken Welsh. All rights reserved 2024.

Background imageIndigenous People Collection: Natives young women of the land of Fire at the Cape Horn, 1885 Publisher: Le Tour du Monde

Natives young women of the land of Fire at the Cape Horn, 1885 Publisher: Le Tour du Monde, 1st edition, 1885 (print)
7295195 Natives young women of the land of Fire at the Cape Horn, 1885 Publisher: Le Tour du Monde, 1st edition, 1885 (print); Private Collection; Photo ©Jaime Abecasis.

Background imageIndigenous People Collection: Columbus received by the Catholic Monarchs in Barcelona (ceramic)

Columbus received by the Catholic Monarchs in Barcelona (ceramic)
7294944 Columbus received by the Catholic Monarchs in Barcelona (ceramic); Seville, Spain; (add.info.: Columbus received by the Catholic Monarchs in Barcelona or Bachelor after his first return to)

Background imageIndigenous People Collection: Oaitepeha Bay, Tahiti, 1776 (oil on canvas)

Oaitepeha Bay, Tahiti, 1776 (oil on canvas)
7295319 Oaitepeha Bay, Tahiti, 1776 (oil on canvas) by Hodges, William (1744-97); 92.7x138.4 cm; National Maritime Museum, London

Background imageIndigenous People Collection: Landing at Erramanga (Eromanga), one of the New Hebrides, 18th century (oil on panel)

Landing at Erramanga (Eromanga), one of the New Hebrides, 18th century (oil on panel)
7295302 Landing at Erramanga (Eromanga), one of the New Hebrides, 18th century (oil on panel) by Hodges, William (1744-97); 22.9x45.3 cm; National Maritime Museum, London

Background imageIndigenous People Collection: 'Deer Island, Beaver Harbour, Vancouver's Island, July 15th 1851 [Canada]', 1851 (watercolour)

'Deer Island, Beaver Harbour, Vancouver's Island, July 15th 1851 [Canada]', 1851 (watercolour)
7295635 'Deer Island, Beaver Harbour, Vancouver's Island, July 15th 1851 [Canada]', 1851 (watercolour) by Fanshawe

Background imageIndigenous People Collection: Poedua, the Daughter of Orio' (c.1758-c.1788), c.1784 (oil on canvas)

Poedua, the Daughter of Orio' (c.1758-c.1788), c.1784 (oil on canvas)
7295468 Poedua, the Daughter of Orio' (c.1758-c.1788), c.1784 (oil on canvas) by Webber, John (1750-93); 145.4x95.9 cm; National Maritime Museum, London

Background imageIndigenous People Collection: Portrait of Inuit group, 1854 (b/w photo)

Portrait of Inuit group, 1854 (b/w photo)
7295430 Portrait of Inuit group, 1854 (b/w photo) by Inglefield, Admiral Edward Augustus (1820-94); 16.2x21.2 cm; National Maritime Museum, London

Background imageIndigenous People Collection: Portrait Cove, Beagle Channel, 1878 (watercolour)

Portrait Cove, Beagle Channel, 1878 (watercolour)
7295564 Portrait Cove, Beagle Channel, 1878 (watercolour) by Martens, Conrad (1801-78); 19.4x29.5 cm; National Maritime Museum, London, UK; (add.info.: In Montevideo near the end of 1833)

Background imageIndigenous People Collection: A drawing entitled, 'Northwest American Canoe' in a sketchbook by John Webber, 1773-77 (pen & ink)

A drawing entitled, 'Northwest American Canoe' in a sketchbook by John Webber, 1773-77 (pen & ink)
7295528 A drawing entitled, 'Northwest American Canoe' in a sketchbook by John Webber, 1773-77 (pen & ink, black & wash) by Webber, John (1750-93); 11.5x20.6 cm; National Maritime Museum

Background imageIndigenous People Collection: Plates of Captain Cook Voyages, Volume I. A war canoe of New Zealand

Plates of Captain Cook Voyages, Volume I. A war canoe of New Zealand, with a view of Gable End foreland
7295526 Plates of Captain Cook Voyages, Volume I. A war canoe of New Zealand, with a view of Gable End foreland, 1770 (engraving, etching) by Parkinson

Background imageIndigenous People Collection: Vambery in his Travelling Dress

Vambery in his Travelling Dress
5668946 Vambery in his Travelling Dress; (add.info.: Illustration of Armin Vambery (1832-1913) Hungarian traveller and writer who travelled extensively around the territories of the Ottoman Empire

Background imageIndigenous People Collection: A native man from OONALASHKA ( Alaska ), 1785 (engraving)

A native man from OONALASHKA ( Alaska ), 1785 (engraving)
8766936 A native man from OONALASHKA ( Alaska ), 1785 (engraving); Private Collection; (add.info.: A native man from OONALASHKA ( Alaska ) Third journey of James Cook in the Pacific Ocean

Background imageIndigenous People Collection: An Eskimo watching a seal hole

An Eskimo watching a seal hole
5312095 An Eskimo watching a seal hole; (add.info.: Engraving depicting an Eskimo watching a seal hole. Dated 19th century.); Universal History Archive/UIG.

Background imageIndigenous People Collection: A Maori woman and child

A Maori woman and child
5307708 A Maori woman and child.; (add.info.: Photograph taken of a Maori woman and child. The Maori are the indigenous Polynesian people of New Zealand. Dated 19th century)

Background imageIndigenous People Collection: Maori traditional hut with tribal priest, 1899

Maori traditional hut with tribal priest, 1899
3480411 Maori traditional hut with tribal priest, 1899; (add.info.: Maori traditional hut with tribal priest (Shaman), 1899. New Zealand.); Universal History Archive/UIG.

Background imageIndigenous People Collection: Elephant in Indochina, c.1920 (photo)

Elephant in Indochina, c.1920 (photo)
8698483 Elephant in Indochina, c.1920 (photo); (add.info.: Science. Zoology. Elephant carrying goods in French Indochina (Vietnam). Photo, France, ca 1920.); © Archives Charmet.

Background imageIndigenous People Collection: Customs of the Sahara, 1810 (engraving)

Customs of the Sahara, 1810 (engraving)
8698344 Customs of the Sahara, 1810 (engraving); (add.info.: Geography. Algeria. Customs of the indigenous people of the Sahara: haircut as proof of the courage of the soldiers)

Background imageIndigenous People Collection: Pointed stone, 15th (engraving)

Pointed stone, 15th (engraving)
2909992 Pointed stone, 15th (engraving); (add.info.: Pointed stone from the Taino culture. Created by the Arawak people, the indigenous peoples of the Caribbean)

Background imageIndigenous People Collection: A young lady with her dog, 1850

A young lady with her dog, 1850
3478436 A young lady with her dog, 1850; (add.info.: Illustration of a young lady with her dog, asking London natives directions to Hyde Park. Dated 19th Century.); Universal History Archive/UIG.

Background imageIndigenous People Collection: North American Indian wool artifact: Navajo blanket, 19th century (wool) 127x188 cm

North American Indian wool artifact: Navajo blanket, 19th century (wool) 127x188 cm
530119 North American Indian wool artifact: Navajo blanket, 19th century (wool) 127x188 cm; Universal History Archive/UIG.

Background imageIndigenous People Collection: The Apache Trail via the Southern Pacific, 1917 (gouache and pencil on paper)

The Apache Trail via the Southern Pacific, 1917 (gouache and pencil on paper)
1767358 The Apache Trail via the Southern Pacific, 1917 (gouache and pencil on paper) by Dixon, Maynard (1875-1946); 27.3x87 cm; Private Collection; (add.info)

Background imageIndigenous People Collection: A rout of braves during a Native American uprising (engraving)

A rout of braves during a Native American uprising (engraving)
8631233 A rout of braves during a Native American uprising (engraving) by Feller, Frank (1848-1908) (after); Private Collection; (add.info.: A rout of braves during a Native American uprising)

Background imageIndigenous People Collection: The Boys made an Ice-Raft (colour litho)

The Boys made an Ice-Raft (colour litho)
8633205 The Boys made an Ice-Raft (colour litho) by English School, (20th century); Private Collection; (add.info.: The Boys made an Ice-Raft)

Background imageIndigenous People Collection: A Native Dancing on the Sharpened Teeth of Saw Blades, Bikaner; His Son, a Boy of Three

A Native Dancing on the Sharpened Teeth of Saw Blades, Bikaner; His Son, a Boy of Three
8630674 A Native Dancing on the Sharpened Teeth of Saw Blades, Bikaner; His Son, a Boy of Three, Dancing on Sword Blades (b/w photo) by English Photographer

Background imageIndigenous People Collection: The Corroboree (b/w photo)

The Corroboree (b/w photo)
8644659 The Corroboree (b/w photo) by Australian Photographer, (19th century); Private Collection; (add.info.: The Corroboree)

Background imageIndigenous People Collection: Jesuit missionary addressing the Indians (engraving)

Jesuit missionary addressing the Indians (engraving)
8652439 Jesuit missionary addressing the Indians (engraving) by European School, (19th century); Private Collection; (add.info.: Jesuit missionary addressing the Indians)

Background imageIndigenous People Collection: The princess and the giant (engraving)

The princess and the giant (engraving)
8652435 The princess and the giant (engraving) by European School, (19th century); Private Collection; (add.info.: The princess and the giant)



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"Preserving the Rich Heritage of Indigenous People: A Glimpse into their Vibrant Cultures" Exploring the Ancient Cave of the Hands in Argentina, where indigenous art tells stories that transcend time. Reflecting on the British Empire's 19th-century world map and its impact on indigenous communities across continents. Captivated by a Majestic Maasai Warrior framed by a flat-topped acacia tree and towering Mount Kilimanjaro. Embarking on an Expedition Vehicle through the Tenere region, immersing oneself in the vastness of Central Sahara alongside indigenous guides. Contemplating Life as a Samburu Warrior gazes out across the breathtaking Eastern Scarp, connected to ancestral lands. Witnessing Young Maasai Girls adorning their faces with vibrant ochre, embracing age-old traditions passed down through generations. Unveiling Bolivia's Cholita Climbers in The Wider Image series - indigenous women defying stereotypes while conquering mountains. Meeting a Wise Guarani Man whose presence echoes ancient wisdom from "And Their Ghosts May Be Heard, " capturing his resilient spirit amidst change. Observing a Hadza Hunter indulging in cannabis rituals using a crude stone pipe, highlighting cultural practices intertwined with nature's offerings. Admiring a Graceful Himba Woman adorned in traditional attire; her radiant body gleams with red ochre symbolizing beauty and identity preservation. Exploring Chipaya Community where ethnic groups install their first autonomous huts - witnessing resilience and self-determination firsthand. Immersed in Pomfret Illustration showcasing diverse indigenous cultures worldwide; celebrating their rich tapestry of customs and heritage. In this captivating journey through various corners of our world, we honor and celebrate Indigenous People who have preserved their unique identities against all odds – guardians of culture, tradition, and wisdom.